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Beyond the Reservation

 

What Restaurants Risk When Mother’s Day Service Misses the Mark

As Father’s Day approaches and attention turns to the seasonal cycle of family celebrations, it’s worth remembering how much weight these holidays carry — not just in tradition, but in expectation. Father’s Day may often come with the informal role of grillmaster and organizer, but Mother’s Day is something else entirely: a day meant to remove all burden from Mama’s shoulders and replace it with care, ease and appreciation.

That is precisely why so many families turn to restaurants and professional venues to get it right. These establishments are not just serving meals — they are hosting one of the most emotionally significant dining experiences of the year. On a day designed to honor mothers, the expectation is not perfection for perfection’s sake, but thoughtful execution, clear communication, and consistent service that matches the occasion.

When those standards fall short, as they did at Jana Mediterranean Coastal, the disappointment extends beyond a single meal. It disrupts what is supposed to be a rare moment of rest and recognition for the women being honored. It turns celebration into frustration, and expectation into regret.

For other establishments looking to capitalize on Mother’s Day, the lesson is simple: this is not just another busy service day. It is a day when families are entrusting you with something personal. That trust demands preparation, transparency and hospitality that never loses sight of who the day is for. Anything less risks turning a once-a-year gesture of appreciation into a lasting disappointment.

War Objectors and Civil Disobedience

In the 1960s, I was introduced to a book by Henry David Thoreau, which included an essay titled On Civil Disobedience. This writing, which champions nonviolent resistance against unjust government policies, became the foundational literature for Mahatma Gandhi, Martin Luther King Jr., and many others a century later. It was Thoreau’s moral reasoning for choosing to go to jail instead of supporting what he considered the immoral and illegal Mexican-American War of 1848. This has become one of the keystone arguments for becoming a conscientious objector or one who refuses to participate in war based on moral and religious grounds.

Avoiding military service is often considered draft dodging, which is more commonly associated with the Vietnam War than World War II. Of the roughly 16 million in service throughout World War II, voluntary enlistments accounted for less than 40 percent of the total manpower. In contrast, over 10 million (more than 60 percent) were drafted. Every man had his own reasons for preferring not to serve. Some simply feared combat or felt they could better help their families by staying home and staying whole. There were, however, pacifists and those whose political beliefs kept them from service. Their options were to serve, find war work, or end up in jail if they refused induction. For another large segment of the population, their choice not to serve was religious. These men were known as conscientious objectors.

Since the Revolutionary War, there have been those who choose to refuse service based on their religious beliefs, most notably those of the Quaker, Brethren, and Mennonite faiths. For those who chose to stand as conscientious objectors, their options were few: join the armed forces and serve in a non-combat role (usually as a medic), volunteer for the Civilian Public Service program, or go to jail.

The rise in conscientious objector status rises during wartime, like today with the War on Iran, when there is declining support for an unjustified war that over half the nation doesn’t support, and one in which the US Congress hasn’t declared.

The Vietnam War, for me, was easy to object to, and the argument against it only became clearer with the release of the Pentagon Papers that exposed the lies used to perpetrate it. I filed for conscientious objector status upon signing up for the draft because I knew that it was an alternative to being shipped overseas to kill people I had nothing against. It turned out to be one of America’s most disastrous misadventures that should have taught this nation a lesson on invading other nations without just cause. Vietnam, Iraq, Afghanistan, Venezuela, and now Iran all fall into this category of expensive failures. Billions of dollars spent and thousands of lives lost, yet we have no budget for universal health care or funding for schools.

Young men today, as they sign up for the draft (which is still the law even though it isn’t active) need to know their alternatives. And even those in uniform who are having second thoughts about being shipped overseas to fight in this illegal war also have choices not to fight.

First, those in uniform have a right to refuse an unconstitutional order as outlined in the military code, but they also can choose to register as a conscientious objector. Conscientious objectors (COs) in Los Angeles can access counseling, legal aid, and advocacy through both national and local peace organizations. These groups help active-duty service members secure CO discharges, guide youth through Selective Service issues, and offer resources for alternative civilian service.

Here a some resources for those considering this course:

GI Rights Hotline: Call 1-877-447-4487 for free, confidential counseling regarding military discharges, conscientious objection, and rights as a service member.

Center on Conscience & War (CCW): Call 202-483-2220 or visit the Center on Conscience & War for in-depth guidance on navigating the military administrative process, documenting your beliefs, and legal resources.

Courage to Resist: Visit Courage to Resist for legal, financial, and moral defense support for military personnel who refuse participation in war on moral or ethical grounds.

Military Law Task Force: A project of the National Lawyers Guild that publishes “Know Your Rights” guides and provides specialized legal referrals for service members seeking CO status.

San Pedro Zoning Code Update: Announcement of City Planning Commission Hearing

 

Los Angeles City Planning will hold a city planning commission hearing on the San Pedro zoning code update on June 11, at at LA City Hall, with options to participate in person, online, or by phone. The hearing will allow commissioners to review the proposed zoning and land use updates before making recommendations to the city council. Community members can review the project materials and interactive zoning and land use map (https://tinyurl.com/Land-use-map-SP-zoning) available on the program webpage: https://tinyurl.com/SP-zoning-code ahead of the meeting.

Public comment will take place. If you are unable to participate, written comments may be submitted to cpc@lacity.org by 4 p.m., June 1..

