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Angels Gate Cultural Center, 40 Years as Art Aerie Atop San Pedro

As one of the international cities, you can find just about anything in Los Angeles. But San Pedro ain’t LA, not really: it’s a port town more than 20 miles down the road with only one library and a population that barely cracks California’s top 100.

But take a winding drive up Gaffey Street and you come across Angels Gate Cultural Center, a rustic 7-acre campus that features programming to facilitate everything from painting, ceramics and printmaking to welding, ukulele and kyudo. (Yeah, I had to look up that last one, too: it’s the Japanese martial art of archery.)

On June 25, Angels Gate celebrated its big four-oh with 40th Anniversary Gathering of Angels, an exhibition featuring work by over 60 current and alumni artists of the Angels Gate Studio Artist program.

But if you’ve never heard of Angels Gate, you’re not alone.

“There’s not a lot of press about Angels Gate,” says Amy Eriksen, AGCC’s executive director for the last 11 years. “It has been like this little hidden place. Nobody knows it’s here. […] Until about 15 years ago, this place was run by like two or three staff — and their goal was to have a gallery that was open, have some community classes, and to take care of the studio artists that were here. So I don’t think press was their first priority — or their fifth […] And not every artist comes here for the community. So I think it was never a high priority to tell other people about it.”

Nor has keeping a record of Angels Gate’s history been job one. A lot of what Eriksen tells me about Angels Gate’s early days comes to her as “lore.” The story goes something like this: in 1977, the City of Los Angeles acquired the former army outpost atop the rise across from Point Fermin Park, planning to make it into some sort of cultural center. But with the space sitting idle for years and John Olguin having access to the grounds (Eriksen has it that he was a ranger or some such), his wife Muriel started using one of the buildings as an art studio. Her artist friends thought this was a swell idea, and soon they had a sort of squatter art colony. “I think of it like an arts [version of the] Occupy Movement,” says Eriksen. “[…] One of the women [who was there at the beginning] told me, ‘We just did whatever we wanted here ‘cause nobody was looking.’”

Not surprisingly, before long the city got wise to the goings-on and mandated that the squatters either formalize their operation or vacate, and so in 1982 Angels Gate Cultural Center became an official nonprofit with a three-year lease and a mission “to provide space for artists to work and to engage community through arts education, exhibitions of contemporary art and cultural events.”

Problem was, short leases are not conducive to getting big grants, as grantors factor in an operation’s sustainability when deciding whether to invest big bucks. And that problem persisted for the next two decades, when the city wouldn’t commit to longer than five years at a clip. This limited AGCC’s offerings and staff. It wasn’t until 2003 that AGCC got some temporal security, obtaining a 30-year lease with the help of then-Councilwoman Janice Hahn. Suddenly more attractive to grantors, AGCC began to grow, employing a staff of five plus a half-dozen artist-teachers when Eriksen took the reins in 2011.

Today those numbers have swelled to 11 and 15, respectively, with AGCC hosting 54 on-site artists and a handful of periodic events, not to mention bringing arts education to 4,000 students at 20 area schools. But because this growth has occurred at a sustainable pace, AGCC has been able to stave off potential existential crises — the most obvious of which has been the COVID-19 pandemic.

“We’ve had a very clear vision of alternating [periods of] growth and sustain — and 2020 was going to be a big sustain year, [in that] we’d built a lot of really great programs and were just going to do them again,” Eriksen relates. “That didn’t happen, but I think the negative impacts turned into positive things. [Where feasible], we had to change every program to an online program. […] All of our artist-teachers went online and [were able to] service almost the same number of classrooms. […] We didn’t have to lay off anyone except the artist-teachers for the first few months of the pandemic so they could get employment, but by September 2020 we had hired everyone back. […] I don’t think we were as impacted [as many arts organizations] because almost everything we offer here is free.”

But Eriksen certainly isn’t cheered by the looming economic recession and how it may compel AGCC’s major funders to limit their support in the foreseeable future. Her hope is that AGCC can pivot more toward individual donors: “Turning the pretty large amount that we do receive from foundations into funding from local individuals is really a priority for us right now, because we want to keep sustaining even if there is a change in the way foundations give grants out.”

Angels Gate Cultural Center volunteers put up an installation celebrating the center’s 40th anniversary. Photo by Raphael Richardson

With this in mind, the opening of the 40th Anniversary Gathering of Angels art exhibition coincides with the return of Awake In Color, Angels Gate’s biennial fundraiser, featuring “a live art auction, entertainment, food, drink, and color-themed activities in this ‘party by artists, for artists and our friends,’” which will be emceed by Long Beach drag entertainer Jewels.

But Eriksen says that as much as anything, Angels Gate, an org that’s had a marketing director for only the last five years (“and she’s also in charge of four other things”), needs good old-fashioned word-of-mouth.

“I’ll be honest: I know press is important, but it’s not my first priority, because there are just so many things going on here,” she says. “[… But] the more people who know about us, the more work we can do. If every month we were maxing out on our art workshops, I would do more of them — and so we would hire more artist-teachers.”

Raising awareness of AGCC entails getting people up the hill to experience its out-of-the-way location, which itself is both a barrier and benefit.

