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The Autry Museum of the American West Presents American Indian Arts Festival and Young Playwrights Festival June 8, 9

 

American Indian Arts Festival

Join the Autry on June 8 to 9 for a fun-filled weekend perfect for the whole family. Celebrate contemporary and traditional Native art forms at the Autry Museum of the American West’s 33rd Annual American Indian Arts Festival.

Meet artists from across North America and shop for unique art, jewelry, pottery, and more. Learn more about the Tongva culture and California’s Indigenous history through self-guided tours and cultural displays. Enjoy captivating performances, including pow wow and hoop dancing, poetry readings, and live theatre by Native Voices. Catch a short film from the Sundance Institute. Treat your taste buds to frybread and Native dishes by Chef Pyet DeSpain, season 1 winner of Gordon Ramsay’s Next Level Chef. Get your tickets below and explore our guides for cultural experiences andfamily-friendly activities.

Time: 10 a.m.- 5 p.m., June 8, 9

Cost: $8 to $18

Details: https://theautry.org/events/american-indian-arts-festival

Venue: The Autry Museum in Griffith Park, 4700 Western Heritage Way, Los Angeles

 

Native Voices’ Young Native Playwrights Festival

Storytelling is a way to preserve culture and language, which is why Native Voices brings back its Young Native Playwrights program. Native youth from across Turtle Island will participate in an eight-week playwriting course that will nourish, elevate, and amplify their voices, and plays written will be performed live onstage at the Autry, as well as live streamed. Tickets are included with admission to the American Indian Arts Festival. Seating is available on a first come first serve basis.

Time: 2 p.m., June 8, 9

Cost: $8 to $18

Details: Reservations Required: https://tinyurl.com/Young-Native-Playwrights-fest

Venue: The Autry Museum in Griffith Park, 4700 Western Heritage Way, Los Angeles

 

A Global Crackdown on Freedom of Expression

 

NOLAN HIGDON June 3

By Robin Andersen, Nolan Higdon and Steve Macek

According to a 2022 report by Article 19, an international organization that documents and champions freedom of expression, 80% of the world’s population lives with less freedom of expression today than did ten years ago. The eradication of basic freedoms and rights is partly due to the pervasive normalization of censorship. Across media platforms, news outlets, schools, universities, libraries, museums and public and private spaces, governments, powerful corporations, and influential pressure groups are suppressing freedom of expression and censoring viewpoints deemed to be unpopular or dangerous. Unfortunately, physical assaults, legal restrictions, and retaliation against journalists, students, and faculty alike have become all too common, resulting in the suppression of dissenting voices and, more broadly, the muffling and disappearance of critical information, controversial topics, and alternative narratives from public discourse.

We collaborated with an accomplished group of international scholars and journalists to document this disturbing trend in Censorship, Digital Media and the Global Crackdown on Freedom of Expression (Peter Lang 2024). Our collective work analyzed contemporary and historical methods of censorship and anti-democratic impulses that threaten civil society, human rights, and freedoms of information and expression around the world today. The collection explains how a rising tide of political tyranny coupled with the expansion of corporate power is stifling dissent, online expression, news reporting, political debate, and academic freedom from the United States and Europe to the Global South.

 

The Assault on Press Freedom

Our volume reveals an epidemic of censorship and attacks on journalists and free speech around the globe. Although completed prior to the horrifying atrocities of Oct. 7, 2023, in Israel, the text provides context for understanding that Israeli violence against Palestinians since Oct. 7, including the murder of journalists, has been decades in the making. This strategy initially took hold with the assassination of the veteran Al Jazeera reporter Shireen Abu Akleh, a Palestinian-American, as she documented Israel’s occupation of Jenin. The world has now witnessed the full flowering of the Israeli-state aggression against Palestinians that led to her murder. To date, Israel has killed more than 100 media workers in Gaza, raising the concern and outrage of numerous press freedom organizations and seventy UN member states that have now called for international investigations into each one of the murders. As the International Federation of Journalists reported, “Killing journalists is a war crime that undermines the most basic human rights.”

Journalists around the globe are repeatedly targeted because their profession, which is protected constitutionally in many nations, exists to draw attention to abuses of power. Thus, it is no surprise that the rise in global censorship has entailed the targeting of journalists with violence, imprisonment, and harassment. In Russia, journalists are jailed and die in custody, as they do in Egypt, Saudi Arabia, China, and Hong Kong. In Mexico, there are “silenced zones,” controlled by a deadly collaboration between drug gangs and government corruption, where journalists are routinely killed. In 2022, Mexico was the most dangerous country for journalists outside of a war zone.

The assault on press freedom has also been normalized in self-proclaimed democracies such as the United Kingdom, where WikiLeaks founder Julian Assange has been imprisoned for more than five years, and in the United States, which has targeted Assange with espionage charges simply for promoting freedom of information. Although US presidents and other national figures often refer to the United States as “the leader of the free world,” the United States now ranks 55th in the world on the Reporters without Borders 2024 World Press Freedom Index.