San Pedro Zoning Code Update

Time: 8:30 a.m., June 1

Details: Zoom links are published on the agenda, which will be released no later than 72 hours prior to the meeting

Venue: Los Angeles City Hall, Council Chamber, Room 340, 200 N. Spring St., Los Angeles

CPC Hearing Notice for San Pedro Zoning Code Update

The CPC Hearing is a formal opportunity for the commissioners to hear about the San Pedro Zoning Code Update, provide feedback to staff, and make a recommendation on the Zoning Code Update to City Council.

This event will also serve as an opportunity for interested parties to provide public comment on the project to the CPC.

Participants may join the CPC Hearing in-person at City Hall, online or by phone to offer testimony. Comments of any length may alternatively be submitted by email by 4 p.m., Monday, June 1, 2026 to cpc@lacity.org. The CPC agenda will be available on the Commissions, Boards and Hearings webpage (https://planning.lacity.gov/about/commissions-boards-hearings)

no later than 72 hours before the June 11, 2026 meeting.

Following the CPC’s recommendation, city planning will incorporate their feedback and prepare the CPC’s recommended plan for consideration by the city council’s planning and land use management or PLUM committee at a future date. The committee will then make a recommendation before the full city council to adopt the project and related zoning and land use updates.

Details: https://tinyurl.com/SP-public-hearing

Random Happening: Gin & Juice: The Block Party By Roxanne’s

 

Come through with good vibes, fire gin tastings, great drinks, and good times at the ultimate neighborhood Gin & Juice Block Party.

Roxann’s is bringing Gin & Juice back for another unforgettable year—bigger, better, and bolder than ever—to celebrate its 16-year anniversary. This year, will take it to the next level with a full-scale block party experience, activating over seven venues in total: Roxanne’s, Marie’s Tek Tec, Willie’s Tin Shop Distillery, Willie’s Banquet Room, Smog City Heights, R Media, Bada-Bing Barber Shop, and more.

Check out previous Years: www.youtube.com/watch?v=zbqqAaOr64I

Guests will wander through the open-air market while sipping handcrafted gin cocktails and RTD’s, discovering hidden gems, and vibing to live performances and vinyl DJs spinning throughout the event grounds. What started as a celebration has evolved into a cultural moment—bringing together music, spirits, style, and the Long Beach community in one immersive experience.

What’s New This Year?
Roxanne’s is leveling up. In addition to its signature gin tastings, it’s expanding offerings to include vodkas, liqueurs, and ready-to-drink (RTD) cocktails, seltzers, etc. giving guests even more to explore, sip, and savor.

Gin & Juice: The Block Party is designed as a multi-environment experience, where each space carries its own identity and energy. From high-energy dance zones to lifestyle-driven activations, every corner of the event is built for interaction and discovery. Featured spaces like Bada-Bing Barber Shop & Central American Heritage Association (CAHA) at R Media will serve as hubs for culture and connection—blending classic barbershop energy with modern brand engagement.

Expect a deep lineup of spirit tastings, hands-on education from distillers, and the opportunity to sample rare SKUs and limited runs. Whether you’re a spirit geek or just looking for a good time, there’s something for everyone.

Roxanne’s is turning up the vibes with:

  • And epic vinyl DJ lineup with soul, classics, and lowrider oldies
  • Fried foods, tacos, and more
  • And of course, tons of gin and juice
  • Photobooth by Saturation Room
  • Lowrider meetup

Vendors Include:

  • Vip Records
  • Fire Vixen Company
  • Being Real is Quality
  • Orgullo Apparel
  • Wrigley Clothing
  • Long Beach Collection
  • Molina Artistry
  • Infuzed Kreationz

Time:12 to 5 p.m., May 31

Cost: $17.85

Details: https://tinyurl.com/Gin-and-Juice-block-party

Venue: Roxanne’s, 1115 East Wardlow Road, Long Beach

Gallery Azul Unveils Earth Rhythms, a Long-Awaited Solo Show by Luis Sanchez

 

Gallery Azul and San Pedro artist Luis Sanchez have been planning to feature a solo exhibition for Sanchez for 12 months. As of May, Earth Rhythms is finally here and it was well worth the wait for this eclectic and surprising show.

Surprising, because it not only presents a 22-piece retrospective of Sanchez’s prolific, fine art works — paintings, sculpture, and giclee prints from 2004 to today — but the show, comprised of surrealism, nature, dreams, multifarious feathered folk, cultural iconography, and industrialism, embodies a dynamic energy.

Earth Rhythms explores the interconnected elements of our world — both urban and natural — and the juxtaposition between them. Sanchez emphasizes the importance of creating spaces that are not only visually compelling, but restorative places that function as sanctuaries. At the heart of his practice is a belief he often shares: “bring the outside in.”

“We live in a very industrial world with cement and buildings, which a lot of my work represents, but also, not just my respect and love for nature, but the collaboration of both,” said Sanchez. “In some of my work, you see both. That’s where the title came from, because they’re all earth rhythms. Whether it’s our rhythm that we create or the nature that creates its own rhythm.”

Sanchez is an internationally recognized creator, working across multiple disciplines, including painting, sculpture, ceramics, metal, and wood. He is also an accomplished muralist, contributing extensively to the cultural landscape of Los Angeles and throughout San Pedro where he has six public works: the 120-foot mural along the Lillian Fierman Walkway beside the Warner Grand Theatre, numerous Department of Transportation, art boxes, the trompe l’oeil mural, The Cellar on 8th Street, a series of murals for the Guest Harbor Inn as part of its rebranding, and an indoor mural of Harbor Area landmarks for the LAPD, Harbor Division. In addition, Sanchez is showing work in three more galleries throughout Los Angeles, at Gabba Gallery, Blue and The Muse Gallery, and at CM2Arts. He also does commissions and interior portraits or scenes in clients homes.

