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Curtain Call

Long Beach Shakespeare Co. camps up “The Importance of Being Earnest” to great effect

Greggory Moore - July 16, 2026 0

Curtain Call

“Macbeth” by the sea a tale of two halves

Greggory Moore - July 8, 2026 0

Culture

A postmodern “Godspell” that’s a complete triumph

Greggory Moore - July 1, 2026 0

Curtain Call

“Elves 1989” Will Tickle Only a Specific Sort of Funny Bone

Greggory Moore - June 19, 2026 0

Curtain Call

LB Playhouse cast capably handles Wildesque repartee of “The Lion in Winter”

Greggory Moore - May 21, 2026 0

Curtain Call

Community theatre take on “Side by Side by Sondheim” successfully communicates his genius

Greggory Moore - May 13, 2026 0

Curtain Call

“Seven Days to Mexican”: Whose culture is it, anyway?

Greggory Moore - April 23, 2026 0

Columnists

Musical Theatre West’s Lofty “In the Heights” is the total package

Greggory Moore - April 16, 2026 0

Curtain Call

An “Antony & Cleopatra” that embodies lovers losing sight of everything but themselves

Greggory Moore - March 12, 2026 0

Curtain Call

“Dear Dead Drug Lord” deals to the heart but not the head

Greggory Moore - March 12, 2026 0

Curtain Call

LB Playhouse’s latest installment of the Century Cycle: “Gem of the Ocean”

Greggory Moore - February 27, 2026 0

Curtain Call

“Man of La Mancha” lacks for scale but not talent

Greggory Moore - February 18, 2026 0

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Curtain Call

“The Swan”: Hyping the transformative possibilities of love

“Hangmen”: Lesser McDonagh, imperfectly staged — but still fun

“Cyrano de Bergerac” with a side of meta: A fresh take on an old chestnut

“A Doll’s House, Part 2” is…well, you know what they say about sequels

A “Joseph and the Amazing Technicolor Dreamcoat” that works for an Andrew Lloyd Webber hater

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