Sunday, October 19, 2025
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It Is Not Too Late to Rename West Harbor.

By Daniel E. Ryan
San Pedro

It is not too late to rename West Harbor.

The name West Harbor is at once geographically confusing, generic, and uninspiring.

Simply put, West Harbor is a terrible name, and the developers of this exciting project would be well-served to come up with something better – and soon!

Given its location near L.A.’s southern tip, and east of much of L.A., West Harbor’s name is clearly going to confuse potential patrons about its physical location. When one looks at a map of LA as a whole, West Harbor will be in what is essentially the southeast corner of the city. The location of the project is east — not west — of the entire San Fernando Valley, much of the South Bay, and most of Los Angeles. Why incorporate such geographic dissonance into a project’s name?

The development’s location is of course technically on the western side of the Harbor, by virtue of the fact that it is in San Pedro. But this is an uninteresting detail, unworthy of being the focus of the project’s name.

Beyond being very confusing, the name West Harbor does little to convey anything about the project itself — it is bland and unexciting. It is apt to be confused with the place one goes to buy resin to maintain one’s boat: West Marine.

Luckily, better alternatives abound, and I have a couple of suggestions to offer.

In my native home of Boston, the crappy parking lots in South Boston that former Dodgers owner Frank McCourt once also owned, have been developed into one of the most desirable areas of all of Boston to live in. The area has been rebranded the Seaport District. Calling this area the Seaport of course is not what made the area into a hotspot overnight — it took hundreds of millions of dollars of investment and support from the local authorities (and as with any project, the Boston Seaport District is not without its share of problems). Yet, it is undeniable that the rebrand from Southie to Seaport was a part of the neighborhood’s transformation. In one word, this new name vividly connotes a bustling maritime environment, with passing ships and a coastal breeze.

The West Harbor project will be on what is already known to many as the LA Waterfront, so including “waterfront” in its new name would make a lot of sense. Visitors to the new esplanade will have a front row seat watching LA’s working waterfront, so why not consider incorporating the word “waterfront” into the project’s name? Is the proximity to the waterfront not the main draw for the project in the first place?

A place called West Harbor could be literally anywhere — but there is only one spot for the LA Seaport, or the LA Waterfront. Mix and match: Seaport Los Angeles and Waterfront LA would also work just as well.

These are just a few suggestions, but just about anything would be an improvement over West Harbor. Perhaps the developers can crowdsource a better name from the community, or hold a contest to come up with a new name for this important project.

As a San Pedro resident, I have been eagerly watching the progress on this project for the past few years. I am happy with what I see so far. Until recently, I have been assuming that West Harbor was just a placeholder name. I hope this is the case. Yet, as I see construction quickly progressing and tenants committing, I am alarmed the current name will stick, which I strongly feel would be to the detriment of the project and the community.

I encourage the developers of West Harbor to go back to the drawing board on the name, and come up with something better.

It won’t be hard. West Harbor is a bad name, but it is not too late to change it!

Letters to the Editor: Trump Threats Warrant Relentless Protests, Democracy or Dictatorship? and Making Gaza The 51st State

The Trump Threats Warrant Relentless Protests by the People

The return of Donald Trump to the White House has been a torturous experience for many of us. The notion that respectable Americans could elect a man who exemplifies such an obvious and severe lack of moral character and integrity is bewildering beyond belief.

The display of flagrant ignorance and bullying by the officers of the highest office in our country is revolting beyond measure. President Zelensky has more courage and moral fiber in his little finger than Trump, Vance and Musk have combined.

I’m a child of the 1960’s. The outrage of what is transpiring is overwhelming for me. I lived in a time where outrage promoted immediate action on a very wide scale. I am asking myself where the masses of people are to immediately engage in protest. Because I am almost ¾ of a century old…..I don’t have the energy to “organize” a protest….but, certainly have the strength to attend. When I look at the recent town hall meetings being held I see that most of the folks attending are seemingly over 60 years old! WHY? I feel like the younger generations have grown complacent and lazy simply waiting for the old folks to get the work done for them. This is a “desperate” time. Everyone PLEASE take the time necessary to stand up and save this precious country of ours from the tyranny of Donald Trump.

We, in the LA harbor area, have a perfect venue to protest the maniacal man that is calling the horrifying shots that are destroying our country. The Trump Golf Club in Rancho Palos Verdes should become the mecca for these protests. I urge the San Pedro, Torrance and all other local Democratic Clubs to pick up the gauntlet here and create a schedule for these protests. You can be assured that I and many others will be there.

The principles of this country are well worth fighting for.

Janet Schaaf-Gunter

San Pedro

 

Democracy or Dictatorship? The Urgent Choice Facing America

We are watching what we never thought possible—the apparent transformation of our democracy into a dictatorship (or, as Trump has promoted, a monarchy with him as king).

The battle of our day is no longer about Democrats versus Republicans or left versus right. The choice right now is democracy or dictatorship. And we’re sliding faster than I ever thought possible into the latter. Everyone must choose which side they’re on.

You may be feeling helpless, powerless, and alone. But you are not. Most Americans are as disgusted by this as you are. Trump and his billionaire friends want us to feel helpless, powerless, and alone—because that’s how Trump will take over.

But tyranny cannot prevail over people who refuse to succumb to it.

And something is beginning to happen. Boycotts are taking hold. Protests are on the rise. Federal courts are hitting back. The Trump-Musk-Vance regime’s popularity is plunging, and DOGE is losing credibility.

