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Why the B-52 Failed to Defeat the Vietnamese

The B-52 is often touted as a game-changer, but it can’t overcome a determined adversary.

By David Bacon | May 5

On the plane to Hanoi in December of 2015, I opened my morning copy of the New York Times to find an article by Dave Philipps: “After 60 Years, B-52’s Still Dominate the U.S. Fleet.” The piece stuck with me. For the next two weeks as I traveled through north Vietnam I tried to unravel the U.S. attitudes it reveals towards the people of this country and what they call “the American war.”

It ends by quoting a former South Vietnamese Navy officer, Phuoc Luong. “American technology is super,” he told Philipps. “It’s a great plane. In Vietnam we didn’t use it enough. That’s why we lost.”

If anyone knows the B-52, it’s the people of Hanoi. The enormous planes bombed them day and night for twelve days at Christmas in 1972. Today there’s a museum dedicated to the bomber, and the wreckage of one still sits in a small lake in the middle of the city.

When I tried to imagine what it was like living amid the constant deafening explosions, I found an earlier article in the archives of Mr. Philipps’ newspaper that gives an idea. It describes a visit by Telford Taylor, who’d been a judge at the Nuremberg war crimes trials, folksinger Joan Baez, and two other U.S. citizens in 1972. They’d gone to Hanoi that Christmas to deliver mail to pilots of those B-52s. Some had managed to survive being shot down while delivering President Nixon’s brutal holiday greeting, and then were apprehended by the people they’d been bombing.

Kham Thien Street after the bombing, in a photo from the Hoa Lo Museum, Hanoi.

The visitors described their fear in the midst of cataclysmic destruction, and their subsequent journey through the city and its ruins. “The most horrible scene that I’ve ever seen in my life was when we visited the residential area of Khan Thieu, and as far as I could see, everything was destroyed,” mourned Yale University Divinity School associate dean Michael Allen.

Thirty years later another Times writer, Laurence Zuckerman, also wrote about this iconic airplane: “The B-52’s Psychological Punch: The Enemy Knows You’re Serious.” Zuckerman was reacting to a documentary on the B-52s by filmmaker Harmut Bitomsky. Zuckerman’s piece was not exactly a paean to the aging airplane, but like Philipps, he couldn’t quite hide a certain admiration for its long life.

The B-52 was built originally in the early 1950s to drop nuclear bombs on the Soviet Union. Since then it’s carried “conventional” bombs, releasing them instead over people and homes in dozens of other countries. “It is the longevity and versatility of the giant bomber, which started flying in 1952 and is expected to remain in service until 2037, that is so fascinating,” Zuckerman commented.

While both writers carefully note that carpet bombing inspired massive protests both in the U.S. and internationally, what’s glaringly absent in their pieces is any sense of what it means to be under the B-52, on its receiving end.

The Long Bien Bridge in Hanoi today.

The Christmas bombing of Vietnam was a war crime. No U.S. official was ever tried and punished for it, and it was as irrational as it was savage. The negotiations for the U.S. troop withdrawal from South Vietnam would reach a conclusion within a few weeks of it. Could some minute extraction of leverage in those talks have been worth the deaths of so many?

Throughout the eight years in which the U.S. bombed North Vietnam, its bombers had few military targets. One airman quoted by Philipps tried to claim that bombing nevertheless had some strategic value: “We’re doing a lot more than killing monkeys and making kindling wood out of the jungle,” he claimed. The B-52s targets, however, were people and the infrastructure that held their lives together. U.S. planes bombed dikes to try to cause flooding in Hanoi and the countryside. They bombed the Long Bien railroad bridge – the link that brought food and coal into Hanoi so that people could eat and keep warm.

The B-52s and their accompanying F-4s and F-14s bombed the small town of Sapa in the hills north of Hanoi, near the Chinese border. Sapa is the cultural center for many of Vietnam’s ethnic minorities. It has no military value. Why bomb it, if the purpose was not to terrorize people and extract revenge for their defiance?

Traveling through the north, I sometimes asked ordinary people – taxi drivers or restaurant workers – what I should see in Hanoi. Mostly they’d tell me to go to the Army Museum. One morning I did, and I could see why. On the ground outside the main halls are captured tanks, a Huey helicopter, and rows of bombs. In the courtyard pieces of shot-down planes have been welded together into a tower, topped by the tail assembly of a U.S. jet.


The Hanoi Station after the bombing, in a photo from the Hoa Lo Museum, Hanoi.

Kids are climbing all over them. At the museum entrance sits an old MIG fighter the Vietnamese got from the Soviet Union. Parents send their children up a small ladder bolted to the side, and there they pose for iPhone pictures, next to the 14 red stars painted on the fuselage, each representing a U.S. plane it shot down.

It was a moment for conflicting feelings. I was glad to see the instruments of war surrounded by happy families – no war anymore. Then I thought about the pilot of the MIG. How terrifying it must have been to fly up into the anti-aircraft and missile fire above Hanoi and shoot at the B-52s and their phalanx of fighter escorts. And then I realized, it must have been terrifying for the U.S. pilots too. Eighty four planes were shot down over Vietnam during the Christmas bombing, including 34 of the giant Stratofortresses, according to the museum.

Today’s remote controlled wars, with drones guided from computer screens in Colorado, seem antiseptic by comparison — for the pilots. Not so for those under the bombs. For people living in the ancient cities of Gaza or Sana’a or Kunduz, the reality today is much as it was for people in Hanoi that Christmas.

I believe people also had another reason for urging me to go to the museum. Hanoi has long since been rebuilt. In the city and its environs Vietnam is on a building binge, and the impact of the war is no longer so visible. Children born during the Christmas bombing are celebrating their 43rd birthdays.


Children on a fighter plane in the Army Museum, Hanoi.

