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Reflections on 45 Years

I have often been asked over the years by various people, “Just how did you get into journalism?” The answer: It was a long and circuitous route that started when I was just 14 years old. I started publishing the only off campus, unauthorized, student newspaper on mimeographed paper and distributed surreptitiously so I wouldn’t be expelled from school. That was against the rules at that time. I’ve always been a rebel with a cause and it started early in my life and apparently, it’s never stopped.

In 1964-1965 after the assassination of JFK and the expanded war in Vietnam, there was quite a bit to rebel against — it wasn’t just that war but the hypocrisy of the entire nation starting with our school administration’s restrictions on long hair, girls wearing blue jeans, corporal punishment by coaches and restricting student free speech. I rebelled against it all — the war, the oppression of black people, police abuse, the failures that we still see today and there was the particular hypocrisy of being forced to say the pledge of allegiance with the part of “one nation under God… with liberty and justice for all.” All of this was splattered on the cultural backdrop of rock n roll: Chuck Berry, the Beatles, Rolling Stones and Buffalo Springfield —“What a field day for the heat. Thousands of people in the streets,” the Watts riot and smoking pot. All of it fueled a cultural revolution that hasn’t stopped. Instead, it is still being fought over today.

Many of those culture war battles have been won: like legalization of marijuana in many states but many are still in dispute. Women’s bodily autonomy had been won, then challenged and then lost again. The Vietnam War was lost, but the military industrial complex continued on with wars in Afghanistan, Iraq, Syria, Yemen and now Gaza. Some fought with American surrogates but with U.S. arms. In my opinion the only war that we should be supporting is Ukraine’s resistance to the Russian invasion, as defense of one’s own country to preserve democracy and resisting authoritarian rule is the only excuse.
I see it as my patriotic duty to resist American follies in foreign wars that do not support democracy at home, to not fall victim to the incessant sabre rattling of blind allegiance to military aggression and what I call false patriotism. I was a conscientious objector in the Vietnam War and know full well the brutality of warfare. I knew at a very young age that going halfway around the world to kill people who didn’t look like me for very suspect reasons was morally wrong. It wasn’t like our country was invaded but we invaded theirs — they had a right to defend themselves.

My life has been one of planting the flag of free speech with every issue we’ve printed and standing behind that freedom— defending it against all accusers, detractors and ignoramuses. I’ve been doing it for so long that it has come second nature to me. That the corporate owned media hasn’t become any better at pushing back against the American state of hypocrisy is still a particular annoyance to me and has built a groundswell of distrust among many citizens. However, the misnomer of “the liberal media” is so completely inaccurate because most of the media is now more conservative than it was 60 years ago because of the influence of far right Fox News (a true threat to our democracy), media consolidation and far right talk radio. For all the media it’s about chasing the money and/or who owns the media, not about truth telling but the slant of the news.

TV news is infamous for its car chases, murders and violent crime reporting (especially if they involve celebrities), while ignoring larger truths. For instance, on any given day the vast majority of the 10.4 million residents of LA County (and many more if you include everywhere else south of Santa Barbara to the border) are actually law-abiding citizens. Outside of the frauds, petty crimes and white collar grifts which rarely get reported on the evening news. Now it’s all about pretty faces reading the news, ratings and infotainment with sexy girls reading the weather reports. Aren’t the graphics wonderful these days? The truth would be boring if the headlines didn’t bleed exaggerating violence or perhaps not if the media corporations actually did real investigative reporting like Democracy Now! does, a rarity these days. The real truth is 99.99% of our population are relatively law abiding except for the incessant double parking and running stop signs.

There are reporters still dedicated to telling the other side of the news–the under reported, the censored or covered up stories that the corporate media and far right influencers aren’t going to expose. Some of these courageous reporters are right here at RLN and they need your support, your subscriptions to our publication and donations on our website, and for you to tell our advertisers to continue, for our reporters to continue giving you the news.

This paper can only remain independent and free with your support, especially in the years to come with a fascist dictator in the White House and a country confused between left and right. The real alternative to the liberal/conservative conundrum still is Progressivism. It’s still a revolutionary idea here in America, but the foundations of it are with us in the form of Social Security, Medicare, child labor laws, the eight-hour work day, disability benefits and every environmental regulation (all of which are massively popular). It is also the foundation for voting rights laws and all of women’s rights to control their own lives and bodies. I believe that Progressive rights are what was intended by the Founding Fathers of this nation who believed that all people derived their rights from Natural Law, not biblical law or a king’s dictates. This is still a revolutionary idea not only here but around the world. And whenever those among us transgress the Natural Law it is up to those of us with the courage and vision to rebel against it, to expose it and resist it in every way possible.
Remember that freedom in every era takes eternal vigilance and that is what honest, truthful and diligent reporting needs to be — a vigilant witness to our times. Keep reading my friends and don’t be lulled to sleep by the din of the digital rain.

New Years Eve Events

 

 

Random lengths News has gathered several local and Los Angeles area events to help you celebrate your New Years Eve and ring in 2025 with music, dance and community.

 

New Years Eve Bash in San Pedro with The Harbor Groove Band

Get ready to ring in the new year with an unforgettable celebration at the vibrant Principe and Nightclub for an amazing evening filled with dancing music and cherished memories. Doors will swing open at 7 p.m. Celebrate together whether you’re coming as a couple or flying solo feel free to bring your own food or snacks to share the joy. let’s make this New Year’s Eve A Night to Remember in a friendly and welcoming atmosphere.

Time: 7 p.m., Dec. 31

Cost: $25 to $40

Details: Call 310-547-0795 for reservations

Venue: El Principe Night Club, 115 N Pacific Ave San Pedro

NYE @ Club Disintegration

DJ perksandkisses hosts a special New Year’s Eve edition of Club Disintegration, a dark and dreamy danse gala @ Que Sera in Long Beach. Bring in the new year and party to the most dansy tunes of goth, darkwave, new wave, synth, post-punk, dark-alt/indie and passionate tunes from the 80s to today. Savor a few drinks and enjoy complimentary champagne at one of the coolest dance bars in Long Beach for count down to 2025

Time: 9 p.m. to 2 a.m., Dec. 31

Cost: $21.05

Details: https://tinyurl.com/Que-Sera-Club-Disintegration

Venue: Que Sera, 1923 E 7th St, Long Beach

New Year’s Eve Countdown with John Robinson plus Jake Martin & Arvin Aberilla

Ring in the New Year with a live music celebration in Torrance

Time: 7 p.m., Dec. 31

Cost: $137.03

Details: https://tinyurl.com/NYE-Countdown-Party

Venue: View Music Bar, 1431 W. Knox St., Torrance

New Year’s Eve with D-Nice and Friends

Time: 7 p.m., Dec. 31

Cost: $74 and up

Details: https://tinyurl.com/NYE-With-D-Nice-and-Friends

Venue: Walt Disney Concert Hall, 111 S. Grand Ave., Los Angeles

Gloria Molina Grand Park’s NYELACountdown-to-2025

This New Year’s Eve, there’s only one place to be.. Get Ready for an unforgettable night of live music, delicious foods and so much more. Gloria Molina Grand Park will feature two epic stages of performances, mouthwatering trucks and a midnight countdown spectacle..

