Friday, September 26, 2025
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MOLAA Presents ARTEÔNICA: Art, Science, and Technology in Latin America Today

 

The exhibition ARTEÔNICA: Art, Science, and Technology in Latin America Today, showing at the Museum of Latin American Art or MOLAA is one of more than 70 exhibitions that make up the Getty’s PST ART: Art & Science Collide, the nation’s largest arts initiative.

If you haven’t seen it, now is the time as the exhibition, showing in three MOLAA galleries, runs until Feb. 23.

ARTEÔNICA delves into the rich history and ongoing contributions of Latin American artists working at the intersection of art, science and technology. Drawing inspiration from Brazilian electronic art pioneer Waldemar Cordeiro (1925–1973), the exhibition explores six decades, starting from the 1960s, of Latin American electronic and cybernetic art — the study of how systems control and communicate, and how they use information to regulate themselves.

“At MOLAA, participating in PST Art & Science Collide is a profound opportunity to showcase the remarkable intersections of art, science and technology that have long shaped Latin American creativity. This exhibition is not only a tribute to the visionary artists who pioneered these connections but also an invitation for our visitors to explore how these innovative ideas continue to inspire new generations. Through ARTEÔNICA, we honor the legacy of these trailblazers and open doors to a future where art and science unite to imagine bold possibilities,” said Lourdes I. Ramos, Ph.D., president and CEO of MOLAA.

In Cambiantes, Analivia Cordeiro uses Fortran IV, a programming language, to source random computer-generated dance steps and video instructions for dancers and a video crew to interpret. The purpose is to attend to the relationship between human interpretation and programming. Cordeiro’s computer dance is composed of predetermined and undetermined elements that bring into dialogue the notion of freedom in a controlled environment.

IMG 4130 Dance
Cambiantes by
Analivia Cordeiro. Photo by Melina Paris

Dancers in a video take various forms while viewers may step onto a tiled floor in front of the screen to follow the dancer’s steps. Visitors playfully followed along just for a few minutes, sometimes dancing together, as they echoed the dancers on the screen. There’s no direction or even music, only the video and movement to encourage the curious.

There are several other participatory works at ARTEÔNICA, including La has visto …?, 2021-22, by Dora Bartilotti.

This work is an electronic textile installation that alludes to the search for the victims of systematic forced disappearance, via performance in three representative phases. The first phase utilizes colorful, folk-patterned textile strips displaying the names of victims, creating a vocal polyphony as it records viewers’ stating the phrase “Have you seen her…?” Then a mannequin sculpture outfitted with a radio-frequency identification reading system (wireless, non-contact use of radio frequency waves to transfer data and identify objects, animals, or humans) scans the strips, adding viewers’ voices. The public further participates by dismantling the textile and removing strips to render silence. The phases repeat cycling back to the ongoing question, “Have you seen her..?” seemingly offering an unspoken answer.

In addition, a video accompanies La has visto …? in which the artist, Bartilotti, is seen wearing the same poncho-like garment of pink, purple and royal blue with the textile strips that adorn the two mannequins in the gallery. Bartilotti walks through the streets in Mexico, stopping to demonstrate to individuals whose paths she crosses, how her affecting and necessary artwork functions.

A Unique Artistic Movement

The exhibition examines a little-known but significant Latin American art movement where art, science and technology converge. Arteônica creates a dialogue between pioneering artists of the 1960s and 1970s and contemporary creators who carry forward their legacy.

Despite political and social upheavals in Latin America during the 1960s and 1970s, including military dictatorships and economic crises, artists continued to expand aesthetic and technological boundaries. Their efforts laid the foundation for a community of artists whose work resonates with critical contemporary debates, including social engagement, Indigenous knowledge, and the exploration of living and autonomous systems.

Arteônica highlights how artists and thinkers across Latin America continue to enrich the intersection of art, science and technology. From computerized dance and autonomous ecological technology to bio art and machine linguistics, the exhibition showcases the diverse artistic expressions that explore the connections between creativity and technology.

This exhibition invites visitors to discover the role that Latin American artists play in shaping global dialogues around technology, culture and social change. Through their innovative work, these artists contribute to new frameworks for understanding art, bothhistorically and geopolitically.

ARTEONICA Rm View
Gallery shot of ARTEÔNICA. Photo courtesy of MOLAA

A Collaborative Effort

ARTEÔNICA brings together artists, scientists, engineers and researchers, fostering an environment where artistic and scientific innovation can thrive. The result is a space that not only highlights past achievements but also serves as a knowledge matrix for future experimentation. A bilingual academic publication and an exhibition brochure will accompany the exhibition. Visit MOLAA website to pre-order the book of Arteônica. www.molaa.org

The public is invited to attend ARTEÔNICA: Art, Science, and Technology in Latin America Today. The exhibition offers an unparalleled opportunity to explore this intersection of disciplines. Enjoy free admission on MOLAA free Sundays.

Time: 11 a.m. to 6 p.m., through Feb. 23, 2025

Cost: $10 to $15

Details: http://molaa.org and http://pst.art

Venue: Museum of Latin American Art, 628 Alamitos Ave., Long Beach

Arteônica consists of works of artists from Argentina, Brazil, Chile, Mexico and PeruThe project director of the exhibition is Gabriela Urtiaga.

Details: https://molaa.org/visit

Could the Democrats’ Lack of Resistance Be a Green Light for Tyranny?

 

The inaction of high-profile and leadership Democrats is not just weakness — it’s a betrayal of Democratic principles and thus our nation…

 

Is Donald Trump’s, Elon Musk’s, and Vladamir Putin’s coup against democracy complete?

Under the guise of a 44-year campaign to reverse the middle-class advances of the New Deal and Great Society, right-wing billionaires and the Republicans they own have pushed a fundamentally fascist agenda that is now openly at war with America. They are engaging in a coup, finishing the work Trump started on January 6, 2021.

Trump is nakedly breaking the law right in front of the entire country, just as progressive Democrats have been predicting. Not a single elected Republican has had the courage to try to stop him or even speak out against his lawlessness, and only a handful of Democrats have found that fearlessness. That has to change.

— Trump is illegally firing career Civil Service prosecutors in the DOJ and agents in the FBI. The principal message he is conveying is, “Donald Trump, his family, and his friends are above the law. Investigate them and you will lose your job.”

— He’s illegally fired Inspectors General who search out and prosecute corruption within their own agencies.