In these dark times, people are starting to fight back.

Ultimately, what happens to our country will come down to our own courage and resolve: To engage in peaceful protest. To organize and mobilize others. To work against hate and bigotry. To fight for justice and democracy.

That’s why I’m writing to you today to ask you to support MoveOn, an organization I deeply admire and that has millions of members in every corner of our country. MoveOn can reach, train, support, organize, and communicate at a scale that is unparalleled in the progressive movement, and it does so with cutting-edge technology. We need MoveOn at this moment, now more than ever.

Former Secretary of Labor Robert Reich

 

Mad King Trump Makes Gaza The 51st State

Time to update those American Flags most likely made in the People’s Republic of China with an additional star for the United States’ newly declared 51st state… otherwise known as the Gaza Strip. Who declared such a thing, you might ask? Oh, that would be the demented 78-year-old convicted felon fascist thug Donald Trump of the anti-American GOP (Greedy Old Perverts).

You know, the same psychotic self-declared “stable genius” who has already told everyone that he wants to illegally order the American military invasions of Mexico, Canada, Panama, and Greenland in contravention of international law and all reason. Orange Hitler, y’all.

Or is Trump just “Wrong Don”. I can see why a born-with-a-silver-spoon in his big mouth buffoon like deranged Donald Trump might be under the Adderall-infused delusion that he is now the new King of America when tyrannical toddler Trump has been such a spoiled brat his entire selfish existence as sociopathic swine.

Here’s some constructive criticism for the Mad King Donald Trump: If you’re going to try to wave your White Power wand and actually create a 51st state, your moronic majesty, why not Canada as you initially called for, or Puerto Rico instead? Or is that tangerine twit Trump just going to toss some more paper towels at the problem?

“Be best”, you racist! And Puerto Rico’s already a long-time American territory, etc. Why does plutocratic pig Trump hate Puerto Ricans so much? Whereas, if you add a 51st star to the American flag for Gaza (just so the Trump Crime Family can own a country club on the Mediterranean), then you do of course know soon to follow will be a 52nd star for the West Bank.

What? You think the Palestinians in the West Bank aren’t also going to attempt to flee from their mass murdering Israeli occupiers and acquire protections under the United States Constitution as well as their beleaguered brethren in Gaza, if Trump’s proposal for turning the Gaza Strip into his so-called “Riviera of the Middle East” is passed by the otherwise do-nothing, know-nothing, overpaid and completely corrupt Republican Congress of cowards and suck-ups.

Jacob Pickering

An Injury To All

 

If An Injury To One Is An Injury To All, What is An Injury to 2.3 Million?

“An injury to one is an injury to all” was the Wobblies’ slogan a century ago, as they worked to build one big union for all workers in all industries, regardless of the divisions bosses routinely used against them — ethnicity, race and religion. Today, the Trump/Musk regime is trying to injure 2.3 million workers — illegally and unconstitutionally firing tens of thousands outright and trying to traumatize the rest into quitting or falling in line with Trump’s lawless reshaping of government. Their hope is to portray government workers as demonized others, as not really workers at all.

But, “The Trump regime’s attempts to demonize federal workers flies in the face of the experience of everyday Americans. There is virtually nothing we do that does not have a federal hand in it!” said San Pedro labor lawyer Diane Middleton. “Send a letter anywhere in the U.S. for under one dollar? That’s the U.S. Postal Service—which Trump wants to privatize. Worried about the safety of food or drugs? That’s another federal agency. Concerned about infectious diseases spreading in the U.S. from another country? That’s the role of the CDC. How about visiting a national park?

“Let us be clear,” Middleton said. “The Trump administration has no mandate. The election was won with slightly over 1% of the popular vote. The people of America did not vote for any of this. Lawsuits have been filed challenging all of these unconstitutional power grabs.”

None of this impresses MAGA leadership.

“Federal employees do not deserve their jobs,” said MAGA Rep. Marjorie Taylor Greene flatly in an oversight hearing. “Those are not real jobs.”

Air traffic controllers, infectious disease specialists, national park rangers, IRS employees chasing down tax-cheating millionaires — these are not workers, they’re “bureaucrats,” you see. “We want the bureaucrats to be traumatically affected,” Trump’s top budget official Russel Vought said in videos surfaced by ProPublica before the election. “When they wake up in the morning, we want them to not want to go to work because they are increasingly viewed as the villains,” he said. “We want to put them in trauma.”

Putting 2.3 million workers in trauma. That’s the Trump/Musk anti-worker plan in a nutshell.

“They want to create shock and awe and traumatize workers and community members. Their plan is to issue something almost daily, overwhelm us, and dismantle our response mechanism,” said Victor Navarro, project director at UCLA Labor Center. .

So how is it making workers feel? AFGE represents over 750,000 federal workers, and their feelings range all across the map, according to Public Policy Director Jacqueline Simon.

“I can only tell you what our members have reported to us,” Simon told Random Lengths News. “They’ve expressed a range of emotions from fear to fury and at some point when they [DOGE] keep making mistake, after mistake, after mistake, just sort of throwing up their hands and laughing. So there’s all kinds of responses.”

One thing’s for certain, it’s not helping them do their jobs — which are all about serving the public.

