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April is National Earthquake Preparedness Month, Ready Yourself For Safety


SACRAMENTO – During Earthquake Preparedness Month, the state is sharing multilingual resources and calling on Californians to sign up for alerts through the state’s first-in-the-nation Earthquake Early Warning System to prepare for the next big one. The MyShake App is now available in English, Spanish, Chinese (traditional), Vietnamese, Korean and Filipino.

Earthquake Warning California is the country’s first publicly available, statewide warning system giving California residents crucial seconds to drop, cover, and hold on. Sign up to get alerts to your phone as soon as shaking is detected by ground motion monitoring:

  • MyShake App: Free smartphone app that provides iPhone and Android users with audio and visual warnings.
  • Local Alerts
  • Wireless Emergency Alerts (WEAs): No-cost text messages for emergency situations

Individuals, businesses and communities can take steps today to protect life and property when a serious earthquake strikes.

Earthquake Safety Guide

  • Make a plan:
    • Create a customized emergency plan for your specific needs
    • Build an emergency contact list
    • Build an emergency supply kit with copies of important documents
  • Know how to protect yourself during an earthquake:
    • DROP to the ground, COVER your head with your arms, and HOLD ON to your neck until shaking stops
    • Remain vigilant for aftershocks
  • Check in on family and friends after shaking stops:
    • Reach out to your emergency contacts
    • Check in with those in your community who may need additional assistance
    • Listen to local authorities and official resources

The Listos California campaign, which works to expand access to lifesaving emergency preparedness information, offers earthquake preparedness resources in several languages:

Listos California Disaster Ready Guide

LA County Library Ignites Curiosity During National Library Week

In honor of National Library Week, a nationwide celebration of library services and offerings, LA County Library is hosting special in-person and virtual programs, April 7 – 13. In a world increasingly dominated by technology, this year’s theme, “Ready, Set, Library!” highlights libraries as unique sanctuaries where people are empowered to connect, learn new skills, and concentrate on what truly matters both in-person and online. This year’s theme encapsulates LA County Library’s mission to serve as a place for the community to learn, grow, and succeed.

LA County Library will offer free activities for all ages at many of its 86 libraries as well as online, ensuring that every community member finds something to spark their interest.

Featured Events:

  • Trailblazers in Conversation with Mychal Threets on April 11, 6 – 7 pm: In a special National Library Week edition of the Library’s virtual series, LA County Library Director, Skye Patrick, chats with Mychal about his journey from librarian to a viral social media influencer, and his recent collaboration with PBS Kids. The conversation will offer insights into the evolving role of libraries in the community, underscore the importance of literacy, and address the challenges that library professionals face.
  • Friends of the Library Book Sales: Unbeatable deals on books, DVDs, and music at wallet-friendly prices at many locations.
  • Performances, Workshops, & Demonstrations: Special in-person programs at many libraries, including music, magic, bubbles, wildlife visits, art activities, cooking, gardening and more.

Details: LACountyLibrary.org/national-library-week.

Stay Safe: Public Health Shares Guidelines for Viewing Solar Eclipse Without Eye Damage

The Los Angeles County Department of Public Health is reminding residents to take necessary precautions while viewing the solar eclipse, which is expected, April 8.

“As we anticipate viewing the solar eclipse, I urge everyone to prioritize their eye safety. The sun’s powerful rays can cause serious eye damage if you look directly at it during an eclipse,” said Dr. Barbara Ferrer, Ph.D., M.P.H., M.Ed., Director of the Los Angeles County Department of Public Health. “By following simple precautions and using certified eclipse glasses and avoiding direct sun gazing, we can safely enjoy this amazing natural phenomenon.”

In Los Angeles County, residents are expected to see a partial eclipse.