— He’s illegally impounded money appropriated by Congress.

— He’s illegally imposing tariffs against Mexico and Canada, turning our friends against us, just like Putin has dreamed for years.

— USAID, created by President Kennedy, is our single most effective tool for keeping poor countries on America’s side instead of joining Russia or China. Musk has declared war on this Agency, and the only beneficiaries will be those two dictatorships.

— And now this South African billionaire has apparently downloaded all of your and my private information from the federal agencies responsible for making six trillion dollars’ worth of payments every year, with the explicit permission of Treasury Secretary and billionaire Scott Bessent — who was put into his job with the votes of 15 compliant Democratic senators.

As Senator Patty Murray (who voted against Bessent) noted on Bluesky Feb. 2:

“All of your most sensitive data and our country’s checkbook are in the hands of an unelected billionaire. This is the most corrupt administration in history and it’s putting our economy & government in serious jeopardy.

“It’s time to speak out and fight back. www.nytimes.com/2025/02/01/u…”

Hell, it’s way past time to speak out and fight back.

Ever since Reagan’s Revolution on behalf of the billionaire class, many of us have been shouting from the rooftops about the inevitability of this day. I’ve published multiple books and hundreds of articles (see * below), as have many of my colleagues, warning of this exact scenario.

This is the tail-end of the battle, not the beginning:

— When Republicans claimed that corporations were “persons” with rights guaranteed under the Bill of Rights (including the right to fund political campaigns), Democrats could have spoken out, but — other than the progressives — didn’t. Instead, Bill Clinton encouraged corporate contributions to his “New Democrats.”

— When Republicans said billionaires and corporations bribing politicians was legal (and could even be considered “tips”), Democrats could have spoken out, but — other than the progressives — didn’t. Instead, the “Problem Solvers” and many others simply put their hands out.

— When Republicans gutted union protections, borrowed $34 trillion to fund tax breaks for billionaires, and ended support for college tuition, Democrats could have spoken out, but — other than the progressives — didn’t. Instead, many “moved to the center.”

— When Republicans fought voting rights and purged over 50 million voters from the rolls over the past decade (giving Trump the White House last year), Democrats could have raised hell, but — other than the progressives — didn’t. Instead, they abandoned Red states, often not even bothering to run candidates.

— When Republicans denied climate change and went to the mat to protect the hundreds of billions in subsidies the fossil fuel industry gets every year, Democrats could have stopped them, but — other than the progressives — didn’t. Instead, they complained about “disruptive” groups protesting pipelines.

— When Republicans raised an entire Astroturf Tea Party movement to fight progressive efforts to put into place a national healthcare system that would include a buy-in option for Medicare at all ages, Democrats could have fought for their constituents, but — other than the progressives — didn’t. Instead, they offered a privatized Obamacare and weak “negotiation” with drug companies to lower prices on 10 drugs while ignoring the creeping privatization of Medicare with the Medicare Advantage scam.

In each case, progressive Democrats were ahead of the curve and corporate Democrats either ignored or even obstructed needed reforms.

Republicans, meanwhile, have been steamrolling ahead with their plan — first laid out by Lewis Powell in 1971 — to turn our country into an oligarchy that’s no longer accountable to its people.

And now they’re just months away from finishing off our democratic republic, silencing all voices of dissent, and guaranteeing — like Trump promised — that we may never be able to even vote again in a meaningful election with candidates who aren’t pre-vetted by billionaires.

The greatest danger America is facing today — because Democratic messaging and outrage have been so weak for so long — is that average people won’t realize what’s happening until it’s too late.

Meanwhile, the leadership of the Democratic Party — Hakeem Jefferies in the House and Chuck Schumer in the Senate — are both saying that they’re not going to challenge Trump on every crime he commits, and Democratic senators voted unanimously for Trump’s pick for Secretary of State, who’s now in Panama threatening that sovereign government.

Trump is working as hard as possible to make his fascist vision of America a reality by attacking, threatening, and suing reporters and media outlets while his billionaire buddies and AIPAC threaten to fund primary challenges against any politician — Democrat or Republican — who dares to challenge them.

And the threats are working:

— The media is walking on pins and needles, trying to avoid pissing off Trump or Musk.

— The FCC just launched an investigation that could lead to the end of NPR and PBS.

— Major networks are paying off Trump to settle frivolous lawsuits.

— Democrats are treating Vichy Republicans as if they were good faith colleagues during normal times, many even voting for Trump’s cabinet nominees.

But these are not normal times: Our democracy is hanging by a thread. The simple reality is that the MAGA takeover of the GOP has turned it into, essentially, an agent of Putin’s Russia and Xi’s China. And an immigrant billionaire is deconstructing our government like a toddler busting up a Lego set.

Democrats — who campaigned on the allegation that Trump was a fascist — must now behave like their claim was true and fight back, before Trump and Musk finalize Orbán’s and Putin’s neofascist governance model, making such a response impossible.

— Shut down the House and the Senate.

— Challenge Johnson’s speakership.

— Fight every unanimous consent vote.

— Use quorum calls to bring floor business to a standstill.

— Put holds on every Trump nominee, even for things like naming Post Offices or noncontroversial positions.

— Hold a major press conference every day and coordinate with Democrats across the nation to amplify that day’s message across local and national media.

— Organize political guerilla theater and mass protest events.

Average people can reach out to their elected officials — the phone number for Congress is 202-224-3121 — and raise absolute holy hell. Blow up social media with protest and outrage posts. Share your concerns with friends, family, co-workers, and neighbors.

As Bernie Sanders — who’s been fighting this fight his entire life and was on my radio/TV show every Friday for 11 years — shared yesterday with people subscribed to his newsletter:

“We must fight back — effectively. This is not a time for wallowing in despair and hiding under the covers. The stakes are too high. We’re not just fighting for ourselves. We’re fighting for our kids and for future generations. We’re fighting for the future of this planet.

“Further, we must not become overwhelmed and think that Trump has some kind of extraordinary mandate and an inevitable glide path into the future. That’s what the right-wing mouthpieces want you to believe, but it’s not true. Trump won the election because Kamala Harris and a very weak and out-of-touch Democratic Party received 5 million votes LESS than Biden did in 2020, not because Donald Trump or his agenda were popular. His agenda can be defeated. …

“We cannot just play defense. We have got to be on offense. Please, never forget, the agenda that we are fighting for is widely supported by working families all across this country. And we must continue to fight for that agenda.”