“I think we have a location problem, [but the location is also] a huge benefit,” she says. “We are not accessible by bus” — she tells the story of a mother and son who recently had to schlep seven blocks from the nearest bus stop — “and you can’t just pop by on foot. You have to really make a trek to come up here. That is hard but it’s also awesome, because you are transported when you get here.”

Eriksen saw a glimmer of hope recently when Supervisor Janice Hahn — the same public servant who helped land AGCC’s current land lease — chartered a bus “to bring 26 people to do art for two hours. […] That’s what we should be doing every day — literally every day. Even if it’s only 20 people, I’m totally happy. […] We’re working to make that a monthly thing.”

It’s an example of the initiative that led to the founding of Angels Gate, a scenic sanctuary with so much to offer for those who find their way to the San Pedro heights.

“It’s kind of amazing to have the opportunity a sound-art event [i.e., soundpedro] two weeks after a family art workshop with an artist who makes cyanotypes [Author’s note: Yeah, I had to look that up, too] a week after we’re in 175 classrooms doing not only visual arts but creative writing and dance and partnering to do music in the schools with organizations like Grand Vision [Foundation],” Eriksen says. “That diversity is something that’s very important to us here. The growth of bringing such a variety of arts and artists into a space where they feel comfortable can be of use to them is really important. That’s the through-line from 1982 to now: we have always been trying to think of ways to do art that is not your usual way […] to do experimental, interesting things within the confines of being a great partner to the city.”

Although Eriksen says the quality of that partnership has ebbed and flowed (“It changes as people change [within the City]. The Department of Recreation and Parks is a big bureaucracy within a huge bureaucracy [that is] the city of Los Angeles”), she reports that the city “has an amazing regional supervisor right now in Deanne Dedmon, and she’s working with us to be able to say we have sustainability here to our grantors, but also to find the right time to ask for [a new lease]. I don’t think right now is the right time [being that] we’re in the middle of a political season — and with political seasons come changes of [people in] authority. […] If [L.A. Rec & Parks General Manager] Michael Shull were to leave, we would have a new group of leaders [to whom] we would have to show who we are and the value of what we’re doing. But I feel confident that within the next five years we’ll [secure a lease] for another 30 years.”

That continuity is key, because AGCC is more than the sum of its programming. As Eriksen says, “Angels Gate Cultural Center as we know it now could not be the same in any other space.”

Awake In Color takes place at Angels Gate Cultural Center June 25 at 6 to 9 p.m. and coincides with the opening of 40th Anniversary Gathering of Angels.

Time: Thursday through Saturday 10 a.m. to 4 p.m., June 30 to July 30

Cost: Awake in Color $100; The 40th Anniversary Gathering of Angels exhibit: Free

Venue: Angels Gate Cultural Center, 3601 S. Gaffey St., San Pedro

Details: angelsgateart.org

NWSP Council Pushes to Ban Homeless People from 11 Sites

Councilman Joe Buscaino has already tried to ban homeless people from nearly 200 sites in Council District 15, more than any other district in the city, but Northwest San Pedro Neighborhood Council wants him to add 11 more to the list.

At the June 13 meeting, the neighborhood council voted 10-4 to ask that Buscaino try to ban homeless people from camping at several parks and other educational areas for children, all located in northwest San Pedro. Newly re-elected board president Ray Regalado, as well as board members Craig Goldfarb, Cynthia Gonyea and Aleksander Norman all voted against it.

The sites include Gaffey Street Park, Field of Dreams park, San Pedro Community Gardens, Channel Skate Park, San Pedro Math Science Technology Center, Kids Kingdom Nursery, San Pedro Adult Learning Center, Knoll Hill Little League, San Pedro Athletic Complex, and San Pedro Girls Softball Association. Leland Park is on Buscaino’s list, but the neighborhood council’s motion said that an incorrect address was used and provided the correct one.

Buscaino has tried to ban camping under the recently amended section 41.18 of the Los Angeles Municipal Code. The city council modified it in July 2021 to allow city council members to ban sitting, lying or storing property on public property. However, first, these locations must be approved by the city council, then outreach must be done offering any people housing. Then a cleanup must be done, where city employees throw most of the homeless people’s stuff away, after which a sign will be posted preventing homeless people from camping within either 500 or 1,000 feet.

“We have seen huge increases in homeless traffic numbers in the Northwest boundaries,” states the neighborhood council’s letter requesting the additional sites. However, the letter did not provide a source for this, or any statistics.

In addition, the letter states there has been an increase in fires from “unhoused encampments and trouble areas” and lists San Pedro Community Gardens and Channel Skate Park as examples.

Melanie Labrecque, chair of the neighborhood council’s public safety committee, said her committee passed this letter because initially Buscaino had covered other parts of San Pedro, excluding northwest. However, Buscaino recently added more sites from northwest San Pedro, but these are areas he did not include.

“There were some parts of our area that were left out that needed to be added,” Labrecque said.

Labrecque said that northwest San Pedro needs these signs for places where children go.

“Children’s safety is the most important, to make sure that our kids are protected and that the homeless are not sleeping where our children play,” Labrecque said.

This came only a few weeks after the city council voted 13-2 to have the city attorney draft a motion to ban camping within 500 feet of all schools in the city, which happened on May 31. Then, on June 3, Buscaino introduced a motion to ban camping within 500 feet of all city libraries.