Repression of Artists and Academics

News outlets and their workers are not the only targets of the current wave of repression. Hollywood has long been shaped — and censored — by government and corporate power. For example, our book includes a chapter on the Pentagon’s long-standing influence on Hollywood, which has resulted in the film industry abandoning production of hundreds of films deemed unacceptable by the military.

In addition to media, educators and academics are increasingly subject to repressive measures that muzzle freedom of information and expression. Scholars and institutions of higher education sometimes produce research that challenges the myths and propaganda perpetuated by those in power. And even when they don’t, autonomy from micromanagement by government authorities and private funders is a prerequisite for the integrity of scholarly research and teaching, which tends to make elites exceedingly nervous. This is why universities and academic freedom are increasingly under siege by autocratic regimes and right-wing activists from Hungary to Brazil and from India to Florida.

Alarmingly, the latest Academic Freedom Index found that more than 45% of the world’s population now lives in countries with an almost complete lack of academic freedom (more than at any time since the 1970s). In Brazil, the government of right-wing president Jair Bolsonaro attempted to ban education about gender and sexuality, slashed budgets for the country’s universities, and threatened to defund the disciplines of philosophy and sociology. In 2018, Hungary’s conservative Fidesz government shut down graduate programs in gender studies, forced the country’s most prestigious university, the Central European University, to relocate to Austria, and sparked months of protests at the University of Theater and Film Arts in Budapest by making unpopular changes to the school’s board of trustees. Something similar happened in Turkey, where, since 2016, the ruling regime has suspended thousands of professors and administrators from their university posts for alleged ties to the outlawed Gülen movement and shut down upwards of 3,000 schools and universities. Meanwhile, in the United States, several Republican-controlled state legislatures have enacted draconian laws prohibiting or severely limiting teaching about race, sexuality, and gender in college classrooms. Under the influence of its arch-conservative governor, Ron DeSantis, Florida eliminated sociology as a core general education course at all of its public universities.

 

Big Tech Censorship

Censorship is nothing new, but the pervasive influence of the internet and the development of so-called artificial intelligence (AI) have created new, more nefarious opportunities to crack down on freedoms around the globe. So-called smart platforms and tools have created new forms of Big Tech control and content moderation, such as shadowbanning and algorithmic bias. Regimes have set up a form of quid pro quo with tech companies, demanding certain concessions such as removing unfavorable content in exchange for government access to otherwise private information about tech platforms’ users. For example, in the United States, tech companies depend on large government contracts and, as a result, often work with government officials directly and indirectly to censor content. Nor do they block only false or misleading content. Social media platforms have also been found to censor perfectly valid scientific speculation about the possible origin of COVID-19 and instances of obvious political satire.

These restrictive practices are at odds with Big Tech PR campaigns that trumpet the platforms’ capacity to empower users. Despite this hype, critical examination reveals that privately controlled platforms seldom function as spaces where genuine freedom of information and intellectual exchange flourish. In reality, Big Tech works with numerous national regimes to extend existing forms of control over citizens’ behaviors and expression into the digital realm. People are not ignorant of these abuses and have taken action to promote freedom across the globe. However, they have largely been met by more censorship. For example, as social media users took to TikTok to challenge US and Israeli messaging on Gaza, the US government took steps to ban the platform. Relatedly, Israel raided Al Jazeera’s office in East Jerusalem, confiscated its equipment, shuttered its office, and closed down its website.

Our book also details the complex history and structures of censorship in Myanmar, Uganda, and the Philippines, and popular resistance to this oppression. To this catalog of examples, we can add India’s periodic internet shutdowns aimed at stifling protests by farmers, the blocking of websites in Egypt, and the right-wing strongman Jair Bolsonaro’s persecution of journalists in Brazil. Each of these cases is best understood as a direct result of a rise in faux populist, right-wing authoritarian politicians and political movements, whose popularity has been fostered by reactionary responses to decades of neo-liberal rule.

 

What Is to Be Done?

Censorship is being driven not only by governments but also by an array of political and corporate actors across the ideological spectrum, from right-wing autocrats and MAGA activists to Big Tech oligarchs and self-professed liberals. Indeed, when it comes to censorship, a focus on any one country’s ideology, set of practices, or justifications for restricting expression risks missing the forest for the trees. The global community is best served when we collectively reject all attempts to suppress basic freedoms, regardless of where they emerge or how they are implemented.

To counter increasing restrictions on public discourse and the muzzling of activists, journalists, artists, and scholars, we need global agreements that protect press freedom, the right to protest, and accountability for attacks on journalists. Protection of freedom of expression and the press should be a central plank of US foreign policy. We need aggressive antitrust enforcement to break up giant media companies that today wield the power to unilaterally control what the public sees, hears, and reads. We also need to create awareness and public knowledge to help pass legislation, such as the PRESS Act, that will guarantee journalists’ right to protect their sources’ confidentiality and prevent authorities from collecting information about their activities from third parties like phone companies and internet service providers.