People walk through the Army Museum exhibit halls, mostly lined with photographs showing all the things they did during that war. Some show Central Committee meetings that made the decision to fight the Americans. Some show people in demonstrations, especially in the South, demanding that the foreigners leave. Some show the hard work of people in the north, sending food and soldiers south to drive them out. There are many portraits of people killed, or imprisoned in the infamous tiger cages, for fighting the U.S. and the South Vietnamese government it propped up until the last helicopter took off from the roof of the U.S. Embassy on May 1, 1975.

But despite the bombing and the meticulous documentation of the war’s terrible cost, I felt little hostility or bitterness in the people I met. In the end, they’d won. How could the war’s planners back in Washington have thought it would turn out otherwise? The Vietnamese were no latecomers to insurrectionary organizing. They were hardly ignorant or apolitical countryfolk, although this was certainly the prevalent stereotype in Congress and the Pentagon.

The Army Museum is focused on the American war. But the half dozen other museums in Hanoi that also document Vietnam’s revolutionary history make plain how long liberation took. Sophisticated political organizations took decades to mature and gain experience. By the time of the U.S. intervention, they’d been at it for many, many years. That experience finally brought about the U.S. defeat.

If anything, the Vietnamese official history on display in museums is even angrier with France than with the U.S. Long rooms and galleries of photographs show the nationalists and their first resistance to the French colonizers starting in 1858. It joined the rising revolutionary wave of the early 20th century, and crystallized in the launch of the Indochinese Communist Party in the 1930s.

The Long Bien Bridge in Hanoi today.

Hanoi Hoa Lo monument (now largely overshadowed by a new office and residential complex) preserves the prison where the anti-French resisters were held. In the cells of the old French Maison Centrale, dioramas of prisoners in manacles and leg irons shout at their jailers with their fists raised. Two guillotines, used to chop the heads off those who couldn’t escape, sit in dark corners of this and the official history museum. Even the women’s museum has a floor dedicated to those imprisoned by the French.

That history of resistance went on far longer than the U.S. war – almost a hundred years. During much of it Ho Chi Minh was not even in Vietnam to lead it. He was first an itinerant sailor, then in Moscow working for the Comintern, and finally was sent to one country after another, to jumpstart movements like those that had already begun in his own country. While it’s possible to see why western governments feared and demonized him as a hardened revolutionary, the Vietnamese resistance movements were not dependent on any single person. The final defeat of the U.S. came several years after Uncle Ho had died.

The language used to demonize Vietnam’s Communists and nationalists by those they sought to overthrow was just as vituperative as that used in the U.S. Congress against Muslim radicals today. Terrorist, after all, was a term used to describe anarchists and socialists for over a century. That language of terrorism and the cold war was used to create hysteria that easily justified sending U.S. advisors, and then troops, into Vietnam once the French had been defeated in 1954. Ultimately, it was used to justify the B-52s and the 1972 Christmas bombing. It cost millions of Vietnamese lives, and tens of thousands of U.S. lives as well.

When President Reagan and his successors sought to overcome the “Vietnam Syndrome” to make later interventions acceptable, they once again used that language. It justifies even today’s use of the B-52s, 63 years after they began flying. The U.S. Air Force has no intention of retiring the 76 remaining planes in its fleet. In fact, the successors to General Curtis (“Bomb them back to the stone age”) LeMay now want to deploy them in Syria.


The Long Bien Bridge in Hanoi today.

They are institutionally unwilling to remember. Bombing did not defeat the Vietnamese. Phuoc Luong is wrong. More B-52s would not have won that war. They will not win any new war against a people willing to do whatever it takes to survive and win.

Walking through the streets of Hanoi, I could see why. One morning I went out to Long Bien Bridge to take photographs at sunrise. The trains going north leave downtown Hanoi just as it gets light. It’s a great moment to see them emerge from the warren of houses next to the tracks, their old cars flashing past as they set out across the long span over the Red River.

Long Bien is an old bridge, and was one of the four great bridges of the world when it was built in 1902. A plaque at one end reminds the commuters who trundle past on bicycles and scooters that it was built by Gustav Eiffel, who used the same iron that went into his tower along the Seine in Paris. During the American war it was probably the one structure U.S. bombers could clearly see from on high, and they blew it apart over and over.

Down below the bridge abutment is the Long Bien market, where many of the city’s fruit and vegetable sellers go to meet farmers bringing produce into the city. As I took pictures of the train and the stalls below, I tried to imagine the columns of smoke, the deafening roar of jet engines and then explosions, the screams of people torn to shreds with their dogs, their pushcarts and melons.

The Long Bien Bridge in Hanoi today.

As the trains passed I wondered if the locomotives were the same as those that must have been repaired a thousand times during the war. They look old. Despite the glitz of Hanoi’s new wave of foreign investment, Vietnam is still a poor country. Things must be saved and reused again and again, including railroad cars and bridges.

I felt that persistence as the sun came up. It’s why the bombing, despite its immense destruction, failed so utterly.

Then I went down into the old quarter below, looking for a cup of Hanoi’s excellent coffee.


St. Mary Medical Center Recognized for Excellence with ‘A’ in Hospital Safety

 

LONG BEACH — Dignity Health – St. Mary Medical Center or SMMC earned an “A” hospital safety grade from The Leapfrog Group, an independent national nonprofit watchdog focused on patient safety. Leapfrog assigns an “A,” “B,” “C,” “D” or “F” grade to general hospitals across the country based on over 30 measures of errors, accidents, injuries, and infections, as well as the systems hospitals have in place to prevent them.

“We are honored to once again be recognized among the safest hospitals in the nation,” said Carolyn Caldwell, FACHE, hospital president and CEO of SMMC. “This meaningful recognition reflects our unwavering commitment to patient safety and excellence in care. Every member of our team shares in this achievement, as we continue to put the well-being of our patients at the heart of everything we do.”

Nineteen Dignity Health hospitals across California — including SMMC — earned an “A” this cycle, the highest number achieved by any health system in the state. The Leapfrog Hospital Safety Grade stands as the only hospital ratings program focused solely on preventable medical errors, infections and injuries that kill more than 500 patients a day in the United States. This program is peer-reviewed, fully transparent and free to the public. Grades are updated twice annually, in the fall and spring.