Newly re-elected board president Ray Regalado said that if all these sites were approved, it would be a lot of work to enforce all of them.

“The thing that concerns me is, do we have adequate shelters, and places for the people who are on the street?” Regalado said. “Because essentially, if you enforce all these and we don’t have the necessary shelter, will we not be just getting people moved to some other location?”

Board member Dan Dixon said that the city never enforces anything equally, as it doesn’t have the manpower or the inclination to do so.

“But I do think it’s important to get places that we are concerned about their viability, for children and families and commerce, they need to be on a list that can protect them as necessary,” Dixon said.

Board member Craig Goldfarb said that homeless people could simply move a few hundred feet away when asked.

“We’re not solving the problem,” Goldfarb said. “We’re just moving the problem. And it doesn’t seem to be effective. They closed down the Gulch [Road location], half those people have moved to northwest. They’re not at the skatepark, they’ll be up on the hill on Mira Flores.”

Laurie Jacobs, the board’s homelessness liaison and former vice president, said that 41.18 gives police the ability to ask people to move when there is housing available, but the shelters are all full now. She pointed out that when the police cleared out the homeless encampment on Gulch Road, only four people out of 17 accepted housing, and the rest dispersed. The city doesn’t know where they went.

“I also understand the thought process here,” Jacobs said. “That if they’re doing this in central San Pedro and coastal San Pedro, those people are just moving to northwest. So now northwest says ‘well, we’re going to move them somewhere else.’ It’s very frustrating.”

Jacobs said that CD15 has designated more areas than any other council district.

“Law enforcement, dealing with people who specifically have possible substance abuse and mental health issues, they see somebody with a gun, that’s not going to work,” Jacobs said. “We need mental health units out there in a lot of cases, and that’s more towards the solutions that we need to be looking at.”

Board member Gwen Henry pointed out that 41.18 signage will help local police to act on RVs that are left at Field of Dreams for too long, as well as other vehicles or encampments there. She also said that fires in Peck Park have been increasing over the past few weeks.

“Because it’s a canyon park, there’s a lot of sheltered areas,” Henry said. “There’s a lot of fuel to ignite. I think that having the signs up allows them to take care of something like a fire hazard, or it really is too close to a school.”

Capt. Brent McGuyre of the Los Angeles Police Department Harbor Division did not respond to a request for comment on this story.

Point Fermin Elementary School to Hold Fundraiser at Park

Two nonprofits, Hearts Respond and Freedom4u, both of which were founded by Dr. Greg Allen, are holding a fundraiser for Point Fermin Elementary School on July 23. Naturally, they are holding it at Point Fermin Park, and calling it Point Fermin day.

“We wanted to kind of adopt a school in a sense,” Allen said. “But after this one, we’d like to do the same thing at different elementary schools in the Harbor Area.”

Allen said he spoke to Jennie Wong, the principal of the school, and asked her what the school needs. She decided on upgrading the playground.

“We’re trying to create a space for students to really enjoy time on the yard,” Wong said. “Where they have multiple opportunities to work together in cooperative groups and to have a place to play and learn from one another.”

Wong said it will probably be simple, and allow students to use paint and stencils on the playground. The school will create places where the students can play particular games, and gain professional development, using space in creative ways as they play together.

Wong said she is considering using a program called Peaceful Playgrounds, which works to improve play areas at schools.

“Some of the templates that we’re looking at are social emotional learning templates, and sensory spaces for our diverse learners at our school,” Wong said.

Point Fermin Elementary School has about 290 students, and was built about 110 years ago. It has concrete over almost all of the outdoor space.

“We don’t have very much grass,” Wong said. “And we can’t bring in a bulldozer and pull everything out either.”

Wong wants to take away the hard look of the playground. Right now, all the children see are yellow and white lines, indicating places for basketball or kickball.

“I wanted to give students that community where they get to pick the different types of stencils that we get to paint on the ground, depending on the different activities,” Wong said.

Wong recalled seeing chalk lines drawn by children on the sidewalk at the beginning of the pandemic, which would say things like “hop here” or “jump here” next to them. They would make creative games, and that’s the feeling Wong wants to recreate at her school.

Wong says that Allen wants to help children reach their potential, which is her own goal.

“My core belief is that if you give a child a purpose in life, that they’ll always stretch towards that success,” Wong said.

Freedom4u has been around for 20 years and had programs in 17 schools in four school districts before the pandemic. They teach creative art, life skills, leadership and service.

“We’ve been doing programs in the Harbor Area for about the last four years,” Allen said. “After school programs in San Pedro, and Wilmington and things all the way into Long Beach.”

However, they haven’t been doing their afterschool programs since the start of the pandemic, as most schools don’t allow outside agencies to enter.

Allen wanted to focus more on the Harbor Area, which is why he founded Hearts Respond. Both nonprofits are intended to help families. Hearts Respond has a studio in downtown San Pedro, and has shows during First Thursday, as well as offices in downtown San Pedro.

In addition, Allen said he has a program that has middle school students mentor elementary school students, and will involve Point Fermin Elementary School in this program next year.

Allen said they are hoping to raise about $15,000 for the fundraiser. Admission to the fundraiser is free of charge, so they are raising money through sponsorships.