Time: 8 p.m. to 12:30 a.m., Dec. 31

Cost: Free

Details: https://tinyurl.com/NYELA-Countdown-to-2025

Venue: Gloria Molina Grand Park, 200 North Grand Ave., Los Angeles

Purveyors of Culture Discuss the Importance of RLN and its 45 Years

RLN hears from Laurie Steelink, Ron Linden, Andrew Silber, Andrea Serna

Random Lengths News had the privilege of speaking with four esteemed cultural purveyors in San Pedro on the special occasion of the newspaper’s 45th anniversary. They are artist and curators Ron Linden and Laurie Steelink, restaurateur and chef Andrew Silber and editor and former RLn arts writer Andrea Serna. We’ve shared their words below.

Laurie Steelink
Steelink is the owner of Cornelius Projects, an artist-run project space founded in 2012 in San Pedro. She noted that there aren’t too many publications that have listings and promote the very local art and music scenes in San Pedro, and that highlight what’s happening in town in such a way that is “very honest and real.”

“[Random Lengths] is something that quite a few people that live in the Harbor Area can get their hands on in this area to learn about what’s happening here,” said Steelink. “It’s an important source of information. I’m very appreciative of any of the coverage that has supported any of the arts organizations here in San Pedro including Cornelius Projects. It’s a great source for listings and the arts.”

As an artist, Steelink describes the San Pedro arts district as very unique.

“San Pedro is unique because it’s not only focused on artists’ studios, it brings people down here who may be interested in experiencing the town and the culture of the town,” Steelink said. “I lived in Venice for a while and they did have [an] event around culture, but I really have nothing to compare [San Pedro] to honestly.”

Steelink, who lived in Los Angeles and worked at Track 16 at Bergamot Station when Tom Padjet and Wayne Blank were the general managers of Bergamot, described it as a really vibrant art scene. The artist noted it was because it was a location where there were mainly art galleries.

“You could drive to one location, park for free and go to 10 or 15 openings in one night … It’s very unique. San Pedro is isolated and there are pros and cons with that. The one complaint I have is that I couldn’t convince the arts district to bring the trolley down to Cornelius Projects. I wish the art walk would extend further, beyond 6th and 7th streets. Maybe they could include House1002 or The Sardine, if there were a means of transportation to shuttle people.”

Steelink asserted that the arts district here is almost relying on LAHA (Los Angeles Harbor Arts or the former Lofts) Gallery and Gallery 478 for changing exhibitions in downtown San Pedro.

“That’s coming from me as an artist,” she said. “For work that’s engaging at a particular level for offerings, it would be great to have more exhibition spaces with changing exhibits. It would be a benefit to the public in terms of education and culture.”

Ron Linden
Linden was director of Los Angeles Harbor College fine arts gallery and the Warschaw Gallery in San Pedro. In 2009, he founded TransVagrant Gallery. He has lived and worked in San Pedro since the 1990s and was an instrumental part of forming the San Pedro arts district.

“My thoughts [are], ‘own up to where we are,’” said Linden. “San Pedro is an outlier.

“Large parts of the LA art community have some phobia about travelling south of the 405.
But Random Lengths has been instrumental in not just exposure but its support of the artists.”

Linden said there are [at least] 21 or 22 serious practicing artists in San Pedro.

“And without Random Lengths and your coverage, I think we’d be in dire straits here,” Linden said. “My hat’s off to the paper. The publisher is an artist himself and Suzanne Matsumiya is artful in her design and construction of the paper. It’s done an amazing job in the current journalistic environment which doesn’t [care] about visual art whatsoever or performance art. I feel personally indebted to the paper. God knows it has given me some really good coverage of my endeavors as both an artist and a curator. There are abundant examples of what the newspaper has meant to the community here. When it gets right down to it, RLN does a better job of having a literary conversation about what goes on in our arts community here than LA Times does.

“Kudos to Melina, to James [Preston] Allen and Suzanne and even Terelle Jerricks who’s done pieces on arts and culture. It helps artists and it helps the community too. I’m sure that others would share my point of view on this.”

“We have a business improvement district that doesn’t [care] about the arts. A waterfront arts district … no matter what [RLN] tries to do to support these things, they go their own way.
“I think that RLN is like the linchpin of cultural endeavors here. That’s how I really feel about it.

“A good thing happening here is that the Palos Verdes Art Center is featuring San Pedro artists over the course of the next couple years and that is testimony to the fact that San Pedro artists make a contribution outside San Pedro. And also the arts district be damned, when I worked at Warschaw Gallery and at Gallery 478, even when I worked at the modest Harbor College gallery, we attracted more people from out of town than any other events that were going on. So, there’s a value to what artists do and I think it’s absolutely underrated, undervalued and underappreciated here.

“But we can’t do anything about that. The same people are sitting in the same chairs everywhere. I’ve been involved in it a long time. Eric Johnson’s place, The Ranch, is a good example and Peter Scherrer’s solo. Gallery. Artists are making the effort but they’re not recognized, or reimbursed or supported outside of RLN.”

Andrew Silber
Silber owned and operated San Pedro’s beloved Whale & Ale restaurant for more than 30 years. Now a gastropub, Whale & Ale has recently reopened under new ownership. He has also been involved in the San Pedro Chamber of Commerce and the San Pedro Waterfront Arts District.
Silber said, unlike the LA Times or Daily Breeze, our local independent newspaper Random Lengths is funded and operated by people who live in our community.

“It’s reported, edited and written by people who spend vast amounts of time and energy researching and investigating local issues with direct impact on my life and the lives of those who work, live or vacation here,” said Silber.

“This community newspaper keeps the town informed on the arts in San Pedro, gallery openings,
exhibitions, art sales, studio tours and awards. It also covers elected officials’ activities, good and bad, festivals, restaurants, ILWU activities, local acts of daring and much more — too much to list here.
“Inside each issue is a beautiful yet informative microcosm of the culture of San Pedro and nearby harbor cities,” he said.

Silber added his own bullet point list of RLN attributes.
Local newspapers are vital to local arts because they:
Educate the public on local issues, encouraging civic engagement.
Serve as a reliable source of information on crime, taxes, local government activities, schools, local politics, jobs, community/neighborhood events, social services and more.
Highlight local artists, musicians and writers, preserving and promoting local talent
Provide information about basic public services, local issues, shared rules of policies and community, history and culture.

“Other papers aren’t doing this,” Silber said. “If you want that kind of interaction you’re not going to get it from the Daily Breeze or the Los Angeles Times. [They’re] not going to cover local issues like RLN does. It’s a very unique newspaper. As far as I know, there is nothing really like RLN. It certainly provokes a lot of feelings from people, positive or negative. It’s good. That’s what newspapers should do and what the arts are supposed to do, is to wake people up.”

Andrea Serna
Serna, who wrote for RLN during the 2010s and has recently edited a soon-to-be-released book on San Pedro sculptor Eugene Daub, said local newspapers provide a platform for the community to express their concerns and their hopes for the future through opinion pieces, letters to the editor and feature stories.