The first agency Musk and DOGE targeted for defunding was USAID, not only getting rid of workers, but canceling contracts including millions of dollars of agricultural exports—and disease-fighting programs including Ebola and AIDS. USAID has saved millions of lives, and gained enormous gratitude and support for America since its founding by John F. Kennedy in 1961. Its support for America’s soft power in world politics has been invaluable. But now, “We’re watching psychological warfare against a workforce that has been committed to furthering the lives of other people,” USAID’s chief economist, Dean Karlan, told NPR on Feb. 26, just after resigning.

The cut-off of AIDS funding had cost 1,700 infant deaths as of Monday, March 3, and 16,633 adult deaths, according to the PEPFAR Impact Counter website. A leaked internal memo projected up to 18 million additional cases of malaria per year, and as many as 166,000 additional deaths, plus 200,000 children paralyzed with polio annually, and hundreds of millions of infections. This is what happens when you mass fire government workers. People die.

On Feb. 27, there were mass firings at National Oceanic and Atmospheric Administration and the National Weather Service, following the initial pattern of targeting “probationary workers”— either new hires with less than one to three years on the job (it varies by agency) or veterans newly promoted because of their exemplary performance. These workers are, in short, both the future of the agencies and some of its most valuable employees. They’re fired because their status makes it easy to do, though the reasons given—“poor performance” are patently absurd. In addition to workers promoted for excellence, some new hires had not even begun working yet. They had no performance to be judged on. The lives lost by firing them were not so readily predictable, but the economic losses are considerable.

“The U.S. NWS is a truly world-class meteorological predictive service, perhaps singularly so,” said UCLA meteorologist Daniel Swain. “Its cost of operation is only ~$3-4/yr per taxpayer —equivalent to a single cup of coffee — and yields a truly remarkable return on investment (at least 10 to 1, and perhaps 100 to 1).”

Firing workers at the IRS was similarly economically ludicrous: these are the people who bring money into the government—and the firings came just ahead of tax season. It’s like a business firing its accounts receivable department.

But looking at all the different sorts of agencies and workers affected distracts attention from the sheer big picture enormity of what’s going on. That enormity was underscored by a Feb. 26 memo calling for agency leaders to “undertake preparations to initiate large-scale reductions in force,” which could go as high as 65% at the Environmental Protection Agency, for example. “This memo is that wake-up call that the lives of the majority of the 2.3 million federal employees and their families are at stake,” Navarro said.

And not just those workers. “Any kind of job cuts at Social Security will be devastating,” Simon warned. “It’s already tremendously understaffed…. I think the harm will be felt almost immediately by beneficiaries.” Missed payments within the next three months are a distinct possibility.

The mass firings are reminiscent of Ronald Reagan firing air traffic controllers in 1981. Both are sharp breaks with tradition, but they didn’t come out of nowhere, and they sent a signal of much worse to come. “They are both connected to a strategy and agenda,” Navarro warned. “Reagan breaking the PATCO strike and firing 11,000 federal employees in 1981 launched his agenda to weaken the labor movement. Reagan’s NLRB followed this strategy by aggressively reversing precedents and diminishing workers’ rights,” he explained.

But the differences are equally important, Navarro noted. “A significant difference is the size and scale. What Trump is doing is massive compared to Reagan era and the consequence will be much more devastating,” Navarro said. “Roughly 80% of federal workers live outside the Washington area. This will have a devastating impact on the economic situation of these employees and their families, which will then be a drain on the local economies in the cities where they reside. Moreover, the planned massive layoffs and firings from many department will greatly diminish the delivery of their services to those in need.”

“We’re all connected. The federal government, the state and local government and the private sector,” Simon said. “We are all intertwined and without federal employees spending money in the private sector on housing and groceries and apparel and everything else, you will feel it in the private sector,” she warned. “When grants are not provided to the state government and local governments for promised infrastructure projects or healthcare, you will definitely see it impacting state and local budgets. So it so it’s all going to be felt up and down the scale.”

But Simon took issue with the Reagan comparison in one respect. “The air traffic controllers under Reagan went on strike, and when they did so they knew they were breaking the law. And so when Reagan fired them, he was operating within the law,” she said. This time it’s the opposite. The Trump administration is breaking laws left and right. She noted, “There are numerous lawsuits.”

But lawsuits alone aren’t enough. “They want to do the damage and expect to get sued,” Navarro said. “If the court rules against them, they appeal the decision to drag out the process. When they finally lose a case, they would have accomplished their goals by that point.”

Broadly speaking, “A major goal of the conservative groups and the Republican party has been to destroy the labor movement and unions,” Navarro noted. But, “What is happening today is different. Trump and his group have total disregard for the laws and regulations. They don’t even believe in Constitutional rights,” he said. “It is clear with their recent activities at NLRB and DOL, that they intend to deteriorate workers’ rights and are prioritizing the elimination of unions.”

To prevent that, “What we have as our most powerful weapon for justice is the streets and public protests,” Navarro stressed. “We are going to need the type of groundswell and mobilizing like we did on May Day 2006 when millions of workers took to the streets throughout the country in massive protests,” which were as close as America’s ever come to a general strike. “We will need to create this type of massive mobilization and sustain it. The legal strategy of filing lawsuits is useful to slow down their attacks and create breathing space for the organizing and mobilizing.”

The potential for that is substantial. “The one common denominator that we have today is that all workers – private sector, public, independent/misclassified, gig workers, etc. are under attack,” Navarro pointed out. “With this major crisis today, we have a big opportunity to lift up the political consciousness of the working class and engage in this struggle together. Anthony Romero, executive director of National ACLU, said it best in an interview recently where he said, ‘we may need to shut down the country.’”