“I know people care more about their school than another school, but we hope to duplicate this and triplicate it and go from school to school,” Allen said.

At the event itself, there will be activities for children, including crafts and face painting. There will be live bands as well, and a variety of music. This includes a band called The Kraze, which plays jazz, rock, hip hop and funk.

Three-piece mariachi trio, called Trio Chapala, and a group called The Hearts Respond band, named after one of the nonprofits, will also play at the fundraiser. In addition, there will be performances by solo singers and hula dancers.

Allen said that while there will be a variety of musical styles, the theme is lighthouses.

“It’s the same thing a principal does, or an educator, and it’s the same thing a parent does with their kids,” Allen said. “It’s what the lighthouse does, that sense of giving direction and guidance, and trying to prevent someone from crashing on the rocks.”

Allen said that he hopes to give other people hope.

“People ask you, ‘why are you doing this, what’s your agenda?” Allen said. “I just feel like there’s real benefit when you help people, to the giver. The giver receives as much as they give. They really do. And that’s why we take teams to do service and help other people, because it really changes their perception on life.”

Reviving The Bracero Program Is The Wrong Answer For Workers

Farm workers and their supporters march in August 2019 to protest the H2-A guestworker program and the death of Honesto Silva, on the anniversary of his death two years earlier. (photo: David Bacon)

By David Bacon

The Nation, 6/23/22

https://www.thenation.com/article/politics/bracero-h-2a-farmworkers-immigration/

https://davidbaconrealitycheck.blogspot.com/2022/06/reviving-bracero-program-is-wrong.html

Ninety-six years ago, J.W. Guiberson, a San Joaquin Valley cotton grower, explained a primary goal of the country’s biggest agricultural interests. “The class of labor we want,” he said, “is the kind we can send home when we get through with them.”

For 22 years, during the era of the bracero program (1942-64), growers had exactly what Guiberson wanted. According to immigrant rights pioneer Bert Corona, braceros were brought from Mexico “to serve as cheap labor and to be used against the organized labor movement in the fields and the cities.” Growers brought hundreds of thousands of contract laborers from Mexico every year-until Cesar Chavez, Ernesto Galarza, Larry Itliong, Dolores Huerta and others activists organized to halt the program at the height of the civil rights movement.

More than half a century later, however, little has changed. Not only is the bracero program not dead; President Biden wants to use its modern iteration to channel migration from Mexico, Central America and the Caribbean. At the Summit of [some of] the Americas in Los Angeles earlier this month, Biden warned the hundreds of thousands who cross the border with Mexico every year: “We need to halt the dangerous and unlawful ways people are migrating…. Unlawful migration is not acceptable.”

Biden’s plan: “to help American farmers bring in seasonal agricultural workers from northern Central America[n] countries under the H-2A visa program to improve conditions for all workers.”

The idea, however, that this modern-day bracero program will improve conditions for workers was contradicted by Biden’s own Labor Department. In November 2021 the US Attorney in Georgia filed a case against 24 growers and labor contractors for abusing H-2A workers. The complaint included two deaths, rape, kidnapping, threatening workers with guns and growers selling workers to each other as though they were property.

For decades the H-2A program has abused migrants, pitting them against workers in the United States in a vicious system to keep wages low and grower profits high. Its record includes several deaths. In 2007, when Santiago Rafael Cruz was sent by the Farm Labor Organizing Committee to fight corruption in H-2A recruitment in Mexico, he was tortured and murdered in his office, undoubtedly by recruiters. His murderers were never caught. In 2018 Honesto Silva, an H-2A worker, died in a Washington State field as he labored in extreme temperatures, unable to refuse a foreman’s demand that he continue working. When his coworkers protested, they were deported-the fate that hangs over all H-2A workers who assert their rights.

In a nationwide rash of COVID deaths among these euphemistically called “guest” workers, two died at the Gebbers Farm in eastern Washington last year-Juan Carlos Santiago Rincon from Mexico and Earl Edwards from Jamaica. They were victims of crowded barracks that spread the virus. Growers, however, successfully lobbied the state to continue housing workers in rooms with bunk beds, where they were unable to socially distance.

To fend off challenges that the administration is pumping new workers into a program with a record of abuse, the administration promises “guidelines on recruitment.” These will be drafted in cooperation with Walmart, “which notes the importance of H-2A migrant workers to US agriculture and that the fair recruitment guidance aligns with the company’s own expectations around responsible recruitment. [from a White House Fact Sheet].”

In reality, enforcement of criminally weak protections for H-2A workers is virtually nonexistent. In 2019 the Department of Labor punished only 25 of the 11,000 growers and labor contractors using the program. Last year, growers were certified to bring in 317,619 H-2A workers. That is more than 13% of the farm workforce in the United States-and a number that has doubled in just five years, and tripled in eight. In states like Georgia and Washington, this program will fill the majority of farm labor jobs in the next year or two. There is no way this program can grow at this rate without forcing from their jobs the farmworkers who already live in the US, over 90% of whom are immigrants themselves. In fact, a long string of legal cases documents the supposedly illegal displacement.

During the summit debates, another caravan of migrants from Central America moved through Mexico, dramatically underscoring the reality that migration is a fact of economic life, and will not soon stop. It is a legacy of colonialism, and now empire.