Residents can enjoy the eclipse while keeping their eyes safe by abiding by the following guidelines:

  • Do not look directly at the sun
  • Wear eclipse glasses, or solar viewers, with certified solar filters and ensure lenses are in good condition. To learn more about proper eye protection and find suppliers of safe solar viewers and filters, visit the American Astronomical Society. Free eclipse glasses are also available at select Los Angeles Public Libraries.
  • Do not use sunglasses, binoculars, or telescopes
  • Always supervise children using solar viewers
  • Use a pinhole viewer to view the eclipse indirectly without looking at the sun. Instructions on how to do this are on this website.

Residents can also view a livestream of the eclipse on NASA’s and Griffith Observatory’s websites.

The Los Angeles County libraries are hosting solar eclipse events and activities starting this weekend. For a list, click here.

Tragic Incident: Worker Fatally Injured in Forklift Accident at Port of Los Angeles

 

Maritime Logistics Professional has reported a worker died on March 18, after becoming trapped under a forklift at the Port of Los Angeles, according to local officials.

At about 10:40 a.m. at Berth 270, the Los Angeles Fire Department said it received a report of the incident. Emergency responders pronounced the person dead on scene. The cause of the incident is unknown at this time.

The deceased individual has been identified as a man in his 30s.

Authorities from multiple agencies are investigating.

Republicans Kill Rainbow Flags, People As Well?

 

Republicans did something last week that went almost unnoticed. Through one simple act in 1970, the United States became the world’s leader in making our community visible. Thanks to a Republican amendment in the federal budget that was signed last week, a sad end has come to that leadership.

In 1970, we created what we then called Christopher Street Gay Liberation Day — the world’s first Pride. That day, which came from a resolution written by Craig Rodwell and Ellen Broidy, changed not only America but the world.

During that era, probably 99.9% of our community was in the closet, and there were fewer than 100 members of the community who would speak out for our rights. Then the Stonewall riots happened in 1969, and to celebrate its first anniversary and the community we had created in that first year, Rodwell and Broidy proposed what we now call Pride.

During the Obama administration, then-Secretary of State Hillary Clinton suggested that ambassadors fly rainbow flags outside our embassies around the world. Soon, other embassies of other countries followed suit. In recent years, that program has increased to the point where you see rainbow flags on embassies every June in places where they imprison or even kill members of our community. They fly the flag in Uganda, Qatar, Saudi Arabia and Russia. I’ve personally witnessed members of our community in countries where it is illegal to be LGBTQ+ walk past the flag and pause. Then I’d see a tear coming down their cheek. At a London dinner I was speaking at last year, a prince of one of those countries that kills gays came over to me and said that he hoped someday I could come and speak in his country. I asked what would happen if someone today put out a rainbow flag. He sobbed, then voiced his wishes for “hopefully one day.”

Republicans last week added an amendment that basically states that no embassy can fly a rainbow flag. They have taken away the hope of freedom from oppressed LGBTQ+ people. Whether in Moscow, Hungary, Abu Dhabi, Gaza, or Iran… 65 countries criminalize same-sex activity, 41 of them against women, 12 countries give the death sentence. Fourteen countries criminalize gender identity, and we’re not even discussing honor killings or rape.

According to the text “None of the funds appropriated or otherwise made available by this Act may be obligated or expended to fly or display a flag over a facility of the United States Department of State.” There’s a list of exceptions, and surprisingly, the rainbow flag is not included.

We invented the idea of Pride, which was meant to end our invisibility in society. Later, the rainbow flag was added to make that message universal and bring Pride to places where it was dangerous.

Pride may have been founded in 1970 in the U.S. by a few thousand, but today it is international, and millions come out around the world for Pride. The Republicans are now abetting those countries that kill members of our community. But why should we expect humanity from the Republicans? They don’t care about the health of women, they don’t believe in voting rights, and they call immigrants murderers. With this amendment, they assist those countries that imprison and kill LGBTQ+ people. Republicans have blood on their hands.

Mark Segal

Mark Segal is an American journalist. He is the founder and publisher of Philadelphia Gay News and has won numerous journalism awards for his column “Mark My Words,” including best column by The National Newspaper Association, The Society of Professional Journalists and Suburban Newspaper Association.