Moreover, widespread surveillance by social media platforms and search engines, supposedly necessary to improve efficiency and convenience, ought to be abandoned. All of us should have the right to control any non-newsworthy personal data that websites and apps have gathered about us and to ask that such data be deleted, a right that Californians will enjoy starting in 2026.

In addition, we should all support the efforts of organizations such as the American Association of University Professors, Article 19, and many others to fight back against encroachments on academic and intellectual freedom.

Supporters of free expression should also vigilantly oppose the ideologically motivated content moderation schemes Big Tech companies so often impose on their users.

Rather than trusting Big Tech to curate our news feeds, or putting faith in laws that would attempt to criminalize misinformation, we need greater investment in media literacy education, including education about the central importance of expressive rights and vigorous, open debate to a functioning democracy. The era of the internet and AI demonstrates the urgent need for education and fundamental knowledge in critical media literacy to ensure that everyone has the necessary skills to act as digital citizens, capable of understanding and evaluating the media we consume.

Port of Long Beach Invests $300K in Scholarships for Future Workforce of the Goods Movement Industry,

 

The Port of Long Beach last week awarded $300,000 in scholarships to 136 high school and local college students to assist in their pursuit of education and training in port-related fields including engineering, environmental science, maritime law and technical trades.

The scholarships were announced at the annual Celebrating Education event, which brings together students, educators, public officials and business leaders to highlight the port’s education outreach programs and recognize the accomplishments of students involved.

“It’s important to invest in the future workforce of the goods movement industry, right here in the city,” said Long Beach Harbor Commission President Bobby Olvera Jr. “Scholarships are an important way to nurture a labor pool with the talents and skills to keep cargo moving efficiently through our trade gateway.”

Since 2014, the Port has awarded more than $1.4 million in scholarships to students pursuing careers in international trade and goods movement. This year’s scholarships went to students from local high schools, Long Beach City College and Cal State Long Beach. This year’s budget for scholarships was $300,000, up from the previous year’s $250,000.

In an expansion to support education outreach and workforce development, Olvera also announced Wednesday the port is creating a new Tools Scholarship designed to assist new and aspiring tradespeople in launching their careers. The scholarship will help new Long Beach City College trades program students and graduates buy their first set of tools. At the Celebrating Education event, Olvera also awarded 10 students from the ACE Academy of Jordan High School with $200 Harbor Freight Tools gift cards.

Details: www.polb.com/education

California Briefs: Appointments, Pathways to Nursing Legislation Passes Senate and GenAI Leaders Convene

Gov. Newsom Announces Appointments
SACRAMENTO – Gov. Gavin Newsom May 30 announced the following appointments:

Sandra Sims, of Los Angeles, has been reappointed to the California State Board of Optometry, where she has served since 2021. Sims has been HR business partner and personnel manager for the University of California, Los Angeles since 2023. She was human resources manager for Long Beach City College from 2021 to 2023. Sims was a freelance reporter and writer with various news publications from 2016 to 2021. She was a principal analyst and policy human resources analyst for the Los Angeles County Department of Human Resources from 2007 to 2016. Sims was a civil service advocate for the Los Angeles County Department of Children and Family Services from 2006 to 2007. She is a member of the Screen Actors Guild-American Federation of Television and Radio Artists. Sims earned a Juris Doctor degree from the University of California College of the Law, San Francisco and Bachelor of Arts degree in Political Science from the University of California, Los Angeles. This position does not require Senate confirmation and the compensation is $100 per diem. Sims is a Democrat.

Denise Tugade, of Los Angeles, has been reappointed to the Court Reporters Board of California, where she has served since 2021. Tugade has been legislative analyst for the Los Angeles County Department of Public Health Substance Abuse Prevention and Control Bureau since 2024. Tugade was a government relations advocate for SEIU United Health Workers West from 2020 to 2024. She was Legislative Director in the Office of State Assemblymember Christy Smith from 2019 to 2020. Tugade was a legislative aide in the Office of State Assemblymember Lorena Gonzalez from 2018 to 2019. She was a mail tree program and assembly Democrats volunteer coordinator with Christy Smith for State Assembly 2018 in 2018. Tugade was communications director and legislative assistant in the Office of State Assemblymember Monique Limon from 2017 to 2018. She held several positions at Cambria Solutions from 2015 to 2017 including senior associate, AGILE, Human Centered Design Lead and social media manager. Tugade was district coordinator for DelAgua Health Ltd. from 2014 to 2015 and public relations consultant and international research intern with Planet Risk in 2014. Tugade is a member of the Feminist Democrats of Sacramento, Young Asian American Pacific Islander Sacramento Democrats, New Leaders Council Sacramento, California Asian Pacific Islander Staff Academy, Asian Pacific Islander Capitol Association and Barkada Sacramento. She earned a Bachelor of Arts degree in International Affairs: Conflict and Security Studies and Europe and Eurasian Studies from George Washington University. This position requires Senate confirmation and the compensation is $100 per diem. Tugade is a Democrat.