It only took Hitler 53 days to use legal means to turn Germany from a functioning democracy into a dictatorship. We’ve officially gone way too far down that same road, and if Trump and Project 2025 aren’t stopped now it may well be too late by as soon as this Spring

Trump Shuts Down Trump Shutdown — Sort Of

 

In an abrupt turnabout Jan. 29, the Trump Office of Management of Budget (OMB) rescinded its memo from Monday that had announced plans to freeze all federal grants and loans. The administration had spent much of Jan. 28 rolling back particular elements of the sweeping order, and around 5 p.m. Eastern time, Judge Loren AliKhan put the entire order on hold pending a hearing next Monday, in a case brought by the National Council of Nonprofits and three other organizations. Rescinding the order is a clear sign of surrender to reality: the American people might grumble a lot about government in the abstract, but they’ll readily get up in arms if specific programs they depend on are threatened.

The surrender could be only temporary, however. The first sign of this came when White House press secretary Karoline Leavitt tweeted, “This is not a rescission of the federal funding freeze. It is simply a rescission of the OMB memo. Why? To end any confusion created by the court’s injunction. The President’s EO’s on federal funding remain in full force and effect, and will be rigorously implemented.”

But this statement was cited shortly later by plaintiffs in another case — brought by attorneys general of 22 states and the District of Columbia. It was cited as evidence the funding freeze was still active and their lawsuit should continue. And Judge Jack McConnell said he intends to issue a new restraining order, on the ground that her statement undercut the rescission memo.

So the rescission memo is blocked — for now. But in the long run, constitutional law professor Steve Vladeck warned on Bluesky:

Don’t forget what happened with the travel ban during the first Trump administration:

Version 1: Clumsy, overbroad, and poorly implemented; blocked by courts; withdrawn.

Version 2: Slightly less clumsy; slightly less overbroad; poorly implemented; blocked by courts; expired.

Version 3: Upheld.

One thing is certain: After a long string of illegal actions in a very short period of time, this one has struck a very loud chord. Whatever lies ahead will not be done shrouded in silence.

Tyranny and Chaos

 

Fires, Floods, and Fear

California Faces Disaster and a Political Storm

The tools of Disaster capitalism

“The duty of a true patriot is to protect his country from its government.” – Thomas Paine.

The winds of the Santa Anas stormed down the San Gabriel mountains with hurricane force at the beginning of January. We were warned about them coming and the inevitable fires erupted causing massive destruction. Loss of life and destroying heritage and culture. It didn’t end until the rains came but then there was another storm, the chaos of the Orange felon blew into Los Angeles. With the bully pulpit and bluster, he wanted to appear bigger than he was.

Always with someone to blame, never really understanding water supply, climate change nor the immense collaborative effort it took to fight the fires. He wanted to make this a transactional deal, to extract something from California, Gov. Gavin Newsom, and LA Mayor Karen Bass, in exchange for federal disaster relief. Neither of them was buying it and yet they were frustratingly cordial. And then the rains came.

The rain fell almost like the tears of those who lost their homes and loved ones. Perhaps the tears of those who feared the tyranny of the one who hates immigrants, that calls liberals “radical extremists”, that defunds agencies without legal authorization and illegally fires government employees who aren’t loyal. This is the man that our founding fathers warned us about– a man of low moral character, motivated by greed and power, corruptible and vain. In a word– ­a tyrant–the one who destroys a democracy from within– not one to defend the republic against enemies from within. He is the enemy!

The fascist playbook is to first control the judiciary, which he did by stacking loyalists to the Supreme Court and the lower courts, then attacking the media ABC and now CBS’s 60 Minutes. The attack on the media is to extensively muzzle and intimidate any critics and then to elevate those like Fox (so-called) news, Newsmax, and OAN to being legitimate news sources– they are not–they are propagandists for right-wing billionaires. The GOP is now funded by these very same oligarchs and is feckless to resist this takeover.

A free democratic nation cannot remain free without a free and unfettered press, the founding fathers warned. And yet we are on the verge of now fettering the press and what we are in the throes of is an unregulated free-for-all on social media where all voices are equal and viral rumors rule before the truth gets its pants on in the morning.

Our liberty depends on the freedom of the press, and that cannot be limited without being lost” -Thomas Jefferson, 1786

What Jefferson and the other founders didn’t imagine was the amassing of media monopolies used as political purveyors of tribal partisan talking points. The truly independent media is under attack even as the Republicans go after National Public Radio and Public TV corporations who have for generations been trusted content providers. The issue at this point is that they don’t reiterate the extremist talking points of MAGA, the billionaires, or the Orange Felon without asking intelligent questions. Does being politically liberal make you an extremist? Under this regime that is supposedly so.

What Elon Musk (I’ve always thought it sounded like a bad man’s cologne) and his cronies are in the process of doing now is a kind of coup to dismantle the most of the most effective agencies of our government, under the cloak of “efficiency” Department of Government Efficiency.

Charlie Warzel of the Atlantic writes:

Elon Musk is not the president, but it does appear that he—a foreign-born, unelected billionaire who was not confirmed by Congress—is exercising profound influence over the federal government of the United States, seizing control of information, payments systems, and personnel management. It is nothing short of an administrative coup.

What comes next is that they will come after your Medicare, Social Security, public education funds, and Obama Care, which are the most popular and by the way progressively liberal, programs in the nation. The question is whether progressive ideas can win out to defeat this attempted coup and tyranny or if this republic, like many before it, fails to protect itself.

A caller on the Hartmann Report the other day asked, “Isn’t the pardoning of the Jan. 6 insurrectionists treason in and of itself?” His response was, “None dare call it treason but I will.”

The disaster playbook for fascism is to create so much chaos that the normal functioning of the state can’t handle or respond quickly and then in the vacuum while the populace is overwhelmed the unimaginable can be accomplished. Thus, attacking the 14th amendment, suddenly cutting all government spending without review by Congress, justification, or rationale except to dismantle the democratic republic piece by piece and make it bend to the will of the sole leader.

Sic semper tyrannis is a Latin phrase meaning “thus always to tyrants.” In contemporary parlance, it means tyrannical leaders will inevitably be overthrown. Until the inevitable happens just be prepared to resist as the ICE agents come for your immigrant family, friends and neighbors, for who knows who will be next on the “enemies list” and end up at GTMO?