In response to how he juggles it all, Sanchez said, “Well, that’s my job. That’s my career. So, I have all the time to devote to it.”

The practical artist said four shows in three weeks was a little overwhelming; but he plans ahead, and takes one thing at a time. Sanchez took the past year to not only finish some works but to also create six new pieces for this show and then compile the rest of the pieces. He noted that Gallery Azul is a Latin American Gallery, but his work is not Latin American, (such as Frida Kahlo or calaveras). Still, he wanted to create something that was “more Mexican friendly.” For instance, he has never painted a cactus or a chili before but he created a handful of small cactus paintings, two in which, Getting Some Sun and Morning Reflection potted cactuses are vividly sun-drenched.

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Sanchez in front of multiple works from “Earth Rhythms.” Photo by Arturo Garcia-Ayala

Another surprising pair Desert Bloom One and Two depicts a desert scene that blends tonalist and day-glow elements. It features a blue sky and green cacti—all muted but for the blossoming pink cactus flora, with soft earth tones in the background. In a masterful twist, the small, wooden-framed compositions highlighted in pink (Sanchez makes all his own frames), tend towards the surreal.

His chili painting Spice of Life is seriously hot. A single red chili is showcased, reclined like a nude in its fiery glory, centered, as it rests on a scarlet foundation. The nightshades’ cast shadow rests underneath it, as a cool teal background provides a calm to the radiating heat, indicated in the red filigree decorating the wide black frames’ four corners.

“I just wanted something that represented the gallery and tied in the whole Latin American feel,” he said.

Sanchez is masterful at drawing in viewers, especially with his striking, surrealistic compositions. Dreamscape is one such piece.

“I thought this would be a perfect show for it,” he said. “Because it shows both the animals with our earth, our home, exploding and turning into a surreal dream … It’s something really powerful and [draws] you in … I think it was just meant to happen that way. It was waiting for the show.”

The kinetic composition depicts a corner of an otherwise bare room, sans ceiling, a shirtless man sleeps at a desk. A television with antenna and curiously, a jet, populate the scene. A number of majestic animals and birds along with various quadrilateral forms all burst outward from the center point, as the creatures utilize the forms to rest on or to propel off of. The painting is composed entirely in light teal green with a white background, except for a slight yellow variation — possibly denoting sunlight or wakefulness — from a bay window.

One particularly brilliant painting, both in color and concept, titled One With the Universe was created as part of a long-awaited collaboration between Sanchez and artist Nate Seubert. Last year Sanchez was invited by LA’s Lucky Cat Gallery to select an artist to collaborate with. He chose his good friend who he’s known for 20 plus years. He said Seubert is skilled at making clouds and he paints with very bright colors, so that’s what he did and it turned out perfect.

The amazing work is saturated in vibrant, lush jewel-toned colors with crimson and orange clouds and a deep purple sky. A toned, celestial male figure, in posterior view from the flanks up, fills the composition. His profile expression is watchful and aware. Thick, fibrous fascia are visible in his turned neck, a detail that carries over, though transformed, into black, white, red and green lines on his skullcap. His head and neck are silvery-gray. His torso is flesh. A black, star-filled echo of his form directly behind the figure, as if connected, or one, presents a further story, the circle of a man’s life as he crosses lifetime thresholds. Black birds fly in the sky. The celestial figure and echo distill into downward drips that penetrate the frame.

Go see this piece.

Industrial walls are a significant part of Sanchez’s motif. He lived in a building called Factory Place in downtown LA. His painting of the same name was inspired by the old building. Sanchez was deeply involved in the arts district there and his industrial walls are an homage to that time.

Factory Place, an abstract grid of squares within a bare wood frame — marking that juxtaposition between industry and nature — is a compelling piece. Much of the artist’s work is figurative. This composition departs from the representational and reveals impressionistic depth and warmth through its amber, earth, yellow, dark green, brown and black boxes. While separated in color blocked geometry, this cohesive unit breathes through thick textural lines and controlled gestural brush strokes that fill its boxes. So too does light, transparency, and shadow. A beam of light curves into its center, and unit numbers, “3C, 4D” appear stamped at the top. Each individual box holds a unique world of expression within.

There is much more to absorb in Earth Rhythms than covered here. The show is on view until June 13. Sanchez has also released a beautiful chronicle of his art and life titled, A Quarter Century of Art and Life. You can find it at Gallery Azul, Book Baby and Amazon. And soon it will be on Sanchez’s new e-commerce site on Shopify, which is now in the works.

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Artist Luis Sanchez stands next to his work, A Moment of Self, left, at Gallery Azul.

Sanchez will be continuing exploration in sculpture, including completing one that goes with Three-Quarter Full, his wood-based sculpture on view in Earth Rhythms. Discovering new things and new materials excites Sanchez, who loves change.

“I embrace it,” he said. “I love taking risks because most risks that I’ve taken have landed me in incredible places so I trust that. I’ve jumped off the abyss many times without ever knowing what’s underneath, and always learning … I always landed in an amazing place. So, I jump all the time … No risk. No glory.”

Earth Rhythms

Time: 6 to 9 p.m. First Thursday, June 4, 2 to 6 p.m. Fridays, and Second Saturday, June 13

Cost: Free

Details: https://www.galleryazul.com and www.instagram.com/luissanchezfineart

Venue: Gallery Azul, 520 W. 8th St., San Pedro

The End-All Tofu of Existence

By Ari LeVaux, Columnist

When I first became acquainted with tofu, it did not go smoothly. A first grader with a soft spot for animals, I had only recently learned where meat comes from. After internalizing this barbaric truth, I announced to my parents that I had converted to vegetarianism.