 

Sen. Roth’s More Pathways to Nursing Legislation Sails Off Senate Floor with Unanimous Bipartisan Vote

SACRAMENTO — Sen. Richard D. Roth’s (D-Riverside ) transformative More Pathways to Nursing legislation, Senate Bill (SB) 895, May 28 passed the State Senate with unanimous bi-partisan support and now heads to the Assembly. SB 895 creates a pilot program for a limited number of community college districts to offer a Bachelor’s in Nursing Degree or BSN, which has increasingly become a requirement by more healthcare facilities in the state.

For more than 40 years, the community college ADN has been the basic credential for entry into employment as an RN at a healthcare facility; and, the California State University and University of California nursing programs (along with the State’s private nursing programs) have historically awarded the BSN degree to those who elect to pursue a four-year degree. In 2021- 22, community college ADN graduates represented over 40% of all students completing a pre-licensure nursing program in California. However, an increasing number of healthcare facilities are now preferring, if not requiring, new hires to have a BSN degree.

SB 895 would authorize the Office of the Chancellor of the California Community Colleges to select up to 15 community college districts with an existing nationally accredited ADN program focusing on nursing underserved areas of the state and allow these districts to offer a BSN degree. This pilot program will enable California to utilize the existing ADN program infrastructure at community colleges to supplement the work of existing public and private BSN programs to produce BSN degreed nurses who are qualified to become supervisors and managers in healthcare facilities, and who are qualified to become nurse practitioners with Master’s or Doctorate degrees in independent practice settings, and as members of nursing school faculty. Since students are already licensed RNs, no supervised clinical placement slots are required for this program. By supplementing the work of existing public and private BSN programs in this way, additional BSN degreed nurses will be added to the workforce.

SB 895 would further direct the Office of the Chancellor of the California Community Colleges to develop a process to assist community college districts in nursing underserved areas, without a nationally accredited ADN program, secure national accreditation and participation in the pilot program.

Governor Newsom Convenes GenAI Leaders for Landmark Summit

SAN FRANCISCO — Gov. Gavin Newsom and leaders representing sectors including technology, government, academia and labor, along with civic organizations, May 29 convened at the Joint California Summit on Generative AI to collaborate on and examine this technology.

The summit was developed and hosted by the California Governor’s Office of Business and Economic Development or GO-Biz, the California Government Operations Agency, the UC Berkeley College of Computing, Data Science, and Society, and the Stanford Institute for Human-Centered Artificial Intelligence or HAI. Newsom directed his agencies to pursue a partnership with the higher education institutions as part of his executive order on GenAI last year.

GenAI is already changing the world, and California will play a pivotal role in defining that future. The state is home to 35 of the world’s 50 leading AI companies, high-impact research and education institutions, and a quarter of the technology’s patents and conference papers.

The path forward for AI will have enormous implications across society. Summit panelists discussed how this technology is impacting and will shape the future of work in California. They also highlighted its potential to help solve problems like the climate crisis, assessed the infrastructure barriers that could impede those efforts, and considered how to address them.

Attendees from the federal and state government, Fortune 500 companies, and the world’s leading universities explored ways to responsibly implement and incorporate shared benefits of AI into the next wave of investments, discoveries, and partnerships.

The event was recorded and available here:

https://www.youtube.com/watch?v=HCJKaJDKzk8

Three Of A Kind Highlights Artistry, Sibling Connection

Three of a Kind: Michael, Joel, and Peter Stearns, on view until June 22, is a remarkable exhibit that showcases the unique talents of three siblings who have leveraged their heritage to explore a lineage of artistic innovation. Each artist brings their distinct style and medium to the table, yet their works complement each other in unexpected ways.

Michael Stearns’ vibrant use of color and organic materials creates a visual intensity that draws the viewer in. His sculptures, in particular, demonstrate a mastery of transforming discordant elements into harmonious forms.

Brother Michael’s series Urban Landscape presents various forms and outlines, some with gridlike patterns, from an aerial perspective. In Urban Landscape #1, a grid pattern depicting a neighborhood seems woven into portions of rich color blocks, merging together but distinctly separate, highlighting innumerable tracks of human environs, evoking a push-pull energy between terrains.

Urban Landscape #2 highlights redlining (the discriminatory practice of withholding financial services from neighborhoods populated by racial and ethnic minorities) depicting a large swath delineated in thick red, somewhat resembling an animal form, surrounded by mountainous and abstract, color-rich units — some structure-like — of earthy reds, purples, greens and golds.

Michael Stearns’ Element Water, Acrylic on Canvas.

Michael’s Element series of four paintings: Element Fire, Element Air, Element Earth, Element Water, is magnificent. Each painting has thin line markers indicating north, south, east and west. Fire ignites in an orb of red and gold primarily, yet, magically encompasses nearly every color in the spectrum. Air is joyous and abundant with floating Pop Art clouds and blue skies. Earth glows as an ample tree, verdant and reverential bursting beyond a faint golden ring. Water spirals in gold and saturated, aqua pura blues and greens. To gaze upon this series through Michael’s sweeping gesture and form viewers can forever discover more. Michael’s Totem Forest sculptures, of wood and mixed materials, stand tall in three assemblages at the center of the gallery, a foundation and an emblem of sibling connection between these artists.