Editor’s note– for references in this article see On Tyranny: Twenty Lessons from the Twentieth Century by Timothy Snyder, a historian of 20th-century Europe. And the Shock Doctrine-The Rise of Disaster Capitalism, by Naomi Klein.

Letters to the Editor: Borders, Politics, and Pride, Health Insurance Crisis, Racist Bragg

Borders, Politics, and Pride: A Latino in the White House

There is a joke that the boundary between North America and Latin America is the Mason-Dixon line.

Hugo Chavez was part of a coup against the Venezuelan government. He did prison time and was later elected president.

Here at home, we finally have a Latino Commander-in-Chief.

We are so proud.

Our Lady, please help us.

Michael Madri

San Pedro

 

RE: Health Insurance in Crisis

Great story in the Random Lengths this week…(Health Insurance in Crisis Jan. 23 edition, pg. 2)

Thank you for having the courage to print something about it. Apparently, all of the bigger papers are not interested.

Mary Ann Pirozzi-Bond

Pirozzi Chiropractic & Massage Therapy

 

Why Is Fort Bragg, California So Racist?

Braxton Bragg was a slave owner from the South. Bragg was an angry, abusive, inbred alcoholic lout. The product of Confederate cousins reproducing, he became a general in Dixie who was confusing. His battle orders were ridiculous and nonsensical. General Bragg was a master at killing his own men. So stupid was Bragg, that the Union should honor him.

Fort Bragg, California – why not lean into the joke? Statues of Braxton everywhere covered in egg yolks? But eggs are so expensive now, it would be a waste when we can just simply change Fort Bragg’s name! I prefer town monikers that are intentionally dumb, so here are ten options for that racist town’s residents to choose from:

#1) White Trash Beach

#2) Mendocino’s Disgrace

#3) Rednecktopia

#4) Sundown Town

#5) J.D. Vance’s Couchville

#6) Kash Patelistan

#7) Ku Klux Klan Land

#8) Grand Dragon Dunes

#9) Surf Nazi City

#10) Trumptard Town

 

Jake Pickering

Arcata, CA

Last Call at the Alhambra

 

Permit Woes and City’s Zoning Mistake Helped Slam Shut this Beloved Bar’s Doors

By Emma Rault, Columnist

The Alhambra Cocktail Lounge on 216 W. 11th St. in San Pedro’s historic Vinegar Hill neighborhood has been in business since 1936, making it one of the oldest bars in the state.
The Alhambra is located in the building that — for just three brief years, from 1905 to 1908 — was San Pedro’s first City Hall. There are still stairs leading down to the old jail cell tucked away in the back. It was a neighborhood fixture through World War II, 15 presidents and one global pandemic.

On Tuesday, Jan. 14, the cozy room with its checkerboard floor was filled with people for what may have been the last time.

It was an emotional day. “This has been my second home for 40 years,” said Chuck Jensen.

“My grandma first brought me here,” said Tammie Favazza, now a grandmother of three herself. “I’ve made the most loyal friends here … I’ve been crying all day.”

For the manager, Natasa Suvak Zepsa, it was a painful defeat, after a crime that occurred nearby a year earlier set off a spate of regulatory issues that seemed impossible to fix.

“I’m so tired, I can’t do it anymore,” said Zepsa, 57, a petite blonde woman with red-rimmed glasses who moved to the U.S. nine years ago from Croatia. “I don’t eat, I don’t sleep, I’ve got stomach problems. … This is too much. The stress is killing me.”

In December 2023, a shooting occurred on the intersection of 11th and Palos Verdes streets in which a 39-year-old man was killed and two others were injured. Earlier that evening, all three victims had stopped by the Alhambra for a drink before heading to a house party across the street.

The shooting brought the bar to Los Angeles Police Department’s attention. “Whenever a crime is related to a bar, we go in, do an inspection … make sure they’re obeying the law,” LAPD officer Steven Muirhead, head of the Harbor Division’s vice squad, explained to Random Lengths News.

During this inspection, LAPD found that the bar did not have the required permit for live entertainment. The bar had long hosted local bands and occasional karaoke nights. The crowds those events drew accounted for a large share of its revenue, said Zepsa.

Zepsa stepped in a few years ago to keep the bar going on behalf of her husband, who has dementia. As far as she knew, their liquor license allowed live music. She didn’t realize that in addition to the license from Alcoholic Beverage Control — a state entity — the bar also needed a Cafe Entertainment and Shows (CES) permit, which is issued by the Los Angeles Police Commission.

She was confused. She was offended, too, by what she saw as the bar being stigmatized due to the shooting. She says LAPD saw the bar as having a culture of criminality.

Longtime customers are also bewildered by that. “I can’t say the pot-bellied, middle-aged dads that tend to visit the place gave an impression of general criminal intent,” said Jake Hook, a resident of LA’s Westside who visited the Alhambra numerous times. Hook runs an Instagram account called @dinertheory devoted to capturing the iconic LA mom-and-pops that, he says, are disappearing all too quickly.

3 THIRD IMAGE
Patrons at the Alhambra Cocktail Lounge. Photo by Arturo Garcia-Ayala

After LAPD issued a citation for unpermitted live music in March 2024, the issue was kicked up to the City Attorney’s office, which sent a cease-and-desist letter in July. The letter claims that “[b]efore being killed, the [murder victim] had been drinking at the Bar, and he had gone in and out of the Bar at least twice to fire shots into the air.” That’s impossible, Zepsa says: the man was on crutches.

By this point, Zepsa felt overwhelmed by what seemed like a sudden onslaught of accusations. Because it wasn’t just LAPD or the permitting issues. In the fall of 2023, Alcoholic Beverage Control had cited the bar for selling alcohol after hours following an anonymous complaint. There had been some noise complaints to the council office, as well as complaints to LA County’s Public Health Department. It almost seemed like someone had it in for them.

According to the department’s public database, a complaint investigation had revealed roaches. Less than a week later, the issue had been successfully addressed, and yet the following month someone complained again, though a new inspection found no evidence.

For more than 20 years — ever since Zepsa’s husband Mike had taken on the bar in 2001 — the business had run smoothly. Suddenly, things were falling apart. “In the last 14 to 15 months, we had more inspections than in 25 years,” she said.

She felt intimidated by her interactions with the vice squad. The whole business with the music permit was confusing. And in an email attempting to clarify the citation, Officer Muirhead wrote, “We chose an administrative citation rather than a physical arrest.”