“So, it opens up a way to advocate for discussion and local changes,” said Serna. “We are painfully aware that our local papers are going down the drain. I’m heartbroken about the LA Times. We’ve got only a few small papers that are not connected to these large corporate media networks. But as far as local news, you can’t get any more local than RLN. [It] keeps us informed of what is going on and all the changes, especially with buildings and roads and bridges that are significant here in San Pedro.”

As far as art, Serna said RLN reflects the identity of the community.

“[Another publication’s] focus is more on schools, sports, etc., which is great,” Serna said. “But San Pedro has different cultures here, labor, art and culture, people who have lived here for generations, it all comes into play in San Pedro. Through promoting the arts, there are many people in San Pedro who aren’t even aware there are so many artists, so much art activity and so much talent and how much they have achieved, such as Eugene Daub.”

Serna noted that RLN covers the arts in every issue and she knows the local artists really appreciate that. Hopefully, she said, it opens the door to invite the community in through art openings, art shows and the First Thursday ArtWalk.

“We are very fortunate in San Pedro to have a paper with more than four decades of serving the community. It’s very rare.”

Letters to the Editor

0

Deserving Beacon House

Our office was corresponding with Archie Hoggan from the Beacon House Association of San Pedro, who showed us the recent article (“Good Works That Actually Work”) mentioning the Assemblymember’s check of funds for the Bartlett Center.
I handle District communications for the Assemblymember, and we thank you for this mention and the deserving topic.
Anyway, much appreciated!
Daniel Hom
Office of Assemblymember Mike A. Gipson
65th Assembly District

 

Two Judges and Two Juries Confirm Trumps Lawlessness

The Washington Post on July 17, 2023 printed a story entitled “Judge Clarifies: Yes, Trump Was Found to Have Raped E. Jean Carroll.”
Donald Trump is a sex predator.
About 26 women have accused him of sexual assault. The latest is a woman journalist who interviewed Trump at Mar-a-Lago and was sexually assaulted by him, with his wife Melania in the house at the time.
You can Google that article.
This passed Saturday, Dec. 14, I heard on KNX News Los Angeles, a CBS affiliate, a news report that concluded there was no rape, only sexual assault.
When Judge Lewis Kaplan and jury made their ruling there was a pause that lasted multiple days, he then clarified that the sexual assault was rape.
A second jury under another judge, Judge Juan Merchan convicted Trump on 34 felony charges, wire fraud and other charges. These two juries established Trump’s criminal record. It is the duty of the U.S. media to give us a complete picture of who Donald Trump really is. By omission, simply not mentioning the two jury rulings, the media has failed to inform us, the voters.
This is deceit pure and simple and they must be held accountable.

Lawrence McMannus
San Pedro

Warner Grand Theater Renovations Finally Set to Begin After Two-Year Delay

Work on the Warner Grand Theater is set to begin on Dec. 18 after nearly two years of delays. Councilman Tim McOsker would argue that work has already begun with workers removing asbestos in the early going as part of dotting the “i’s” and crossing all the “t’s” so that there are no delays.

The councilman also had to find an additional $7 million to add to the overall $22 million budget given the rise in cost estimates since the Warner Grand Theatre renovations plan was released.

On Dec. 17, about a hundred fans of the Warner Grand attended the last Warner Grand Theatre walk-through before it closed for renovations for the next two years.

After about an hour of attendees milling about the century-old lobby and stairs, allowing their eyes to rest on the art deco interior design before it closes for the next 500 days, attendees were ushered outside as councilmember McOsker credited everyone involved in getting the theater renovations to the starting line, from the architects to the Department of Cultural Affairs and his last three predecessors.

“There was so much work being done that we had to inspect all of the sites where we thought there was asbestos to make sure that the contract… I didn’t want the contractors to start finding asbestos and have a delay,” said McOsker.

“Some of that money we’ve secured was used to cut holes and do a special review,” McOsker explained. “So I’d call that work started.”

“We know that findings are going to come back but the Sacred Grounds space is going to remain a cafe space,” McOsker said. “There’s going to be some work done in there, but we’re working with the contractor to keep Sacred Grounds in as long as possible.”

McOsker explained that there will be a coffee house in that space, but that there will be a process to determine how it will reopen.

Chef Ronald George Tracy, proprietor of Sacred Grounds said he was confident that Sacred Grounds will be returning, which was a far cry from the pessimism he expressed last year around this time when asked about the coffee shop’s return.

Exploring the Elegance of the Queen Mary

By ShuRhonda Bradley, Columnist

Early this month, Evolution Hospitality’s Steve Caloca and Kirt Finley celebrated the 57th anniversary of the Queen Mary’s permanent mooring in Long Beach with a gala featuring the menu of the ship’s last voyage.
At the time of the ocean liner’s arrival on Dec. 9, 1967 the city believed that the private sector would do a better job of managing the ship while turning a profit. A string of operators have come and gone leaving behind a mixed legacy and a historic ship on the verge of capsizing without emergency repairs. When the City of Long Beach took over operations, the ship got a new lease on life, repairs, and profitability by Spring 2024.

Curation of the Gala
Bill Duncan, a Daily Breeze reporter, covered the last voyage of the Queen Mary from Southampton to Long Beach in 1967. He commented on some of the passengers who shared that historic trip’s critique of the food, adding to the pantheon of the ugly American traveler trope.
Calcoa, who has a passion for hospitality and celebrating the ship’s milestones shared one of the gala’s highlights: that the menu was carefully curated to replicate the final dinner of the last voyage in 1967.
Finley described how culinary tastes have evolved since the mid-1900s. He explained how most meals were heavy and overcooked during that period, often relying on sauces to bring out the flavor profile. He further explained how the kitchen staff tailored the recipes to today’s palette, emphasizing the ingredients’ quality while preserving the original recipes’ essence.

A Gala Experience
The evening began with two hors d’oeuvres: a crisp caviar croquette and smoked salmon crostini. The croquette combined a mashed potato filling and topped with a ball of caviar, creating a savory bite. The smoked salmon crostini contained capers and lemon zest, which gave the hors d’oeuvres zing-like fireworks in my mouth. I was disappointed to get only one.
The first course featured a beetroot salad similar to the last dinner. The balsamic dressing, the creamy goat cheese, and the pomegranate seeds on the beetroot salad made for a yummy salad (without the beets). The salad was followed by lobster bisque, thick and packed with generous chunks of lobster. I did not have to search for lobster. The bisque was packed with lobster bites. It is the kind of dish you’d want to curl up with on a cold night and enjoy with a cozy blanket.
The main course included a pork loin with apple purée and corvina with herb-infused tartar sauce. While the apple purée added a touch of sweetness to the pork, the corvina stole the show. Light, flaky, and mildly seasoned, it was paired with a tartar sauce that enhanced the fish without overpowering it. The side dishes included were château potatoes, which were roasted and seasoned with herbs, braised celery, and leeks. The celery, in particular, surprised me with its buttery flavor. Who would have thought celery could be so delicious?
The chocolate bavaroise and macarons were served as the final course. While macarons are a classic treat, the chocolate bavaroise was “mmm mmm good,” a rich, moist, chocolate masterpiece that left me and others completely satisfied.
The gala was not only about the “farewell dinner.” As guests, we were able to visit the Queen Mary Archives Museum, which showcased original artifacts from the ship. We could view the original china, paintings, and furniture. It was an opportunity to experience Queen Mary’s ambiance in a way that’s never been done before. It was a great opportunity for individuals who love period pieces.
The Queen Mary executive team emphasized their commitment to making the Queen Mary a destination for both locals and visitors. The gala was not just about history; it was a celebration of what Queen Mary represents today and in the future.