Michael Stearns'Totem Forest, wood and mixed materials
Michael Stearns’Totem Forest, wood and mixed materials

Brother Joel also works with natural materials and his collaborations with notable artists like Frank Gehry, Chris Burden, and Jean-Michel Basquiat have honed his experimental approach. His cardboard furniture pieces and contributions to iconic projects like All the Submarines of the United States showcase his versatility. Joel knew he was an artist at the age of seven and opened his first gallery show at 17. He graduated from California State University, Long Beach with a master’s degree in printmaking, and a year later, he started his first business, “workshop, i.e., and membership print studio” on Main Street in Santa Monica, with partner Jack Duganne. Eventually, he started a print shop and printmaking press. Later with partner, Fred Hoffman, Joel launched an art publishing studio called New City Additions.

Several of Joel’s paper mache lamps with LED lighting are on view (on his Instagram the artist noted, “Never [have to] change the bulbs”). He developed a translucent paper mache for these works. The luminosities resemble tall cacti, particularly Harry and Spike, two art lamps that live up to their handles. Harry’s, (42 inches — atop a wood base) stadium form of translucent paper mache features individual, fine pieces of paper mache (hair) sprouting from the biomorphic figure. Spike’s pyramidion form evokes a maternal cactus with its few baby spikes sprouting from its body. A floor lamp called Duquette made of recycled paper and translucent paper mache epitomizes organic simplicity and beauty and would add warmth to almost any setting.

Joel’s pattern paintings are a labyrinth of motifs, lush colors and personalities. The myriad of intricate patterns and movements in these paintings recall the patterns of hand-woven rugs and “Wonderland-esque” adventure and surprise. In this mesmerizing series, Basel in innumerous shapes, patterns and forms featuring reds, golds, blues, greens and more commands attention, as the deeper you gaze at the work —indeed the series — the more you will discover.

Brother Peter is a self-taught “outsider” artist. His surrealist paintings are playful and thought-provoking, blurring the lines between reality and the subconscious. His body of work spans four decades. Oolong Gallery in Encinitas, Calif., represents Peter.

He definitely has a sense of humor; it’s visible in many of his often surreal works. Particularly his Urban Roosters series. Case in point; Gaga Your Rooster Is In Your Shoes Again depicts a large red rooster splashed center in the painting, wearing sparkly pink platforms to which the birds talons are attached. Looking quite natural in elevated shoes, this rooster struts across a black canvas with an urban looking grid of gray circles and lines in its feathe- red regalia. But the amazing part isn’t the platforms; it’s the intense detail of the bird’s feathers — as though you could just fluff them with your fingers. This detail is further amplified in Peter’s Twice 5 Roosters, this grouping features variants of blue, one white and one red rooster, each with the same astonishing detail.

In his large Diptych reality and subconscious become one. Number 1. Son of Perdition – Pets Looking for Prodigal Daughter. Number 2. Prodigal Daughter Night Fishing in the Garden of Orbital Decay

Diptych: 1. Son of Perdition - Pets Looking for Prodigal Daughter, 2. Prodigal Daughter Night Fishing in the Garden of Orbital Decay
Diptych: 1. Son of Perdition – Pets Looking for Prodigal Daughter, 2. Prodigal Daughter Night Fishing in the Garden of Orbital Decay

In Number 1, We see a red-suited young man in a swampland carrying a matching top hat and wand. Gray-blue skies with gray clouds (one raining) black mountains and pink sun behind him, a cat accompanies him across this swamp full of randomly discarded paraphernalia, animals and body parts. In Number 2, Prodigal Daughter sits in an Eames chair next to a lantern fishing under a full moon. She has a bird’s nest hairdo with birds, wears a swimsuit and high-end kicks, and seems to inhabit the same swampland with accouterments. The two lost souls could be a reflection of capitalism, class, gluttony, false foundations, or lost fools — literally and figuratively. The work is grand, thought-provoking, and farcical.

Peter’s two beautiful pieces, Autumn Day Falling Leaves Empty Nests and Autumn Night Falling Leaves Empty Nests are a matched set. In both, with blue and black skies respectively, autumn leaves and empty nests fall from the sky in hyper-realistic detail – you can see each twig in the nests, each vein in the leaves. Both look, as with the roosters, like you can reach out and touch them right on the canvas.

Three Of A Kind is an exhibition like none other, with so much more to see than highlighted here. Between the brothers Stearn, trust that you will find humor, beauty, surrealism, spirit, and indeed joy.

Together, the Stearns siblings have curated an exhibit that celebrates their individuality while highlighting the unspoken connections that bind them. Three of a Kind is a must-see show.