Reel San Pedro: That Time Columbo Stopped a Gun-Running Ring at the Port of Los Angeles

By Rosie Knight

There have been many dramatic moments in San Pedro’s cinematic and televisual history and that’s why this column exists, but for its inaugural appearance I had to go for an episode of the best television series ever made Columbo, season 7, episode 5 .”The Conspirators” features two of San Pedro’s most iconic locations the Vincent Thomas Bridge and the Port of Los Angeles in its breathtaking finale that sees Peter Falk’s bedraggled detective race to our lovely hometown to catch a killer.

Like the best of Columbo, “The Conspirators” saw Columbo strike up a friendly rapport with the lead suspect in a strange murder. Here that new frenemy was Joe Devlin (played beautifully by Clive Revill) a poet and writer who was on the surface a charitable man raising money for people affected by the Troubles in his homeland of Ireland. The only issue was that he was actually raising money for guns for the Irish Republican Army better known as the IRA. In traditional, complex, and ahead-of-its-time-Columbo fashion, Devlin is represented as warm, intelligent, and beloved in his community even after he kills a fellow gun-runner. It’s that crime that sets him on a cozy collision course with Columbo that sees the pair become friends, smoke, drink, and even play darts together as Columbo investigates the crime and realizes the truth.

It’s that truth — that his friend is the killer and is planning to ship more guns to his IRA pals — which sends Columbo to the Port of Los Angeles, breezing over our iconic Vincent Thomas Bridge in all its 1978 glory in his famed 1959 Peugeot 403 trying to stop Devlin and his newest shipment of 300 MAC-10 machine guns. It is of course ironic that almost fifty years ago Columbo was trying to stop guns coming into and leaving the port when now the Port Police regularly spend hundreds of thousands of dollars on military guns and ammo each year.

While this was the only episode of Columbo to feature San Pedro prominently, the bedraggled detective and our city feel like a natural fit. Peter Falk lived in LA and owned a house in Newport Beach in the 70s, and though Columbo was a police detective he was always on the side of the working class, of the workers, the people who are often overlooked and ignored and fought to bring his own unique kind of justice on those more well off folks who would harm or exploit them. His rough and ready looks and working class roots meant that he was always underestimated, much like the city of San Pedro, the Harbor Area, and the brilliant people who live within it.

“The Conspirators” was a landmark episode for the series as it marked the end of the seventh season, its final entry on NBC, and the last time the show would air for 11 years until it was picked up by ABC. And of course for those of us who live in Pedro and love to spot our town on film, it marked an early starring role for Pedro and its unique skyline which would go on to become a major part of Hollywood’s vision of what Los Angeles — and many other major cities it would go on to fill in for — looks like on screen.

From Los Angeles to Avalon Ann Weber: 26 Miles

Renowned artist transcends “the table” to lead the conversation on art-making and connection.

 

Catalina Museum for Art & History presents the exhibition Ann Weber: 26 Miles, on view through Aug. 4. This remarkable collection brings to life the voyage of Ann Weber’s totemic sculptures as they journey across the San Pedro Channel, weaving together an intricate narrative.

Renowned for her avant-garde approach, Ann Weber repurposes cardboard to craft monumental sculptures, which serve as metaphors for larger psychological and emotional inquiries and breathe a second life into reclaimed packaging. While Ann’s use of discarded materials serves as a commentary on contemporary consumerist culture, her works also act as explorations into the delicate interplay between memory and nostalgia, the vulnerability and resilience of nature, and, ultimately, the multifaceted aspects of the human spirit.

Dr. Sheila Bergman, executive director of Catalina Museum for Art & History, told Random Lengths News with this exhibition the museum is seeing its visitors respond to artistic innovation and Ann’s unconventional use of materials, including interesting innovative sculptural techniques, making her work a standout to visitors.

Ann’s work also aligns with the museum’s commitment to showcasing groundbreaking contemporary art. Bergman said because many people come in assuming, even though it’s the Catalina Museum for Art and History, many expect to find more of a leaning toward the historical. When they see Ann’s work, she noted, they’re really interested in it. She finds them discussing both the sculptures and the museum.