The North American Free Trade Agreement, for instance, allowed Archer Daniels Midland and Walmart to profit by taking over Mexico’s market in corn and other goods. Three million corn farmers in southern Mexico became displaced migrants as a result.

Political intervention reinforces this inequality. Honduran President Miguel Zelaya was ousted and flown out of the country after he proposed mild reforms, like raising the minimum wage. The United States was involved, Hondurans charged. It’s no wonder that Xiomara Castro, newly elected Honduran president and Zelaya’s wife, declined to come to Los Angeles to talk about the waves of migrants that left her country in the coup’s aftermath. Haiti’s former president Jean-Bertrand Aristide, twice elected and twice deposed (once flown out of the country in a US plane) was not in Los Angeles either. Meanwhile, this administration has put over 20,000 desperate Haitians on planes back to Haiti in forced “repatriations.” Now US economic warfare will produce even more migration from the countries excluded from the summit.

Yet thousands of immigrants, settled into communities across the United States, have become active partisans of social and economic change. We celebrate May Day now because huge immigrant marches in 2006 rescued the holiday from its Cold War deep freeze. Many unions are growing after making alliances with this immigrant worker upsurge. And when the pandemic made labor dangerous in lettuce fields and meatpacking plants, Mexican immigrants went to work despite their fears.

Displacing them now is bitter thanks. Growers argue they need H-2A recruitment because they face a shortage of farmworkers, yet resist desperately the obvious step of raising wages for families whose income currently averages less than $25,000 per year. The H-2A program’s supposed wage floor, the “Adverse Effect Wage Rate,” actually functions as a ceiling on farmworker wages. If local workers demand more, they risk replacement.

Ramon Torres, president of Washington State’s new union for farmworkers, Familias Unidas por la Justicia, asks, “Who do growers think was harvesting their fruit all those years before H2-A? They’ve displaced many local people in Yakima who used to work in the apple harvest. But their longtime workers are still here, and would come back, especially if the wages are good and there’s a union.”

The UFW said it was proud to be included in the administration plan “to improve H-2A worker protections in response to vigorous advocacy by the UFW and others,” according to president Teresa Romero. “The UFW fights for every worker, union or non-union, regardless of immigration status-including the H-2A workers currently protected by UFW contracts …. The best way to improve conditions is by covering farm workers under union contracts through bona fide unions such as the UFW, FLOC, and Familias Unidas.”

Some farmworker unions, like Familias Unidas, call for ending the H-2A program entirely, while at the same time helping workers currently on H-2A visas when they go on strike or protest bad conditions. The union won its first contract at Sakuma Farms, in part, by defeating the company’s effort to replace striking members with H-2A workers. To the UFW’s Romero, however, “there is no realistic expectation Congress will end the H-2A program. But reducing H-2A worker abuses through efforts like this pilot program will also raise standards for domestic workers.”

All farmworker unions agree that US farmworkers need higher wages and organizing rights. Today migrant pickers still sleep in cars during the grape harvest, just as they did when Depression-era photographers took pictures of migrant camps. The 1965 Delano grape strike and the organizing drives of the ’60s and ’70s started to attack that poverty. Ending the bracero program was as necessary to winning that fight as ending the H-2A program is to ending farmworker poverty today.

Mexico’s President Andres Manuel Lopez Obrador campaigned for office by promising Mexicans he’d defend their right to stay home, to not migrate. In his inaugural speech he praised the 24 million Mexicans living in the United States for sending $30 billion a year home to their families, calling them victims of failed neoliberal economic policies. “We will put aside the neoliberal hypocrisy,” he promised. “Those born poor will not be condemned to die poor …. We want migration to be optional, not mandatory, [to make Mexicans] happy where they were born, where their family members, their customs and their cultures are.”

Yet recently the Mexican government also seems to be buying the labor scarcity story. In February of 2021 President Lopez Obrador announced that he would propose a work visa program to recruit 600,000-800,000 migrants annually from Mexico and Central America to work in the US. “We can regulate and order the flow of migration, because the workforce is needed,” he said in September. While he refused to attend the summit, he will meet Biden in July, bringing with him proposals for restructuring migration from Mexico.

Evy Peña, communications director for the Centro de los Derechos de Migrantes, pointed out that AMLO’s position is contradictory. “One the one hand, he said he would push for a model based on human rights. On the other, he mentioned the bracero program,” she wrote in an editorial for Mexico’s Reforma.

If the Mexican government wants to protect the human rights of migrants, the H-2A visa program is not the solution. An H-2A visa ties migrants to their employers and employment status. Growers recruit them and send them home when the harvest is done-or if they go on strike or protest against mistreatment. Instead, migrants need visas that give them the ability to bring families and belong to the communities around them, that recognize their labor rights, and that provide the benefits their wage deductions pay for, especially Social Security. Visas with rights are much more like the normal residence visa.

Biden and Lopez Obrador both claim concern for the Mexicans already living in the United States, especially the 2 million workers whose labor makes US agriculture possible. Over half, according to the Department of Agriculture, lack legal immigration status. While comprehensive immigration reform bills, with their tortuous paths to legal status and heavy enforcement provisions, have failed repeatedly, many immigrant rights campaigners propose a simpler solution. They advocate changing the so-called “registry date,” which refers to the date of arrival in the US. Undocumented people who have arrived before this date can apply for legal status. If the current date of January 1, 1972, were advanced to the present date, all people without papers would be able to apply.