Three Of A Kind
@stearns.michael – Michael Stearns, @jsartist65– Joel Staerns, @oolongallery – Peter Stearns

Time: 1 p.m., Artist talk June 1, 6 to 9 p.m., June 6, or 1 to 5 p.m., Friday and Saturday and by appointment to June 22
Cost: Free
Details: https://www.laharborarts.org
Venue: LA Harbor Arts, 401 S. Mesa St., San Pedro

Politics and Art Collide in ‘Stalin’s Master Class’

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Politics and artistic expression collide when “Father of the People” Joseph Stalin and Soviet cultural minister Andrei Zhdanov summon composers Sergei Prokofiev and Dmitri Shostakovich to the Kremlin for a “music lesson.”Odyssey Theatre Ensemblefounding artistic directorRon SossidirectsStalin’s Master Class,a comic expose by British playwrightDavid Pownall.

As we learned from the Khrushchev revelations in the 1950s, Stalin and the bureaucracy he represented, arising in the 1920s, reversed enormous social and political gains of the revolution led by Lenin and Trotsky.

Among them was a reversal of the right of scores of national minorities within the Soviet Union to self-determination, retreat on women’s rights, instituting a brutal forced collectivization of the peasantry and a subordination of revolutionary movements around the world to the needs of the “Great Russian Fatherland.” The democracy, political debate, free artistic and literary expression, like the Avant-Garde movement, was all destroyed as Stalin exiled, murdered or sent to Siberia thousands of revolutionists, writers, artists; in essence all opponents of his repressive regime.

Can or should artistic expression be forced to conform to political ideology? In this funny but realistic satire, Pownall portrays an encounter of great composers — Prokofiev (Jan Munroe) and Shostakovich (Randy Lowellas) are subjected to the rant and bullying of Stalin (Ilia Volok) and Zhdanov (John Kayton), who accuse the composers of anti-democratic, “formalist” musical tendencies that are alien to the Soviet people and their artistic tastes. “Music that could make a whole population sick!” Stalin believed that the great composers’ music was bourgeois, a similar position taken by Mao Tse Tung in China, and that somehow there is only a proletarian culture of red flags and only “revolutionary” art. This is refuted by the openness of the Cuban Revolution.

InMaster Class,you see a side of Stalin that is very patriotic, a man who wants to resuscitate his country. He wants to get these guys to write music that is more accessible and comforting to the sad survivors of the devastating World War, the children and the old people.

David Pownall (1938–2022) was an award-winning British novelist and playwright who had over 80 radio plays broadcast on the BBC and worldwide, and his work for stage has been produced in many countries throughout the world. During his extensive career, Pownall wrote in a number of different mediums including 13 novels. Written in 1983,Master Classwas his best-known play.

Pownall said that, in writingMaster Class, he wanted to convey the feelings of horror and mockery he felt after reading the minutes of the 1948 Moscow Composers’ Conference. Although the meeting imagined in the play never took place, that conference and other events demonstrate only “too depressingly real” the dictates instituted by Stalin and other bureaucrats, the antithesis of the Bolshevik party objectives.

Ron Sossi founded the Odyssey Theatre in 1969 to demonstrate that experiment-oriented theater could have populist appeal and be fiscally solvent while maintaining the highest artistic standards, and he has led the company as its artistic director for its entire 55-year history.

Stalin’s Master Class:Performances on Fridays are Pay-What-You-Can (reservations open online and at the door starting at 5:30 p.m.)

Time: 8 p.m., Wednesday, Friday and Saturday and 2 p.m., Sundaytill June 2.

Cost: $20 to $40. Previews are priced at $15.

Details: 310-477-2055;OdysseyTheatre.com.

Venue: Odyssey Theatre, 2055 S. Sepulveda Blvd., West Los Angeles

Letters to the Editor

 

Open Letter By Aquilino Gonell, former U.S. Capitol Police Sergeant.

On January 6, 2021, I almost died defending the Capitol from insurrectionists inspired by Donald Trump’s false claims that the 2020 election was stolen.

After fighting with multiple rioters, I suffered career-ending (physical, mental, and moral) injuries and was trampled in a tunnel holding the police line and defending my colleagues and your elected leader regardless of their political views or party. I defended Marjorie Taylor Greene just as much as Alexandria Ocasio-Cortez. And Nancy Pelosi just as much as Kevin McCarthy.

I did the best I could, but they just kept coming…

I fought for our democracy that day, and I am still fighting for it today.

That includes doing everything I can to make sure Donald Trump — the man who calls the January 6 insurrectionists who nearly took my life “patriots” and literally salutes them, is never elected president again.

So today, I am asking you to do something important to make sure that never happens.

Donald Trump failed on January 6, but it wasn’t for lack of trying. We can’t let him return to the White House.

Thank you for reading,

Aquilino Gonell

Washington D.C.

 

Money Sink Hole

In 2008, California taxpayers agreed to spend $9 billion on a High Speed Rail project.

The system would run from San Francisco to Los Angeles, cost $33 billion in total, and be operational by 2020.

Sixteen years of delay and mismanagement later, new estimates project it will cost $105 billion+ and the first phase of the rail won’t even be finished until 2029…

The H.S.R. is a waste of money, because the infrastructure requires billions of dollars to build and maintain. Our State and nation will not be able to afford to maintain the system and we already have rail transport.

