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Bridging San Pedro

A Call to Connect West Harbor and the Historic Arts District

Connecting residents and expected visitors of the waterfront destination, West Harbor, to San Pedro’s historic downtown arts district (both less than a mile apart) has been a subject of discussion by people invested in the arts and local businesses since before the 2018 demolition of Ports O’Call Village. It has been argued for at least 25 years, with assistances from the developers and boosters alike, that the waterfront will naturally draw visitors into the downtown area.

This town’s arts community is the primary reason for San Pedro’s historic downtown becoming a destination when it was at its lowest in quality retail establishments and foot traffic. The impact was so great that this town’s boosters and developers attempted to ride the wave by building a slew of “artist lofts” and the first waterfront condos on Harbor Boulevard. The intent behind it all was to save San Pedro’s retail economy and become a viable live-work hub for those engaged in education, the arts, and the Blue economy.

Instead, roughly five months before the opening of West Harbor’s first phase, many residents and the visitors the developers aim to attract have no idea that there’s a thriving, historic arts district in our midst.

Art―and our great local restaurants―attract people; yet, there has been no visible effort to connect these locations. To attract visitors and give San Pedro a great lift, instead of only marketing “attractions,” this region needs a big initiative: “Respect The Locals.”

Additionally, San Pedro, California, in geographic terms, is part of the Palos Verdes Peninsula, specifically at its southern end, overlooking the San Pedro Bay. In its entirety, the five cities of the peninsula encompass a network of wildlife habitats, sea life, and natural corridors. It’s feasible that this ecosystem is the strongest factor linking these rugged coastal regions together.

To connect these two destinations and areas, and to honor San Pedro’s artistic history and geography, I advocate for commissioning a mural at 6th and Harbor of John Van Hamersveld’s art posters for the Respect The Locals initiative, written about here. Such an illustrious statement would draw the attention and curiosity of cultural consumers, environmentalists, art lovers, youth, and the locals, and it would raise awareness about our precarious and precious coastline, sea life, and the important organizations that care for them.

Random Happening: Fluid Dynamics Exhibition Opens at Angels Gate Cultural Center

Artists from Los Angeles and New Orleans examine the mutability and movement of identity, ideology, information and spirituality.

Los Angeles and New Orleans are two metropolitan areas deeply influenced by their relationships with water, albeit in very different ways: Los Angeles navigates its scarcity while New Orleans grapples with its abundance. Both also have long and complicated histories with oil — its extraction, the environmental and public health effects of that process, and impact on the economy and transportation systems in each region. Their inhabitants experience fluidity in more personal ways. We are constantly using liquid metaphors to express the mutability and movement of identity, ideology, information, and spirituality.

Curation by Katherine Shanks

Works by:

Hannah Chalew, Ben Cuevas, Leslie Foster, Felli Maynard, Renee Royale, Nancy Voegeli-Curran, Demi Hanad Ward, Sterling Wells

Time:1 to 4 p.m., opening reception, July 26. The show runs from July 26 to Sept. 13

Cost: Free

Details:tinyurl.com/fluid-Dynamics-AGCC

Venue: Angels Gate Cultural Center, Building A, 3601 S. Gaffey St., San Pedro

SteffenMarkkus Coffee Roasters Bring High-End Brews to Everyday People

 

SteffenMarkkus Specialty Coffee Roasters was founded with a mission: to increase the enjoyment of coffee and to raise the bar for coffee for everyone and make it relatable to everyday people. That mission drives Steven Rosemergy and Marcus Menard, who are at the forefront of coffee’s so-called “fourth wave” — a movement focused on precision, quality and customer education.

The idea for the business took root during the COVID-19 pandemic, about two and a half years ago. At the time, Steven was frustrated by the lack of fresh, high-quality coffee. With nearly three decades of passion and experience — including owning several top-of-the-line espresso machines — he decided to take coffee roasting seriously again.

“I couldn’t find anything fresh, so I figured, why not roast it myself?” Steven said.

Encouraged by Mendard, he invested in a commercial-grade roaster. As a software engineer by trade, Steven wrote custom software to control the roaster and fine-tune the consistency.

“The result was some amazing coffees and roasts,” Steven said. “That’s when we decided to start selling.”

From the beginning, SteffenMarkkus has exclusively sourced specialty-grade coffee — the top 10% of beans globally. Steven roasts beans from Timor, various African regions, South America, and Hawaii. “I get to experience the flavor of them all while sharing that with our customers,” he said.

As the business evolved, Steven and Mendard began helping customers refine their home brewing. That led to workshops focused on water quality, grinder types, dosing techniques and flavor tuning.

“It started with basics — like which water to use — and grew into a full exploration of how to get your coffee right every time,” Steven said.

He believes the broader coffee culture has shifted. Once, a diner like Denny’s defined the average coffee experience. Starbucks elevated the standard, learning from Peet’s Coffee in San Francisco, a pioneer of the third-wave coffee movement.

“Alfred Peet was brought in as a consultant. The founders of Starbucks actually worked for him (at one point),” Steven explained. “But they had a bigger business vision. Peet wanted to be your neighborhood café — not a global chain.”