A bill to abolish the H-2A program and put in place a system providing residence visas to work-seekers, combined with changing the registry date, would need congressional action to modify the 1929 Registry Act. But Democrats still control Congress, and the proposal’s simplicity makes it a better vehicle for campaigning than an expanded bracero program.

Those who doubt its political viability might recall that the civil rights movement didn’t just end the bracero program. It won a better immigration system that didn’t funnel cheap labor to growers but instead gave immigrants residence visas, encouraged family reunification, and ended racial preferences that discriminated against immigrants of color. Ending the bracero program set the stage for the great grape strike and the creation of modern unions for farmworkers.

That solution is as valid today as it was 60 years ago.

 

Developer Contribution Ban Goes Into Effect

A ban on political contributions from restricted developers has gone into effect as of June 8. In December 2019, the city council adopted an ordinance that limits the ability of persons involved in certain city development projects to make city campaign contributions.

The city council specified that it should take effect with the 2022 regular general elections. See Council File No. 19-0046.www./cityclerk.lacity.org/m.clerkconnect

The ban prohibits restricted developers from making contributions to the mayor, the city attorney, a city council member, a candidate for one of those offices, or a city committee controlled by one of those individuals. Restricted developers are the applicants, property owners and principals associated with 17 types of significant planning entitlements, which are identified in Los Angeles Municipal Code § 49.7.37(A)(5).

The developer contribution ban deals directly with the events that led to the arrest of then 14th district city council member Jose Huizar. You may recall June 2020, when Huizar was arrested on a federal racketeering charge alleging he led a criminal enterprise, using his position on the city’s Planning Commission to solicit and accept lucrative bribes and other financial benefits to enrich himself and his close associates, in exchange for Huizar taking official actions favorable to the developers and others who financed and facilitated the bribes.

United States Attorney Nick Hanna at the time said Huizar used the power of his office to approve or stall large building projects via other corrupt city officials, lobbyists, consultants and developers. Huizar’s CD14 was described as an area that experienced a commercial real estate boom in years immediately prior to 2020. Additionally, Huizar lost his position as chair of the Los Angeles Planning and Land Use Management Committee, after the FBI executed search warrants in November 2018 at Huizar’s home and his offices and seized about $129,000 cash that was stashed in his closet.

The contribution ban begins the day that an application for a significant planning entitlement is submitted to the Planning Department. It ends 12 months after the date a letter of determination is issued or, if no letter is issued, the date the decision on the application is final.

Applicants for significant planning entitlements are required to register their cases with the Ethics Commission. Registration must be done online through the Restricted Developer Filing System or RDFS, at: https://angelenologin.lacity.org/ Planning applications are not complete and cannot move forward until registration is confirmed.

Additional information is available at: https://ethics.lacity.org/developers/

For assistance, contact the Ethics Commission at ethics.rdfs@lacity.org.

 

 

 

Missed Opportunities in LB Opera’s Second Take on “The Central Park Five”

Three years ago, accolades rained down on Long Beach Opera’s world premiere of Anthony Davis and Richard Wesley’s The Central Park Five, a work that bagged Davis the 2020 Pulitzer Prize for Music. And while director Andreas Mitisek’s staging was far from elaborate, his projection-heavy concept was sufficient to invoke the milieu of a tabloid-tagged NYC, where in 1990 five innocent boys went to jail for a brutal attack on a female jogger in yet one more case of young men of color getting the shaft — from police, from the judicial system, from the media, and from pre-presidential Donald Trump, who used his considerable resources and influence to push for the convictions despite pesky details like the fact that the only DNA recovered from the victim failed to match any of the accused.

This time around, the story and music are the same, but they play out on a set-free stage, an absence obvious even to those who didn’t see the original production. And this is just one of the missed opportunities that plagued this version of The Central Park Five.

But let’s start with the good. Reprising their original roles as three of the Five, Cedric Berry, Orson Van Gray, and Bernard Holcomb are joined by newcomers William Powell III (who’s got particularly big shoes to fill in a role originated by Derrell Acon) and Ashley Faatoalia, all of whom excel as individuals — and, most importantly, as a unit, whose clarion five-part harmonies imbued even monosyllabic bursts with formidable emotion.

In fact, there’s no quibbling with the cast top to bottom. This is the lineup to be featured on the overdue, in-progress cast recording of The Central Park Five, and they’ll make Davis & Wesley proud.

Musically, Davis’s eclectic score often calls to mind Gil Evans-era Miles Davis (e.g., Porgy and Bess), while selectively picking spots to incorporate subtly effective electronic elements and evocations of the musical milieu of late ‘80s urban culture (including a direct melody quote of Parliament’s classic “Give Up the Funk (Tear the Roof Off the Sucker)”). Davis shows no fear of negative space, occasionally pausing completely to leave us — like the Five — completely in the dark.

Surprisingly, Jordan High School’s newly renovated auditorium was an acoustic step up from San Pedro’s Warner Grand Theatre, site of the premiere, where the orchestration sometimes buried the vocals. Neither space is designed specifically for opera, but with the orchestra sharing the stage with the vocalists at Jordan, LBO managed to nail the sound mix, with Anthony Parnther conducting his small orchestra to perfection.