A few days later my dad had an announcement of his own. He laid before me a plate of what he called “bean curd,” more widely known as tofu. The dish he served me consisted of slices of a soft white material that, upon investigation, was as bland as it was colorless.

Dad didn’t want me to waste away for lack of protein simply because I didn’t want cute animals to die, he explained. A noble cause, to be sure. And he was a capable cook, most of the time. Alas, preparing tofu is a special skillset that requires a specific mindset. His downfall, common among tofu rookies, was to treat tofu as a meat substitute, rather than its own animal. He cooked it like a steak, pan fried with salt and pepper, and called it good, which it was not. Dad’s beancurd could not have been more devoid of flavor, texture, or any other typical indicators of deliciousness. As a budding young foodie I’d rather have been waterboarded than consume such an affront to the senses. After a few more similarly horrific attempts at bean curd, I broke. My vegetarian journey came to an end. Since then incalculable numbers of cute animals have died, all because my dad couldn’t cook tofu.

It turns out that there are, in fact, ways to prepare tofu so that it tastes like meat. But in dad’s defense those avenues were not available, because the way to make tofu taste like meat is to cook the tofu with meat, so it will absorb those meaty flavors. Asian chefs know this. Think Chinese mapo tofu or Korean soondobu. But it turns out there are also ways to cook tofu that taste nothing at all like meat, but will nonetheless make even the most hardened carnivore forget about meat altogether.

My friend Brad would sooner shoot tofu with his 9mm then eat it. At least, those are his vibes. He’s the kind of guy to whom a steak would taste extra delicious if there was a weeping vegan at the table for him to sneer at. But when I found myself in his hometown of Houston, and emailed him for a restaurant recommendation, I was blindsided by his hyper specific instructions. With so many meaty options in the vicinity, including Texas bbq and some very large steaks, Brad insisted that I visit a certain Vietnamese restaurant, and order the tofu.

“That peppery broth,” he emailed wistfully, recalling the luscious liquid that contained the golden cubes of crispy tofu. “And the mushrooms and celery. I miss it so much!” Considering the source, I was intrigued, and had no option but to visit Van Loc and order the clay pot tofu.

It arrived simmering at my table. Shards of cracked black pepper coated lengths of celery, whole shiitake mushrooms and delectable cubes of deep-fried tofu that had somehow absorbed the penetrating aromas of the broth without losing its pleasing resistance to my canines.

There was so much black pepper that the dish was spicy in the absence of chili pepper heat. This makes sense given Vietnam is the world’s largest producer and exporter of black pepper, while chili peppers, though popular in Asian food, are from the Americas.

Elsewhere in the pot, humble pieces of celery took a rare post at center stage, their flavor balanced artfully with the earthy gravitas of the mushrooms. Shiitake mushroom is the most authentic variety to use in clay pot tofu, but it’s not mandatory. I recently made a batch with wild-harvested oyster and morel mushrooms mixed with cultivated criminis. (Full disclosure: I also added sliced jalapeno, non-authentic but oh so good.)

This recipe begins with the preparation of the crispy tofu. And if it ended there as well, few would complain. Because of the corrupting delectability of these golden cubes, the wise cook will often double the quantities of tofu, egg and cornstarch called for, so that after the inevitable attrition due to snackers and nibblers, a satisfactory quantity of cubes will remain for the pots, where they will soak up that serene, peppery broth.

Clay Pot Tofu

While “Clay Pot” is in the name and procedure, you don’t need an official clay pot to prepare this. You just need a vessel that is small, oven safe, and has a lid.

Serves 2, with plenty of leftover fried tofu

Ingredients

1 16-oz brick of firm tofu, drained
1 egg
6 tablespoons cornstarch (or sweet potato or tapioca starch)
3 cups fry oil (I like wagyu beef tallow)
2 tablespoons toasted sesame oil
2 large cloves garlic, minced
3 green onions, chopped
1 jalapeno, sliced thinly (optional)
1 medium onion, sliced into thin rings
1 cup of whole shitake mushrooms (or other kinds of mushrooms), cut or whole depending on their size. If using dried mushrooms, soak them in three cups of boiled water, and don’t discard the soaking water.
2 celery stalks
1/4 cup soy or ponzu sauce
1/4 cup rice vinegar
2 tablespoons sugar
1 teaspoon black pepper
1 teaspoon white pepper
2 tablespoons fish sauce
jasmine rice for serving

Procedure

Cut the tofu into cubes of about an inch per side, and place them in a medium-sized bowl. Heat a quart of water with 1/4 cup of salt. When it boils, pour the hot brine over the tofu. Let soak for 15 minutes. Drain the brine and pat dry all of the faces of each chunk of tofu with a paper towel.

This technique is but one of several ways of removing water from the tofu, which is essential for making it crispy. You can also freeze the cubes, which will give them a durable, spongy texture that makes it easy to squeeze out the water, and renders them extremely pleasing to eat.

However you remove moisture from the tofu cubes, place them into a mixing bowl, beat the egg and pour the beaten egg over the cubes. Stir them gently by lifting from below to thoroughly coat all faces of every cube. Add the starch and gently stir it in to coat the cubes.