Today, Starbucks has expanded beyond coffee to become a lifestyle brand. The fourth wave, Steven said, is a reaction to that, refocusing on brew quality and flavor.

“The third wave introduced arabica beans and raised the bar,” he said. “Now, the fourth wave pushes even further with specialty-grade beans and lighter roasts.”

At SteffenMarkkus, the darkest roast they offer is what used to be considered medium. “We’re about clarity and complexity — not burning the flavor out.”

Steven and Mendard now host coffee workshops once or twice a year, with plans to increase frequency.

“We’re looking at every six months, then every three,” Steven said. “If the interest keeps growing, we’ll go monthly and eventually move into a downtown space.”

The next workshop is scheduled for November 2025 at St. Peter’s Episcopal Church, chosen for its spacious kitchen. Workshops are capped at 22 participants and include five hands-on stations demonstrating various brewing methods.

Attendees learn immersion methods — such as French press, Aeropress and cold brew — as well as percolation techniques using Moka pots, percolators and pour-over devices. They also explore espresso and even cacao brewing, which Steven described as “a kind of chocolate tea.”

“We roast cacao, too, and share that during the event,” he said. “It’s fun, hands-on, and casual. We want people to learn without feeling overwhelmed.”

The workshop concludes with a tasting session paired with light food to avoid caffeine overload.

“The food is important,” Steven said, laughing. “But really, it’s all about having fun.”

Visit steffenmarkkus.com to learn more about Steffen Markkus Specialty Coffee Roast.

Respect The Locals

A Campaign Linking San Pedro’s Arts and Environmental Communities

In April, at Cabrillo Marine Aquarium’s Earth Day 2025 celebration, artist and Peninsula resident John Van Hamersveld signed special edition, hand-drawn posters he designed for Palos Verdes Peninsula Land Conservancy, Marine Mammal Care Center and Cabrillo Marine Aquarium as part of the Respect The Locals campaign.

These art posters serve as a symbol of the connection between these nonprofits. The poster for the land conservancy features a rich depiction of the Palos Verdes blue butterfly, which recovered from the brink of extinction. On the aquarium poster, a majestic giant sea bass looms large amid green sea grass, and the care center poster presents a dewy-eyed harbor seal. (These last two species are threatened and critically endangered, respectively).

 

Respect Locals Triptych
Respect The Locals Triptych of posters created by John Van Hamersveld. Graphic by Suzanne Matsumiya.

 

The campaign coincides with the upcoming 60th anniversary of the surf-documentary film, Endless Summer ― a film for which Van Hamersveld created the iconic Endless Summer film poster.

Back then, Van Hamersveld was a surfer and student at Art Center College of Design, serving as art director for Surfing Illustrated and Surfer magazines before director Bruce Brown commissioned him to create the Endless Summer film poster.

To pull it off, Van Hamersveld staged a photo shoot at Salt Creek Beach with the film’s producer and stars, then combined photo techniques with hand-lettered text. He was paid $150 for the work. The poster is featured in the Smithsonian’s National Museum of American History.

The film follows surfers Mike Hynson and Robert August as they chase waves across the globe. Along the way, they introduced surfing to locals in places like Senegal, Ghana, Nigeria and South Africa, sharing boards and sparking cross-cultural connections.

By the 1960s and ’70s, the term “Respect the Locals” became a widely adopted mantra. It originated as a phrase used within surf culture to remind visiting surfers to honor the customs, space and priorities of local surfers at any given beach, especially as surf tourism expanded and newcomers began crowding lineups in places like Hawaii, California, Indonesia, Australia and South Africa.

These organizations and Van Hamersveld carry that ethos further by asking humans to respect the locals who were here first ― the wildlife. Respect embodies showing interest in culture, history and traditions, so it’s no different when directing these ideals towards nature and wildlife.

Random Lengths spoke with leaders of each of these organizations, John Van Hamersveld and his wife, Alida Post, about the Respect The Locals campaign.

Laws of Advertising
Word… image… metaphor… This is how Van Hamersveld said he designs.

“I learned that at 19 years old at an art center design class,” said Van Hamersveld. “That was the whole four years, really, those three words. People know what words and images are, but they have to figure out ‘metaphor.’ You have to tie them together.”

Photo by Arturo Garcia-Ayala
John Van Hamersveld by his posters at the aquarium gift shop. Photo by Arturo Garcia-Ayala

“Advertising always puts a product in an environment and then they put a line [of text] underneath it [explaining] the word, the image, the metaphor,” he said.

He compared it to visiting a museum and looking at a painting; if there’s no text alongside the art, you may not know what you’re looking at. No one’s told you anything. But if the docent comes in and describes what’s in the painting, the next time you visit the museum, you have an entrance to that piece of work.

The land conservancy executive director, Adrienne Mohan, said the nonprofit jumped right in after hearing about this program during a meeting with Van Hamersveld and Alida.

