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By Greggory Moore
It didn’t take long for Marco Schindelmann to become immersed in the Long Beach arts scene. In 2005, one year after stumbling across the first iteration of SoundWalk, Schindelmann was a participant in the annual event, filling the Grand Salon of the Cooper Arms with a five-hour sound installation that took over a dozen people to bring to life its thematic play on false senses of security and the aleatory. SoundWalk curators FLOOD were so impressed that by 2006 Schindelmann was a full-fledged member of the team.


