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San Pedro Bay Ports Release Final Cargo-Handling Equipment Feasibility Assessment

 

LOS ANGELES —  The ports of Los Angeles and Long Beach March 10 released a final feasibility assessment evaluating the state and overall viability of battery-electric and hydrogen fuel cell cargo-handling equipment technologies that will help the ports reduce air pollution and advance progress toward the zero-emissions goals established in the Clean Air Action Plan or CAAP. The final feasibility assessment is available on the CAAP website, here.

The ports released a draft assessment in October 2025 for public review and comment, building on previous assessments from 2018 and 2021. Following the CAAP framework for feasibility assessments, the new report evaluates the feasibility of cleaner cargo-handling equipment as of 2024 across five areas: technical viability, commercial availability, operational feasibility, economic workability and infrastructure readiness. The report highlights that zero-emission cargo handling equipment technologies are continuing to advance, while further work is needed to address cost, infrastructure and operational challenges before widespread deployment.

The ports develop feasibility assessments every three years for terminal equipment and drayage trucks, creating a roadmap toward meeting CAAP zero-emissions goals.

LA County Begins Voter Outreach Mailings for 2026 Primary

 

Angeleno Voters, Start Planning Now for June 2 Primary Election

LOS ANGELES — Los Angeles County Registrar-Recorder/County Clerk or RR/CC Dean C. Logan March 12 announced the mailing of voter outreach materials to millions of registered voters across the county as part of voter education efforts for the June 2, 2026 statewide direct primary election.

Approximately 4.8 million registered voters will receive a voter outreach postcard providing information on voting options and election dates. The postcard, translated into 18 languages, serves as an early reminder for voters to plan how they will participate in the upcoming election.

Additionally, the RR/CC will send a language access mailer to about 1 million voters who are new registrants and are currently receiving election materials in English. It includes the same information as the postcard, plus a language request form that allows voters to request their ballot and election materials in their preferred language.

The mailers highlight key information for the election, including:

Vote by mail ballots will begin mailing to all registered voters no later than May 4

Official ballot drop boxes will open the same day vote by mail ballots begin mailing

Vote centers will open May 23 through election day, June 2

Voters may return their ballot using an official ballot drop box, by mail, or vote in person at any vote center in Los Angeles County

Voters are also encouraged to create a personalized voting plan and receive timely election updates by visiting PLAN.LAVOTE.GOV or texting PLAN to LAVOTE (528683).

Details: LAVOTE.GOV.

State Adds $23 Million to Help CalFresh, WIC, and Seniors Buy Farm-Fresh Food at Markets

 

SACRAMENTO —  Gov. Newsom March 12 announced, through the California Department of Food and Agriculture or CDFA office of farm to fork, California is connecting locally grown food to eligible residents who qualify for benefits through the CalFresh, Women Infants and Children (WIC), and Senior Farmers Market Nutrition Programs. 

The state’s investments empower eligible Californians to increase their consumption of fresh fruits and vegetables. CalFresh shoppers can benefit from the program by spending their benefits at participating Certified Farmers Markets throughout the state and other retail outlets. For every dollar spent by eligible Californians, they will receive an additional dollar that can be spent on fruits and vegetables at the market or retail outlet, within set parameters, increasing their ability to purchase and consume healthy, produce for themselves and their families. The projects will also support California’s farming communities selling at participating markets. 

California is distributing about $21.5 million to increase the purchase of California-grown fresh produce by CalFresh shoppers at 12 projects across the state. Current nutrition incentives support CalFresh shoppers at more than 280 locations throughout California.

Awards will allow grantees to sustain incentive distributions and benefit the farmers and shoppers participating in the program at 303 participating certified farmers’ markets, community supported agriculture programs, mobile markets and small retailers across California through spring 2027. The 12 grantees range in location, size and operations.

An additional 11 projects will receive $1,700,000 in total grant awards from the Special Supplemental Nutrition Program for Women, Infants and Children Farmers’ Market Nutrition Program or WIC FMNP and the Senior Farmers’ Market Nutrition Program or SFMNP.