“[That] they wanted to raise awareness for local species, and what makes the peninsula so unique and important really resonated with what we value at the land conservancy,” Mohan said. “It was evident that the Palos Verdes blue butterfly would be a great poster child for this program, for our organization and its mission.”

Mohan noted that the blue butterfly tells quite an amazing story about the community coming together, about valuing the protection of land, space and the species that rely on it. It is the iconic embodiment of the peninsula and relies on this really important, rare and special place.

She discussed the urgency of this campaign in how it relates to the conservancy’s work. Much of the open space around the peninsula has been protected and conserved, she explained. The important work of the conservancy now is to restore the land in those spaces. That, along with fire safety, is of concern across the peninsula and even into San Pedro.

Mohan said it’s not just the work but ongoing education, connecting people to the land, and why open space matters, and stewarding this land matters.

Alida Post noted that most folks north of Torrance do not realize that the Harbor region has these facilities and organizations that are doing amazing work, and they’re all about six minutes apart. She said this campaign is timely, as West Harbor, the new waterfront destination in San Pedro, is slated to begin a phased opening in late 2025.

Respect The Locals was a phrase that Alida saw written in small text on a goodie bag, designed by high schoolers, for a fundraiser at the Lundquist house (the real estate investor couple is one of the most philanthropic donors in the United States). It was an important message, but she said it needed a graphic to go with it.

Later, she and John Warner from the care center met to discuss a campaign to highlight each of these nonprofits. Respect the Locals would be the name of the initiative; they just needed an image to go with it. That’s when Van Hamersveld designed the harbor seal poster.

Warner echoed Alida’s point.

“These nonprofits are located in an area where no one would assume that you’ve got these world class, thought leading, nonprofit organizations all focused on conservation, especially ocean conservation, Warner said, “you start thinking about this and [realize] Pedro, mostly known for the port, has a lot more going for it in terms of the nonprofits that are powering change.

“San Pedro is the epitome of the urban ocean interface and all of the opportunities but challenges that come with that, and for us to be in the backyard of the most visible urban ocean interface is also something to celebrate. [Respect The Locals] tying us all together, visually, with a message that is resonant [will] help … drive the point home that we should love wildlife — not love them to death — in this more powerful ownership [way].”

“The animals are the locals,” said Alida. “It’s not our ocean, it’s their ocean.”

The nonprofits involved with the environment and animals are not in competition with one another, said Carolyn Brady of the aquarium.

“Anything you do to save the harbor seal is also going to help the giant sea bass and vice versa.”

The aquarium has all three posters in its gift shop, and Brady wants that messaging out there. The framed posters cost $50 and the unframed ones cost $25. They are all the same size and can become a collection. There are also plans to create a gray whale poster. Brady said the gift shop has a lot of cool merchandise to buy. But the goal is more than making money; it’s to have an extension of the visitor experience.

Together In One Message

John Van Hamersveld and his wife, Alida Post. Photo by Arturo Garcia-Ayala
John Van Hamersveld and his wife, Alida Post. Photo by Arturo Garcia-Ayala

Alida recalled that after moving back to California in 2001 and getting mail from multiple environmental nonprofits, she wondered, “Why are they all working independently? Why not join forces?”

To her point, Warner said the environment and animals go in the same bucket of philanthropy when they measure people’s philanthropic dollars. And that bucket gets a mere 3% annually.

“It‘s the afterthought of causes,” she said. “That slice of investment for the environment and animals includes everything that we’re doing, and it’s really the smallest slice. It is this type of banding together that helps more people know that it is something that is worthy of their investment. This percentage is not about taking away from each other, it’s about expanding the 3% in the first place.”

Brady discussed the cool factor of these collaborative organizations; every year, the aquarium hosts the Palos Verdes Land Conservancy Film Festival on Earth Day at the John Olguin Theater. And the care center releases its rehabilitated animal patients right on Cabrillo Beach, which is at the aquarium. Also, the connection of the PV Land Conservancy is a direct link with ocean health and coastal health.

“It’s a mutual respect and love society because each one is going for the same sustainable goals,” Brady said. “This is kind of special. Here we have four beautiful murals that we didn’t have to spend thousands of dollars on.”

It took an interloper, being Alida, to point out that they need to let people know about this important work. Additionally, the Van Hamersvelds do not take any money or licensing fees for the posters; all proceeds go to the nonprofits. And upon their passing, the nonprofits will get the copyrights.

Urgency of Fundraising
As the government just passed the so-called Defund NPR Act, which prohibits federal funds from being made available to or used to support National Public Radio (NPR) and public broadcasting stations, Brady spoke about the uncertainty that CMA and other organizations are now struggling with.

Photo by Arturo Garcia-Ayala
John Van Hamersveld and his octopus mural at the Cabrillo Marine Aquarium in San Pedro. Photo by Arturo Garcia-Ayala

“It’s an uncertain time,” Brady said. “We just lost a federal grant that we thought was almost a certainty. Then another company asked us to do a grant about DEI. That’s basically what we do because we’re bringing children whose parents can’t afford to bring them or children who can’t afford a bus to the aquarium … that’s what we’ve been doing for 90 years now. But this company chickened out and said, “We better not give you this grant.” [That’s] two grants now, totalling almost $200,000, that I can directly say is the impact of the crazy political times we’re living in.