An Irregular — Not Quite Random — Retrospective

By Paul Rosenberg, Senior Editor and Erik Kongshaug, former Editor

Forty-five years is an eternity in the news business.

When Random Lengths News was launched, during Jimmy Carter’s presidency, there was no cable news, no internet and no text messaging.

People were distracted the old-fashioned way: Politicians lied to them and newspapers printed the lies as fact. This is where Random Lengths came in, aiming for those lies, one at a time.

The pace and volume of those lies has increased dramatically since then, requiring a more thoughtful diversity of responses. Sometimes it’s shining light on a neglected or hidden story of what’s happening in our community. Sometimes it’s setting the record straight about very public proceedings — from neighborhood councils and the Harbor Commission to the state legislature, the Congress, and even United Nations conferences, like the recent climate change “Conference of Parties” in Paris. Sometimes it’s reporting from an unexpected perspective, showing things in a whole new light. Sometimes it’s taking a very familiar subject, story or point of view and discovering something more when folks thought we knew everything already. And then it’s being right up to the minute, as new developments cast old certainties into doubt. And on occasion, it’s recovering history, putting old stories — whether familiar, forgotten or even hidden — together in new ways. This is the reason for this retrospective.

From the beginning, Random Lengths has stepped quite consciously in the footsteps of muckraking author Upton Sinclair and his populist paper, Epic News. Sinclair funded and wrote that historic newspaper to wage his political campaign to “End Poverty in California” (EPIC); the founders of Random Lengths began with a $2,000 donation from liberal candidate Jim Stanbery, then a resident of Point Fermin. Stanbery was running to replace the powerful, conservative Los Angeles District 15 Councilman John S. Gibson. Stanbery, a young liberal in the Kennedy mold, was a far cry from the more radical Sinclair (who was only narrowly defeated in the race for governor of California in 1934). However, he forced Gibson’s only runoff race ever in 1977 and symbolized to the five original editors the first real chance for a change from the political conservatism that dominated our district ( and the local daily newspapers) for decades.

For decades more, however, the conservative climate reigned supreme. Then, after a local change at the state level in 1998, city representation finally shifted back to moderate liberalism, even as the federal government veered to the extreme right with the stolen national election of 2000.

Now, after 45 years, the legacy of those original Point Fermin activists has come full circle. Today, those same activists, who created Random Lengths in the late ’70s, are seniors or have passed on. These San Pedro homeowners, like generations before them, are “activist homeowners,” who have begun to push California’s traditionally self-centered, “not-in-my-backyard” politics of vested self-interest towards genuine social and environmental justice. Early in the century’s first decade they sought out the National Resource Defense Council and won a groundbreaking legal victory: community empowerment over the global economy through direct community mitigation of the expansion of the China Shipping container terminal at the foot of the Vincent Thomas Bridge, near Knoll Hill.

Just before our 35th anniversary, it was discovered that the Port of Los Angeles lied to everyone about the mitigation measures, failing to implement 11 of them. After a multi-year charade, a second lawsuit was filed in 2019. Throughout the process, the port had insisted it could not force China Shipping to implement certain mitigation measures. But this January a trial court judge threatened that the terminal could be shut down. “The port’s lackadaisical attitude about the protection of the health of our workers and residents needs a serious infusion of energy,” Janet Gunter, one of the original plaintiffs said. “The leverage of terminal closure provides that ‘jump start’!” And behold, it was so. Within three months, a new lease amendment requiring the mitigations was announced. While not satisfying everything the community had fought for, it was a significant victory that underscored the valor of activists, the never-ending nature of the struggles we’re engaged in, the need for constant vigilance, for questioning, for skepticism, for courage in challenging bland assumptions as well as outrageous lies.

 

The First Thread: Issues with POLA

Random Lengths was born, immediately following the Port of Los Angeles’ December 1979 completion of its Port Master Plan. It drew a metaphoric line in the landfill of port expansion with its lead article, “GATX Chemicals Endanger Harbor Area Residents.’’

The detailed article drew public attention to a mis-zoned chemical tank farm on Crescent Avenue. Random Lengths investigated and the Harbor Department was admonished for disregarding the tank farm’s volatile and toxic chemicals.

Spearheaded by activist Bea Atwood Hunt, the fight over the tank farm’s removal took a decade; the fight over the toxic cleanup took another decade. Most of the following decade found the site embroiled in conflict over the nature of waterfront development, questioning whether the development should be community-serving or corporate-serving. A 16-acre park was opened on the site — significantly smaller than previously promised in the “Bridge-to-Breakwater” planning process — on Jan. 10, 2010. Nonetheless, it was a regionally significant park. The lesson was simple: miracles can happen — after 30 years of struggle.

In December 1988, the Port of Los Angeles released its dutifully corporate-friendly “Plan 2020,” which called for the construction of Piers 300 and 400. It also called for creating the infrastructure for the Alameda Corridor intermodal railway. This time, Point Fermin activists, headed by the late Greg Smith, took on the port, at the planning stages. Not by accident, the month Plan 2020 was released, Random Lengths started publishing two issues per month and began to assess global issues more systematically, always within a local context — issues involving South America, the Pacific Rim, the geopolitics of petroleum, and such ominous acronyms as North American Free Trade Agreement and General Agreement on Tariffs and Trade.

The coal and petroleum coke facility next door to General American Transportation Corporation, or GATX was another local issue involving global forces. Before Kaiser was closed in the late 1990s, the Los Angeles Export Terminal (LAXT) — created through Plan 2020 — had surpassed by tenfold Kaiser’s toxic payload. Beginning in 1996, through Random Lengths’ uncompromising coverage of the LAXT as a multinational experiment in government privatization, the community forced the construction of domes to cover the coke piles and their easily airborne particulates. LAXT soon went belly up as East Asia found its own coal reserves.

Meanwhile, the port abandoned the earlier promise of Pier 400 as “energy island” — relocating hazardous liquid bulk facilities as far away from residents as possible — with the opening of the Maersk container terminal instead. When the Alameda Corridor was completed in 2002, its promise of local community jobs remained empty, its safety and toxic mitigation were still suspect and the dream of reducing future truck traffic had vanished behind clouds of diesel fumes. Almost immediately, here in our pages, far-sighted activists started saying that it needed to be fully electrified — the first such call for a zero-emissions system that’s since become a statewide policy goal, yet remains elusive on the ground.