10 of the grantees will distribute nutrition incentives and provide technical support at 121 Certified Farmers’ Markets in the following 19 counties across California A detailed list of grantees and project descriptions for the 2026 CNIP Expansion Grant is available on the CNIP webpage.
CNIP is administered by CDFA’s Office of Farm to Fork, which leads CDFA’s food access work.

LASD is Asking for the Public’s Help Locating At-Risk Missing Person, Alexus Grace Hernandez, Carson

 

The Los Angeles County Sheriff’s Department missing persons unit is asking for the public’s help locating at-risk missing person, Alexus Grace Hernandez. She is a 29-year-old female Hispanic who was last seen on March 11, at 1 p.m., on the 200 block of East 215th Street, in the city of Carson.

Alexus is 5’03” tall, 250 lbs., with brown hair, brown eyes and has a tattoo on one of her legs.

Alexus family is concerned about her well-being and is asking for the public’s help.

Anyone with information about this incident is encouraged to contact the Los Angeles County Sheriff’s Department Missing Persons Unit at 323-890-5500, or anonymously at 800-222- 8477, http://lacrimestoppers.org 

Caltrans to Begin Vincent Thomas Bridge Deck Replacement Project on March 23

 

SAN PEDRO — Caltrans (District 7) announces that construction on the Vincent Thomas Bridge deck replacement project on State Route 47 (SR-47) will begin in two weeks as crews prepare the work zone in anticipation of the bridge’s full closure scheduled for Nov. 1, 2026. Initial construction activities include the installation of an under-deck shield and working platform, as well as staircases for crews to access the bridge deck from multiple locations.

Full overnight closures in the westbound direction between Ferry Street and Harbor Boulevard will begin on March 23. Closures will occur from 10:45 p.m. to 6:45 a.m., Monday through Friday, with occasional weekend closures. Additionally, the southbound SR-47 on-ramp at Ferry Street will be closed during the bridge closures.

Overnight closures in the eastbound direction will begin at a later date. Caltrans will provide advance notification before they are implemented. The overnight closure work is expected to continue through summer 2026, with occasional overnight closures occurring in the fall. Daytime construction activities will not require bridge closures.

During the westbound overnight closures, traffic will be detoured via SR- 47 to Route 103 to Pacific Coast Highway to Route 110. (See map below)

This work is part of the Vincent Thomas bridge deck replacement project. A critical infrastructure project totaling $752.8 million, the deck replacement will require partial and full closures of the bridge over the next two years. More information is available at the project website. Skanska-CEC Joint Venture is the general contractor for the project. 

Due to weather or operational factors, the schedule is subject to change, including dates and times, the number of closures, and other details. Motorists should expect delays when utilizing the Vincent Thomas Bridge and use Caltrans Quickmap to review current traffic conditions before traveling. Caltrans reminds drivers to exercise increased caution near the closure and Slow for the Cone Zone.

Gang Unit Arrests Suspect, Seizes Cache of Firearms in Shooting Probe

Gang detectives March 10 arrested a suspect for a December 2024 shooting incident. During their follow-up investigation, they recovered 30 firearms, a dozen of which were unserialized firearms.

On Dec. 18, 2024, officers responded to the area of Ocean Boulevard and Alamitos Avenue after an individual called to report they believed a shooting had occurred outside their residence.

The preliminary investigation indicated a dispute had occurred between the drivers of two vehicles in the area. The dispute escalated and one of the drivers fired multiple rounds at the other vehicle. During the incident, a nearby residential building was struck by gunfire. No injuries were reported.

Detectives investigated the incident and identified the suspect involved in the shooting as 74-year-old James William Higgins, a resident of Long Beach. On March 6, 2026, detectives, with the assistance of patrol officers, safely took suspect Higgins into custody. Detectives served a search warrant at his residence. During the search warrant service, detectives recovered 30 firearms, 12 of which were unserialized, along with a large quantity of ammunition.

Suspect Higgins was booked for discharging a firearm at an inhabited dwelling, assault with a firearm, manufacturing or assembling an unregistered firearm, and manufacturing or causing to be manufactured an assault weapon. His bail was set at $250,000. The case will be presented to the Los Angeles County District Attorney’s Office for filing consideration.