“We’re appealing to the average person who loves coming to the aquarium, who loves us, or who remembers serving with John Olguin, or collecting sea glass, or seeing a marine mammal released right there on our beach. Hey, if you still love the ocean and you love us, we could really use your help right now … we’re a little scared.”

Warner said the urgency is that the fundraising is an ongoing challenge, and the more animals that are stranded, the more the need is there.

“The [other] urgency is for people to understand the direct linkage to the problems that we’re facing and our own individual and collective contributions to it. It’s also a realization that this can be turned around. It’s not a technology thing, [or] how do we do this, it’s not even a money thing, it’s the will to do it. Messages like this that connect you to the human experience … pull at the heart and head strings in a way that is needed to meet the urgency of the problems we’re facing.

“The fact that [the posters] add fundraising revenue is an added benefit, but people are the key to fixing what’s wrong, [which] makes us have to exist in the first place. That means start respecting the environment that you live in and share with everything else.”

Warner noted that nothing else that the nonprofits sell is going to do the same thing as these posters; Van Hamersveld’s name recognition helps. It lends a great credibility stamp because people get excited when they realize who he is and recall his Endless Summer poster or the many album covers, some of which they may have, which he designed. The hope is that AltaSea and International Bird Rescue also join the poster mix.

“JVH has done something to the images that raises them to a level that makes people care about the animals,” Warner noted.

The land conservancy’s director, Mohan, summed everything up nicely.

“This [initiative] is an interesting crossing of passions,” Mohan said. “The love of the peninsula’s open space with the love of art, that will speak to a lot of folks, and we’re excited to get that graphic out there and see if it resonates with the community.

“As far as the beauty of art and the beauty of nature, they can really uplift [people], and there’s a lot going on in the news right now, too. So, the timing of this is good. It offers a real positive infusion of something funky and fun at a time when we need it, of art and appreciation for nature, something that probably unifies all of us.

“We don’t want to seem off topic or inconsequential, but it’s important and it brings good news to people. Environmental factors are connected to everything else that’s happening.”

  • Purchase all three of Van Hamersveld’s art posters at the sites below:

John Van Hamersveld

https://pvplc.org/shop

GOP Congress Votes For Mass Murder Of Millions

 

Fourteen million people are likely to die by 2030 as a direct result of GOP Congress voting to approve Trump budget rescissions slashing disease prevention funding for USAID, according to an analysis published in The Lancet, Britain’s leading medical journal.

“Higher levels of USAID funding … were associated with a 15% reduction in age-standardised all-cause mortality” from 2001 to 2021, the researchers reported, and “Forecasting models predicted that the current steep funding cuts could result in more than 14,051,750 additional all-age deaths,” with an uncertainty range between 8,475,990 and 19,662,191 deaths. Of those [deaths], 4,537,157 would be children younger than age 5 years, with an uncertainty range between 3,124,796 and 5,910,791 deaths.

Tens of thousands of Americans will die as a result of healthcare cuts in the GOP Murder Budget that Trump signed on July 4, but that number is dwarfed by the scale of death due to the termination of USAID funding.

Trump’s War On America Puts LA At Ground Zero

Day Laborers Are In The Vanguard Of Fight To Defend The Constitution

Roving gangs of armed, masked government troops terrorizing the community are hallmarks of authoritarian regimes throughout history and across the globe. Beginning on June 6, immigrant communities throughout the Los Angeles region were subject to the same sort of government terrorism until a federal judge ordered a halt in a July 11 ruling that could prove crucial in preserving American democracy.

At the same time, the economic impacts could cripple the country in a way not seen since the Great Recession, as the nation’s roughly 11-12 million undocumented immigrants are vital to its food system, construction industry and service sector. In fact, at the state level, job losses are greater than those already for the first month of ICE raids, according to Census data analyzed by UC Merced researchers.

But we’ve had terrible recessions before; they take time to develop, and we know we can recover. What we haven’t had is the loss of our democracy.

Two aspects of the ICE raids blatantly violate the Constitution’s Bill of Rights: mass arrests without reasonable suspicion of individual criminal guilt and denial of legal representation.

But, “What the federal government would have this Court believe—in the face of a mountain of evidence—is that none of this is actually happening,” U.S. District Judge Maame Ewusi-Mensah Frimpong wrote in her ruling. Because the plaintiffs were likely to succeed at trial and would suffer irreparable harm in the meantime, she issued two temporary restraining orders (TROs) halting the mass arrests and the detention without access to counsel.

The morning of the ruling, Trump’s border czar Tom Homan went on Fox to claim that ICE agents “don’t need probable cause to walk up to somebody, briefly detain them and question them,” as if that were all they were doing, which is clearly false. “They just go through the observations, get articulable facts, based on their location, their occupation, their physical appearance, their actions,” Homan said.

But that is precisely what the judge ruled they could not do — because that would apply to a broad class of people, the very kind of sweeping police power that the British abused in pre-revolutionary America and that the founders prohibited in the Fourth Amendment.