“We the people are the only force that can stop this madness,” Middleton added.

Key to doing this are kinds of organizing work that fly below the radar of mainstream political reporting.

“In recent years, the labor movement has become broader in Los Angeles, NYC, Chicago, and other parts of the country to include worker centers, gig organizing efforts, and other worker struggles under the same umbrella,” Navarro explained. “We are more interconnected than ever before, especially in supporting organizing and policy campaigns. We will need to harness and deepen this collective solidarity building process to take it to the next level. We will need to be in radical solidarity to move our agenda to counter the Trump and Project 2025 strategy.”

To do that, “We need to prioritize seizing this moment to create public education and raising consciousness among all workers,” he said. “This should be a priority of unions, workers centers and other allies to engage in internal political education and raising consciousness on a massive level.”

Looking ahead, Navarro said, “May Day 2025 is coming up, and that could be the first moment to create the mass groundswell. It is in the streets where we will win.”

Talking Trade, Kool-Aid and Gaslighting ― A Barstool Debate on Tariffs, Robots, and Reality

I was having lunch at the San Pedro Brewing Company next to a couple of longshoremen at the bar. Never being one to shy away from controversial topics, our conversation drifted over to automation and trade tariffs. One of them tells me he used to vote liberal but has changed in the last 20 years. I asked if robots and trade politics would change his mind about the Orange Felon and he said, “I doubt it. I probably won’t be around to see complete automation. Besides, they don’t have enough electricity to power the entire ports fully.”
We agreed on that point and I told him that the defunding of the Environmental Protection Agency will only add years to meeting the zero-emissions goals. “EPA has placed 171 employees in Diversity, Equity, Inclusion, and Accessibility and Environmental Justice on administrative leave,” according to a released statement by the EPA. However, the IQAir 2024 world air quality report set to be released on March 11, found that “The most polluted major U.S. city in the U.S. was Los Angeles. And Ontario, California was the most polluted city in the United States.” And the ports of Los Angeles and Long Beach remain the largest stationary source of pollution in the seven counties of Southern California.
Then the conversation drifted off to the COVID-19 pandemic and I said that the defunding of the National Institute of Health and World Health Organization would only make America vulnerable to the next virus. He poo-pooed that this had anything to do with protecting national health. When he started blaming Dr. Anthony Fauci, I knew I was talking to a man who had drunk more than beer but the Kool-Aid of the radical right. I paid my tab and thanked them for the conversation.
On this very same day, Reuters reported, “U.S. President …. [placed] new 25% tariffs on imports from Mexico and Canada took effect on Tuesday, along with a doubling of duties on Chinese goods to 20%, sparking trade wars that could slam economic growth and lift prices for Americans still smarting from years of high inflation.” The Dow Jones dropped 1,200 points. These tariffs are set to upend nearly $2.2 trillion in annual trade. And my conservative new friend didn’t think it would matter to his job on the waterfront.
I’m sure that the farmers in Kern County who voted for the Orange Felon also believe that deporting their farm workers and having a trade war with China, which buys tons of our agricultural products, is a good idea just like the MAGA longshoreman who lives in Orange County.
The Joint Session of Congress on this same evening was just an extension of what we’ve all groaned to expect from the — Orange reality TV show “star.” It’s a performative theatrix not unlike the debacle with Ukraine’s president, Volodymyr Zelenskyy, a colossal embarrassment on the world stage that makes our allies cringe and a growing number of Americans sick with regret. The problem is that even though this is a kind of performative political theater, real consequences will come. It will come faster than expected this time and the resistance will have to be more responsive — either a national boycott of the billionaires or a general strike — before the next pandemic or recession starts. Will the Democrats lead or follow in such efforts? Will this be a class war or a culture war, perhaps both?
Yes, nobody wants to admit it but it’s been historically true that under every Republican president since Richard Nixon there has been an economic recession. The worst, of course, was under George W. Bush, with the mortgage bond debt swap banking collapse of 2008. And what we saw with the COVID-19 pandemic recession is just a primer of what the Orange Felon is going to do again with defunding national health systems and having a vaccine skeptic as the Secretary of Health and human Services. Who wants to have an outbreak of measles in their school?
It’s going to take a lot of brick-wall reality checks to change some peoples’ beliefs about what really makes America great and what makes it a tragic farce. I’m not yet even addressing the horrific war in Gaza because that’s a blind spot for both Democrats and Republicans.
We are now standing on the edge of democracy, a term best understood from the Netflix documentary of the same name about the rise, fall, and redemption of Luiz Inácio Lula da Silva, the most popular labor party president of Brazil. He won his first election with an astounding 83% of the vote. After two terms, he was prosecuted twice with political allegations of corruption from the far right and after two years in jail his case was overturned and he ran for a third term and won. It almost sounds similar but is the opposite, where justice and democracy prevailed.
It is uncertain at this point if the continued gaslighting from the Oval Office will succeed but what is becoming particularly clear is that this form of governance is patrimonialism — one based on individual loyalty and appeasement — a system of government where the leader runs the state as if it were his personal property or family business. It is still authoritarian fascism, no matter how high the gaslight flame you cook it. And it’s still not making America great.
PS. An afterthought on the speech to Congress — I never trust a man who has to continually repeat himself because it makes him appear as though he’s trying to convince himself of things he knows just aren’t true.

LA Harbor International Film Festival Sets Sail on 22nd Voyage March 13-16

 

Programming and sponsors for the LA Harbor International Film Festival were announced and the official poster and street banner unveiled, for LAHIFF at the Seafarin’ Reception & Press Launch, held at Port Town Brewing Company, Feb. 13.