However, one look around the auditorium revealed a curious failure to capitalize on an obvious opportunity. As LBO notes, “The performances taking place at a high school theater are significant in that the real-life protagonists of the opera were between 14-16 years old at the time of their arrests and convictions.” Additionally, with Jordan located in perhaps Long Beach’s most racially-mixed district, one might expect the audience for this Central Park Five to be more strongly represented by people — particularly young people — on the losing end of White privilege than your typical opera crowd. Instead, the audience was 90% White with a median age of 50+. Considering that the auditorium was filled to well under capacity (even taking into account COVID spacing that may or may not have been a factor), and that (according to LBO CEO Jennifer Rivera) 9th District Councilmember Rex Richardson “brought a hundred young men from Jordan High School to see the [original] production, and it was really, really moving for all of us to have all of these young high-school kids who hadn’t seen an opera before coming to see the show,” it seems somebody in LBO’s marketing/outreach department dropped the ball.

But those who did come likely left scratching their heads about what they saw. With a complete lack of sets, many stretches that featured acting in the original production were reduced to vocalists standing in place staring vacantly from the stage or referencing action that simply did not exist this time around. And without the erstwhile projections of New York Post front pages and CNN screencaps, The Central Park Five’s closing message that today, three decades removed from the wrongful convictions, we continue to live in a world where justice doesn’t mean the same thing for Whites and people of color is blunted, even if the now-exonerated Five’s hopeful closing declaration that “The world is ours / We’re still here” is haunted by the unresolved hover of Davis’s final notes.

The Central Park Five is important less as historical dramatization than as a window through to view both past and present with an eye toward making a more equitable future. Unfortunately, Long Beach Opera’s second bite at the apple missed an opportunity to bring that message home.

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Tenelle Headlines the City of Carson Samoan Heritage Day Celebration

An all-day celebration in Carson featuring non-stop cultural performance and entertainment for the entire family will take place at the City of Carson’s Samoan Heritage Day Celebration. The event is open to all.

Topping the list of this year’s guests is California’s Tenelle Christine Luafalemana, aka Tenelle, who sings melodic, R&B-infused reggae-pop. Tenelle recently saw her way to the finals, performing on NBCs American Song Contest for her song, Full Circle. A native of Carson, California, Tenelle grew up in a family of Samoan descent and initially focused on playing sports before she became interested in singing. Around age 12 she began taking vocal lessons with Tim Carter (Beyoncé, Willow Smith) and gained early performance experience singing at family gatherings and funerals and in church. Other performers include Reno Ali’ioaiga Liaiga Anoa’i, Jerome Grey, Faiva, Ms. B Royal, Island Block Radio, and Joe “Savage” Fa’avae.

Non-stop entertainment will begin at 9 a.m. featuring big names in Samoan R&B, reggae, pop music, homegrown talents and various cultural performers. Food and display booths are also lined up for the day’s activities.

About 63,000 of Samoan origin reside in California, meaning almost one-third of the Samoan population in the U.S. lives in California. There are more than 50,000 Samoans in Los Angeles County which is nearly equal to the entire population of American Samoa. The City of Carson is one of the main cities where Samoans settled with their families when they migrated to California.

The aim of the Samoan Heritage Day Celebration is to teach all community members about their Samoan neighbors by way of dance, food, education, culture, skills, gifts and talents that they possess within their profession and their community.

Time: 9 a.m. to 4 p.m. June 25

Cost: Free.

Details: 310-847-3570

Venue: Foisia Park, 23410 Catskill Ave., Carson

EDD Recovers $1.1 Billion in Unemployment Insurance Funds — More Investigations and Recoveries to Come

SACRAMENTO – The California Employment Development Department or EDD, June 22, announced it has recovered $1.1 billion in unemployment insurance funds.

The recovered funds were located on about 780,000 inactivated benefit cards. Most of the recovered funds will return to the federal government because the fraudulent claims are from the emergency federal Pandemic Unemployment Assistance program, which was the primary target of fraud nationwide.

Within the past 15 months, ​​total investigations, prosecutions, and dollars seized in the counties reporting information to the state include:

  • Total investigations – 1,525
  • Arrests – 467
  • Money seized – $3,474,448
  • Convictions – 162

Other actions California has taken to strengthen its fraud fighting include:

  • Stopping over $125 billion in attempted fraud by deploying a new identity verification system, ID.me, in 2020 and partnering with Thomson Reuters to help detect and prevent UI and PUA fraud.
  • Setting up the 1099-G call center to help victims of identity theft deal with any tax related questions—work that answered 24,000 calls. Fraud can be reported by selecting Form 1099G in Ask EDD or calling 1-866-401-2849.
  • Working with Bank of America to issue chip-enabled debit cards that enhance security and to strengthen fraud-prevention strategies.
  • Working with the California Office of Emergency Services Fraud Task Force on over a thousand active investigations, arrests, and prosecutions across California.
  • Creating law enforcement investigative guides and offering technical assistance to law enforcement partners who are working fraud investigation cases.
  • Setting up designated regional contacts for each division of the state and working with any agency that needs assistance with an unemployment insurance fraud case.
  • Continuing to issue consumer scam alerts throughout the pandemic that warn about cell phone and email phishing schemes designed to steal personal information.