Afterwards, one of the plaintiff attorney organizations, the National Day Laborer Organizing Network (NDLON), issued a statement saying, “In the coming days, it will be up to the people of Los Angeles—the rapid response networks, the community organizations, and the neighborhood associations—to make this win real by holding ICE accountable to the Court’s order.”

“The work of NDLON and other day laborer advocates … is of extreme importance today,” Victor Narro, project director at the UCLA Labor Center, told Random Lengths. “One of the Trump administration’s major agendas with its mass deportation policy is the eradication of our rights under the Fourth Amendment (protection against unreasonable search and seizure) and Fifth Amendment (right to remain silent, access to counsel, and due process). Day laborers have become the vanguard in the fight to preserve and protect our Fourth and Fifth Amendment rights, which is why we must all get involved to support them and the day laborer advocates,” Narro said.

“This is a similar situation with other ‘open air’ workers like carwash workers and street vendors,” he added. “This is why we must come behind them and support advocates like the CLEAN Carwash Worker Center and the Los Angeles Street Vendor Coalition. They are all in the trenches at the front line in the fight against the attacks on our constitutional rights.”

Although baseless immigration fears — about “invasion,” criminality and job loss — were crucial in electing Trump, public opinion has turned sharply against him as his actual policies have rolled out. Undocumented immigrants’ crime rates are much lower than native-born Americans, and so to meet arbitrary quotas, ICE has turned to mass arrests of the easy-to-grab — such as day laborers — most of whom are hardworking, with deep roots in their communities.

A survey of 330 Mexican immigrants held in ICE detention conducted by the LA Mexican consul general found that more than half of detainees (52%) have lived in the U.S. for at least a decade, and a third (36%) have been here for more than 20 years, while almost one third (31%) have U.S.-born children. They work in a variety of industries, including car washing, construction, factory work, and landscaping.

“There is no hiding the truth about the hardworking immigrants who are being hunted, chased, and locked away by this administration,” said NDLON Co-Executive Director Pablo Alvarado. “They are not the ‘worst of the worst,’ as the administration dishonestly calls them. They are the best of the best. Their hard work supports their families, this country, and, through remittances, the country of their birth.”

Initial approval of Trump’s immigration policies turned negative in early June in IPSOS/Reuters polling, with 51-41% disapproval in mid-July. Specific aspects are even more unpopular. Workplace arrests are opposed 54-28%, and military-style arrests are opposed 53-30%.

A Quinnipiac poll had similar findings: ICE enforcement actions are disapproved 56-39%, Trump’s deployment of Marines in LA is disapproved 60-37%, and his overall handling of deportations is disapproved 59-39%.

More broadly, a recent Gallup poll found that almost eight in 10 Americans, 79%, now say immigration is “a good thing” for the country, up from 64% a year ago and a high point this century.

Given this broad public sentiment, popular resistance here in the LA region may prove crucial, not only in holding ICE accountable to this temporary order, but also in preserving the rights at issue before the Supreme Court, which is likely to get involved sooner or later. While the Trump administration has lost the overwhelming majority of cases in lower court rulings, the Supreme Court has repeatedly overturned settled law to favor Trump, as it did when it granted him 17th-century king-like criminal immunity for “official acts.” And it’s likely to continue doing so unless it deems the blowback too severe, constitutional law professor Eric Segall told Random Lengths.

Segall is the author of the 2012 book, Supreme Myths: Why the Supreme Court Is Not a Court and Its Justices Are Not Judges, which argued that the Court, not being subject to review or any other outside constraint, acts more as a political body, and has throughout its history. While it seemed like a left-field view when first published, it’s a view now widely shared by Court critics. But that was an argument about the role of political ideology. What’s unfolding now is more sordid — purely partisan rulings.

If the case comes to the Supreme Court, “they will do whatever they think is in the best interests of the Republican Party,” Segall said, after describing the broader pattern of their decision-making as “procedurally incomprehensible.” Above all, he pointed to their use of the “shadow docket” to issue temporary stays without explanation, effectively allowing plainly illegal and unconstitutional government action to continue.

“The district courts are preserving the status quo,” Segall said, protecting people’s rights before an issue goes to trial. “The Supreme Court is coming in and destroying the status quo. And that’s not how appellate courts are supposed to work. You preserve the status quo until it’s worked out at the end. What the court is doing is procedurally completely unjustifiable and I don’t think they could give reasons,” he said. “They can’t give reasons for interfering with district courts in a way no Supreme Court has ever done in history.”

A recent example involved allowing the Trump administration to effectively destroy the Department of Education via mass firings. “It’s illegal to end the Department of Education. Everybody knows that. All the district courts are doing is trying to preserve the status quo until a final ruling on the merits and the [Supreme] Court comes in and says ‘No! Destroy the status quo!’ and the only reason they’re doing that is to help the Republicans. I don’t think it’s complicated.