Details: To explore Dignity Health – St. Mary Medical Center’s full grade details and find valuable tips for staying safe in the hospital, visit HospitalSafetyGrade.org.

From Home to Table: LA County’s MEHKO Program Reaches 100-Permit Milestone, More to Come

LOS ANGELES — The Los Angeles County Department of Economic Opportunity or DEO and the Department of Public Health or DPH announced today that more than 100 Microenterprise Home Kitchen Operations or MEHKOs permits have been issued since the programs launch in November 2024. This milestone reflects the county’s commitment to safe and compliant food vending and operations and expanding a legal and safe pathway for small businesses and micro entrepreneurs to enter the formal economy.

MEHKOs are a new type of permitted retail food facility that allow individuals to legally prepare and sell meals directly from their home kitchens to consumers. In May 2024, the program was approved by the Los Angeles County Board of Supervisors and DPH’s Environmental Health Division, who began permitting last November. The new ordinance aligns with State legislation and other local actions like the Sidewalk Vending Ordinance or SVO and Compact Mobile Food Operations or CMFO, which are specific to sidewalk vendors using MEHKO as a commissary space.

“Throughout my time as Supervisor, I have been committed to providing new economic opportunities to our most vulnerable communities, which is why I have helped lead the charge on the creation of MEHKOs. I am immensely proud that this new program has issued over 100 permits, a significant milestone that highlights the tremendous potential of this program to empower our residents—especially women, immigrants, and communities of color,” said Hilda L. Solis, Los Angeles County Chair Pro Tem and Supervisor for the First District. “This program offers a transformative opportunity for home-based culinary entrepreneurs to legally operate their businesses, turning their passion into a viable livelihood. By helping these entrepreneurs navigate health and safety standards, we’re not only fostering new businesses but also enhancing the diversity and richness of food options for our communities. The MEHKO Program is a key step in creating a more inclusive, equitable economy in Los Angeles County.”

Under State law and the LA County MEHKO Ordinance, MEHKOs may serve up to 30 meals per day and 90 meals per week, with annual gross sales not to exceed $100,000. All food must be prepared, cooked and served from the home kitchen. The program is administered by DPH, ensuring compliance with California Health and Safety Code standards through permitting, inspections, and public health oversight.

To support residents looking to start a MEHKO, a limited time County subsidy—funded by the American Rescue Plan Act or ARPA — offers a one-time waiver of the $597 MEHKO application review fee to up to 1,000 eligible operators. The subsidy is available on a first-come, first-served basis through June 30, 2026.

Potential applicants can also enroll in the COOK Academy, a free training program offered in partnership with DPH and COOK Alliance. The program provides food safety education, compliance training, and a $3,000 grant upon completion. To register for COOK Academy, visit cookalliance.org/cookacademy.

DEO and DPH are also working with Imagen Group to host MEHKO information sessions countywide to build awareness and encourage permitting, including access to permit subsidies and enrollment in the Cook Academy. A full list of upcoming virtual and in-person sessions in English and Spanish as well as additional support through DEO’s Office of Small Business is available.

Details: For information on the MEHKO Ordinance and permits, visit: http://publichealth.lacounty.gov/eh/business/microenterprise-home-kitchen-operation.htm

For more information on how DEO can support in accessing a MEHKO, including a full list of MEHKO events and services to support food businesses and vending, visit: opportunity.lacounty.gov/mehko.

 

China Shipping Ruling May End Decades of Lawlessness

After almost a quarter century of on-again-off-again litigation, a May 2 ruling by a San Diego judge may finally put an end to the Port of LA’s illegal conduct regarding the China Shipping Terminal. Ironically, it comes just at the time when cargo from China is expected to stop, due to Trump’s unprecedented 145% tariff.

It all began with the port trying to build the terminal without doing the environmental impact report (EIR) required by the California Environmental Quality Act (CEQA). Two local homeowner groups initiated the lawsuit, which was settled in 2004, with an EIR done in 2008. But in 2015, after a Public Records Act request from Random Lengths, it was revealed that 11 mitigation measures from the EIR had never been implemented. The port’s attempt to remedy the situation with a subsequent EIR led to a second lawsuit in 2019, which finally appeared to have settled things last year, only to have the final agreement fall apart earlier this year.

Thus, on May 2, Judge Timothy Taylor found that the Port of LA has been violating its 2024 judgment that required compliance with, and reporting on, mitigation measures at the terminal. He noted that the Port’s interpretation of the judgment allowed it to “continue its illegal operation” of the terminal, most notably by having up to 22% non-compliance with the mitigation measure requiring ships to use shoreside power when docked.

As recently as January 17, the parties to the suit reported they were close to agreement in a status conference. But things fell apart in a follow-up March 7 conference, when it became clear they were far apart regarding the shoreside power mitigation measure, known as MM AQ-9. The Port withdrew its consent, setting the stage for the May 2 hearing.

“The Court rightly rejected the Port’s attempt to water down a requirement that cargo ships use shore power at the China Shipping Terminal—a requirement that would protect harbor workers and surrounding communities from significant amounts of toxic air pollution,” said Margaret Hsieh, senior attorney with the Natural Resources Defense Council (NRDC), which has represented community groups and their allies since the litigation began in 2001..

“In addition, the Court held that the Port had failed to provide accurate reporting on compliance with the shore-power requirement,” she said, noting. “Reporting is a critical mechanism for accountability, as it allows the Court and the public to scrutinize the Port’s actions and determine whether the Port is complying with the law. This is especially important here, given the Port’s long history of violating CEQA with impunity, to the detriment of public health.”

Normally, the court would give deference to an agency like the port in interpreting the mitigation measure, Judge Taylor noted, but not so in a case with such a long list of problematic past actions. Specifically, he wrote:

“Not so here, where the City’s track record led this court to observe that the City had “committed a profound violation of CEQA.” Not so here, where the Court of Appeal determined that the City led this court into error by resisting a more robust remedial regime. Ibid. Not so here, where there is nothing in MM AQ-9 suggesting it left room for a swing from 2-3% noncompliance to 22% non-compliance… And not so here where the City’s interpretation ‘allows the Port to continue its illegal operation of the [T]erminal without enforceable mitigation measures’ in place.”