LAHIFF takes place at four different locations since the Warner Grant Theatre, the traditional venue for the festival, has closed for renovations. Festival director Stephanie Mardesich welcomed guests before announcing programming.

“We are delighted to return to Port Town Brewing Company to announce programming as we did in 2024. With its landmark location, and support of proprietor James Brown since the inception of the film festival, it is the perfect setting for our guests to convene and later enjoy dining at one of our ‘Epicurean Sponsor’ venues after the event,”

The official poster and street banner “Liberty On The Cinematic Bridge” were unveiled by Los Angeles County Supervisor Janice Hahn, who stepped in for LA City Councilman Tim McOsker, District 15.

LAHIFF begins March 13 with education outreach Program A “Read the Book, See the Movie” or RBSM culmination program, featuring the classic novel 20,000 Leagues Under The Sea by Jules Verne, and 1954 Academy Award nominated film.

Opening Night Program B, March 15, 5 to 7 p.m. “Happy Hour + ” features the oral history project Stories of Los Angeles Harbor Area: For Yesterday, Today & Tomorrow (SOLAHA The Movie Vol. VI) at the Dalmatian American Club, which Mardesich called “a true community event” including a “no-host bar and appetizers.

Venue: DAC 5 p.m., 1639 S. Palos Verdes St., San Pedro.

Reservations:310-831-9821

Program C March 15 Hollywood Nostalgia Tribute happens aboard Battleship IOWA, fantail-aft deck, at 4 p.m., screening MGM’s delightful musical On The Town, about WWII Navy plebes on 24 hour “liberty” in New York City.

Venue: Battleship IOWA, 205 S. Harbor Blvd., San Pedro

Reservations: Eventbrite https://LAHIFF22.eventbrite.com

Closing Day, Program D, March 16 “DocSunday,” 2 p.m. at the YWCA Harbor Area Julia Morgan Auditorium. This year features the POLA premiere of Patrice:

The Movie, which Mardesich viewed as a press delegate for the 68th BFI London Film Festival in October 2024.

“The movie touches on so many issues that reflect the YWCA mission including social justice, equity, and civil rights; evoking a mood of humanity and an element of romance in the unique story,” Mardesich said.

Venue: YWCA Harbor Area, 437 W. 9 th St., San Pedro

Reservations: Eventbrite, https://tinyurl.com/LAHIFF-Doc-Sunday

The LAHIFF offers stimulating and entertaining programming that inspires the audience and respects the integrity of the silver screen. Mardesich founded the LAHIFF in 2003 (with Jack Baric) and observes “the film festival is a way to offer a collective experience augmenting the cultural landscape and promoting all San Pedro and surrounding areas have to offer residents, visitors, and tourists.”

Details: All programs are free

Reservations requested for Programs B, C, and D.

See www.laharborfilmfest.com for updates on programming.

The Actors Jungle: A New Era of South Bay Theatrical Innovation

 

San Pedro’s vibrant theater scene has gained a groundbreaking theater company, The Actors Jungle, which is dedicated to fostering creativity, inclusivity, and bold storytelling. Premiering March 28 and 29, The Actors Jungle’s new production is set to transform how audiences experience live performance.

Founded by a diverse group of passionate artists, The Actors Jungle creates a welcoming space where performers and audiences alike can explore the depths of the human experience through innovative productions. The company’s mission is to challenge traditional narratives, spotlight underrepresented voices, and engage the community in dynamic, thought-provoking performances – while the audience actually participates as directors and judges.

“The Actors Jungle is more than just a theater company; it’s a movement,” said artistic director Will August. “We want to cultivate a community where artists can thrive and where audiences can connect deeply with the stories we tell. Our goal is to blur the lines between performer and spectator, creating an immersive experience that resonates long after the curtain falls.”

August noted the opening scene in the company’s upcoming show involves an exploration into racist insults and their effects on people.

How and why people use racial slurs, and how do we respond in the given circumstances?” he asked.

“Using the “N” word comes into play. But we, as truth-seeking actors, are fearless to expose it for what it is.”

The company is launching its first season with a mix of classic revivals and original improv works. It will also host workshops, talkbacks, and community engagement initiatives to foster collaboration and connection among artists and audience members.

“One big reason we started, among many, is that we discovered that there was going to be a vacuum when the Little Fish Theater moved (in February 2024),” August said. “And we want San Pedro to have a San Pedro-based theater company, for our community and the surrounding communities.”

The director said the company feels a little bit like a David and Goliath situation, the little guy trying to get started. The company’s workshops are for directors and screenwriters, or as he said, “a creative laboratory, if you will, for creatives.”

“There’s acting classes around, particularly in Hollywood,” August said. “Actors go and they work on their acting skills. There’s certainly writers’ classes and writers’ workshops where writers can go. But where do they go to put it all together? And that’s where we’re unique.”

The Actors Jungle brings writers, directors, and actors together every Tuesday night at 6 p.m. at Collage. They have a state-of-the-art stage from which to work and writers can come in with their new scripts — particularly local writers, August noted. Actors bring the scripts to life, directors direct the actors based on the scripts, and everyone sees the product before people spend money on it and try to produce it.

With August’s company, writers bring in their work at the earliest possible stage, for example, a draft of a screenplay. The actors perform, other writers observe it, and the director discusses what they like or dislike and what they can or cannot do.