“The relevance to the local community is important for the shows that we do and in this particular case, it’s Ann’s status as a prominent artist and [being] based in Los Angeles. She’s local,” Bergman said. It resonates with the local community and it offers a unique opportunity for residents and visitors to engage with a renowned artist’s work.”

Bergman said Catalina is known as a place where for years, generations have come and have been creative.

“To have somebody that is so well known and so accomplished like Ann resonates with our community and they appreciate it.”

So how did an LA-based artist connect with the famed island 26 miles due southwest? This is another skill that Ann possesses, connecting with everyone from people in the community to art galleries, on social media, curators, public relations, boards and organizations. Ann communicates passionately. She explained how the exhibition came together.

“The curator, Johnny Sampson, made an appointment to come over and there’s a nice connection, Ann recounted.

She met him in the Bay Area just before she relocated to San Pedro, at big studio sale she held. Hearing that he was a curator at the Catalina Museum, Aa put him on her mailing list and started sending him her quarterly newsletters and postcards. After a few years she “suddenly” got an email that said ‘I’d like to talk to you about doing a show at Catalina Island, this is Johnny Sampson.’

“It was really thrilling to me and also a great reminder to artists to keep people on your mailing list. You never know when success is going to happen.”

Sampson came to Ann’s studio at Angel’s Gate and also to her two-car garage which she uses as storage for her sculptures, “because who in Los Angeles uses a garage for a car with valuable real estate?” Ann quipped. The two of them collaborated to put together a cohesive body of work that “told a story and filled the space in a good way.” The exhibition features six standing pieces, one wall piece and one hanging piece and they selected the artwork together.

26 Miles also features a beautifully made video titled, Ann Weber in Rome (2012) filmed by a then-21-year-old visitor to the American Academy in Rome. He (newyorknico) was visiting his parents who brought him to the studio where Ann was working. He had been filming rappers in New York City and he asked Ann if she’d be interested in him doing a video of her so he could branch out.

“It gives people an idea of what my process was and anybody can download it. It’s showing me going through the trash cans in Rome [looking for cardboard pieces] digging in, and then, also making a piece … It was like two days of filming to edit it down to four minutes.”

Regarding the video, Bergman noted Avalon has a population of approximately 4,500, but approximately one million people visit the island annually. In consideration of this and Avalon’s school system, the museum is committed to making sure that its exhibitions and our programs have an educational value.

Ann Weber, You Don’t Need a Weatherman to Know Which Way the Wind Blows, Courtesy of Catalina Museum for Art & History.

“What we like about Ann’s sculptures is that they invite the viewers, our local community, and the students to contemplate the intersection of art and everyday life,” Bergman said.

Indeed, she’s seen how Ann’s work has sparked conversations between students at the museum about creativity, materiality, and artistic practice.

“When I hear that kind of exchange with our visitors … we take great pride that our exhibitions also have the component [of] educational value.”

Just before opening weekend, the Catalina Museum offered a special invitation to patrons to come in early and meet the artist, where Ann had a Q&A with the curator and she also did a demonstration on how she creates her sculptures.

“It ended up being great,” Ann said. “Usually at openings …once you see the show and greet your friends you’re not quite sure what to do next. So, I felt that it was smart of the museum because people like to learn things and they like to be entertained. It was a good experience for guests to learn how I make my work.”

Ann’s newest piece, Oh What Fools We Mortals Be (2023) is in the show, comprising two “big braided” forms that came from one piece of 4’x 8’ cardboard that Ann rounded the corners on.

Ann Weber, “O What Fools These Mortals Be,” Courtesy of the Catalina Museum for Art & History.

“I’m very interested in making. simple, simple forms that have multiple meanings,” Ann said. “So somebody can [see] a surfboard stuck in the sand, somebody can [see] a tombstone …[or] a giant cactus, which is all fine. There are two of them and they’re relating to each other and the title is almost like ‘You’re the fool. Oh, no, you’re the fool.’