“Today the court directed the Port of Los Angeles and China Shipping terminal operators to do what they should have started doing decades ago,” said Joe Lyou, President of the Coalition for Clean Air. “The mandate is clear. Comply with the law and clean up the air that port workers and community members breathe.”

“We are living in a Diesel Death Zone,” said Peter Warren, of San Pedro and Peninsula Homeowners Coalition. “This lawbreaking has contributed to a public-health failure resulting in chronic illness, school and work absences, hospitalizations, emergency room visits, and death. We will remain vigilant until the pollution stops.”

“The right to a safe environment is a widely recognized human right,” said Janet Gunter from San Pedro Peninsula Homeowners United, one of the original individuals who launched the litigation. “We, living near the largest port in America, are suffering from deadly consequences stemming from the mammoth shipping industry,” she said. ”Our goal is to motivate the Port to properly engage in the protection of this right. Thus far, the Port has failed to show it will do so. We will continue to fight for it.”

“The Port of Los Angeles has for years been ignoring California environmental law in overseeing operations at the China Shipping terminal,” Warren said. “As a result, there is no cop on the environmental beat at the port—not among the harbor commissioners, nor among the senior port staff, nor in the Mayor’s Office.”

“If this Superior Court Judge—following the direction of a state appellate court—had not acted, Port CEO Gene Seroka would have created a roadmap for how to beat CEQA and undermine the environmental review process. Effectively, that roadmap would have taught industry: Just agree to mitigations to reduce environmental harm, and then don’t do them,” he explained.

“This China Shipping case is also important because it makes clear that Mayor Bass has failed to appoint commissioners who are willing to properly balance the economic necessity of Port operations with state law that protects the health and well-being of the people and workers in the community,” Warren added. “The Harbor Commission should include among its members—perhaps through expansion—environmental and public health experts, as well as the others who have commonly come from business, industry and labor leaders.”

Gunter was especially appreciative of the judge’s thoughtful approach.

“We are eternally grateful to Judge Taylor for taking the time and interest in making a physical visit to the China Shipping terminal,” she said. “The Port of LA insisted that this case be sent to a court outside of Los Angeles, so it was sent to the San Diego court. I am convinced that it was to escape media scrutiny and/or to have a judge who would be unfamiliar with the conditions being suffered by those living in the shadow of the massive industrial complex,” she explained.

However, “On Judge Taylor’s visit, the community was able to show him the gargantuan terminal, the adjacent housing, nearby schools, youth playgrounds, and recreation areas. He was able to personally experience the magnitude of port operations,” Gunter recounted. “Without having that experience, I sincerely doubt that he could have ever imagined nor understood the magnitude of the Ports’ scale and its serious negative impacts on the local population.”

“The court’s opinion makes clear that the Port’s defiance of its orders must come to an end,” said Jackie Prange, another NRDC senior attorney who argued the case. “The Port must finally comply with the law and clean up its pollution.”

Random Lengths reached out to the port for comment but did not hear back by the time of publication.

“The Library of Maps” locates Long Beach Opera at a peak

We are on a ship at sea. The captain has just died. A new mapmaker has been born unto a library that contains all the maps in the universe. Passengers and crew drift across the sea of time on a voyage without a fixed destination.

Or something like that. The wisps of plot were beside the point in the second-ever staging of Pauline Oliveros and Moira Roth’s The Library of Maps: An Opera in Many Parts, performed aboard the Queen Mary on April 12 and 13. Rather, Long Beach Opera’s production was a wondrous evocation of life as an inscrutable journey that can be beheld as we move along, beheld and rendered but never pinned down.

Though The Library of Maps was the third of four shows in Long Beach Opera’s “ALL OLIVEROS” season, it seems Oliveros’s only role was as guiding spirit (“No score exists for the piece,” LBO tells me, “no musical sketches”), as director/producer James Darrah used a small sampling the two-dozen poems loosely comprising Roth’s libretto to craft a nebulous narrative that unfolded within four movements of largely improvised music with foundations laid by Darrah and musical director Christopher Rountree

Part of the success of The Library of Maps is that it’s impossible to know where those foundations ended and the spontaneous construction began. No portion of the opera seemed to meander (more often than not the bane of even virtuosic improvisation), with all eight performers exercising a discipline that unfailingly served the moment and the whole.

A single mallet strike on a small hand cymbal marked the beginning of first movement, a solitary sound suspended in space until joined by the long intonations of a single voice. Gradually a second cymbal was marched on, a second voice weaving its own notes into growing complexity of overtones. Already the care in the sound design was evident, a dark electronic reverb coloring the natural acoustics of the Queen’s Salon. Think Cocteau Twins trying their hand at Gregorian chant.

A frantic announcement by Darrah (as the Deputy Captain) on crackling loudspeaker propelled us toward the next movement, where we were provided with a partial list of the Library’s holdings (the Lost Map, the Two Street Maps, the Cartographer’s Last Map, the Maps of Walter Benjamin, the Unruly Map of Threads, the Child’s Map of Time . . .), before we ventured into the subsequent movements (the Map of Shadows, the Room of the Mute Woman, the Map of the Sandstorm Desert), where aria, spoken word, and instrumental passages ranging from texturally sedate to percussively frenetic seemed to bring us into dream whose meaning was just beyond our grasp.

Whether singing or playing, interacting with each other or solipsistically holding space, every member of the cast — Darrah, Rountree, M.A. Tiesenga, Catherine Brookman, Paul Pinto, Kathryn Shuman, Peter Kazaras, O-Lan Jones, I-Chin Feinblatt — exquisitely dispatched their duties. And while it might be derelict on the reviewer’s part not to single out this or that performer for condign praise, that can happen when the gestalt sweeps you up. I didn’t always track who was doing what, any more than I tracked the details of Roth’s text. The specifics didn’t matter, in the very best sense.