Anyone with information regarding this incident is urged to contact gang detail detective Hector Lizardo at 562-570-7370, or anonymously at 800-222-8477, www.lacrimestoppers.org.

the moon, the womb, and they remember

 

Join AGCC’s newest group exhibition, guest curated by Ann Shi.

the moon, the womb, and they remember is a group exhibition featuring work by Flora Kao, Sheng Lor, Victoria May, Sandeep Mukherjee, Kyong Boon Oh, Snežana Saraswati Petrović, and Stella Zhang.

the moon, the womb, and they remember considers memory as a distributed condition rather than a fixed record, something that circulates through matter, bodies, labor, and sites across time. The exhibition approaches the womb not as a biological or gendered form but as a spatial logic: a container that holds matter in transition, allowing transformation without resolution. The moon is a regulator of cyclical time, governing tides, illumination, recurrence, and withdrawal. It marks rhythms of appearance and disappearance, the return of time and space, the persistence of life forms, and the conservation of energy.

the moon, the womb, and they remember will be on view in the gallery through April 26, with free public visiting hours Thursdays, Fridays, and Saturdays from 10am to 5pm.

Time: 2 to 4 p.m., opening reception, March 14

Cost: Free

Details: https://tinyurl.com/The-moon-the-womb 

Venue: Angels Gate Cultural Center, 3601 S Gaffey St., San Pedro

So a homeless woman walks into a restroom that’s for customers only…

“Can I use your restroom?”

Ninety minutes earlier I had passed her on my way inside. She’d been leaning against the wall just beyond the last of the coffeehouse’s sidewalk tables, scrolling on her cellphone. She was well-kempt for being in a state of homelessness, clothes relatively clean, cart of personal possessions neatly organized.  

“I’m sorry,” said the employee behind the counter, “the restroom is for customers only.”

The woman hesitated, evincing the fidgets of urgently needing to urinate (at least). “Well,” she finally declared, striding forward purposefully, “I’m not going to just go in the street!” She disappeared behind the restroom door and threw the deadbolt. The employee looked on for a moment, then moved on to other tasks. 

*

I’ve never been homeless, but it’s no great feat of imagination and empathy to know that the experience is awful. Finding places to use the toilet, never having your own space to accommodate this most basic and unavoidable of human functions, is merely one constant and particularly demeaning aspect of homelessness. 

What I have personally experienced is being out and about and needing to use the loo. And on many, many such occasions I have walked into a business I wasn’t patronizing and availed myself of the facilities. Sometimes I’ve asked for permission, sometimes not — including times when I knew I would be stopped if I gave the employees/owners a chance to turn me away.

It’s easy to rationalize my behavior. I didn’t steal or damage anything, after all; I didn’t piss on the toilet seat or shit in the urinal. Where was the harm?

But you know the sign: WE RESERVE THE RIGHT TO REFUSE SERVICE TO ANYONE. That’s not idle talk: so long as they’re not being discriminatory about it (i.e., on the basis of ethnicity, gender, etc.), a business may legally refuse service to anyone for any reason. It’s their business, their property, not mine.

It’s easy to understand why a business might have a “customers only” policy. Every aspect of a business is an expense. Water costs money. Toilet paper, soap, cleaning supplies cost money. Labor costs money. Customers, in effect, pay for these things with their patronage; non-customers who use the facilities are simply taking money out of the business’s pocket. 

No doubt that by and large this cost is a pittance per person; but the cost or savings of such a policy is found not per person but in the aggregate. And many businesses operate on the slimmest of margins. Saying a business should be willing to eat the cost of allowing non-customers to use the facilities is easy when you’re not the one footing the bill. How much profit should a business be compelled to give away: 0.05%? 1%? 14%? Where/how do you draw the line? And why should you get to draw it and not the owner?

Then there’s the uncomfortable fact that, on the whole, customers are more of a known quantity than non-customers. A certain percentage of customers are regular patrons, which means that, unlike non-customers, they have some investment in keeping the facilities nice and the business afloat. That alone makes customers on the whole a safer bet, even if some customers do treat businesses like shit.