Add two tablespoons of toasted sesame oil to the fry oil for extra flavor, and heat it to the point where it sputters angrily when you flick in some water (about 350 degrees). Submerge the tofu cubes in the hissing oil. Don’t overload the fryer or let the pieces touch, or they will adhere together

Remove and drain the fried chunks. Keep them in safe place, away from snaggers, snackers and tangy sauces.

Add two tablespoons of the fry oil to a wok or pan on medium heat, and fry the garlic, onions, green onions and mushrooms.

Break each celery stalk backwards and pull the strands out of each half. Then cut the de-fibered halves into two-inch pieces, and add them to the wok. Cover and simmer for about five minutes on medium heat.

Whisk together the soy sauce, fish sauce, rice vinegar, black and white pepper and sugar, and add it to the stir-fry. Add one cup of water, stock or mushroom soaking water, taste, and adjust seasoning with soy sauce, ponzu sauce, black pepper, sugar, sesame oil and rice vinegar, until it tastes how you want it.

Add the tofu to the wok. Gently stir it together. Stir fry on high heat for two minutes, then transfer the tofu, mushrooms and celery to the clay pots, and pour in as much broth as you can. Put the lids on the pots and place them in a pre-heated oven at 350 degrees, and bake for ten minutes. Serve the simmering pots. Be careful not to let anyone burn themselves. Eat the contents straight from the pot, or spoon them over jasmine rice.

From Remembrance to Resistance

Veterans and Families Speak Against Endless War

Memorial Day is intended as a solemn day of remembrance for U.S. service members who died in military service. The holiday emerged after the Civil War, rooted in grief, reconciliation and the unfinished struggle over freedom and democracy.
One of the earliest observances took place May 1, 1865, in Charleston, South Carolina, where newly freed Black residents honored 257 Union soldiers who died in a Confederate prison camp at the Washington Race Course and Jockey Club. Freedmen, abolitionists and community organizations reburied the soldiers, decorated their graves with flowers and marched in a massive public procession.
That spirit of remembrance stood in stark contrast to the militarized spectacle surrounding Fleet Week events leading into Memorial Day this year. While warships and military displays celebrated American power, anti-war organizers gathered nearby to focus attention on the human costs of war.
On Monday, activists with CodePink, Military Families Speak Out, Veterans for Peace and About Face presented an exhibit titled Eyes Wide Open. The installation displayed 175 pairs of shoes representing children killed during a Feb. 28 U.S. bombing at the Shajareh Tayyebeh Girls Elementary School in Minab, Iran, alongside photographs of 13 U.S. service members killed during the Trump administration’s undeclared conflict with Iran.
Members of the groups said Memorial Day should center on mourning, accountability and the consequences of military intervention rather than patriotic spectacle.

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During Fleet Week, peace activists set up the Eyes Wide Open display of 175 pairs of shoes and the photographs of the 13 servicemembers who have died since the Trump regime’s attacks on Iran began. Photo by Chris Villanueva

Army mother fears another endless war

Yadira DeSaint said Memorial Day has become emotionally devastating for her family because her son, an Army Reserve servicemember, remains deployed in the Middle East after volunteering for Operation Spartan Shield.
DeSaint said the escalating conflict with Iran reminds her of the Iraq War and raises fears of another prolonged conflict with devastating consequences for both civilians and troops.
“He didn’t sign up for this war,” she said. “None of these families did.”
Her son deployed in October on what was expected to be a noncombat assignment, but worsening regional tensions left troops stranded in increasingly dangerous conditions, she said.
Feeling isolated as a military parent, DeSaint connected with anti-war organizers and joined Peace Week activities. She helped assemble the “Eyes Wide Open” exhibit to encourage public conversations about the human cost of war, particularly the deaths of children.
DeSaint sharply criticized the administration’s handling of the conflict, saying political leaders entered the war without clear objectives or preparation for the consequences. She said military families are focused less on political rhetoric than on whether their loved ones survive deployment.
She also described deteriorating conditions for troops stationed throughout the region. According to DeSaint, many servicemembers have been relocated from established bases, creating communication problems and supply shortages that increase anxiety for families at home.
Her son had previously been stationed at a military base in Kuwait that was later struck by Iranian missiles March 1, she said. He and other troops had reportedly been evacuated weeks before the attack.
DeSaint urged military families to speak publicly about the burdens placed on troops and their loved ones.
“We can’t just trust politicians to take care of them,” she said. “Families have to advocate for the people we love.”

Military families oppose escalation

Pat Alviso, a member of Military Families Speak Out since 2005, said the organization emerged during the buildup to the Iraq War as military families organized against what they viewed as endless wars in Iraq and Afghanistan.
Alviso joined after following anti-war activist Cindy Sheehan while struggling emotionally with her Marine son’s deployments.
Coming from a Latino military family, Alviso said military service had long been viewed as honorable. But after Vietnam and the wars that followed, she began questioning whether modern U.S. military interventions were defensive wars or “wars of aggression.”
“To support the troops means bringing them home alive and taking care of them afterward,” she said.
Alviso spoke about the emotional toll military deployments place on families, describing years spent fearing for her son’s safety during six deployments overseas. She said many military families who opposed the Iraq and Afghanistan wars now fear a broader regional conflict involving Iran.
She also criticized Defense Secretary Pete Hegseth and the Trump administration, arguing political loyalty has replaced military expertise within Pentagon leadership.
Alviso expressed frustration with Congress as well, particularly with delays surrounding War Powers resolutions intended to limit military action against Iran. She argued lawmakers have a constitutional responsibility to check presidential war powers before conflicts escalate further.
“The United States cannot afford another war morally, financially or politically,” she said.