Zepsa was shaken. Why was there suddenly talk of getting arrested?

In a conversation with Random Lengths, Officer Muirhead acknowledged that communication between himself and Zepsa had broken down. “After several warnings, we can make an arrest for a misdemeanor, but it’s very unusual,” he said. “That kind of thing is reserved for big parties and things like that, where you can’t get them to stop, so it’s very rare.” He was horrified to learn that this email exchange had rattled Zepsa. “That was not my intention.”

“That bar’s been around for a long time,” he said. “I’m not happy that they closed. That was not my intent or the Police Department’s intent. We’re not trying to take people’s livelihoods away from them.” He said his team had nothing to do with the outreach from the Public Health Department. All they did was forward the case to the City Attorney’s office, as is standard protocol. But the permit violation Officer Muirhead flagged up plunged the bar straight into a bureaucratic nightmare. After the City Attorney’s cease-and-desist letter, Zepsa looked into obtaining the live music permit. “We couldn’t meet the requirements, nor did we have the funds,” she said.

The requirements, as it turns out, are wildly complicated. Zepsa said she was told by a council office staffer to reach out to a Code Engineer at the City of LA’s Department of Building and Safety for clarity. She made that call, as did her friend Sean Forbes, a longtime patron who offered to help. Neither of them ever heard back.

When Random Lengths did some digging, we learned the business was mistakenly rezoned by the city’s Planning Department in the 1980s. As part of an effort to keep coastal overdevelopment in check, entire blocks were “downzoned” to reduce the maximum allowed density of builds. In the process, many longtime mom-and-pops mixed into residential blocks were ignored. They lost their commercial status and were downgraded to residential, putting them in regulatory limbo — even though Planning’s 2017 Community Plan for San Pedro explicitly states the goal of preserving these “small neighborhood-serving amenities.”

This change in zoning wasn’t enforced in the decades since. But now, getting the live music permit would require yet another permit — called a Conditional Use Permit — to resolve the zoning issue. Both that process and applying with the Police Commission for the music permit are so complex that you need to hire a professional to get you through.

It costs $20,000 to apply for a Conditional Use Permit, said longtime restaurant consultant Eddie Navarrette. The professional fees for managing the two application processes run around $15,000 and $10,000, respectively.

That’s at least $45,000 for a business to keep doing what it’s been doing for almost 90 years. The Alhambra is a single room that measures about 1,000 square feet. The space has 26 seats.

“There should be an amnesty permitting process for [historic] businesses,” said Navarrette, “but there’s just not.”

And when they find themselves in violation of the rules, instead of a helping hand they are confronted with intimidating legal jargon. While the council office could play a role in making sure these historic businesses don’t go under, Navarrette says that in practice council districts tend to defer to other city departments.

CD 15 communications director Sophie Gilchrist told Random Lengths in an email that the council office “assist[s] businesses in accessing city programs, including the Legacy Business Program … While participation requires businesses to take the first step, our office is here to help them navigate the process.”

Rolled out last year, the Legacy Business Program is intended to offer grants of up to $20,000 and practical support to longtime small businesses. But Zepsa didn’t know this program existed — and it’s not currently accepting grant applications.

IMG 7975 Enhanced NR
Since 1936, Alhambra Bar, photo by Arturo Garcia-Ayala

The owner of the building, Henry He, is hopeful that the Alhambra might get a new lease on life under new management. But the experience has left Zepsa exhausted and demoralized.

“This is not freedom,” she said. “I come from a country that was communist. I lived through the war from 1991 to 1995. I saw everything. Three years ago I became a citizen of this country of my own free will. And I already regret it.”

The City Attorney’s office did not respond in time to requests for comment.

LA Art Show Kicks Off Milestone 30th Edition, Feb. 19

 

The Anniversary Celebration Promises a Rich Tapestry of International Art While

Honoring the Resilience of Los Angeles

 

LA Art Show returns to the Los Angeles Convention Center from Feb. 19 to 23 for

its 30th anniversary, marking its pioneering role in the city’s emergence as a global epicenter of art. The decision to proceed, in the wake of the tragic fires, was made in support of the Los Angeles creative community:

“As LA’s longest-running art fair, our mission is unequivocal: to champion the artists and galleries that constitute our cultural landscape,” said director and producer, Kassandra Voyagis. “This decision stemmed from a resolute commitment to aid in the healing and rebuilding efforts while offering much-needed community support and reprieve.”

Free entry to the fair (Feb 20-23) will be given to firefighters and their families as a thank-you for their efforts on behalf of all Angelenos. Further, the LA Art Show will donate to a charity involved in the rebuilding efforts, which is now being explored and yet to be determined. Once decided, patrons will also have the opportunity to make donations online.

LAArtistRobertVargas LAAS2024
LA Artist Robert Vargas. Photo courtesy of LA Art Fair

During the opening night event, LA based artist Robert Vargas will create a massive live mural titled, Heroes, as a tribute to the first responders who continue to serve the city. A symbol of hope and perseverance, the artwork is intended to reflect Los Angeles’ spirit in overcoming adversity. Additionally, LA-based Building Bridges Art Exchange, which cultivates cultural understanding through the arts, will showcase art from artists who have lost their homes and studios in the fires with all proceeds going to support them.

In honor of LA Art Show’s milestone, the fair’s educational, non-commercial platform DIVERSEartLA, curated by Marisa Caichiolo, will be back with a compelling retrospective, reflecting its transformative journey over the past eight years. DIVERSEartLA was born out of a necessity to amplify marginalized perspectives and the upcoming exhibition emphasizes the importance of diverse representation and continued advocacy for inclusivity in the arts. Each piece in the 2025 retrospective represents a significant milestone of the platform’s curatorial vision that challenges the status quo and encourages critical conversations around race, gender, and the complexities of modern existence.

The 2025 iteration showcases all the projects undertaken by various museums and arts institutions affiliated with DIVERSEartLA since its inception.

“This retrospective, which feels particularly important right now, honors the creative contributions of our partners while emphasizing the vibrant evolution of DIVERSE as a vital presence in the art community,” Caichiolo said.

DIVERSEartLA 2025 will display highlights of pivotal moments from each year showcasing eight installations, a catalog and a timeline, along with presenting performances and videos from previous years.