And among non-customers, homeless persons are the biggest risk, as there is a higher percentage of “mental illness” in this cohort than among the general population — if for no other reason than the fact that (to quote one researcher) “Homelessness represents an existential crisis that threatens mind and body alike.” Plus, lacking other options most of us take for granted, homeless persons in general will be more likely to make more extensive use of restroom facilities (e.g., taking a “sink bath”) than for which they are intended by the business owner.

Of course, one sense in which homeless persons, customers (whether one-time or repeat), and non-customers are alike is that there is no way to prejudge the behavior of a given individual based on which of these groupings they fit into. Leeway for individual judgments is built into “WE RESERVE THE RIGHT TO REFUSE SERVICE TO ANYONE.” Many businesses and employees make judgment calls on the fly regarding the non-customer wanting to use the loo — judgments that are sometimes based solely on affect or behavior rather than whether or not the person has access to a house or apartment.

*

Five minutes later the woman exited, calling out an unironic “Thank you” in her wake. When I used the loo later, there was no sign of her having been there.

Common as such an incident is, I found myself struck by the fact that the woman had asked permission despite being both homeless and desperately needing to relieve herself. She could see that the restroom door was wide open, yet she didn’t simply barge ahead. It was a sign of character, I think. 

But I would not frequent this particular coffeehouse unless I believed the owners and employees were also people of character. On many occasions I have witnessed their considerateness and generosity to customers and non-customers alike — not to mention that they offer a novel solution to the conundrum of being compassionate while preserving a customers-only policy: selling sticks of honey for 50 cents a pop. 

To me, this was a case where nobody was wrong and yet people were at cross-purposes. The business has a reasonable policy. The employee attempted to enforce that policy, as her boss has instructed. The woman asked permission, then used a toilet rather than relieve herself on the street, and she did not abuse the facilities.

For many of us it’s hard not to pass judgment, to reduce every instance or issue to a binary — right/wrong, should/shouldn’t — where of course our instinctive feeling must be correct. But perhaps sometimes we’re better off simply reflecting on the facts and trying to process the matter from every angle we can imagine. Homeless persons, business owners, employees, customers, non-customers — everyone’s got a point of view in every situation, every moment. 

Empathy is the ability to imagine yourself in another’s shoes, to see through another’s eyes, to feel what they feel. It’s a skill worth practicing whenever opportunities present themselves — which is constantly, even in the most seemingly mundane of circumstances.

RILKE – One Million Words

 

A timely discussion on connection and language

Actor Ivo Müller is bringing his solo performance of Rilke – One Million Words to Collage on March 14, in celebration of the centenary of Rainer Maria Rilke’s Letters to a Young Poet. Rilke, widely regarded as one of the most important German-language poets, has performed in solo shows like Rilke – One Million Words and Letters to a Young Poet, and appeared in productions including Twelve Angry Men, Huis Clos, Stitching, and works by Pirandello, Strindberg, and Euripides. Müller’s theatrical solo performance connects him in the present with Rilke in the past, reflecting on creation, belonging, mental health, and the need to be present in the world.

Drawing from Rilke’s letters, poems, and excerpts from the Austrian author’s novels,  Müller’s performance follows a writer who, for nearly a year, is unable to write poetry and can only express himself through letters. A present-time actor uses these words to navigate his own conflicts in a place where even his name sounds foreign, calling into question his identity and his relationship with the world around him. Across time and voices, the poet and the actor meet to explore love, the creative process, solitude, a sense of not belonging, and mental health — deeply contemporary themes.

This work was created and performed by Müller, a Brazilian artist with an international trajectory on stage and screen. Arieta Corrêa, directed the stage production, and the English adaptation was co-directed by Darrell Larson. The production combines physical acting, spoken word, elements of shadow theater, and a soundscape that creates an intimate and sensory experience.

Müller’s fascination with Rilke began while he was teaching at a public school in São Paulo, Brazil where he discovered unread copies of Letters to a Young Poet in the school library. He then began using the text in the classroom and, years later, translated and adapted it for the stage.

Random Lengths spoke to Müller who said the story is similar to his own, when he first began acting; the doubts the character has resonated with him. Since that time, he said, many signs have come to him, confirming that he should do this show, like going to a book store and Letters to a Young Poet “would just [appear before] him.” He felt he was meant to do this show.