Inspired by the example of activists organized around LAX expansion plans, the heirs to Greg Smith’s legacy — like June Burlingame Smith and Noel Park — got all mayoral candidates in 2000-2001 to commit to forming what became the Port Community Advisory Committee (PCAC) in the specific form chosen by the winner, James Hahn. Soon it was given additional responsibilities flowing from the landmark 2002 California Appeals Court victory overturning the port’s approval of the China Shipping Terminal. This combination finally led the port to begin seriously addressing the problem of port-generated air pollution.

However, it listened far less attentively after Antonio Villaraigosa defeated James Hahn’s bid for a second term as mayor. Villaraigosa pledged to go even further than Hahn’s “No Net Increase” plan, which produced the first comprehensive analysis of port pollution problem, and expanded the effort in partnership with Port of Long Beach, producing the Clean Air Action Plan (CAAP), adopted in November 2006. However, Villaraigosa simultaneously undercut the citizen involvement that originally drove the process. His new harbor commission immediately stopped receiving direct reports from PCAC and began a long slow process of undermining, dismantling, and eventually disbanding PCAC. This, at the very time the port was privately violating the China Shipping agreement PCAC was intended to oversee. A second China Shipping lawsuit, which took five years to resolve, was necessary to get mitigation measures enforced.

But that’s hardly the only story of significant port-related activism. A broad-based coalition challenged the approval of Trapac’s terminal expansion in December 2007, eventually resulting in a community benefits agreement, based on the LAX expansion model. In addition, as the CAAP was being formulated, the Coalition for Clean and Safe Ports emerged to advocate on behalf of forgotten and disposed truckers misclassified as “independent owner-operators.” The coalition included a wide array of local, regional, and even national organizations — environmentalists, labor, community activists, public health advocates, people of faith, and others — and was part of a coastwide effort, matched by another East Coast coalition. The initial effort to protect and empower truckers through the CAAP was thrown out by the courts. But a broader national effort building on labor law, strongly supported by the Teamsters Union, built a powerful movement, which grew rapidly in the 2010s. With hundreds of legal victories and an escalating series of short-term strikes, it was strongly reminiscent of the 1934 birth struggles of the ILWU, even before it was an independent union. Not surprisingly, no other publication has told the story of this struggle quite the way that Random Lengths has told the story.

Finally, waterfront development has been a key port-community issue since 2000, both in San Pedro and Wilmington. Since it ties together two different threads, we deal with it below in the thread of issues with the land.

The Second Thread: Municipal Issues

Within its first few issues, the original editors of Random Lengths had to decide whether to remain a sectarian political publication or to engage in more broad-ranging political discussions from a non-sectarian viewpoint — the path they ultimately chose, which Random Lengths has followed ever since. From Stanbery’s 1980 “Neighborhood Associations Drive,” to the emergence of the inter-community 15th District Community Coalition candidacy in 1996, to the complicated legacies of a contradictory secession attempt, compromised charter reform, and the watered-down-but-still evolving neighborhood council system that shapes district politics, Random Lengths has kept local news first and foremost as the honest measure of the health of local electoral democracy.

Random Lengths was launched at the start of the primary season that swept California Gov. Ronald Reagan into the presidency. When George Bush, the first, took over in 1988, Random Lengths, in its new biweekly format, began covering deeper political issues — the Iran-Contra scandal, the Lockerbie airline bombing, and the first Iraq war — in a distinctively critical manner. Setting aside the corporate media fixation on President Bill Clinton’s sexual pecadillos, Random Lengths, instead, probed his bombing of Sudan and the geopolitics of NATO’s bombing of Kosovo. After 9/11, Random Lengths documented the misinformation and concealed abuses leading into and through the second Iraq war of George W. Bush, which ultimately gave birth to ISIS, devoting countless pages to an eclectic mix of skilled, original analyses and information that never surfaces in the mainstream press. From Hurricane Katrina onwards, Random Lengths News has repeatedly probed different ways global warming is already threatening our lives — particularly in terms of prolonged droughts, wildfires, and rising sea levels. And, in multiple other cases — from malathion spray to the CIA-crack connection, to the Multilateral Agreement on Investment; from the savings and loan crisis to the Walmart-driven union-busting of the local supermarket strike — history has justified the paper’s conclusions.

In its early issues, this paper sharply criticized conservative pro-business Councilwoman Joan Milke Flores, who succeeded John S. Gibson in 1981, yet her office maintained open lines of communication as befitted a public servant. Such was not the case with her similarly-minded successor, Rudy Svorinich Jr., who finally beat her in 1993. By the mid-1990s, Svorinich’s office took the unprecedented measure of refusing to provide any public information press releases to Random Lengths, the Harbor Area’s only community newspaper, while also refusing to return our phone calls. That active obstructionist impasse continued until Svorinich was termed out of office. His subsequent defeat in a run for state office was brought about to some degree by our never-ending scrutiny, documenting his frequent evasions of direct and open democracy.

With the turn-of-the-century election of Janice Hahn to the council office and her brother, James, to the mayoralty, Random Lengths again had a decision to make: whether to return to its initial position as a sectarian political publication or to continue with its independent, non-sectarian point of view. Staying true to its original mission statement, Random Lengths chose the latter. But it was also forced to sharpen its critical acumen, to adjust to the increasing complexity of participating in whatever direct democratic empowerment was in store — not only criticizing abuses of power but also praising the responsible exercise of reform whenever it emerged.

These two poles of engaged critique were already seen regarding Janice Hahn’s first elected service on the Elected Commission for Charter Reform. Random Lengths praised her initial efforts for a proportionally elected, legally empowered neighborhood council system, then chastised the new charter she ultimately supported for its evasion of direct democracy, for its backroom deal to bypass the voters and create a disempowered version of the neighborhood council system that the electorate had once mandated Hahn to create. The various strengths and weaknesses of the neighborhood council system have been frequent subjects for similar critiques ever since, including its evident failure to fill the gap left by PCAC’s disbanding. Similarly, during Hahn’s first term, the paper covered the long efforts of the politically stymied Harbor Area secessionists and later that decade it covered efforts to restrain downtown-centric power, including a proposed charter amendment cutting back city council pay scales.

Random Lengths also repeatedly reminds its readers that the Harbor Area’s largely Latino, mainly immigrant majority must be included in political debates, beginning with the very emergence of issues to be debated, not only within the neighborhood council system and in Los Angeles’ municipal government as a whole but increasingly in other Harbor Area communities as well. Random Lengths has remained critical of the continuing inequities faced by Wilmington, Harbor Gateway, and Watts in their smaller-scale economic development projects. Random Lengths has also paid increased attention to Carson and Long Beach since 2000, both communities in which Latinos and other minorities still struggle for equitable treatment on many different fronts. Attention to labor struggles of mostly Latino hotel workers in Long Beach and truck drivers at both ports has been reinforced by broader coverage of endemic wage theft in the low-wage economy regionwide, and the fight for a $15 minimum wage over the past several years.

 

The Third Thread: Issues with the Land

Publisher James Preston Allen has said, “If you want to see a good San Pedro street fight, just hold a meeting on land use!”