“It’s a little bit of a commentary on how foolish everyone is acting these days. I don’t want my work to have a political overtone, but neither do I want to ignore everything that’s going on in the world. Sometimes I’ll just have a little hint of something that’s going on in the world as a possible clue to what this sculpture might be saying.”

When Ann gives talks, she shares a lot of her background.

“So much of my work is personal, or else they’re metaphors for my life experiences, such as the balancing acts that we all have in our lives; how high can you make something? How wide can you make something before it tips over? That says a lot about the balancing acts in our lives of how we’re trying to make art, to support ourselves and make a living, or trying to raise children, some of us, and also be in a relationship. A lot of my artwork is about describing how to do that or how it happens. And of course, the result is that I make sculpture.”

Ann Weber with her sculptures on view at Catalina Museum for Art & History. Photo by Jose Cordon, courtesy of Weber

These subjects are what Ann discussed during her talk. She surmised people would much rather hear the story behind the work rather than how she made it or why she made it if it’s not related to something more tangible and other people’s lives. Ann will give another talk on July 27, with an outdoor slideshow. Ann encourages people to go to the island for a weekend and stop in and listen to her talk and to see the show. The artist noted the museum is devoted to the history of Catalina and its early indigenous people. She said the museum is in the process of reappropriating some of its collection back to the island’s indigenous tribes. There’s a lot of history. In one example Ann shared, messenger pigeons were trained and used on the island to send messages back and forth between the military base in San Pedro and the island.

“There were photographs of the pigeons [at the museum] and their little teeny, tiny carriers on their legs,” Ann said. “I’ve been there many times and I’ve felt very connected to it. The island tells its own stories in the same way that I tell my personal stories through my artwork. I connect to the island, in [that] way.

For example, she noted there are several pieces in the show. Two of those, French Kiss and Personages Invitation, came from a series of sculptures that Ann did to commemorate all the people who have helped her in her life.

“Particularly when I went through a period of obstacles,” she said. “But also it continues. I like to make sculptures that look sort of figurative but also abstract. But you can still tell that they have a very strong relationship with each other. I like to leave it open-ended so that people can think about their own relationships and how important the people that we surround ourselves with are to us.”

When she speaks personally, Ann said, she’s always taken by how people come up to her afterward and start sharing their own stories.

Bergman concurred, saying Ann is skilled at connecting with people, talking about her artwork, and really bringing them in.

“It’s very inspiring because I know so many elder stateswomen artists [who] worked so many years ago and hardly ever had a voice out there. They kept the practice going. They never gave up. They’re still working now … in their 70s 80s 90s, and they still struggle to get through the system to … be at the table. It’s great to see that Ann is not only at the table but is actually leading the conversation about art making and community.”

“That’s [sharing] my whole point,” Ann said. “My artwork is so much about people and relationships because that’s who I am. I love connecting people. I love people and I love dinner parties.”

Ann Weber, “Yes Sir No M’am Maybe Baby.” Courtesy of the Catalina Museum for Art & History

Go to Catalina Island to see this show. But if you can’t, Ann noted you may come to Open Studios at Angel’s Gate Cultural Center, April 27, to see her work and the work of 50 other studio artists.

Ann Weber: 26 Miles

Time: 10 a.m. to 5 p.m. Tuesday to Sunday, and artist talk, 7:30 p.m. July 27

Cost: $0 to $18

Details: 310-510-2414; CatalinaMuseum.org and www.annwebersculpture.com

Venue: 217 Metropole Ave., in the heart of Avalon

 

Ode to Kohlrabi

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Kohlrabi is an acquired taste. It’s bland, with a mild hint of mustard-like fire, and is surrounded by a tough, thick peel. “It tastes like the part of broccoli you throw away,” Sarah Aswell wrote for McSweeney’s in a piece called Your First CSA: A Month-By-Month Guide to Enjoying Your Farm Share.