The result of more than 20 years of artistic research, Rilke – One Million Words began in 2010 with the production Letters to a Young Poet, which toured more than 50 cities across Brazil until 2013, followed by RILKE (2018), commissioned by the Mário de Andrade Library in São Paulo. During the pandemic, Müller performed the show in Portuguese in an online version that reached audiences in several countries, paving the way for the project’s international expansion. This was when he realized how the show speaks about mental health. He recalled getting messages from viewers saying it was like a healing session; people spoke about isolation, but hearing this poetry and seeing the images he created touched them. 

“I understood it,” Müller said, “It is quite obvious when you watch the show, but I didn’t have that notion that the show spoke about mental health. People were suffering and feeling scared about being isolated. They didn’t know what the hell was going to happen next, and people were dying around us.”

In January 2025, the English language version premiered live in New York at Torn Page, the historic former residence of actors Geraldine Page and Rip Torn. Müller noted the development of the play was crazy because he was performing it in his second language.

“It was harder [but] it was a beautiful, delicious challenge, said Müller. I found new things, deeper than what I learned about the play from my first language.”

Letters to a Young Poet is a collection of ten letters by Rainer Maria Rilke to a young aspiring poet, Franz Xaver Kappus, who Müller explained was in the midst of his teenage crisis; he didn’t know what to do with life or how to deal with his first girlfriend. 

“I was fascinated by how contemporary [it] was,” Müller said. “[It] spoke to me when I first read it. That happens to many people who read it.” 

Müller pointed to a video pitch he uses for the show; an image of Lady Gaga and her tattoo of Rilke’s poetry on her arm that touched her in a way that was seminal to being an artist: ‘Confess to yourself in the deepest hour of the night whether you would have to die if you were forbidden to write.’

RILKE – One Million Words, photo by Priscila Prade, courtesy of Ivo Müller.

“[The situation] was the same for me but the only difference was I was teaching acting for teenagers and I [began] to use that in class and then … I decided I wanted to tell the story to more people … it’s one of my missions in life

There will be a post-performance discussion using Rilke’s poetry as a starting point to discuss artistic creation, mental health, and the importance of being rooted in the present. In 2026, the centenary of Rainer Maria Rilke’s death (1875–1926), the production continues its international tour, with a run in California at the Sierra Madre Playhouse, a European premiere at the Edinburgh Festival Fringe, and a return to São Paulo, in celebration of the work of one of the great 20th century poets, through the perspective of a Brazilian artist.

Time: 7:30 to 9 p.m., March 14 

Cost: $20

Details: https://tinyurl.com/One-Million-Words 

Venue: Collage, 731 S Pacific Ave., San Pedro

Daniel Ellsberg Speaks to Us as the War on Iran Continues

Daniel Ellsberg Speaks to Us as the War on Iran Continues

When Daniel Ellsberg died in 2023, the world lost a unique voice of sanity. Five decades earlier, as a “national security” insider, he had released the top-secret Pentagon Papers to expose the official lies behind the ongoing Vietnam War. From then on, he never stopped writing, speaking and protesting for peace, while explaining how the madness of nuclear weapons could destroy us all.

Now, Ellsberg’s voice is back via a compelling new book. “Truth and Consequence,” published last week, provides readers with his innermost thoughts, scrawled and typed over a 50-year period. The result is access to intimate candor and visionary wisdom from a truly great whistleblower.

“My father is dead now,” Michael Ellsberg writes in the book’s introduction, but “I for one care a great deal that he consented to allow us to compile this eclectic corpus of his important thoughts and musings.” Michael worked with his father’s longtime assistant Jan R. Thomas to sift through and curate the huge quantity of private writing.

The book’s subtitle – offering reflections on “catastrophe, civil resistance, and hope” – could hardly be more timely.

Now, the barbaric war on Iran is enabled by remaining silent and just following orders.

At the center of “Truth and Consequence” are the tensions between conscience and deference to authority.

“Don’t delegate conscience,” Daniel Ellsberg wrote.

“Most people conform and accept,” he noted. “A minority protest, withdraw. A tiny minority resist, take risks.”

“The temptation is strong to obey powerful men passively and unquestioningly,” Ellsberg observed in 1971, the year he turned himself in for giving the Pentagon Papers to the press and faced the prospect of spending the rest of his life in prison.