The real need is to improve existing roads and bridges and find ways to relieve congestion, improve safety and have better access to jobs.

John Winkler

San Pedro

EPA’s ENERGY STAR Program Unveils New Tools for Energy Efficient Home Improvements

WASHINGTON — The Environmental Protection Agency May 30 announced the launch of two new ENERGY STAR resources to help households across America take advantage of Inflation Reduction Act incentives for energy-saving home upgrades. Together, a new home improvement savings web tool and the new ENERGY STAR home upgrade service provider partnership address two of the largest barriers Americans face when it comes to upgrading their homes with energy efficient products and equipment – the cost and complexity associated with purchase and installation. These resources will make it easier for all Americans to take advantage of upgrades that will help them save energy and money.

The new home savings web tool is a zip code-based resource that allows people to identify all of the energy efficiency incentives available in their area. It highlights utility rebates, federal income tax credits, and — starting now — Inflation Reduction Act state rebates for home efficiency improvements. More so, it includes energy efficiency incentives, buying guidance, information on eligible products, and links to local retailers and installers.

  • The federal tax credits provide annual discounts of 30% of project costs, up to $3,200, for products such as heat pump HVAC, heat pump water heaters, windows and insulation.
  • New York is the first state to launch its Inflation Reduction Act rebate program, which offers incentives targeted to low-income households. Several other states are following closely behind.

ENERGY STAR® is the government-backed symbol for energy efficiency, providing simple, credible and unbiased information that consumers and businesses rely on to make well-informed decisions. More background information about ENERGY STAR’s impacts and ENERGY STAR Home Upgrade

For further information: EPA Press Office (press@epa.gov)

Chasing the News, Car Chases and Ratings

 

“The cost of liberty is less than the price of repression.” — W.E.B. DuBois

When I look at the news from the so called “mainstream media,” I am mostly disappointed by the local news ―chasing sirens–car crashes, murders, attempted murders, suicides. We used to call this ambulance chasing. It all started in the early 1990s. O.J. Simpson was in the backseat of Al Cowling’s white Ford Bronco, traveling northbound on the 405 freeway threatening to shoot himself in the head. Then the strangest thing happened. The chase was carried live and it seemed as if every eyeball was locked to a television screen. All the major TV stations were carrying the O.J. car chase. Soon, people started to show up along the side of the freeway to witness first hand the real live take down of a famous celebrity and former NFL football star. The TV ratings Soared. The die was cast and forever after an LA car chase has preempted all other news.

This wasn’t really the beginning though. During the Second World War, famous broadcast journalist, Edward R. Murrow, gave nightly reports on the German bombings of London. Through the medium of radio, he gave the American listening audience true, accurate, and believable reports. The most renowned Librarian of Congress said of Murrow’s wartime dispatches:

You burned the city of London in our houses and we felt the flames that burned it. You laid the dead of London at our doors and we knew that the dead were our dead, were mankind’s dead. You have destroyed the superstition that what is done beyond 3,000 miles of water is not really done at all.

For this, Murrow and all of the reporters he brought with him became the most trusted journalists in America. They lived the war they reported on.

Today, we have newscasters who basically have never been in a war or covered a crime beat. They’re just actors reading the news off a teleprompter. They’re not journalists. There is however a desire to get the real story.

Far from getting the real news we get “infotainment” these days. Or more accurately, “disinfotainment.” Sometimes they call it news, sometimes it’s Entertainment Tonight, gossipy tidbits about celebrities, and then “Reality TV” shows, which aren’t real at all.

The thing is people have become addicted to “reality TV” because it’s supposedly unpredictable and even more so it plays to people’s voyeuristic tendencies.

Perhaps because of this titillation, and the super low cost of producing “reality TV” shows, such content has increasingly dominated the airwaves. Now there’s a multitude of subgenres of reality television, from the Bachelor and Bachelorette from Survivor to The Apprentice. What this last show gave America is the phoniest of phony reality TV celebrities. If you’ve ever spoken with any of the production people in this area of work they will tell you, they are anything but reality and mostly staged but unscripted. I guess the producers save on not hiring writers. This is what the critics call, “the dumbing down of the media.” Shooting for the lowest common denominator to entertain the masses not to enlighten or educate them, which is what the true promise of the medium is, but that which it is not.

This is not unlike the Roman Colosseum where the masses could watch gladiators fight and kill each other or the Christians were fed to wild animals. There is still a fascination with violence in our culture that the media chases after to get the highest ratings – the car chase and crash, the gruesome murders. It is why people still watch boxing and mixed martial arts. It’s part of why major league sports still draw a crowd. It’s the spectacle of it all and the potential spectacle of players getting hurt and injured.

The problem is none of this kind of reporting is as informative as the daily reports from alternative news sources like Democracy Now, RawStory, or the podcast interviews on Background Briefing with Ian Masters. All of which give more news in a contextual format and not just the car chase and the sexy weather girl who looks like she just stepped out of Vogue Magazine.