Inextricably bound to issues of port expansion and of city governance, local land use issues lie at the heart of why Random Lengths was first created. The Byzantine legal interconnections between apparently isolated battles over this or that piece of public property over the past 25 years are mind-boggling.

They have been further complicated by the decommissioning of military property following the Vietnam War, which included Angels Gate and White Point Parks, and properties related to the Long Beach naval station’s closure. Since late in Los Angeles Mayor Richard Riordan administration, land-use conflicts have repeatedly erupted around waterfront development, both in San Pedro and Wilmington.

Although the port had created a brand-new master plan when Random Lengths’ first issue appeared in 1979, the community of San Pedro had no such plan for itself, thanks to business forces (working through Councilman John Gibson) who ensured that San Pedro’s General Plan hadn’t been updated since 1962. Random Lengths began with a land use “revolution’’ among Point Fermin neighborhood residents, who were determined to create a San Pedro land use plan democratically at a grassroots level. The fact that the public Cabrillo Beach was not destroyed by the port’s expansion of its marina and has now been restored as a community center is just one direct result of their efforts. Although the “San Pedro Plan’’ became a campaign issue in 1981, with all candidates — including Flores — favoring it, it was never allowed to come to legal fruition.

Nonetheless, the grassroots structure of the “revolution” remained in place, and each time a new issue sprang up, Random Lengths has been there to put it back into its larger context. The survival of any open spaces or low-income housing through San Pedro’s development frenzy in the 1980s and 1990s is largely due to the information and analyses Random Lengths has steadfastly provided.

From the eviction of Park Western residents in 1980 to the foundation of the Angels Gate Cultural Center in 1981, to the marina and the battle over Navy housing at White Point, to the so-called “Pedro 2000” plan to eliminate the Rancho San Pedro housing project, to the struggle over Taper Avenue housing, to Recreation and Parks’ eviction attempts at Angels Gate and Hernandez’s Ranch based on a “master plan’’ that never was, to the port’s “eminent domain” at Knoll Hill and its first scuttling of the Pacific Avenue corridor redevelopment project; from John S. Gibson Field, to Joan Milke Flores Park, to Svorinich’s unrequited efforts to get a park or a field or a something named after himself, the story remained the same.

While much improved during Janice Hahn’s tenure, no community-generated general plan for San Pedro yet exists. As one result, the endless struggles over waterfront development have seen more twists and turns than any street on the Palos Verdes peninsula. Since planning first began during Mayor Richard Riordan’s last year in office, there were more versions of plans and public processes than anyone could keep track of — except for Random Lengths.

Something approaching a community-generated general plan emerged in response to the port’s Waterfront environmental impact report: the Sustainability Plan originally supported by the Sierra Club, the TraPac Appellants, two neighborhood councils, and the San Pedro Chamber of Commerce. The port’s intransigent opposition eventually reversed the chamber’s support—once again sacrificing local business interests for outside mega-corporations — most notably, the cruise ship industry.

When the final EIR was approved in September 2009, in the depths of the Great Recession, the controversial outer harbor cruise terminal was already an obsolete economic fantasy, while the far more resilient Sustainability Plan hadn’t even been seriously considered. Economic reality killed off the port’s worst excesses, but no coherent replacement was allowed to emerge. This resulted in a fragmented, piecemeal approach. The reintroduced Red Car Line was suspended in September 2015, after 12 years in service, typifying the low regard for public transit. Ports O’ Call redevelopment was first severely scaled back, then abandoned in favor of still-in-process replacement, with a distinctly disappointing more generic flavor, typified by its “amphitheater” that actually isn’t one.

Wilmington’s waterfront development had a much slower and torturous start, beginning with organizing against the expansion of the TraPac terminal and the proposed erection of a shielding wall. This organizing saw the birth of Coalition for a Safe Environment, and the emergence of its founder and executive director Jesse Marquez as a passionate, knowledgeable and incredibly detailed-oriented advocate for environmental justice. His activism has taken him to the highest levels of global deliberations on port-related policies. But it took the entire Wilmington community pulling together, plus the election of Mayor Antonio Villaraigosa to not just halt the original expansion plans, but to create the 30-acre Wilmington Waterfront Park which opened in June 2011. Another significant Wilmington development is the 3-acre Wilmington Marina Parkway, financed with China Shipping mitigation funds, which opened in 2014.

Finally, local concerns about the dangers of the Rancho LPG facility surged to the surface again, following the San Bruno gas pipeline explosion in 2010. From re-examining the error-plagued process that allowed it to be built without permits in the 1970s, and exploring the legislative and regulatory history, which permits this danger to persist, to following activists’ efforts to have it closed or relocated, Random Lengths explored this public threat from every angle, aided especially by the expertise and experience of the late retired oil industry consultant Connie Rutter. It’s been a struggle reminiscent of the decades-long tank farm fight. Fifteen years later, it’s still ongoing. But with the election of Councilman Tim McOsker in 2022, there’s finally an elected politician who’s continued to focus on shutting it down and converting it to a more community-friendly use.

 

The Final Thread: Civil, Human Rights Issues

Random Lengths’ commitment to the local preservation of civil rights was crucial. It helped ensure that its coverage of port expansion, local government and land-use struggles didn’t degenerate into narrow-minded NIMBYism.

The headline of the Fall 1980 edition of Random Lengths read: “Violent Clash At Peck Park: Citizens Demand Investigation of Police Misconduct.”

In an unprovoked sweep, the Los Angeles Police Department, wielding batons, attacked 85 to 100 mostly young Chicanos assembled to socialize and watch a baseball game. Since then, our vigilance on behalf of civil rights has taken on many forms, fighting against discrimination based on race, class, or gender in familiar forms, as well as newly emergent ones, such as the environmental racism evident in the disproportional impacts of port pollution on communities of color, of refineries in and around Wilmington and Carson, and related off-port impacts in communities of color up the 710 Freeway and Alameda Corridor and out to the Inland Empire.

The newspaper has both covered and given voice to the emergence of environmental justice as an organizing framework for building a better world for all.

Its vigilance has focused on a wide range of specific struggles. Examples include our coverage in defense of the Ralph M. Brown Act open meetings law, where publisher James Allen was threatened with arrest, and the demanding the uncensored distribution of the newspaper at the San Pedro Hospital or at City of Los Angeles public buildings. It has supported the ILWU’s proud leadership tradition of standing in solidarity and defending the rights of others, such as the ILWU’s right-to-work stoppages staged in international solidarity with Australian dockers and in opposition to the Iraq War. It’s also vigilantly supported other workers facing much harsher odds, such as the months-long union-busting lockout of our grocery workers, and the decades-overdue struggle to organize hotel workers in Long Beach — working for poverty wages, and suffering wage theft after decades of municipal investments subsidizing the tourist industry they serve with hundreds of millions of dollars — as well as the broader “Fight for $15” movement to raise the minimum wage and empower low-wage workers, starting in the fast food industry in 2012, which has dramatically increased the wage floor for millions of workers, even though the federal minimum wage remains at just $7.25/hour, last raised in 2009. These later efforts dovetail with a more specific struggle of port truckers misclassified as “independent owner-operators” to preclude them from union organizing while facilitating hundreds of millions of dollars of wage theft. A ruling by the California Labor Commissioner in 2019, and a broad-based crackdown on misclassification by the legislature the next year, have significantly aided truckers in their struggles, but court challenges continued through a major court loss earlier this year.