Hahn Releases Statement on Upcoming Vote to Transfer Bruce’s Beach Property to Bruce Family

LOS ANGELES — Los Angeles County Supervisor Janice Hahn has released the following statement regarding the upcoming transfer of the Bruce’s Beach property from the County of Los Angeles to the great grandsons of Willa and Charles Bruce:

“It’s finally happening. On Tuesday, the Board of Supervisors will vote on transferring Bruce’s Beach to the Bruce family. At long last, the descendants of Willa and Charles Bruce will be able to begin rebuilding the wealth that has been denied to generations of Bruces since their property was seized nearly a century ago. We will never be able to rectify the injustice that was inflicted upon the Bruce family, but this is a start, and it is the right thing to do.”

The motion, which is authored by Supervisor Holly Mitchell, whose district now includes Manhattan Beach, and Supervisor Janice Hahn, who previously represented Manhattan Beach, can be read here.

Background on Bruce’s Beach:

In 1912, an African American couple named Willa and Charles Bruce purchased prime beachfront property in Manhattan Beach and started a successful beach resort that became known as Bruce’s Beach. It was one of the few places in Southern California where Black residents could enjoy a day at the beach.

In 1924, prompted by a petition from local white real estate agents and other civic leaders, the Manhattan Beach City Council voted to condemn Bruce’s Beach and the surrounding land through eminent domain to build a park. It is well documented that the real reason behind the eminent domain process was racially motivated with the intention of bringing an end to the successful Black business in the predominantly white community.

At the time that the Council voted to condemn the land, it also put new laws on the books that prohibited resort-type businesses in that area, effectively prohibiting the Bruce family from purchasing other beachfront property for a resort. In 1929, the court awarded their property to the City of Manhattan Beach through eminent domain.

The Bruce family moved out of Manhattan Beach, and the City immediately demolished the Bruce’s Beach resort. No park was built, and the land sat empty for decades. The City of Manhattan Beach finally built a park in 1956 on the land behind the Bruce’s Beach resort, nearly 30 years later.

Through a series of land transfers between the City of Manhattan Beach, the State of California, and the County of Los Angeles, the County acquired the land that was originally owned by Charles and Willa Bruce in 1995. It is currently the site of the County’s Lifeguard Training Headquarters.

In April 2021, Los Angeles County Supervisors Janice Hahn announced her intention to return the Bruce’s Beach property to the living descendants of Willa and Charles Bruce. However, at that time the County was unable to transfer the property due to limitations placed on the land by the State. At Hahn’s request, Senator Steve Bradford introduced SB796, legislation that would lift State restrictions on the property and allow the County to transfer the land to the descendants of Willa and Charles Bruce. SB 796 passed both the State Senate and Assembly with unanimous support and was signed into law by Governor Newsom on September 30, 2021 at Bruce’s Beach, allowing the County to move forward with plans to transfer the property to the Bruce family.

County And State Focus On Gun Safety, Prevention

State Fast-Tracks Gun Safety Policies

SACRAMENTO Gov. Gavin Newsom June 15, issued a statement after judiciary committees in the Assembly and Senate advanced two of the governor’s sponsored gun safety bills. The committees passed legislation creating a private right of action to limit the spread of illegal assault weapons and ghost guns (SB 1327), as well as a bill restricting advertising of firearms to minors (AB 2571). The action follows the tragic elementary school shooting in Uvalde, Texas that left 19 children and two teachers dead.

“California has led the nation in reforming our laws to protect communities from gun violence. This year is no different as we take decisive action to fast-track vital gun safety policies, even as recent federal court decisions threaten to make it more difficult to protect Californians from gun violence. Since the 1990s, our laws have prevented countless shootings and saved hundreds of lives. California isn’t waiting for Congress to act to protect our kids from needless gun violence.”

The governor’s office has released a fact sheet that details California’s existing gun safety policies and their success in reducing gun deaths.

Details: www.gov.ca.gov/2022/06/02/fact-sheet-californias-gun-safety-policies


Supervisors Pursue New Gun Violence Prevention Regs

LOS ANGELES The Los Angeles County Board of Supervisors, June 14, voted unanimously to support a proposal by Supervisors Janice Hahn and Hilda Solis to pursue strengthening gun violence prevention policies in LA County.

The motion asks the county’s legal counsel to report back to the board with a list of potential regulations the board can implement to strengthen gun control measures and enhance the efficiency of regulations that already exist.

During the meeting, Hahn also added two amendments to the motion. The first directs county counsel, in consultation with the Department of Public Health, to report back on the possibility of declaring gun violence a public health crisis and the legal implications and benefits of doing so. The second throws the board’s support behind the recently announced framework for bipartisan federal gun violence prevention legislation.

Among other things, Hahn asked that counsel examine the following potential regulations for unincorporated Los Angeles County:

  • Raising the age to purchase long guns (rifles and shotguns) to 21
  • Banning the sale of .50 caliber handguns
  • Enacting a safe storage ordinance similar to the City of LA’s
  • Adopting buffer zones near schools where gun vendors cannot operate
  • Prohibiting people who are on the no-fly list from buying guns

Details: Read the full motion here: https://tinyurl.com/Item-16