One of the showcased works is:

Celebrating Diversity, By Chiachio & Giannone

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Celebrating Diversity, by Leo Chiachio and Daniel Giannone.Photo courtesy of the LA Art Show

Curated by Gabriela Urtiaga, chief curator at Museum of Latin American Art, presented by MOLAA.

In order to commemorate local and international LGBTQ+ communities around the world, MOLAA is presenting a special installation about diversity and pride in collaboration with world-known Argentinian artistic duo, Leo Chiachio and Daniel Giannone. The presentation includes the 120 ft. long textile flag, MOLAA’s new acquisition “Californian Family in Six Colors 1” and a recorded interview about their creative process. These artworks were created by the artists at MOLAA where more than 3,000 members of the Long Beach and Los Angeles community collaborated in the creation of the flag. The creation of this work of art took place during the artists’ MOLAA residency between March and June, 2019. Visitors and community members were invited to contribute with the construction of the work of art by adding their own messages about the meaning of diversity and acceptance. The banner was carried by more than 100 volunteers at the Long Beach Pride Parade and exhibited at the event Pride at The Port in San Pedro, CA. The Museum highlights underrepresented voices of Latin Americans and Latinos in the US and around the world.

Dactiloscopia Rosa: Video Art and QUEER Constructions Curated by Nestor Prieto and presented by Museo La Neomudejar (Madrid, Spain): The exhibition is a chronology of the movement of sexual liberation / LGTBQ in Spain (1970-2016), featuring materials and teachings from the transfeminist/Queer archive of the Museum, showcasing the constructions of social movements in the 70s, 80s and 90s under Franco Dictatorship.

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DIVERSEartLA_2017 performance Carlos Martiel.
Photo courtesy of LA Art Fair

Carlos Martiel | Cauce/Riverbed Curated By Marisa Caichiolo: In his work Cauce/Riverbed, the artist exposes the significant challenges faced by immigrants in California and the US. Martiel digs deep into the nature of undocumented immigration and shows how it impacts the lives of some eleven million individuals and their families in the world’s most powerful nation. His performance is a window to the human tragedy that can affect immigrants who come to the United States in search of the “American Dream,” risking their lives in the process.

Viktor Freso’s breathtaking 30-foot Bear Sculpture presented by Danubiana Museum (Slovakia) will be located at the entrance for DIVERSEartLA. The Bear is a symbol of power and resilience, setting the tone for the event as bigger, braver and more ambitious than ever before.

Licht Feld Gallery (Switzerland): Multidisciplinary artist and bestselling poet, Arch Hades – named the highest-paid living poet in the world in 2021 – presents her sculpture the Isle, a tribute to the island of San Michele in Veneto.

Columbia Road Gallery (London, UK): The gallery brings the pulse of East London’s vibrant art scene to LA Art Show, presenting works by four notable artists: Kate Boxer, Thomas Gosebruch, Hannah Ludnow and Jonathan Schofield.

Anna Veriki The Dog Does Not Fly But Has Wings 2023 Oil On Canvas 60 X 82 In 150 X 210 Cm 1
Anna-Veriki, ‘The Dog Does Not Fly But Has Wings” 2023 Oil on canvas. Image courtesy of LA Art Fair

Snisarenko Gallery(Ukraine): She, Unbroken brings together Ukrainian-born female artists who have lived through the horrifying experience of war. Through each piece, the artists share their resilience and strength.

CoralGallery (Miami): Roberto Vivo’s sculptural works will be showcased, including his highlight piece;The Human Tribe Totem, a large-scale bronze sculpture, which debuted at the 2024 Venice Biennale.

Casterline|Goodman Gallery (Aspen): Young American artist Daniel Yocum has gained recognition for his unique approach to figurative abstract expressionism infused with hip-hop aesthetics. His distinctive style is characterized by vivid colors and lurking marks of black, often incorporating imagery of cars and flowers.

Art in Dongsan (South Korea): Sculptural works from Steel Che (Youngkwan Choi) repurpose industrial materials into artistic forms with the exhibition’s centerpiece, Steam Robot, demonstrating his mastery of traditional craftsmanship along with his ability to transform industrial materials into large-scale and thought-provoking art.

Left Or Right Installation By Antuan DIVERSEartLA
“Left or Right” Installation-by-Antuan-DIVERSEartLA. Photo courtesy of LA Art Fair.

For three decades, LA Art Show has worked to democratize art, offering a range of mediums and price points to ensure accessibility to the next generation of enthusiasts while also catering to established art collectors.

Details: Tickets are at www.laartshow.com and 15% of proceeds will be donated to the American Heart Association’s Life is Why™ campaign.

Trump-Musk Coup Attempt Threatens Dictatorial Future, Widespread Suffering

 

If convicted felon Donald Trump’s first term was defined by lies—more than 30,000 false and misleading statements counted by the Washington Post — his second term looks to be defined by lawlessness — lies translated into action. The explosion of lawlessness from the so-called party of “law and order” was emblematic of the gaslighting that pervaded virtually every aspect of the new Trump regime, characterized by a parade of ludicrously unqualified nominees put forth amidst a rhetoric of restoring merit while vanquishing the bogeyman of diversity (read women, Black people and other minorities.)

Trump’s first two plus weeks in office continued his attack on the U.S. Constitution and the rule of law that characterized the final weeks of his last term in office, when he attempted an outright coup to stay in office. He pardoned all the Jan. 6 rioters, illegally fired 18 inspector generals, began a purge of the FBI that could affect thousands of agents, illegally withdrew the U.S. from the World Health Organization, illegally sought to halt a wide range of government spending authorized by Congress, and tried to undo virtually all Joe Biden-era climate policies designed to protect against growing disasters like the recent LA wildfires.

But Trump’s reliance on overwhelming lawlessness betrayed a core weakness — an inability to govern via normal democratic processes — while a would-be second coup, carried out by right-wing tech oligarch Elon Musk, threatened an even more radical destruction of American democracy and world influence. Musk’s aim is to destroy the administrative state — essentially returning America to the pre-1880s era when the government was run by the spoils system, with virtually no career professional public servants at all. It’s a recipe for virtually endless corruption.

While political reporters have been hazy at best in covering Musk, Techdirt editor Mike Masnick, who has covered Musk for eons, is much more clear-eyed.