Abuse of police power has been a recurrent concern, from mass illegal arrests and police violence in Seattle at the World Trade Organization in 1999, or the Democratic National Convention in Los Angeles the following year, to the May Day police riot in MacArthur Park in 2007, the police suppression of the Occupy Movement in 2011, and the string of national incidents, such as the shooting of Michael Brown in Ferguson, Missouri, culminating in the murder of George Floyd and the historically unprecedented wave of Black Lives Matter protests in 2020. But they also include local individual violations, such as our coverage of the unjustified arrest of Derrick Evans, here in San Pedro, which finally prompted his release. They also include the multiple arrests of witnesses to the police murder of Roketi Su’e in north Long Beach. Both local and national stories continue to remind us that America is still haunted by its original sin. Also, over the past decade or so, our vigilance has focused on the struggle for equality, especially as expressed within the Long Beach lesbian, gay, bisexual, and transgender community.

Random Lengths has always affirmed that “an injury to one is an injury to all,” viewing local, regional, and national events through the greater human lens of civil and human rights.

Now, on the verge of a second Donald Trump administration, with American democracy itself in peril, that slogan of solidarity is more important than ever.

The Imperative For Independent Journalism

Why Random Lengths News Matters

By Evelyn McDonnell

One week after Donald Trump’s election, the publisher and editor of Random Lengths News convened a rare in-person editorial meeting. Emergencies require all hands on deck, after all, and the ascendance of a man who spews racist, xenophobic rhetoric and is a mortal threat to women’s bodies — not to mention the entire planet — caused James Preston Allen and Terelle Jerricks to broadcast the proverbial bat signal. We — editor, arts writer, tenant advocate, intern, publisher, etc. — assembled in the Pacific Avenue offices for only the second time in the year since I have been writing regularly for San Pedro’s only newspaper. As in most newsrooms these days, the majority of us work virtually. But it felt important to be in physical space with each other. It felt good to be rescued from the loneliness of our Zoom rooms. As we made plans for a recurring list of local mutual-aid organizations and pondered how a sanctuary city under Karen Bass would handle the task of hosting the 2028 Olympics under Trump’s presidency, it felt necessary to strategize.
Now, more than ever.
Just a few weeks earlier, the Los Angeles Times’s publisher had greased the wheels for a Republican victory by killing the editorial board’s plan to endorse Kamala Harris. After all, numerous sources reported that Dr. Patrick Soon-Shiong had tried to land a job in the last Trump administration. A Nov. 23 tweet by the medical tech billionaire praising the incumbent’s “inspired decision” to appoint a trio of highly questionable doctors to lead health cabinet positions affirmed just how far the newspaper owner has his nose up Donald’s butt. (Thanks to RLN’s intrepid senior editor Paul Rosenberg for sharing that post in an email chain.) The doctor wasn’t alone: The Washington Post, owned by another billionaire, Jeff Bezos, also failed to endorse a presidential candidate.
Quick journalism lesson: While endorsing candidates may seem to run counter to the idea of “objective” journalism, it is a time-honored practice at most newspapers. They issue opinions on contemporary issues every single day in editorials and columns on the “op-ed” — short for “opinion-editorial” — pages. After all, who is more informed about current events than the people who spend their working lives investigating and reporting them? We hear politicians telling us what to think every time we turn on a device. Isn’t it helpful to hear from someone who has done the research, considered the opposing sides, and can help us sort it all out? Presumably, the news organization doesn’t have a financial or personal stake in their opinion-making — if they do, they should make it transparent in their writing. This is why the press is called the fourth estate: It stands outside the executive, judicial, and legislative branches of government, acting as a check on their abuses of power. Everyone who works in a newsroom — from the publisher to the intern — is supposed to maintain that independence of thought.
By refusing to endorse, Soon-Shiong and Bezos were not upholding the independence of the press: They were abandoning it in acts of deliberate self-interest not to mention abject cowardice. They were afraid that a vengeful Trump would not only not hire them, but that he might attack the newspapers that they had purchased in what once seemed like acts of civic virtue, but have now been revealed as mere vanity projects — virtue signaling, in place of the real thing. Most of all, they were afraid Trump might use his powers to assault their other businesses, i.e. Bezos’ Amazon. As lawyer Harry Litman said Dec. 5 in his announcement that he was leaving the Times after more than 15 years as an op-ed contributor, having previously been at the Post: “Both billionaires flinched when the chips were down, choosing to appease, not oppose, a criminal president with patent authoritarian ambitions.”
The complicity of the mainstream media in helping sustain systems of hegemonic power is not news: Noam Chomsky called it Manufacturing Consent in his 1988 book of that name. Just read the previous issue of Random Lengths for our annual publication of Project Censored’s roundup of stories the press missed. Social media analyst Taylor Lorenz, author of Extremely Online, recently left The Washington Post to start her own publication, User Mag, because she no longer believed legacy media was up to the task of reporting and disseminating the news. As she said recently on Threads, “The actual corporate media exists to prop up institutional power. Yes, they do the sad stories about poor ppl losing healthcare, and yes there are phenomenal reporters within corporate media, but corporate media as a whole will never fundamentally challenge our capitalist system bc they play a key role in upholding it.”
This is why we need papers like Random Lengths.