“The Court has become ‘a subset’ or an arm of the Republican party,” Segall said. “It doesn’t mean the Republican Party always wins in the Court because they know they can’t get away with that. But they’ll do whatever is in the best interest of the Republican Party,” a pattern that’s been in place “since Amy Coney Barrett was confirmed,” he noted. “There are some things he [Trump] does that in the long run will hurt the Republican Party,” and so they could rule against him.

This is precisely where mobilized opposition aligned with public opinion could prove crucial.

Not only has Trump come after undocumented immigrants, but those who stand in solidarity with them are also attacked, because authoritarians always attack anyone who opposes them, one way or another. This includes U.S. citizens observing the raids, but also judges — as happened in Minnesota — and elected officials, as happened in New Jersey, and here in LA when Sen. Alex Padilla was wrestled to the ground by government goons when he tried to ask Interior Secretary Kristie Noem a question at a press conference.

At the time, Noem’s authoritarian message was clear. “We are not going away. We are staying here to liberate the city from the socialist and burdensome leadership that this governor and this mayor have imposed.”

Using armed troops to “liberate the city” from its elected leadership is a classic authoritarian move. Touting it while your armed thugs wrestle an elected U.S. senator to the ground only serves to make the message unmistakably clear.

In a similar vein, Noem has also criticized Bass for calling LA what it is: a city of immigrants.

“Now she’s holding press conferences talking about the fact that people have the right to peacefully protest, and that they’re a city of immigrants,” Noem said about Bass on Fox’s Hannity show. “Well, they’re not a city of immigrants; they’re a city of criminals,” she continued. “Because she has protected them for so many years.”

In reality, Bass has only been mayor for a little over two years, and in that time, crime has declined dramatically. Homicides are down 30.89%, rapes down 13.60%, total violent crimes down 11.04%, and property crime down 10.22%.

But Noem was hardly alone in threatening California self-government. On July 17, ICE raided a Sacramento-area Home Depot — hundreds of miles north of any previous raids — detaining at least one U.S. citizen while Border Patrol El Centro Sector Chief Gregory Bovino released a video filmed in front of the state capitol building, saying, “There is no such thing as a sanctuary city. There is no such thing as a sanctuary state,” alongside images of masked agents arresting men. “This is how and why we secure the homeland for Ma and Pa America. We’ve got your back, whether it’s here in Sacramento or nationwide, we’re here and we’re not going anywhere.”

But the raid that day appeared to be a clear violation of a similar court order in a different federal district, which was issued in April in a case brought by the United Farm Workers and the ACLU. And its impact — along with other such raids — is the exact opposite of what Bovino claimed. Arresting day laborers at a Home Depot does nothing to “secure the homeland for Ma and Pa America,” who are presumably white. But it might put them out of a job.

During the campaign, Trump not only lied about immigrants invading the country and being “the worst of the worst” criminals, emptied out foreign jails. He also claimed that all the jobs created under Joe Biden since 2022 had been taken by undocumented immigrants. “They’re taking your jobs, they’re taking your jobs,” Trump told a crowd in Wilmington, N.C., on Sept. 21. “Every job produced in this country over the last two years has gone to illegal aliens, every job, think of it,” Trump lied.

“We’re going to save you. We’re going to save you. We’re going to save you,” he lied some more.

For a reality check, Random Lengths consulted economist Dean Baker, co-founder of the Center for Economic and Policy Research.

“The economy created over 9 million jobs from January 2022 to January 2025,” Baker said. “By our best estimates, 3.8 million of those went to immigrants, leaving over 5 million for native-born workers. Trump may be confused on this issue, but the data are very clear. Native born workers were getting jobs at a very rapid pace in these years.”

But that may be coming to an end. Not only are the raids scaring immigrants away from worksites, but the raids are also having ripple effects, putting even more citizens than non-citizens out of work, according to Census Bureau statistics analyzed by UC Merced researchers, who found a 3.1% drop in private-sector employment the week immediately after the immigration raids began in the state. The dramatic drop is second only to that during the onset of the coronavirus pandemic in 2020, and is greater than during the Great Recession.

While the drop in noncitizen workers (including documented green-card holders) was more dramatic percentage-wise, almost 80,000 more citizens lost their jobs. Noncitizen employment saw “a decline of 193,428 workers (or -7.2%),” while Californian citizen employment saw “a loss of 271,541 (or -2.2%),” according to the report. This compares to a nationwide decline of just 0.2%.

The researchers recommended that state policymakers consider “significant action” such as economic stimulus and disaster relief, similar to that during the pandemic.

Still, things could get much worse than they already are — and not just for California. A story in the Guardian, “How Trump’s anti-immigrant policies could collapse the US food industry – visualized,” summed things up like this:

If the Trump administration oversees even a fraction of its promised mass deportation of 11 million undocumented immigrants, it could lead to major disruptions across the food system: crops left to spoil in the fields, supermarket shelves unstocked, takeout deliveries delayed and food prices soaring even higher. It could also upend rural economies that depend on migrant workers and their families who live, work, and go to school in small declining communities.