To say that Darrah and company attended to the performance’s every nuance is not to oversell just how completely The Library of Maps was realized. Equal in quality to Nathan Grater’s sound design was Kaitlin Trimble’s lighting, modulated to maximize the Salon’s plush Art Deco trappings and the silvery sheen of Prairie T. Triveth’s set. Chrisi Karvonides-Dushenko’s costumery provided each character with a striking visual signature that contributed to the gorgeous panoply. Taken all together, the individual elements of The Library of Maps melted into an aesthetic flow beguiling to the analytic faculties. Questions of what it was and how it came to be were subsumed by pure, joyous experiencing.

And as I lingered with many other audience members in the post-show glow an hour after the conclusion of the 75-minute performance, I wanted to experience it all again. Not the kind of thing one feels about opera every day — or in my case, ever. Until now.

“I’ve never really been somebody that wants anyone to walk out of the theater and think, ‘Meh,’” Darrah told SF Gate last month. “I want somebody to be like, ‘That was amazing,’ or ‘I hate you, James!’ It just means you’re hitting a nerve, you’re tapping into a current, you’re on a pulse of something.”

To be sure, since Darrah took the helm in 2020, Long Beach Opera has been more hit-and-miss than under the previous regime, partly because they’ve expanded their range of offerings well beyond what most of us call “opera,” occasionally to decidedly underwhelming effect.

But The Library of Maps shows what they’re capable of when they bring all of their considerable talent and vision to bear on a project, joining 2023’s The Romance of the Rose as one of the four best things they’ve ever done. Amazing indeed.

Long Beach Opera closes their “ALL OLIVEROS” season with the third annual LBO Film Festival, “this year focusing on Pauline Oliveros’ legacy as a queer artist.” At the heart of the two-day event will be the U.S. West Coast premiere of The Nubian Word for Flowers: A Phantom Opera, which “delves into the Nubian diaspora and the life of Lord Kitchener, blending live performance, electronics and moving images to create a dreamlike exploration of Nubian soul and colonial history.” For details, visit LongBeachOpera.org.

Educators Take a Stand: Teachers Overwhelmingly Vote to Divest from Genocide

 

Last month, UTLA’s membership urged the California State Teachers’ Retirement System or CalSTRS, in an open letter to divest from companies and bonds linked to Israel’s military actions in Gaza, accusing them of complicity in war crimes and apartheid. Additionally, the union called for reinvestment in socially responsible assets that reflect educators’ commitment to justice and children’s rights globally.

Political allies, including political activist Marcy Winograd, praised the union’s call in a Facebook post on the eve of May Day, highlighting the 90% support and that the $352 billion pension fund is the one of the largest in the world to “divest from war, occupation, apartheid, surveillance and genocide.”

In a related story find a CODEPINK article on West Ed report on Holocaust and Genocide Education.

Long-time anti-war activist, Marcy Winograd, is a very busy and engaged reformer. Among her many activities she volunteers as the coordinator of CODEPINK Congress and a co-producer of CODEPINK Radio. Marcy also volunteers as co-chair of the Peace in Ukraine Coalition, advocating for a ceasefire and diplomatic resolution to the Russia-Ukraine war. She is a Los Angeles Democratic Party activist and is a member of Santa Barbara Democratic Socialists of America. She is also the co-founder of the Los Angeles chapter of Progressive Democrats of America.

In 2010, she even ran for Congress. Marcy mobilized 41% of the vote in her primary congressional peace challenge to then incumbent Jane Harman. In 2020, Marcy served as a CA DNC delegate to Bernie Sanders.

The genesis of her activism began in high school when Marcy marched against the Vietnam War and later, joined the defense team of Pentagon Papers whistleblower Daniel Ellsberg.

A retired English and government teacher, Marcy blogs about militarism and foreign policy at Common Dreams, CounterPunch, Salon, LAProgressive and Responsible Statecraft.

On April 1, CODEPINK reported that “rank and file teachers in the United Teachers of Los Angeles or UTLA are mobilizing to demand their pension fund–CalSTRS– divest from Israel’s genocide in Palestine, sell off investments in immigrant surveillance, and quit the war economy altogether.”

 

Find Marcy’s post below, along with an attachment at the end to endorse the motion.

 

UTLA Urges CalSTRS Divest from Genocide!

What follows is the text of the motion that passed:

I move that UTLA join fellow California Alliance for Community Schools (CACS) locals and the California Federation of Teachers (CFT) in publicly calling on CalSTRS to immediately adopt and abide by an Ethical Investment Policy Statement that guides CalSTRS to divest from assets and companies that consistently and directly profit from, enable or facilitate human rights violations, violations of international law, prolonged military occupations, apartheid, or genocide, including weapons manufacturers and companies that build technology such as artificial intelligence and surveillance technology for military use;

Additionally, UTLA will call on the California Teachers Association (CTA), National Education Association (NEA), and the American Federation of Teachers (AFT) to support this call for divestment. These public calls will be made through a direct letter published on social media accounts and sent out through UTLA chapter chair talking points before May 5, 2025.”

Scroll for a list of some of the currently posted CalSTRS investments. https://docs.google.com/…/1FAIpQLSd5rZmk0JmS0L…/viewform

THE BOEING COMPANY

CalSTRS investment: $198, 608, 000

Boeing manufactures F-15 fighter jets and Apache AH-64 attack helicopters, for Israeli Air Force bombardment of Gaza and Lebanon.

CATERPILLAR INC.

CalSTRS investment: $213,827,000

For decades, Caterpillar has been supplying Israel with giant armored bulldozers, which the Israeli military operates to illegally demolish thousands of Palestinian homes and civilian infrastructure in the occupied West Bank and to enforce the blockade of water, food, fuel, and medicine to the Gaza Strip.