He instantly became a pariah among colleagues who’d been his friends at the RAND Corporation, a think tank serving the U.S. war machine. He’d been working there as a strategic analyst before and after a stint at the Defense Department.

“After I released the papers,” he vividly remembered, “some people were afraid to write to me . . . to shake hands with me . . . to receive a phone call from me.” Three years later, his takeaway was: “Accept the risks of freedom and commitment, instead of the risks of obedience and conformity.”

Ellsberg came to see grim downsides of society’s upper crust. He had graduated from Harvard and went on to get his PhD there. But in 1976 he wrote: “The function of an education at an elite university is to learn inattention and passivity, to learn to disconnect your daily work from the moral values of your family upbringing – sharing, love, trust, mutual dependence – and be part of maintaining a system of inequality, privilege, unnecessary suffering, war, and risk of extinction.”

The next year he wrote: “I have fallen out of love with the State and its Establishment, and I have regained a hopeful affection in the democratic ideal, process, and people who are untouched by power – those outside the base of the existing pyramid of obstruction, power, and privilege.”

And: “Most human-caused destruction, suffering, death, and enslavement (i.e., ‘evil’) is performed by men, at the direction of men. These are typically ‘normal,’ competent, personally agreeable and compassionate men who perform their acts in obedience to lawful orders – or, less often, in obedience to unlawful orders.”

1982: “Massacre is made doable by a chain of command that continually invokes habit, obedience, and career, as well as by leaders’ geographical and bureaucratic distance from the killing.”

Ellsberg had extensive firsthand experience in helping to fine-tune preparations for inflicting radioactive Armageddon, especially during the Kennedy presidency. Later, it was a role that haunted him.

“In this era of the potentially imminent extinction of most of life on Earth, there is now a moral dimension to every aspect of how one spends one’s life,” he wrote in 1977. “The foundation of all morality is that we must now live with awareness of the mortality of our species and the vulnerability of the Earth and all life.”

1985: “The future is not some place we are going to. The future is what we are creating every day. If we continue to prepare and plan for thermonuclear war, that is what we are going to get.”

By the time Ellsberg suddenly found himself vilified and beloved for releasing the Pentagon Papers in 1971, he was a devotee of civil disobedience. “Use of a radical, novel, powerful, and possibly illegal tactic of nonviolence,” he wrote that year, “is a form of useful work that is perfectly suited to illustrate the evil being combated.”

And he added: “I have never before shrunk from violence – from imagining it, planning it, preparing for it. I have wanted, and I have gained, the respect of violent men. Now I want the respect of gentle women, gentle men, and children.”

1984: “Nonviolent resistance has a special power to raise the question ‘What can I do to change this situation?’ I have felt that power in my own life.”

1985: “One way of calling attention to a danger or an illegal practice is to take an action of obstruction, or symbolic obstruction, that will lead to your being in court. Once there, in the context of your defense you can raise issues of illegality, criminality, constitutionality, and danger.”

1986: “Nonviolent civil disobedience does not eliminate moral dilemmas, costs, consequences, and lesser evils. However, it does inspire a search for new ways of behaving, seeing, feeling, and being.”

1990: “Ask yourself, ‘Where is the environment where I can be showing moral courage now? My work? My family? My community?’ Find the strength and the moral courage to do what is right, without knowing what the effects may be.”

Ellsberg’s activism took him to jail many more times after he summed up his protest activities this way in 2006: “I have been arrested in non-violent civil disobedience actions close to 70 times, probably 50 focused on nuclear weapons: e.g. at the Rocky Flats Nuclear Weapons Production facility, the Nevada Test Site, Livermore Nuclear Weapons Design Facility, and the vicinity of ground zero at both the Nevada Test Site and the Vandenberg Missile Test Site. Other arrests have been for protests against U.S. interventions.”

Thirty-five years ago, at the time of the Gulf War, Daniel Ellsberg wrote in his journal: “There is a time when silence is a lie, when silence is complicity, and when silence betrays our troops, our country, and ourselves. We owe it to our troops, as well as to other potential victims of this war, to speak the truth about ourselves: what we believe, what we reject, and what we want.”