Baker agreed. “We will see the impact of Trump’s mass deportations most immediately in higher food prices, as many crops are likely to go unharvested,” he said. “We will also see some increase in the price of meats and processed foods, as many of the workers in slaughterhouses and processing factories are immigrants. Some of these will close, and others will end up paying far higher wages to replace immigrant workers. Also, many restaurants are likely to close since they won’t be able to get the workers they need.”

And while food is incredibly central to the economy, impacts would be devastating in other sectors as well, a point he makes in a recent Substack post. Baker cites major impacts to the healthcare, construction and hotel, and restaurant industries, each of which is facing other problems as well. But that doesn’t mean immediate catastrophe, he says, recalling the example of the housing bubble, whose collapse caused the Great Recession. Baker first began writing about it in 2002, and by the time it began to collapse, insiders were fully aware of how unsustainable it was. Even so, it took two years from the start of the collapse to the full-blown panic in the closing days of the 2008 election.

“Even when you have a clearly disastrous situation, it takes a long time for the impact to be felt,” he writes.

And speaking of a clearly disastrous situation, Trump now has the money to make things much worse.

A week before the ICE TROs were issued, Trump signed the GOP murder budget, which not only will throw up to 17 million Americans off of health insurance, while giving trillions in tax breaks to multi-millionaires, it will also dramatically expand the size of ICE (adding 10,000 new officers) and the Border Patrol agents (adding 3,000 agents).

This massive increase is sure to cause problems, as past ones have significantly lowered standards, even to the level of outright criminality. A 2012 Government Accountability Office report said that an earlier high surge in 2006-2009 recruited an unknown number of criminal underworld figures, who applied for — and received — jobs as border agents and officers “solely to engage in mission-compromising activity.”

At the time, that was seen as a serious problem. But authoritarian governments see things differently. For Trump, an influx of over-eager criminal thugs will be a feature, not a bug.

 

LA vs Hate and Community Leaders Lift Up Muslim Voices Through Public Art

 

LOS ANGELES – LA vs Hate joined faith leaders, elected officials, artists, and community members at the Islamic Center of Southern California to celebrate the unveiling of a new mural titled “Sabr at Fajr”, created by Palestinian-American artist Saj Issa. The event, hosted by LA vs Hate in partnership with MPAC, CAIR-LA, is part of LA vs Hate’s Signs of Solidarity campaign. Launched in April, Signs of Solidarity is a grassroots initiative aimed at countering rising hate, hostility, and discrimination by distributing community signage—such as yard signs, posters, and murals—to foster a shared neighborhood identity rooted in inclusion and respect for diversity.

The mural’s title, which means “Patience at Dawn,” depicts a symbolic Sabr (cactus) plant taking root in an ethereal landscape that evokes both Los Angeles and the Middle East, echoing the strength and identity of the Muslim community in LA County. Developed through months of community engagement and MuralColors artist residency program, the placement of the mural could not have come at a better time. In May, the Islamic Center was defaced with hate-motivated graffiti—an attack that galvanized the community and spurred renewed efforts to combat hate in all its forms.

“Over the last 21 months, the American Muslim community and our allies have faced an increase in Islamophobic, xenophobic, and racist hate here at home while watching a U.S.-funded genocide against our communities abroad happen in real-time,” said Dina Chehata, Civil Rights Managing Attorney for CAIR-LA. “But in a time of growing hostility, we gather today not in fear, but in faith and resolve. This mural is more than art on a wall: it is a declaration of presence, belonging, and enduring. It is a statement that we will not be erased; that when our communities are targeted and our mosques defaced, we will not meet hate with silence, but with unity, solidarity, and strength.”

The mural unveiling is part of LA vs Hate’s growing Signs of Solidarity campaign, which aims to combat the sharp rise in hate crimes by reclaiming public space with messages of inclusion. The 2023 Hate Crime Report revealed a 45% increase in hate crimes across LA County, prompting a strategic expansion of efforts to foster visibility, connection, and collective resistance to hate. The campaign has already launched in Westlake, San Pedro, Pico-Robertson, and Koreatown; Signs of Solidarity will launch in Hollywood, Florence, Culver City, Santa Monica, Burbank, and Antelope Valley next.

LA vs Hate provides a free, confidential, and anonymous hotline for victims and witnesses to receive free support via online reporting to LAvsHate.org or by calling 2-1-1 in LA County.

Details: www.lavshate.org/signsofsolidarity.

Port of Long Beach Names New Finance Director

The Port of Long Beach has appointed Don Kwok as its new director of finance. Kwok, who joined the port in 2016 as assistant finance director, also served as acting director of finance for the port from September 2017 to April 2019.

The director of finance is responsible for ensuring effective implementation of fiscal policies at the Port of Long Beach, which maintains an AA+ Standard & Poor’s Credit Rating – one of the highest credit ratings for U.S. seaports; sound oversight of Harbor Department income, expenses, capital projects and debt issuance and service; and budget alignment with the port’s strategic plan. The port operates entirely on revenues and existing funds and is not funded by taxes or the city’s general fund.

With nearly 30 years of experience as a finance professional across both public and private sectors, including at the Port and various Fortune 500 corporations, Kwok is a proven and proactive financial leader for large organizations. His professional background includes eight years as complex controller for International Paper in Los Angeles, and three years as finance manager for Johnson & Johnson in Diamond Bar.