ELBIT SYSTEMS

CalSTRS investment: $3,992,000

Israel’s largest weapons manufacturer, Elbit Systems supplies weapons and surveillance systems to the Israeli military, including large missile-carrying drones to attack Gaza, the West Bank, and Lebanon. Designed for use in “densely populated urban warfare, Elbit’s 500-pound multi-purpose bombs contain 26,000 controlled fragments for “high kill probability.

*L3HARRIS TECHNOLOGIES

CalSTRS investment: $70, 843,000

The world’s ninth largest weapons manufacturer, L3Harris manufactures components that are integrated into multiple weapons systems used by the Israeli military in Gaza, including Boeing’s JDAM kits, Lockheed Martin’s F-35 warplane, Northrop Grumman’s Sa’ar 5 warships

LOCKHEED MARTIN

CalSTRS investment: $176, 868, 000 in stocks; $24 million in bonds.

The world’s largest weapons manufacturer, Lockheed Martin supplies Israel with F-16 and F-35 fighter jets to bomb Gaza. Israel also uses the company’s C-130 Hercules transport planes to support the ground invasion of Gaza

MAERSK

CalSTRS investment: $22, 316,000

Maersk transports military cargo to Israel and is the target of the Palestinian Youth Movement’s Mask Off Maersk campaign.

NORTHROP GRUMMAN

CalSTRS investment: $108, 705,000

The world’s sixth largest weapons manufacturer, Northrop Grumman supplies the Israeli Air Force with the Longbow missile delivery system for its Apache attack helicopters and laser weapon delivery systems for its fighter jets. Northrop Grumman also contracts with the U.S. government to build nuclear weapons at least 20 times more lethal than the atomic bomb.

PALANTIR TECHNOLOGIES

CalSTRS investment:$44,875,000

Palantir supplies AI systems to Israel to track and strike targets in Gaza.

According to Amnesty International, Palantir also supplies ICE with technology to arrest caregivers of unaccompanied minors, leading to detentions and harming children’s welfare. “Similarly, ICE relies on Palantir technology to plan mass raids that lead to prolonged detention.

RTX (RAYTHEON)

CalSTRS investment: $219, 660,000

The world’s second-largest weapons manufacturer and largest producer of guided missiles, RTX supplies the Israeli Air Force with guided air-to-surface missiles for its F-16 fighter jets, as well as cluster bombs and “bunker buster” bombs.

VALERO ENERGY

CalSTRS investment: $95,000,000

Valero supplies jet fuel to Israel for military use.

A knock on the door – Know Your Rights

Seventy-three percent of the students in the Los Angeles Unified School District identify as Latino or Hispanic and, according to UTLA, 30,000 students are immigrants with one in four undocumented–data not lost on district educators whose students dread a knock on the door from ICE. In response, UTLA offers resources for the immigrant community, including Know Your Rights advice such as “Stay calm–Do not open the door–Do not sign any documents–Ask to speak with your lawyer or loved one.” The next step, say LAEJP teachers, is to remove the teachers’ monetary complicity with Palantir, Trumpian Peter Thiel’s data-analysis company that has raked in over a billion dollars in federal contracts for immigration enforcement.

“It is unacceptable to invest in institutions that have historically separated and attacked our Latino immigrant communities,” said one Los Angeles teacher who preferred to remain anonymous. “These companies are the same entities that pride themselves in decision dominance or superior decision-making, all the while executing decisions to undermine our student community–tearing children apart from their parents and criminalizing immigrant workers.”

Divest from settlements and Israel Bonds

Rank and file teachers also call on CalSTRS to sell off $22 million in stock in Israel’s Bank Leumi, which has branches in a number of illegal West Bank settlements and provides private loans and mortgages to settlers. CalSTRS has held this stock since the spring of 2024 when the Biden administration, three years into its term–still arming Israel’s slaughter in Gaza– imposed sanctions on illegal settlers, noting their settlements violated international law.

Details: To endorse CalSTRS: https://tinyurl.com/Divest-Apartheid-and-Genocide

Letters to the Editor: On Pope Francis, Sacred Grounds, and the Return of the San Pedro Library

Reflections on Pope Francis

Being Jesuit trained, his mind and intellect were certainly intact

It’s funny how the intellectuals are, in practice, the most service-oriented of all the Catholic orders

Disclaimer: several of my instructors at Loyola Univ. Los Angeles were young Jesuits Pope Francis worked the same kind of odd jobs to get by as I and my brothers

You don’t forget that shit

He chose Francis as his papal name, after St. Francis…of course, the whole concept of sainthood is fairly absurd, and historically mostly apocryphal. More is known about St, Francis, and it’s not entirely complimentary, and during his lifetime the Church mostly rejected his ideas and him personally.

But St. Francis, if the stories are at all true, had an awakening that bonded him with all life, all of creation. Having personally experienced certain of these revelations, by which I mean realizations, myself over the years, this is a very good choice, and I believe the late pope manifested this awareness as best he could under the current and historical restraints of the Catholic Church.

Pomp and circumstance. The late Pope rejected the trappings. Another fine quality. According to the news, as pope he microwaved his own meals if they needed warming up a touch. Clearly making him a man of the people!

He knew he was dying and still met with Vance on the last day of his life? This is by far above and beyond the call of duty

Pope Francis is not going to be buried in the Vatican, per his wishes. He will be buried in a common cemetery. If you have ever been to the Vatican (I have) you will remember being overwhelmed by the plunder and treasure stolen from the Americas without mercy and with no regard for human life. Pope Francis was the child of Italian immigrants, born in Argentina, became a Jesuit, and was still elected Pope. This will never be allowed to happen again, that’s for sure.

John Pusey

Forestville, CA

 

Sacred Grounds Has Closed

Hello to local residents/ business community,

Sad to state I was going to send this note to inform that SACRED GROUNDS is closing permanently, and I thought it was Wednesday, and misunderstood.

TODAY April 28th, IS THE LAST DAY FOR SACRED GROUNDS (6th St. next to Warner Grand Theatre -“WGT”) – so get there asap for a cup of coffee or special drink, some delicious food/pastry, and to reminisce and take in the unique environs.