“It’s a very productive situation at an early stage, before any money has been spent to get the wheels rolling, and you can’t stop it,” August said.

August’s idea came as a result of wanting to fill the new theater gap in San Pedro. He started looking around and talking to everyone he knew about a location. He was finally led to Richard Foss, executive director at Collage through Taran Schindler, the deputy artistic director at Warner Grand, and August said it was a great fit.

“That theater is gorgeous,” August said.”We have a core group of terrific actors who are trained, easy to work with, and creative spirits.”

There’s a flow between new and regular people who attend the workshops but the company needs at least a dozen more people. He hopes to appeal to folks who can join them and help them grow. Another good thing about this little theater company is its location, which may sound surprising. August admitted most performing arts workshops where actors, writers, and directors go are going to be on the West Side, Hollywood, and in the Valley.

“But there’s not one group doing what we do … local to Torrance, San Pedro, Palos Verdes, Wilmington and Long Beach,” August noted. “We have actors come up from Orange County because they come to us instead of having to drive that extra hour [to LA] an actor can’t do that, a writer can’t do that. So we can provide a great service to people in this area, but we need to get known.”

The company’s first goal is getting known. Its debut show was in November 2024. It was very well received and it sold out at Collage. They even had to turn away people at the door.

“That’s how much interest there is in this,” August said. “There’s potential here.”

The Actors Jungle has a unique tool; its “one great strength,” as August said, is that it presents an entertaining, cutting-edge show that is simple and involves the audience. The format introduces the audience to a “truthful, behind-the-scenes look at a real acting class.” The audience enters, August is there as the director and he speaks to the audience as if they’re actors there to be trained. And they actually have input as directors into some of the scenes. They experience firsthand what actors go through to prepare for a movie, a television show, or a play.

“It’s exciting for them because it’s not what they expect,” August said.

To support this strength, August explained, actors have one huge tool called scene study, where they take a scene from a script and perform it on stage. It’s done with very few props or sets. Like the actors, the audience uses its imagination to discover where the actors are and what the situation is. Then August directs the actors “the way it’s actually done, which has very little to do with telling an actor where to go and what to do.”

“There’s certainly a blocking to it but actors have to be alive,” he said. “I facilitate actors living truthfully under imaginary circumstances. “We have real actors [from] the acting class come in, as if from a hard day’s work to start class. They enter once the audience is there and from there we usually put up about six or seven scenes. It’s not like a three-act play which can oftentimes be quite boring in a small theater. In our case, it’s a fast-moving six or seven short scenes, fast-paced, so it’s extremely entertaining. The audience is wondering what happens next.”

August is an award-winning actor and director. He starred in a Fox Primetime television series called My Big Fat Obnoxious Boss. If that title doesn’t sound familiar it’s because Fox put the show up against Desperate Housewives, which was doing 30 million viewers a week. (For comparison, August said the Superbowl had 80 million viewers at one time).

“We were a very successful show, but we were [at] maybe five million a week,” he said. “And we were in international syndication. But it was a bit squelched in the U.S. because of Desperate Housewives.”

Among his awards, August won First Place at the prestigious Los Angeles Shakespeare Slam competition where he interpreted one of Shakespeare’s sonnets. He is a veteran of hundreds of projects and has worked with David Mamet (Pulitzer-Prize & Academy Award Winner), The Atlantic Acting Co., The Groundlings Improvisation group, Larry Moss (Broadway Director), W William H. Macy & Felicity Huffman (Emmy Award Winners), and Gordon Hunt (Multi-Award Winner). He has performed major roles in theater and television and he is writing The Actors Jungle.

August said he would love to present four to five shows a year. Audiences can expect both comedy and drama, usually four of each performed in seven or eight scenes. For now, The Actors Jungle is growing its social media presence. One way is through its series of acting tips which the company posts on its social media, where for free, actors can get a 60-second quick and helpful comment or tip about acting. You can also find scene reels on their Facebook and Instagram pages.

The company also shares a valuable tool for actors as part of its workshops. Actors have to do something called self-tapes, or the “modern audition.” Instead of auditioning in person, the actor makes an audition video on their cell phone and uploads it to a platform where the casting people view it. Actors have to film it themself and get a neighbor, friend, or someone to do the scene with, who is not usually a professional actor. But they have to make that tape look great and professional. That’s a lot of variables for a struggling actor.

The Actors Jungle invites its actors to take videos of their self-tape in its workshops. They get a professional director giving them help to send in a great tape and they’ve got their fellow professional actors to read with them.

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Will August gives direction to two Actors Jungle actors. Photo courtesy of the Actors Jungle

“The bottom line is that the actors’ auditions and tapes are much better than if they did it themselves, as a result of participating,” August said. They don’t have any clue what the casting people might be looking for. So when they come into class … I can help them interpret the script, get a great performance and they have actors to do the scene with them.”

August noted agents who have actors in the South Bay or Long Beach send them to The Actors Jungle to do their self-tapes because it’s close and the actor has a better chance of booking the job.

“And here’s the kicker; for all the services, we charge $30 which is incredibly cheap. Most places are going to charge you maybe $80 and they require you to do six weeks in a row …and that’s the lower priced ones. We’re incredibly economical because we can be.

Join the company’s grand gala on March 28 and 29, at Collage to see The Actors Jungle: The Judgement of John B. The event will feature live performances and an opportunity to meet the creative team behind The Actors Jungle.