Kwok earned a bachelor of science in accounting from the University of Southern California.

Slight “Lobby Hero” manages some conversational charm

Jeff (Trevor Hart) is a 27-year-old dishonorably discharged Navy vet taking the graveyard shift at a condo lobby for a low-rent security firm so he can save up enough to get a place of his own and start his life anew. His greatest excitement is fantasizing about Dawn (Ashley O’Connor), the rookie cop who’s been coming around lately when her partner/mentor (Brandon Prado) stops in to visit a sexually notorious resident. But when Jeff’s supervisor (Nate Memba) spills the beans about some family legal trouble, Jeff’s got a lot more to think about than what it would be like to have Dawn handcuff him.

Although Lobby Hero ultimately attempts to pass as a meditation on ethics — its climax pivoting on what Jeff will or won’t tell the cops — it’s more likely to please simply on the basis of dialog, as the characters try to hash out how best to move forward in life when they’re not sure what they’re doing. And considering that the only other “action” consists of characters sitting down, standing up, and entering/exiting the aforesaid lobby (oh, and walking in/out of the elevator), that dialog is all.

On that score, playwright Kenneth Lonergan gets mixed results. Although Lobby Hero is certainly not his best work (his Oscar-winning screenplay for Manchester by the Sea is in another league on every level), it does feature something you almost never see onstage: people talking at the same time and cutting each other off. Common as this is in real life, it’s so rare is in the plays I see ‘round these parts that during Act 1 I thought perhaps it was unintentional (though nonetheless effective for that); however, Act 2 left no doubt that this was Lonergan’s writing, which was aptly delivered by the cast, particularly Hart and O’Connor. Seeing/hearing them talk over is the highlight of the show. I don’t mean that has backhanded praise: it’s a real treat. Director Carl DaSilva deserves a share of credit, clearly having coached his cast on this point. And the performance I saw was a preview (i.e., prior to opening night), which means the whole cast is likely to loosen up even more during the run, thus improving on the best thing in Lonergan’s script.

Although David Scaglione’s set is lifelike enough that we can look at it from curtain-up to curtain-down without the seams showing too much, there is one obvious gaffe: the front door to the building says “LOBBY,” rather than the name of the building. Not sure how that got past DaSilva and the rest of the crew.

But this show’s biggest failing is its ending, which is so slight that you’re a bit puzzled when the cast is suddenly taking their bows. I’m sympathetic to DaSilva’s plight — Lonergan’s given him almost nothing to work with — but if you take on a play with this problem, you need a solution. Here’s to hoping DaSilva has come up with something better by the time you read these words.

Lobby Hero doesn’t go deep, but it is not without surface pleasures. And in its best moments, this is live theatre delivered in a way you don’t come across all that often.

Lobby Hero at Long Beach Playhouse

Times: Fri–Sat 8:00 p.m., Sun 2:00 p.m.
The show runs through August 16.
Cost: $20 to $30 (plus $4 fee per seat if ordering online)
Details: (562) 494-1014; LBplayhouse.org
Venue: Long Beach Playhouse, 5021 E. Anaheim St., Long Beach

AG Bonta Petitions Court to Place LA County Juvenile Halls Under Receivership

 

LOS ANGELES California Attorney General Rob Bonta July 23 asked the Los Angeles County Superior Court to place Los Angeles County’s juvenile halls into a receivership amid the county’s persistent failure to comply with a stipulated judgment, enforcement order, and two stipulated amendments secured by the attorney general’s office since 2021. In the filing, the Attorney General argues that while it is a measure of last resort, receivership — or total control by an appointed officer of the court over the management and operations of the juvenile halls, including the setting of budgets; procurement of goods; hiring and firing of staff; and all other necessary decisions to bring the juvenile halls into compliance — is necessary to address the ongoing and immediate harm to youth at the facilities resulting from chronic illegal and unsafe conditions. In recent years, youth at these facilities have suffered severe harms, including overdoses on narcotics allowed to enter the facility, youth-on-youth violence facilitated by staff, and significant unmet medical needs — and will continue to do so if the juvenile halls remain under the county’s authority.

Attorney General Bonta’s proposed receivership, if approved, would give a court-appointed receiver all the powers vested with the county, and additional powers as approved by the court necessary to bring about compliance, providing the receiver with the tools necessary to shepherd the juvenile halls toward long-overdue compliance with the judgment.

On July 23, Los Angeles County Public Defender, Ricardo D. García, responded to the Attorney General’s request for receivership.

“The protection of our youth is central to our wellbeing as a community. We believe in LA County’s vision of Youth Justice Reimagined and a system that focuses on healing trauma and ensuring a young person’s most basic needs are met. Any state intervention must prioritize the safety, well-being, and constitutional rights of every youth. Instead of further investment in a carceral system, state action should prioritize lasting transformation of how the criminal legal system treats its most vulnerable youth and continue to move away from punishment toward healing, education, and care, not cages.”