The closing will leave a big hole for camaraderie and commerce in another wound in the depressed downtown.

Proprietor Dave Lynch has been in business for over 30 years and has been (tacitly – he’s very modest) very generous and supportive of so many organizations. He genuinely cares about the fate of downtown. He’s also had long and loyal employees whom he genuinely cares about and whose future is in jeopardy.

My first meeting about the LA Har. int’l. Film Festival (LAHIFF) to talk about our plan with Lee Sweet, mgr. of WGT was at the original Sacred Grounds (SG) location at 6th & Mesa Sts. (now Niko’s Pizzeria) and subsequently any significant meetings I organized were in the current location as it’s either early for coffee, or end of day for drink/glass of wine. That includes special time with Jonathan Williams, over a dozen years ago, when he took over leadership of Battleship IOWA, and recently with the new PR/marketing director, Hall Roosevelt. Dave has been a sponsor for LAHIFF since 2003, and we are loyal to our sponsor(s). Meetings with Jack Baric, co-producer of the Stories of Los Angeles Harbor Area: For Yesterday, Today, & Tomorrow (SOLAHA,) always at Sacred Grounds, too many others to enumerate.

Over the years, Sacred Grounds has been it’s own “scene” with special events, music, and recently the annual (free) Christmas/holiday dinner for all to enjoy; and in fact used as a set for many films/TV shows. Just this past week Chase has aired a commercial that features 6th St. with WGT and SG in the “BG” (background).

The future for SG moving or re-opening is not determined, so for now if you have the opportunity take some time to call in and enjoy the aroma and atmosphere and sip some of Dave’s special “Silky Jazz” (combine French Roast and Columbian) and remember “If we don’t save our history today, it’s gone (with the sea, or in this instance the “grounds”) tomorrow.

With sadness for another valued and dedicated business lost.

Stephanie Mardesich

San Pedro, CA

 

San Pedro Library Returns Better Than Ever

I’ve got to share some good news here in town; the San Pedro public library opened after months and months of renovations just before the winter holidays. Horray! Hooray! Hooray!

Having the local library open was worth the long wait as the upgrade of new flooring and fresh paint throughout the building gives plenty more light and the place seems almost twice as big.

Out of all the luxuries within this small port town, I find the library to be one of its’ most special gems. One can bring in their child or children to listen to a ‘volunteer’ read aloud via the hired readers off to the north side of the facility. Towards the west wing of the library, one can join in on one of the special classes held to promote one or more hobbies or interests. And, of course, the place is full of books far and beyond with special sections including audio books, DVDs, and the computer terminals for research and more. And, if the library doesn’t have the edition you’re looking for, then that’s when the ‘Reserve’ section will work out for your needs once the book or dvd is delivered from another LA county public library through a submitted reservation online. So happy that our City Council and others were able to pump funds into the upgrade at the San Pedro library!

Jessie Drezner

San Pedro

Celebrate Mom in Style: A Guide to Unforgettable Mother’s Day Events

 

This Mother’s Day, celebrate with unforgettable experiences in the Harbor area! Treat Mom to a jazz brunch, a floral workshop, an elegant tea, a scenic sunset sail, or even a lively flamenco show. Create lasting memories painting together or capturing the perfect photo at Shoreline Village. With activities ranging from creative to relaxing, there’s a perfect event for every mom to feel loved and celebrated. Explore the exciting options happening May 10 to 11.

May 10

Mother’s Day Brunch, Bubbles & Jazz

Join in for a Mother’s Day celebration with brunch, mocktails, and live jazz by the Chris Miller Band. Brunch provided by Panera and mocktails from 2 Girls & A Drink.

Time: 11 a.m. to 1 p.m., May 10

Cost: $17.85

Details: https://tinyurl.com/Brunch-bubbles-and-jazz

Venue: South Bay Pavilion Mall, 20700 S. Avalon Blvd., Carson

 

May 10

Celebrate The Ones You Love With Blooms

Join a joyful workshop. The Mother’s Day floral workshop happens at the Wicked Wolf in Long Beach on May 10 and May 11. Learn the art of creating beautiful floral arrangements.

Tea Soiree: Enjoy a cup of tea as you let your creativity bloom.

No prior knowledge or skill required — just bring your imagination and enthusiasm.

Time: 11 a.m. to 12:30 p.m., May 10, 11

Cost: $76.54

Details: www.eventbrite.com/e/1320783682549

Venue: The Wicked Wolf, 2332 Pacific Ave., Long Beach

 

May 11

Mother’s Day Tea

Treat your mom to an exquisite Wolf Afternoon Tea experience. Your elegant serving includes a refreshing mimosa, a pot of your choice of tea, and a delightful array of treats: two delicate cucumber sandwiches, two savory chicken salad sandwiches, a freshly baked scone, an assortment of decadent sweets, and fresh, vibrant fruits. Ditch the crowds and opt for a very special treat.

Time: 10 a.m. to 4 p.m., May 11

Cost: $10

Details: thewickedwolflb.com/mothers-day-tea

Venue: Wicked Wolf Long Beach, 2332 Pacific Ave., Long Beach

 

May 11

Mother’s Day at Shoreline Village

Join at Shoreline Village to celebrate the Mom in your life. Make lasting memories at a flower wall display and enjoy live music by Illunis

Time: 1 to 5 p.m., May 11

Cost: Free

Details: https://tinyurl.com/Mothers-Day-Shoreline-Village

Venue: Shoreline Village, 429 Shoreline Village Drive, Long Beach

 

May 11

Paint Notes of Love, Mother’s Day Painting Party

Looking for a meaningful way to celebrate Mother’s Day? Join Paint Notes of Love, a heartwarming and stress-free painting party where you’ll create art, share laughter, and make lasting memories. Whether you’re painting with your mom, a loved one, or flying solo, this experience is all about creativity, connection, and appreciation.