“Let’s be crystal clear about what’s happening: A private citizen with zero Constitutional authority is effectively seizing control of critical government functions,” he wrote on Jan 31. “The Constitution explicitly requires Senate confirmation for anyone wielding significant federal power — a requirement Musk has simply ignored as he installs his loyalists throughout the government while demanding access to basically all of the levers of power, and pushing out anyone who stands in his way.”

 

Bullies Against Aid

Musk is moving to gain control of all federal payments, and to start shutting down whole agencies of government, starting with United States Agency for International Development, America’s global foreign assistance program, which Musk tweeted “is a criminal organization. Time for it to die.” As if to prove Musk’s point, Trump’s Secretary of State, Marco Rubio, appointed an uncharged Jan. 6 rioter, Pete Marocco, to head USAID on a temporary basis.

In the real world, USAID has prevented millions of deaths worldwide: 4.6 million children and 200,000 women in 25 priority countries since 2008, 25.3 million children vaccinated against deadly preventable diseases since 2012, and an estimated 48 million lives saved from TB from 2000-2015, just to cite a few major accomplishments.

In contrast, Musk has promoted debunked conspiracy theories blaming USAID for COVID-19.

In addition to all the lives it’s saved, USAID is perhaps the main institutional source of America’s soft power in the world — soft power that Trump, with his love of strongmen and military threats, is utterly blind to. Musk’s animosity to USAID is credibly linked to its role in supporting the end of apartheid in South Africa, while Musk was growing up there as part of the wealthy white elite.

“USAID/South Africa was responsible for financing projects that apartheid victims viewed as critical in promoting social, political, and economic change through peaceful means,” a 2017 retrospective explained.

“Musk’s allies are moving swiftly to exert control over vast swaths of the U.S. government, as they demand access to sensitive information at federal agencies and lay out plans to block spending they deem excessive,” the Wall Street Journal summed up. So USAID was just their first target. It “marked the start of a far-reaching campaign by Musk to upend the federal government agency by agency, according to his allies,” a campaign totally outside of the law, and fundamentally at odds with Congress’ power of the purse—a fundamental Constitutional provision.

On Monday, Feb. 3, Musk said that Trump agreed and they were going to shut down USAID. Trump later told reporters he didn’t think he needed Congressional approval. But both men are either profoundly ignorant, simply lying, or both.

 

A Power Grab

“It is uncontroversially unlawful (a minimum 3 bedrock laws) for a POTUS to cut off funding, fire civil service-protected employees & otherwise erase an agency Congress established by statute,” Princeton law professor Deborah Pearlstein wrote on Bluesky. “This isn’t a policy disagreement. This is a power grab.”

“A stunning number of his [Trump’s] executive actions clearly violate the constitution and federal law,” UC Berkeley Law School Dean Erwin Chemerinsky told the Guardian. “I cannot think of any president who has ever so ignored the constitution as extensively in the first 10 days of office as this,” he said. “I certainly doubt that any president has done so much lawless so quickly that affects so many people. The freeze of federal spending potentially affects tens of millions, maybe hundreds of millions of people.”

Trump’s most striking unconstitutional actions — repealing birthright citizenship and freezing federal spending — were quickly blocked by judges. A Ronald Reagan appointee, John Coughenour, called Trump’s birthright citizenship ban “blatantly unconstitutional” just three days after it was signed. The spending freeze was quickly withdrawn after two judges ruled against it in initial proceedings. But the broad federal freeze followed more targeted ones directed at public health and science that are still in place. And the freeze rollback itself is only partially being implemented.

But the greater threat comes from Elon Musk and his allies, acting entirely without constitutional authority, gaining access to the Treasury Department’s payment system in the Bureau of the Fiscal Service. As Nobel Prize economist Paul Krugman explained in his newsletter, “Congress may have passed a law mandating that money be spent for some public purpose; but Musk and company may simply, in effect, tell the system not to cut the checks.” Musk reportedly doesn’t yet have control, but he does have complete access, control is clearly his goal, and Trump has shown no sign of stopping him.

As a result, Krugman wrote, “We may already have experienced what amounts to a 21st century coup. There may not be tanks in the streets, but effective control of the government may already have slipped out of the hands of elected officials.”

Musk has already gained more control at the government’s human resources agency, the Office of Personnel Management, where his aides have locked career civil servants out of computer systems that contain employee data, according to reporting by Reuters.

But this could cause problems Musk seems unaware of. While one law professor identified six criminal statutes Musk seems to have violated, he knows Trump’s DOJ won’t prosecute him. But civil suits are already shaping up.

“Giving access to SSNs, other data on government employees to non-employees like Musk is a violation of 5 USC 552a, and carries with it a penalty of $1000 per person whose data was accessed,” Stanford University law professor Mark Lemley wrote on Bluesky. “We are building a case. Govt employees who want to participate should contact me directly.”

Civil suits haven’t stopped Trump or Musk in the past, but they’re part of building a unified opposition that can — which is how autocratic coups in Brazil, South Korea and elsewhere have ultimately been defeated.

“The first line of defense of a unified opposition is congress and the states,” Indivisible co-founder Ezra Levin told Random Lengths on Feb 1. ”Congressional Democrats should be using every tool they have to fight back. Blue state governors and legislators should be going offense,” he said. “Because that isn’t happening automatically, the constituents of those electeds have to organize NOW to push them. We need to make a lot of noise to wake up our leaders.”

The next day, Indivisible and several partners did just that, with an organizing call that maxed out at 20,000 participants on Zoom, plus many more on Facebook live. And the day after that, Congressional Democrats began showing up in support of embattled federal workers and agencies. Being locked out of USAID headquarters only gave their message more urgency.

“We don’t have a fourth branch of government called Elon Musk,” said Maryland Democratic Rep. Jamie Raskin.

“We are witnessing a constitutional crisis. This is what the beginning of dictatorship looks like,” said Minnesota Democratic Rep. Ilhan Omar.

This kind of staunch opposition is essential in laying the groundwork, but mass disillusion may ultimately be key — may not be long in arriving, given Trump’s complete indifference to his campaign promise to lower prices of groceries and other consumer costs. Instead, his attacks on government and green energy spending, tariff threats and more point to the exact opposite.

“It’s hard to know what Trump has done so far that is worst, because we really don’t know what he has done,” economist Dean Baker told Random Lengths. “He has illegally stopped many government payments, but we don’t know how many and for how long. He also is threatening the jobs of 2 million government workers, and millions of more depending on government payments. Needless to say, these people will not be spending lots of money on cars and home remodeling,” he explained. “His import taxes will raise the price of a wide range of goods we buy. Also, his contempt for following the law is likely to discourage both domestic and foreign investment in the U.S., possibly for some time to come.”