Former Marine questions American militarism

Takoune Norasingh, a former Marine Corps public affairs specialist and member of About Face Los Angeles, said his experiences during the War on Terror fundamentally changed how he viewed American military power.
Norasingh served in Okinawa, Japan, and later with Special Purpose Marine Air-Ground Task Force Crisis Response Africa as a combat correspondent documenting military operations. Though he did not serve directly in Iraq or Afghanistan, he said he witnessed the broader machinery of U.S. military influence overseas.
A turning point came during protests in Okinawa following the rape and murder of a local woman by an American contractor. Norasingh said the demonstrations challenged what he had previously been told about anti-American activism abroad.
“As an Asian American Marine, I empathized with the anger and grief people felt,” he said.
He said participating in public relations campaigns designed to improve the U.S. military’s image deepened his skepticism toward American exceptionalism and the narratives used to justify military expansion.
After leaving active duty, Norasingh became involved in organizing around Palestine solidarity movements and domestic protest activity in Los Angeles. He described his transition from Marine to anti-war activist as emotionally difficult and shaped by what he called “moral injury.”
Norasingh argued the current conflict with Iran was both unjust and avoidable. He said U.S. leadership ignored warnings about the likelihood of escalation and overestimated American military superiority.
He also warned that narratives used to discredit protesters today resemble rhetoric he heard while serving overseas.
“People are told protesters are manipulated or paid off,” he said. “I heard the same thing in Okinawa.”
Norasingh said his goal during Fleet Week was not confrontation with servicemembers but engagement. He distributed information about protections under the Uniform Code of Military Justice, including the right to refuse unlawful orders and seek conscientious objector status.
He said anti-war veterans hope to broaden public understanding of war’s consequences beyond the battlefield.
“The burden is always heavier for the people living where these wars happen,” he said.

Lessons learned

Memorial Day’s origins are often forgotten beneath patriotic ceremony and military celebration. Going back to the first Decoration Day in Charleston, South Carolina, in the immediate aftermath of the Civil War, we are reminded that it matters whether war is just or not.
During the final year of the Civil War, Confederate authorities converted the Washington Race Course and Jockey Club in Charleston, South Carolina, into an open-air prison for captured Union soldiers. In 1864, as the Confederacy faced severe shortages of resources and mounting military pressure, Charleston became both a strategic target and a symbolic battleground.
Hundreds of Union prisoners—many of them captured during campaigns in Virginia and along the South Atlantic coast—were confined at the race track under brutal conditions. The grandstand and horse-racing grounds were transformed into makeshift barracks surrounded by fencing and guarded by Confederate troops. Exposure, disease, malnutrition, and inadequate medical care led to widespread suffering. At least 257 Union soldiers died there and were buried in unmarked graves behind the track’s grandstand.
When Union forces occupied Charleston in February 1865 after the Confederate evacuation of the city, Black Charlestonians uncovered the burial site. Members of the city’s African American community, including ministers, teachers, laborers, and mutual aid societies, organized an effort to properly exhume and rebury the soldiers. They built a fence around the cemetery, landscaped the grounds, and renamed it the “Martyrs of the Race Course.”
Three months later, on May 1, thousands gathered at Charleston’s Race Course to dedicate the burial ground of 257 Union soldiers who had died during the Civil War. Nearly 10,000 people attended the ceremony, most of them members of Charleston’s Black community. The site had been carefully prepared by 24 Black laborers known as the “Friends of the Martyrs” and members of the “Patriotic Association of Colored Men,” who raised the graves and enclosed the cemetery with a sturdy fence.
The ceremony opened with a psalm reading, hymns, and prayer before a grand procession began. Leading the march were approximately 2,800 Black schoolchildren carrying bouquets and scattering flowers across the graves. They were followed by members of the “Patriotic Association of Colored Men,” the “Mutual Aid Society,” and hundreds of citizens who also placed flowers upon the burial site.
Throughout the ceremony, the children sang patriotic songs including The Star-Spangled Banner, America, Rally Round the Flag, and John Brown’s Body. By the procession’s end, the graves were covered in flowers. Military officers, clergy, and prominent abolitionist James Redpath joined the crowd in honoring the fallen soldiers and commemorating their sacrifice.
The Union victory, paid for with blood and the aspirations of America’s Founders a hundred years prior, laid the groundwork for suffrage beyond the white man. It didn’t cure racism, xenophobia, misogyny, and every other impulse to dominate, control, and exploit… But it led to a pathway to freedom and justice that couldn’t easily be erased.

Yes, In Our Backyard!

 

By Lavender Cloud, Columnist

I grew up across the street from the Little Sisters of the Poor Jeanne Jugan residence, where the intended location of the Fred Brown residential recovery complex would be. I lived here for close to 20 years, and I am deeply troubled by the outrage displayed in South Shores. The recent protests of this project highlight a relentless barrier for people living with addiction to accessing treatment: fear-mongering through sensationalist political organizing that blocks the establishment of recovery program sites.

People who are substance dependent represent a significant segment of our society. According to the Substance Abuse and Mental Health Services Administration, 9.8% of our country’s population over twelve currently live with a substance use disorder. In comparison, only 20% of people who need access to treatment and drug addiction recovery services receive support (2025). And yet, whenever there are projects planned to systemically address addiction, initiatives are met with the same argument: “Not in my backyard!”