For me, that November newsroom huddle felt not only imperative, but familiar. I cut my journalistic teeth at the “alternative” press, specifically alt-weeklies. In college I began writing for The New Paper in Providence, Rhode Island. In the early ’90s, I was an editor at the Bay Area’s SF Weekly. Most formatively, I spent a dozen years in New York writing and editing for The Village Voice, the original alt-weekly. All of those publications folded years ago, though the Voice has made a comeback as a digital shadow of its former self. In the world of alternative newspapers, Random Lengths – at 45 – is almost the last press standing: still in print, still providing the rare outlet for underrepresented voices, still holding the feet of the powerful to the flames, still pissing people off.
Alternative is an inadequate term for what publications like RLN do. It sounds too late capitalist, making difficult and fundamental oppositional stances sound like additional items on a menu rather than an entirely different approach to nutrition. The Voice was founded in 1955 by three veterans of World War II (including Norman Mailer) who sought to critique the military-industrial complex and complacent consumerist society and center writers’ voices. As documented in Tricia Romano’s recent book The Freaks Came Out To Write: The Definitive History of The Village Voice, The Radical Paper That Changed American Culture, the Voice became a platform for queer, feminist and Black writers including Richard Goldstein, Ellen Willis and Greg Tate. Its film, music, art, fashion and literary critics were among the most important arts writers of their time. The Voice was the place where politicians were exposed for crimes and misdemeanors and the AIDS crisis was documented and protested. Voice reporter Wayne Barrett took on Donald Trump back when he was a New York developer with blatantly racist and corrupt practices. Voice writer Nat Hentoff was a passionate advocate of the First Amendment, while numerous press critics over the years publicly flagellated their associates at other publications for their ethical, moral and stylistic failures.
I learned more about reporting, writing, music, politics, feminism and editing at the Voice, working alongside the folks listed above, than I learned anywhere else in my educational and professional career. As Romano documents, there was a lot of egotism, chauvinism and just plain shitty behavior there as well. It was still a boys club, with a hard glass ceiling. But there was a passionate commitment to issues of justice, equity, inspiration and innovation that I did not experience to the same degree at the daily newspapers, magazines and websites where I was also employed. All the alt-weeklies I worked at had this communal ethos of poking the corporate ogre while arguing over music and also having some laughs. I’ve been so happy to find that spirit alive and well in the port town that I have called home for the last 15 years.
Granted, Random Lengths is technically not a weekly, coming out in semi-monthly installments whose durations are explicated in the publication’s title, as far as I can tell. (Maybe this is why I can never meet my deadlines.) Really, Random Lengths straddles two forms of publishing: an alternative — or as I would prefer to call it, independent, oppositional, or free – and a community newspaper. Most alt-weeklies, such as the LA Weekly (also a survivor, albeit barely), serve large metropolitan areas, not subsets thereof. Random Lengths, on the other hand, serves a very specific niche: the harbor communities of Los Angeles. And yet very few community newspapers have the nerve to take on substantive issues in the way RLN does; most offer tepid human interest stories that often feature advertisers. This makes RLN’s survival as both a community-serving and independent publication all the more remarkable.
Obviously, founder and publisher James Allen deserves much of the credit for Random Lengths’ longevity, as he would be the first to tell you. But I think the paper’s survival also speaks to the uniqueness of this community. This is a part of America with a proud history of labor organizing, as well as environmental activism and grassroots arts-making — unusual bedfellows. Those are core issues on which RLN has built its foundation. Today, writers Jerricks and Emma Rault are adding Black history and developer muckraking to this enduring, if sometimes wobbly — and always Wobbly, viva the IWW! — structure. Down here at the bottom of LA, END FWY, people aren’t interested in going mersh, as our hometown punk heroes the Minutemen put it.
Having turned in my green eyeshade for a professor’s cap, I didn’t know if I would ever have the good fortune to attend a newsroom meeting again. On that scary post-election day at RLN HQ, we kept talking about the need to articulate resistance, a term that, as someone who published a zine in the ’90s called Resister, pulled at my heartstrings. Keep coming to these pages to find out about the local organizations that are providing food, housing and other essential needs to the displaced and unfortunate; to hold our politicians accountable to promises of providing sanctuary for immigrants and abortion seekers; to find out who is making good art, music, film and food to keep us sustained in these hard years to come. The independent press is alive and well and living in San Pedro.

Evelyn McDonnell writes the series Bodies of Water — portraits of lives aquatic — for Random Lengths. She is a journalism professor at Loyola Marymount University. Her most recent book is The World According to Joan Didion.

The ‘Sacrifice Zone’ No More

Local Activism Takes on the Port of LA’s Impact on Harbor Communities. Happy 45th to the Rebel News

By Janet Schaaf-Gunter

My first engagement in social issues began in the 1960s in opposition to the Vietnam War. My roots associated with activism began there.
James Preston Allen and I are the same age, so, I’m thinking that for both of us, the mid-’60s was the beginning of our awareness about social justice and politics in general. Many of our friends were being drafted into the military and/or juggling to find ways to avert going to fight a war that none of us could understand.
So, I “get” the underlying drive of Random Lengths News. Instilled in the newspaper’s intent is the will to tell today’s stories in a way that delivers those details that might be lacking in everyday media. A sense of truth that others may not be telling.
San Pedro, Wilmington and the entire Los Angeles Harbor Area have long suffered from obfuscation of the truth and a willingness by a litany of politicians to treat it as “the sacrifice zone.” I first learned this term while visiting the California State Capitol in the late 1980s. It shocked me.
Being 26 miles away from the core of Los Angeles, these harbor communities have continued to serve the economy of LA from its massive port operations. The port’s massive expansion has caused numerous negative impacts to the surrounding communities. The positive impact of job creation has allowed the harmful health, safety, and aesthetic consequences to the area to be ignored. However, in the early 2000s that began to change, and RLn was there to tell the true story. The Port of LA policy of non-disclosure of negative impacts from their growth was caught by local homeowners and fought in court. The community won.
As a member of both the San Pedro Peninsula Homeowners United and the San Pedro Peninsula Homeowners Coalition, these groups continue to fight the fight and to “mitigate” the environmental consequences and extraordinary hazards that the port industry brings with it. Jobs are certainly welcome, but so is the right to a clean and safe environment for those workers and all who live in the Harbor Area. We adamantly refuse to simply accept the label awarded to us, “the sacrifice zone.”
We look with confidence to Random Lengths News to cover the continuing fight and its dedication to telling the true story.
Congratulations to Random Lengths News and its devoted owner, editor, and reporters. All those who live in this region owe the publication a genuine debt of gratitude.
Thanks for your community service.

State Lands Commission and Ports of Long Beach & Humboldt Launch Offshore Wind Energy Partnership

The California State Lands Commission and the ports of Long Beach and Humboldt Dec. 18 announced an agreement to advance floating offshore wind energy development off the California coast to facilitate port infrastructure upgrades needed to support offshore wind.

Offshore wind energy is poised to transform the way California generates energy. It will help the state meet its goal of transitioning to 100% renewable energy by 2045, with up to 25 gigawatts of that energy coming from offshore wind. Staging and integration sites – waterfront areas where floating turbines are assembled – are critical for offshore wind energy development off the California coast.

The ports of Long Beach and Humboldt are developing terminals to assemble wind turbines on floating platforms that would be towed to installation areas 20-30 miles offshore of Humboldt County and Morro Bay. The ports have been identified in the California Energy Commission’s Offshore Wind Strategic Plan as key sites necessary for the successful deployment of floating offshore wind in California.

The State Lands Commission has worked with both ports this past year to structure a partnership that will help bring these projects to fruition while uplifting California Native American tribes and historically underserved communities, protecting the environment and engaging local communities.

“We thank the State Lands Commission for focusing on a multi-port strategy that allows the Port of Long Beach and the Port of Humboldt to serve as turbine assembly sites in California’s floating offshore wind industry,” said Port of Long Beach CEO Mario Cordero. “This agreement, combined with the climate bond recently approved by California voters and the state’s commitment to procure up to 7.6 gigawatts of energy from offshore wind by 2035, gives the industry and California ports the confidence to invest in Long Beach’s Pier Wind and other complementary projects and create thousands of good-paying jobs.”

Each of the collaboration areas in the agreement is essential to bring offshore wind energy to California. The Commission and ports will also collaborate to align staging and integration site development with broader offshore wind considerations, such as transmission, power purchasing, workforce development, manufacturing, and other supply chain developments, science and technology innovations, and sea space leasing.