But all is not lost. When real images of the reality on the ground in Gaza as Israel bombs Palestinian cities and refugee camps, young college students learn of the horrors of war, just as my generation did during the Vietnam War.

War is hell. When it is seen, unvarnished with all the gore and real violence, people of conscience still respond, “Why the hell are we supporting crimes against humanity?”

This paper still holds to the words attributed to Mark Twain, “A newspaper is not just for reporting the news as it is, but to make people mad enough to do something about it.”

From Defense to Conservation

Navy Partners with Land Conservancy to Release Palos Verdes Butterflyat Old Defense Fuel Depot

Coinciding with Fleet Week, the Palos Verdes Peninsula Land Conservancy released the Palos Verdes blue butterfly at the Defense Fuel Support Point at 3171 N. Gaffey St. to celebrate the U.S. Navy’s “Commitment to Conservation” last week, May 23.

In attendance were U.S. Navy – Rear Admiral Brad Rosen, U.S. Fish & Wildlife Service – Eric Porter, Moorpark College Teaching Zoo – Dr. Jana Johnson at the Defense Fuel Support Point in San Pedro.

Last year, Random Lengths News reported that the Navy was in negotiations to lease the Defense Fuel Support Points in San Pedro and Terminal Island in Long Beach. At the time, negotiations for the San Pedro terminal were described as being in the very early stages, while negotiations for the Long Beach terminal were described as going at a faster pace. When called about the proposed leases after Memorial Day, the Public Affairs office of the Naval Weapons Station Seal Beach said negotiations are still ongoing, and that they have been taking longer than expected. The Navy isn’t authorized to say who will potentially lease the property, or how they will use it.

The Navy had used the fuel depot in World War II, and it was no longer in active use by 1980. By 2014, all fuel tanks were in non-active, temporary closure status, according to the Navy’s website. By 2017, all tanks had been permanently closed, cleaned out and filled in.

When the petroleum industry remediate closed fuel depot sites, tanks no longer in use are removed. The Navy, however, left the tanks underground and filled them with cement. The executive director of the Coalition for a Safer Environment, Jesse Marquez, pointed out that a great deal of water is needed to make cement and that if any toxic material is still inside the tanks, it won’t remain trapped in the cement forever.

Marquez noted that the Navy probably wanted to entomb leftover chemicals in the cement. But, he said, it will go into the ground, eventually permeating it and potentially entering the water supply, because the metal tanks will rust and deteriorate as well.

The Naval Weapons Station Seal Beach claimed that rust was not an issue for the tanks because they are stainless steel and that cost-effectiveness was the reason cement was used to seal the toxic material rather than removing it.

The Naval Weapons Station Seal Beach admitted that some toxic residue from some of the petroleum products had leaked out of some of the tanks, but that those were being remediated by the Defense Logistics Agency.

PV Blue Butterfly. Photo by Arturo Garcia-Ayala.

Conservation

In 1994, 20 years before all the tanks had become inactive at the San Pedro DFSP, Dr. Rudi Mattoni and colleagues discovered a population of the federally endangered Palos Verdes blue butterfly, or glaucopsyche lygdamus palosverdesensis, persisting in there. The species was presumed extinct for a decade before the discovery.

Subsequently, the Palos Verdes Peninsula Land Conservancy entered into a contract with the U.S. Navy in 1999 to restore the habitat at the San Pedro Defense Fuel Support Point.

The U.S. Navy, U.S. Defense Logistics Agency, U.S. Fish & Wildlife Service, California Department of Fish & Wildlife, the Urban Wildlands Group and the Teaching Zoo at Moorpark College work as partners on the recovery of the PV blue butterfly.

Dr. Jana Johnson at Moorpark College runs the captive rearing program. The habitat at DFSP has been substantially improved with large areas of ice plant removed and replaced by host plants local to the area. The location is also home to the conservancy’s native plant nursery.

At the blue butterfly release ceremony, U.S. Navy – Rear Admiral Brad Rosen, U.S. Fish & Wildlife Service – Eric Porter, and Dr. Jana Johnson Moorpark College Teaching Zoo and their students were in attendance.

Monitoring of this Endangered Species

From February through June, surveyors take part in the monitoring season. Biologists with permits from U.S. Fish & Wildlife Service, specifically to survey the Palos Verdes blue butterfly, travel along predetermined transects in known occupied areas and count male and female butterflies as well as the environmental conditions of the day.

The flight season is still underway. As such, the data hasn’t been compiled in total yet. However, preliminary results are very good, showing there is an increase in the number and locations of wild PV blue butterflies.

The conservancy is optimistic that the wild population is making a comeback due to increased availability of restored habitat — and their required host plants. This is a result of the Land Conservancy’s accelerated restoration work bolstered by the abundant rainfall over the past two years.

This success story underscores the importance of conservation initiatives and collaborative efforts in protecting endangered wildlife. The released PV blue butterflies, now inhabiting carefully restored natural habitats, are a testament to the positive impact of sustained conservation practices.