The proposed establishment of the Fred Brown addiction treatment center in South Shores, San Pedro, is no different. A recovery facility that can support up to 122 inpatients and 1,000 outpatients has the potential to make a profoundly positive public health impact on the San Pedro community. For example, research shows that participation in residential addiction recovery treatment programs leads to lower rates of substance use (Gray & Argaez, 2019), better mental health outcomes (Tran & McGill, 2021), less community financial strain due to less expenditure on criminalization (Fardone et al., 2023), and better life chances for participating patients (Jason et al., 2021). This is clearly a benefit to our community. So, why wouldn’t we want this center for healing in our backyard?

The Fred Brown recovery complex protest included people displaying stigmatizing flyers with slogans that stated “protect our port town,” along with harmful protest signs that read “safety at risk” and “no skid row in San Pedro”. While there is no evidence to suggest that patients of recovery centers would pose a danger to our community, there is research that demonstrates drug treatment facilities are safe establishments that serve a much-needed public good (Johns Hopkins Bloomberg School of Public Health, 2016).

Political efforts to block addiction treatment centers from being founded are often brought together under the cry, “not in my backyard” or “NIMBY” for short. The premise of NIMBY organizing is the fabricated need to protect neighborhood spaces and certain people within them from building projects and the individuals they serve, deemed as undesirable, dangerous, and unwanted.

The formation of these fear-based ideas, along with the attempts to use them to halt the foundation of recovery centers, is a part of a cycle of discrimination, stereotyping, and exclusion. Discrimination against people living with addiction in the form of denying their right to access care is rationalized through stereotyping those with substance use dependence as threatening, which results in social, economic, and political exclusion. An effective way to disrupt this cycle is to resist the slandering of our fellow neighbors, in this case, people who are recovering through two public health crises: addiction, along with the organized abandonment of people living with addiction.

We need this recovery center, and we need it in our backyard because it is part of our social responsibility as members of this community to care for each other. If we can move away from anxiety-laden reactionary politics to the transformative possibilities that this project is offering us, it will allow for not only the foundation of this recovery center, but the opening of our collective imagination to the efficacy of compassion towards building a better community.

Energy For Survival, No Miracles Needed

 

By John Barberi, Guest Contributor

Wilson Clark, a 26-year-old genius from North Carolina, captured the attention of an energy-shocked world when, in 1974, his book Energy for Survival: The Alternative to Extinction was published. The voluminous history of energy and guide to energy resources received critical acclaim in literary circles, from policymakers, futurists, consumer advocates and even a U.S. Supreme Court Justice.

Clark’s work also landed on the desk of a young Jerry Brown, recently elected governor of California. Clark (who was also a co-founder of Earth Day) soon packed his bags and moved to Sacramento to become the energy adviser to the governor. He is credited with being the catalyst for California’s visionary energy policies during Brown’s first two terms as governor, as well as those of President Jimmy Carter in the wake of the Arab oil embargo of 1973-74.

Shortly after writing a second book, Energy, Vulnerability, and War, Clark tragically died in an auto accident in 1984.

As governments, industry, religious leaders, environmentalists, consumer advocates and others once again confront an energy crisis driving the climate crisis, soaring inflation, the vulnerability of global energy choke-points, and highly centralized fossil fuel infrastructure, we can look to the past and the present to chart the course for the stalled energy transition (stalled largely by the corruption and incompetence of the Trump administration).

In California, ironically, the energy debate has recently centered on whether to extend the operating license for the aging Diablo Canyon Nuclear Generating Facility in coastal San Luis Obispo County. Originally scheduled for decommissioning in 2028, Diablo Canyon, which provides 9% of California’s electricity needs, has received preliminary approval to continue operating for another 20 years. An unlikely alliance of Gov. Gavin Newsom (no doubt looking forward to a 2028 presidential primary in New Hampshire, which receives nearly all its electricity from nuclear power), local politicians, Donald Trump, and fossil fuel advocates is working to keep Diablo Canyon open. Pacific Gas and Electric (PG&E), the troubled utility that owns and operates Diablo Canyon, is moving forward with plans.

The issue that will not go away for PG&E and Diablo, at least for the next 40,000 years, is, of course, that of the production and storage of radioactive waste. In his testimonial to Clark’s Energy for Survival, then U.S. Supreme Court Justice William O. Douglas wrote: “Those who fail to read Wilson Clark’s Energy for Survival do so at the risk of allowing by inaction the fatal poisoning of this planet by the use of nuclear fission.” Justice Douglas’ words are no less true 50 years later.

To be sure, our high-energy civilization is headed for a reckoning. Oil and coal are problematic. So too is nuclear energy. While Diablo Canyon and other nuclear facilities produce clean energy in terms of air emissions, the issues of cost, reliability, vulnerability, radioactive waste storage, and other environmental drawbacks cannot be ignored. The energy transition cannot wait.

Enter Professor Mark Z. Jacobson at Stanford University.

In the midst of Trump’s fantasies of hosting an Oil Baron’s Ball for his financial contributors in his proposed White House ballroom, his efforts to kill large offshore wind projects on the east and west coasts, and his loathing of clean renewable energy projects generally, Jacobson has given California and the world a roadmap to clean energy reliability and energy security with his book No Miracles Needed: How Today’s Technology Can Save our Climate and Clean Our Air. (Cambridge University Press)

With detail and clarity, Jacobson makes his case that existing “off-the-shelf” technology to produce wind, water and solar energy is available today to confront and conquer our energy challenges.

Efforts to build out and adapt the energy grid to accommodate the sun and the wind are underway and need to be accelerated. A healthy dose of political will and public utility scrutiny are needed.