Details: www.actorsjungle.com

Brouwerij West Closes its Doors After a Weekend of Goodbyes

 

By Rosie Knight, Columnist

It was with heavy hearts and the vibrant, rowdy San Pedro spirit that residents bid farewell to Brouwerij West over a weekend of lively parties and emotional goodbyes.

The celebration began on Friday with the last of what has become a must-attend event, La Bota, the tamborazo night which brings thousands of dancers to the Port of Los Angeles every month to dance into the early hours of the morning. The high-energy brass-based Mexican band had become a South Bay staple since it first debuted at Brouwerij West in 2023. The massive success of the regular parties introduced boundless new faces to San Pedro while celebrating a vital part of the local culture.

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‘La Bota,’ a tamborazo night of dancing. Photo by Arturo Garcia-Ayala

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Bodies swayed and music vibrated through the World War II warehouse that has housed the local brewery for nearly a decade. It was a fitting goodbye for the brewery, which has hosted karaoke, trivia, gamedays, and many, many live shows over its near-decade tenure. It was clear from the thousands of people who showed up for La Bota that the passion for Pedro and tamborazo music is still just as strong as ever. Friends danced together, bartenders poured locally brewed beers, and hugs, kisses, and smiles were as abundant as empty glasses.

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Mike Watt + The Missingmen perform at the Brouwerij West farewell celebration. Photo by Arturo Garcia-Ayala

As the sun rose on Saturday and many Brouwerij West regulars nursed sore heads, it was time for one last blowout party, which had been in the works even before the news broke that the brewery would be closing its doors on March 3. Saturday’s big celebration was supposed to be Brouwerij West’s 9th Anniversary, but with recent news, it also became a bittersweet bash that carried the label of “Farewell Party.” Headlined by punk band, Fartbarf, the lineup included Icky & The Splooges, Clown Sounds, Mike Watt + The Missingmen, Bombón, and DJ Nick Aguilar.

San Pedro locals, Crafted vendors, and Brouwerij West devotees packed the courtyard and interior of the brewery for the event that began in the sunny afternoon and ran well into the chilly night. It was a vibrant reminder of the joyful community fostered by the brewery, with families, music fans, and beer lovers boisterously sharing in the lively atmosphere.

On Sunday, Brouwerij West’s final day of business, locals who had once waited tables in the early days of the brewery chipped into bus tables one last time as the neighborhood crowded in to get a final pour of Dog Ate My Homework or Popfuji. While the weekend’s festivities saw the community come together and celebrate, there was an emotional edge, especially as the closure of the brewery meant a loss of 30+ local jobs in the San Pedro community, including well-known workers who had become a staple of the port and its thriving community of workers, vendors, and families.

On Instagram, Brouwerij West shared a post thanking the local community for all their support. “San Pedro: We don’t even know where to begin. Nine years ago we had a dream and took a chance on creating not just a brewery, but something truly special. Thanks to you, we did just that. Thank you to everyone who offered their support — from kind words and connections to GoFundMe donations — to try and keep this crazy dream going. The outpouring was overwhelming, and we will be forever grateful.”

The adjacent building housing the art market known as Crafted will remain open for regular weekend hours, welcoming visitors to its recently expanded space featuring new vendors and businesses. As for what happens next for Warehouse No. 9, there were rumors aplenty over the weekend but no concrete announcement for what will take the place of the beloved brewery.

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Two patrons of Brouwerij West enjoy a dance during ‘La Bota’ at the brewery’s farewell celebration. Photo by Arturo Garcia-Ayala

The only thing that is sure is that both the local and wider Los Angeles community will be grieving the loss of Brouwerij West for a long time, not just as a business but also as a hub for families, local music, delicious food trucks, and as its final weekend proved once again unforgettable parties.

From Tuna Street to Walker’s Cafe

San Pedro Fights Back Against Demolition By Neglect

By Emma Rault, community reporter

“Demolition by neglect” is an existential risk to San Pedro. The term is used to describe situations when property owners allow their buildings to fall into disrepair. Sometimes, the reasons for this can be circumstantial — lack of funds or changes in arrangements, like a longtime owner or steward stepping down, causing important expertise to be lost.

At other times, it betrays a lack of interest in the buildings themselves and what they mean to the community. We tend to see this when land becomes more valuable than what is on it, as in Los Angeles in recent decades.

For absentee property owners, it’s easier and more profitable to cash out and let a developer put up something new.

Corporate developers, meanwhile, are often happy to let buildings sit and rot. As time goes by, people are more likely to get exhausted, tired of pushing back against ill-advised plans and looking at boarded-up windows. “Just do something — anything!”

A quick scroll through Zillow will reveal a number of blighted homes billed as “investment opportunities.” In other words: not a new homeowner’s fixer-upper, but an invitation for developers to come in, bulldoze, and start over.

When it happens to houses, it’s bad enough. When it happens to community spaces, however — spots that are important to our history, our connections with each other, our sense of place — it can be devastating.

But people can — and do — push back. Last year, we reported on the Port of LA’s plans to bulldoze what’s left of historic Tuna Street — the last surviving buildings from the thriving Japanese American community that was abruptly evicted after the attacks on Pearl Harbor at the beginning of WWII.

It’s a site that organizations such as the National Trust for Historic Preservation and the LA Conservancy consider rare and precious. And it’s vitally significant to the Terminal Islanders — a multi-generational organization made up of Japanese Americans with roots on the island.