Time: 2 to 3:30 p.m., May 11

Cost: $55.20 to $97.88

Details: https://tinyurl.com/Paint-Notes-of-Love

Venue: Hellada Gallery, 117 Linden Ave., Long Beach

 

May 11

Mother’s Day Sunset Sail

Spoil the ladies in your life with a view of the sunset, sweets, and treats — all while relaxing on the deck of a tall ship sailing around the Long Beach Harbor — when you join the Los Angeles Maritime Institute, or LAMI, to sail away on Mother’s Day. You can bring your own snacks, and LAMI will provide some too (No glass other than bottles, please).
Time: 5:30 to 8 p.m., May 11

Cost: $30 to $60

Details: 310-833-6055; lamitopsail.org/mothers-day-sunset-sail

Venue: Boarding from Rainbow Harbor’s Pine Avenue Pier: 350 S. Pine Ave., Long Beach

 

May 11

Mother’s Day Flamenco Show & Champagne Brunch

Join in at Cafe Sevilla Long Beach for an intimate Mother’s Day Flamenco & Champagne Brunch at Cafe Sevilla. Spoil mom with a three-course brunch menu combined with a two-part Flamenco dance performance. These dancers are at the top of their field, having been trained in Spain and teaching their own Flamenco classes. Immerse yourself in Spanish culture with a sensory indulgence of sight, sound and taste.

Time: 12:30 to 2 p.m., May 11

Cost: $92.55

Details: https://tinyurl.com/Flamenco-champagne-brunch

Venue: Cafe Sevilla of Long Beach, 140 Pine Ave., Long Beach

Sky High and Awake in the Clouds — AGCC’s Artists Party Is Calling

 

Angels Gate Cultural Center or AGCC announces the return of its biennial fundraiser Awake — a party by artists, for artists and their friends. The theme for 2025 is Awake in the Clouds.

Awake In The Clouds Save The Date Drafts Letter Flyer 4Put on your wings and swing on a star to lift spirits and raise funds for AGCC on May 24. Enjoy high-flying performances, an art auction, prizes for sky-themed costumes and more while supporting the arts and arts education at AGCC.

All proceeds go to support AGCC and its mission to provide space for artists to work and to engage the community through arts education, exhibitions of contemporary art and cultural events.

Partygoers will experience a whimsical evening featuring:

  • High-flying live performances
  • Art installations
  • Cloud 3601 contemporary art exhibition
  • Silent art auction
  • Themed drinks and light bites
  • Sky-themed costume contest with prizes

The arts are vital to building and sustaining healthy communities. Your financial support is essential to help AGCC maintain its current programming. Beyond creative expression, the arts enrich everyone’s lives through connection. Your support will help provide 20,000 community members with arts programming.

Reserve your spot among the stars at the link below.

Can’t attend the party but still want to make an impact? Select the “Angel Sponsor” option in the ticket menu to support the arts at AGCC.

Time: 6 to 9 p.m., May 24

Cost: $100 and up

Details: Tickets, https://angelsgateart.org/awake/

Venue: AGCC, 3601 S. Gaffey St., San Pedro

 

Ambrosia Coffee Roasters Brings Global Coffee to Wilmington

 

Ambrosia Coffee Roasters, Wilmington’s only specialty coffeehouse, brews beans from Ethiopia, Colombia, and Honduras, offering a rare global coffee experience in the South Bay.

On a recent visit, Ambrosia’s barista, Erick, helped me navigate the menu, featuring a variety of roasts and pastries. I ordered a black Ethiopian coffee, no cream, no sugar — paired with a crumbly slice of coffeecake to balance the brew’s natural richness.

Saturday mornings at Ambrosia capture the spirit of the place: Professionals peck at laptops in booths, others in pajamas line up for caffeine, and even a Banning High marching band student swung by for a coffee before his performance. The energy is casual, inclusive, and welcoming.

A glass partition separating customers from baristas is covered with colorful Post-it notes, each bearing an encouraging message or hand-drawn doodle. It’s a small but powerful symbol of Ambrosia’s focus on community.

That focus comes from founder John Phan, who grew up in Los Angeles and developed his passion for coffee early. At just 14, he landed a job at Starbucks, eventually moving into operations management as the chain expanded rapidly in the early 2000s.

Phan watched Starbucks transition from a “third place” community gathering spot into a speed-focused chain, favoring automated machines that could push out drinks faster. “They took away the second-home experience,” he said. “It became about speed and consistency, not craftsmanship.”

While Starbucks recently began moving back toward manual espresso machines, Phan was ahead of the curve. At Ambrosia, he uses a manual machine to ensure every cup is hand-crafted, preserving both quality and artistry.

“With a manual machine, it takes more technique and knowledge to make a good cup of coffee,” Phan said. “It’s more intimate and powerful.”

Beyond brewing technique, Ambrosia stands apart in its sourcing. Phan deals directly with farmers, buying high-quality organic beans and paying better-than-market prices. The result: beans without cracks, defects or chemicals — something mass-market chains rarely guarantee.

“When you work directly with farmers, you get zero-defect beans that are fresher and more flavorful,” he said. “It’s about respecting the craft at every step.”

Opening Ambrosia during the COVID-19 pandemic in June 2020 wasn’t easy. Because his business was new, Phan was ineligible for many government grants and relief programs. Despite the challenges, he remained optimistic and focused on building relationships with the Wilmington community.

“I have faith and hope the economy will bounce back stronger than ever,” he said.

So far, it’s working. Though Ambrosia hasn’t experienced a “normal” economic climate yet, business is steadily growing.

Phan is still bringing his vision for Ambrosia fully into focus, but the mission remains clear: to create a true specialty coffeehouse in a community that didn’t have one.

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“My vision is to bring coffee from all over the world to Wilmington,” Phan said. “We’re a real specialty coffee shop.”

Grateful to his customers and the wider Wilmington community, Phan sees Ambrosia as more than a business. It’s a way to create connections — one cup at a time.

Ambrosia Coffee Roasters

Details: (424) 477-5649

Hours: 7am to 6pm Mon-Sat, 8am to 3pm, Sun

Location: 748 N Fries Ave, Wilmington, CA 90744