Trump’s attacks and tariff threats against Canada and Mexico send a similar message, even with an announced one-month pause (which may be more to the credit of Mexican President Claudia Sheinbaum — who enjoys an 80% approval rating — than to Trump). Meanwhile, his mass-deportation threats could seriously cripple key areas of the economy.

Trump’s initial rush of activity was intended as a version of “shock and awe” to stun his opposition into mass surrender. It seemed to work for the first eight to 10 days or so. But not any more. There is no telling what lies ahead, but Trump’s power (along with Musk’s) is built on lies — big lies — and intimidation. The clearer that becomes, the less power he has.

 

Random Happening — Black History Month: Black Cowboys and Rancho Los Cerritos Exhibition

 

While President Donald Trump’s executive orders aimed at curtailing diversity, equity, and inclusion programs are causing confusion and disorder throughout federal agencies, individual nonprofits and other organizations are holding the line, and honoring Black History Month this February. One such place is the Long Beach gem, Rancho Los Cerritos.

Rancho Los Cerritos joins in the celebration of the achievements and history of African Americans as part of Black History Month. Black History Month was created to honor Black people across all of U.S. history and to commemorate their impactful contributions in all areas: arts, medicine, literature, business, fashion, politics, music, and engineering — every field of knowledge has been transformed, and elevated by the successes of African Americans. Black communities also transformed Rancho Los Cerritos and its original 27,000 acres, and their legacy in the cowboy culture of the West continues to this day.

During California’s cattle ranching era, Black cowboys played a crucial role in the development of the American West. Their expertise in animal husbandry, roping, bronco busting, and horsemanship made them an indispensable presence on ranches across California and an integral component of the cattle industry’s success. After the decline of cattle ranches, Black cowboys found success in rodeo circuits through their mastery of equestrian skills. Despite efforts to exclude African Americans from competing in rodeo and equestrian events, their ability to dominate across every event was undeniable. As rodeos waned in popularity, numerous equestrian groups were founded across the nation in an unwavering remembrance of the Black cowboy tradition and legacy. To learn more about the history of Black cowboys in the West, you are invited to visit the Rancho’s exhibition in its visitor center, Untold Legacies: Rethinking the American Cowboy.

 

Untold Legacies: Rethinking the American Cowboy

Untold Legacies: Rethinking the American Cowboy challenges the stereotypical image of the gunslinging cowboy. The exhibition highlights the contributions of the Black, Mexican, and Indigenous cowboys and vaqueros, who were always part of the history but have been overlooked in most historical accounts. It also celebrates cowboy culture in modern media, especially by BIPOC artists and our own neighborhoods, by featuring several modern equestrian groups operating in the LA region today. Five local artists have created captivating works that bring to life their vision of what it means to be a cowboy.

Visit this exhibition in RLC’s Visitor Center during public hours. The exhibition runs through July 2025.

Watch a video or visit the Rancho Los Cerritos website using the buttons below to learn more about the exhibition.

Video: www.youtube.com/watch?v=u6Tha-MwMOs

Details: www.rancholoscerritos.org/untold-legacies-cowboy/

 

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“Performance Improvisation”
with Daniel T. Gaitor-Lomack

Upcoming Untold Legacies: Rethinking the American Cowboy exhibit programs and events

2025 Artist Workshop Series

“Performance Improvisation” with Daniel T. Gaitor-Lomack

Explore the improvisational value of found objects within art and performance. Daniel is one of the five artists featured in Rancho Los Cerritos’exhibit: Untold Legacies: Rethinking the American Cowboy.

Time: 1 to 3 p.m., Feb. 8

Cost: $15

Details: Tickets: https://tinyurl.com/RLC-Performance-Improvisation

Venue: Rancho Los Cerritos, 4600 N Virginia Road Long Beach

 

Film Screening & Panel – Fire On The Hill: The Cowboys of South Central LA

Film Screening and panel discussion of “Fire On The Hill”, a documentary feature film covering the story of the Black Cowboys of Compton and South Central LA, and their fight to preserve their culture by resurrecting an inner-city horse stable that was mysteriously burnt to the ground. Event will take place outdoors, rain will cancel. Attendees are encouraged to bring their own chairs/blankets for seating.

Time: 5 to 8 p.m., March 22

Cost: Admission: $5 per person; tickets required for entry. Tickets will be available for purchase early 2025

Venue: Rancho Los Cerritos, 4600 N Virginia Road Long Beach

 

Untold Legacies Cowboy Festival

Join us for a Cowboy Festival at the Rancho celebrating cowboy life and RLC’s exhibit Untold Legacies: Rethinking the American Cowboys.

Time: 1 to 5 p.m., June 21

Cost: Ticket sales will open May 2025; $5 per person, children under 3 are free.

Details: This is a ticketed event, visit www.rancholoscerritos.org/events for more information on tickets and to RSVP.

Venue: Rancho Los Cerritos, 4600 N Virginia Road Long Beach

Tariffs for Breakfast, Lunch and Dinner

 

Family members who only eat mac n cheese and chicken tenders are in for a tough time as the Trump administration pushes through tariffs on the U.S. closest trading partners. Those accustomed to eating out for breakfast are already finding upcharges of a dollar or two more on an order of eggs.

The administration’s tariffs are already impacting coffee prices. The convicted felon in the Oval Office recently imposed a 25% tariff on Colombian coffee over migrant repatriation. Although this tariff was temporarily suspended, the uncertainty has led to a surge in coffee prices, with arabica coffee futures reaching $3.56 per pound, a level not seen since 1977.

If you like a Wednesday night margaritas or a nightcap of Canadian whiskey, tariffs will raise the price for those guilty pleasures.

According to the US trade group, the Distilled Spirits Council, the U.S. imported $4.6 billion worth of tequila and $108 million worth of mezcal from Mexico. From Canada, the U.S. imported $537 million worth of Canadian spirits and $202.5 million worth of whiskey.

The council also said Canada and Mexico were the second- and third-largest importers of U.S. spirits in 2023, behind the European Union.

As it is, the U.S. is already facing a 50% tariff on American whiskey by the European Union, which is set to begin in March. Imposing tariffs on Mexico and Canada could pile even more retaliatory action on the industry.