Jacobson is steadfast in his analysis of what will work and, importantly, what is not needed and wasteful (carbon capture, natural gas, nuclear, coal and others). Numbers do not lie, and Jacobson floods the zone with statistics from around the world, including California, on how wind, water and solar are rapidly dominating the energy mix, and producing clean electricity reliably and at a reasonable cost.

There has been visionary energy leadership in the public and private sectors, the non-profit sector, and in academe. To complete the energy transition, we need to harness the technology, labor and operational excellence of a mature renewable energy community. And we need to do it now.

The ports of Los Angeles and Long Beach constitute one of the largest carbon footprints in the world. Visionary leadership is needed locally to bring the energy transition to the ports and the communities they impact. It is amazing that the very forces that threaten port infrastructure, wind and waves, could be the solution to the clean energy needs of Los Angeles and Long Beach.

The breakwater protecting the two ports is over 100 years old and shows signs of aging. Fossil fuel-driven climate change will unleash rising seas and more powerful storms that will threaten the integrity of the breakwater. It’s already begun. Instead of trying to kill good energy and maritime jobs, the federal government (Army Corps of Engineers and Department of Energy) should be working with state and local government throughout coastal California to advance port security. In the case of Los Angeles and Long Beach, planning to replace the old breakwater should be a priority, as should the design of wind turbines and wave energy converters into the breakwater itself. This could turn the ports from the largest polluter in the region to the largest producer and user of clean energy. Indeed, perennially broke LA could even make a few bucks selling surplus power to surrounding communities.

The clock is ticking, and Mother Nature does not care about the political fantasies of corrupt and inept politicians. She is traumatized by climate-driven wildfires, droughts, floods, extreme weather and the ravages of war. Unless we act soon and get the energy transition back on track, stop coddling the petrostates, work with other nations, and listen closely to the science, our descendants will think of us as a ship of fools.

The subtitle of Wilson Clark’s Energy for Survival is The Alternative to Extinction. It is not hyperbole. It is a warning.

— A native of San Pedro, John Barbieri is an energy and resources consultant, a past president of the San Pedro Peninsula Chamber of Commerce, and founder of PortWatch, which was instrumental in the closing of the hazardous petroleum coke storage facility at the Port of Los Angeles.

Is California For Sale?

 

The Most Expensive Race in State History

Can California’s Governor’s Race Be Bought? Voters May Be Saying No

California voters have never seen this much money thrown at any election in the history of elections here. Can the governor’s office be bought? Ever since the Supreme Court’s decision of Citizens United that equated political spending to speech the flood gates to buying elections has been opened.

Today Tom Steyer’s 2026 gubernatorial campaign dominates California’s spending history, with personally pouring over $190 million into the race. This shatters previous self-funded records, surpassing eBay executive Meg Whitman’s historic $144 million failed run in 2010 and Governor Gavin Newsom’s $73million anti-recall effort in 2021. Which he won.

Yet Xavier Becerra (D) has raised only $5,227,713.00 and is surging in the recent polls ahead of Steyer who has out spent him and everyone else by $54,210,596. Steve Hilton (R) is another one who wants to buy the election with no experience in government has only raised $5,695,097.

How these candidates rank in the polls just days before the June primary are as follows:

Steve Hilton (R): 18% – 22%

Xavier Becerra (D): 18% – 21%

Tom Steyer (D): 12% – 17%

Chad Bianco (R): 11% – 15%

Below is the chart on total self-funding vs. other contributions for California Governor 2026.

Total funds raised by each gubernatorial candidate, broken out between candidate self-funding and all other contributions.

Thomas Steyer (D)

$54,210,596.00 / $54,063,046 self-funded

Matt Mahan (D)

$7,567,100.00

Antonio Villaraigosa (D)

$6,499,701.00

Katie Porter (D)

$6,244,493.00

Steve Hilton (R)

$5,695,097.00

Xavier Becerra (D)

$5,227,713.00

Eric Swalwell (D) dropped out

$4,314,598.00

Chad Bianco (R)

$3,767,180.00

Betty Yee (D) dropped out

$2,154,921.00

Tony Thurmond (D)

$1,586,159.00

Che An (R)

$703,403.00

Ethan Penner (NPP)

$606,752.00

Leo Zacky (R)

$439,536.00

Ian Calderon (D)

$316,993.00

At this point it doesn’t appear that the people are buying the candidate who has tried to buy the governorship. One can only ask why? I’d like to believe that this is the Trump response. The Orange Felon is so far down in the national polls because of the war on Iran, the skyrocketing gas prices and the ICE raids that have lost him the Latino vote. I mean do brown skin people really believe this racist president wouldn’t come after then regardless of immigration status?

Clearly, Steyer is NOT anything like Trump, but because of his billions and how he got them and the fact that he has no previous elected experience and Becerra as well as the rest of the Democrats running do have experience is really a red flag for voters.

We have seen over and over how the Orange Felon has ruled with wild abandon and broken almost everything he can to give tax breaks for the rich and to give billions away to his cronies. The electorate is understandably cautious of billionaires with big promises no matter how progressive they sound.

Becerra’s recent surge in the polls is probably a shift by both Latino voters, who have had enough of ICE raids and of inexperienced candidates with a handful of promises.

What you can be certain of is that the whole nation is watching which way California swings and that the only poll that really matters is the vote on June 2.

Remember to vote early and send or drop off ballots because the Orange Felon has been messing with the US Post Office again to slow down the mail.

If you want more of our election coverage and endorsements, go to https://tinyurl.com/RLn-Elections-2026

There are some things money can’t buy and democracy in just one of them. So the answer to can our elections be bought should be Vote No!