That includes people with a direct link to the remaining buildings on Tuna Street, like Tim Yamamoto and Derek Nakamura, whose grandfather and great-grandfather Akimatsu Nakamura ran a grocery store on the site.

When they learned the port was intending to demolish these buildings to create more space for container storage, they immediately took action. They set up a preservation committee headed up by Paul Boyea, reached out to other stakeholders, and opened a dialogue with the city. The Central San Pedro Neighborhood Council stepped in passing a motion of support and brought the Terminal Islanders in masse to the Harbor Commission. The port gave lip service to the preservation but their intent was demolition.

Then last month, CD 15 Councilmember Tim McOsker introduced a motion to landmark the buildings, which after a touching meeting received a unanimous “yes” from the LA City Council.

The advocacy of the Terminal Islanders spurred a realization that these buildings have been stuck in limbo for far too long. “This is our opportunity … to do something that significantly acknowledges this great legacy,” McOsker said.

The end goal, Paul Boyea said at the city council meeting, is “adaptive reuse”: bringing the buildings back to life in a way that memorializes the important history of this community once known as East San Pedro. According to the US Post Office, it still is part of the 90731 zip code.
Meanwhile, over on the other end of San Pedro, we have Walker’s Cafe. After it was shuttered by its absentee owners in late 2021, a widespread community effort — with a petition signed by more than 3,000 people — resulted in the cafe receiving LA Historic-Cultural Monument status in 2022.

The landmarking triumph sent out a powerful signal. To quote the National Trust for Preservation’s slogan: “This place matters” — it needs to come back to life.

But partway through the landmarking process, the property was somehow scooped up off-market for $650,000 by Prospect Group, a developer whose MO is summed up in their Instagram bio as “Fix & Flip.”

In the years since they have let the shuttered cafe sit. And sit. And sit. Following numerous requests from our neighborhood councils, in October 2023 Prospect Group finally appeared at a Coastal San Pedro Neighborhood Council meeting — and unveiled plans for a massive, 3,500+ square feet, two-story residential development in the back of the lot.

This ocean-view mega-mansion would dwarf Walker’s Cafe — not to mention the single-story homes on either side of it — and rob the cafe of the space needed for storage and outdoor seating.

In short: this huge development would mean the death of the cafe — and it would destroy the unique historic charm of Point Fermin.

When the developer’s lawyer presented the plans to the community, dozens of local people and stakeholders sounded the alarm. They included neighbors, restaurant owners who had been ghosted by Prospect Group after offering to work with them to bring the cafe back, realtors, and architectural historians specializing in bringing LA’s historic sites back to life.

Prospect Group submitted their plans to the city’s Department of Planning two weeks later, having ignored the community’s concerns and made no substantial changes.

Two years later, the questions raised at that neighborhood council meeting still remain unanswered. Questions like: Where are the accommodations needed for the cafe to reopen — space for parking and dumpsters, enough outdoor seating to turn a profit, and the legally required distancing between a working kitchen and the huge house planned in the back?

Entering the third year of Prospect Group’s ownership, it’s looking as though no answers have been given because no good answers exist. Because the priority appears to be something else altogether — not bringing a popular business back to life, but squeezing every drop of profit out of a parcel of real estate.

On March 20, 2025, at 9:30 a.m., Prospect Group’s plans for the site will be discussed at a Planning Department hearing.

If the developers are able to push these plans through, this would allow them to sell the lot with “entitlements” — permits to build that mega-mansion — and leave Pedro behind in its rear-view mirror. They’d be able to turn a profit without so much as breaking ground. That’s what it means to “Fix & Flip.”

In that scenario, Walker’s Cafe becomes collateral damage. A landmarked legacy business held hostage for years on end with issues piling up and its chances of revival dwindling.

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“Demolition by neglect” is an existential risk to San Pedro.
Graphic by Emma Rault.


But like Tuna Street, Walker’s Cafe still has a chance. With the recent loss of the Alhambra, Dancing Waters and Brouwerij West, it’s even more important to hold onto the historic community spaces we’ve got left.

San Pedro again finds itself at a crossroads. Last year, the question was: More container storage or nationally significant historic buildings?

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The long-running San Pedro nightclub Dancing Waters, which saw many different iterations. Photo by Arturo Garcia-Ayala


The answer was loud and clear.

Now: An oceanfront mega-mansion or a new chance to take in the view and meet with friends in a 1940s legacy eatery?

The March 20 hearing will be held online. You can let them know how you feel. For details on how to attend and share your views, see https://planning.lacity.gov/dcpapi2/meetings/document/78316 or go to savewalkerscafe.com.

 

Know Your Rights Red Cards


All people in the United States, regardless of immigration status, have certain rights and protections under the U.S. Constitution. The ‘Know Your Rights Red Cards’ were created to help people assert their rights and defend themselves against constitutional violations. Knowing and asserting rights can make a huge difference in many situations, such as when ICE agents go to a home. Red cards provide critical information on how to assert these rights, along with an explanation to ICE agents that the individual is indeed asserting their rights.

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The editors at Random Lengths News are concerned about the safety of the Harbor community. With that in mind, we’re sharing information with you about ‘Know Your Rights Red Cards’ and we encourage you to spread the word.

The Harbor Area is home to many immigrants. As news of ICE raids throughout LA has been circulating, those who could be affected should know their rights.

RLN aims to inform and empower you by providing you with vital information on issues that affect us all.

You can visit our office to get Red Cards for yourself and your family and friends.

From the editors at Random Lengths News, independent and free!

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This Information is NOT intended as legal advice.