Comparing kohlrabi to broccoli stalk is taxonomically sound, as kohlrabi is the swollen stem of a plant in the same family as broccoli. Its name means “cabbage turnip,” in German, and both cabbage and turnip are in the brassica family as well. Kohlrabi was bred over many generations to have rounder and larger stems, which enabled perhaps the one edge that kohlrabi has: it’s ready early in the season; no need to wait for flowers, fruit or seeds to develop.

“We grow it because it does well here and it adds diversity to the weekly shares in late spring,” says Missoula CSA farmer Josh Slotnick. He admits that few of his customers fall in love with the scaly green orb at first sight, but compares it to kiwi, which nobody cared about when it was called Chinese gooseberry. “Kohlrabi needs a rebranding, better marketing, and a better name,” he said.

His colleague Luci Brieger, a farmer in nearby Victor, has a recipe for kohlrabi schnitzel that sells itself. Breaded and fried until golden, it’s a dish that people clamber for in the old country. She learned it from a German customer. “It’s like chicken-fried steak,” says Brieger, who grows the giant Cossack storage variety which can reach ten pounds. She and her family feast on these fried slabs of breaded goodness all winter.

Meanwhile, back in Missoula, at my local Thai restaurant Sa Wad Dee ran a special of kohlrabi som tam, aka green papaya salad, the classic Laotian dish. Mixed with garlic, chili pepper, lemon and spices and drenched in fish sauce, the salad made with kohlrabi was as good as the green papaya version, of which I could eat any amount.

kohl som tam

Som tam means something like “pounded sourness” in Laotian, a reference to both the flavor and the mortar and pestle that are traditionally used to make the sauce.

Four servings

1 softball-sized kohlrabi, peeled and grated or shredded (about five cups)
A large handful of cherry tomatoes, sliced into quarters
A fistful of string beans, chopped into inch-lengths
One medium carrot, grated
1 medium-sized clove of garlic, minced
2 tablespoons peanuts, dry roasted in a pan
1 or more tablespoons fish sauce
2 tablespoons lime juice
1 or more thin-skinned chilies, like a Thai or serrano, de-seeded and thin-sliced (optional)
½ teaspoon sugar
¼ teaspoon salt

In a mortar/pestle or blender, convert the garlic, salt, sugar and chili peppers into a paste. Add peanuts and crush some more. Transfer the paste to a bowl and add the lime juice and fish sauce. Stir together, and add the shredded carrot and kohlrabi. Lightly crush the tomato and string beans in the mortar and pestle, or with the side of a knife, and add them to the bowl. Toss.

The salt will pull moisture out of the kohlrabi, which can build up in the bowl. If that’s an issue, drain it, or give it a toss right before serving. Sprinkle a few more crushed peanuts on top and serve. This dish is juicy, bright and refreshing, like som tam should be.

 

Kohlrabi Schnitzel

It’s breaded and fried, which feels like cheating. But if you are getting people to chow down on kohlrabi, that’s called “winning.”

Four servings

2 softball-sized kohlrabi
½ cup flour
2 eggs, beaten
½ cup breadcrumbs
salt and pepper
vegetable oil

Peel the kohlrabi and cut into slices of approximately 3/8th inch. While you’re preparing the kohlrabi bulbs, fill a saucepan with salted water and bring to a boil.

Cook the kohlrabi slices in the boiling water until slightly tender, about 7-8 minutes. Remove the slices, drain, and pat dry.

Bread the kohlrabi cutlets by coating each slice first in seasoned flour, then dipping in beaten egg, then dredging in breadcrumbs. The kohlrabi should be completely coated on all sides.

Heat the oil in a pan on medium and brown the cutlets until golden on both sides. Remove the kohlrabi schnitzels from the pan and drain to remove any excess oil.

Mural Boosts Morale for Harbor Division

The Los Angeles Police Department Harbor Division officers have recently started to be greeted every morning during roll call, where officers start their daily shift, by an expansive mural created by San Pedro artist Luis Sanchez, that serves as a visual representation of all the communities that it serves. The mural also depicts a few hundred names of the division’s officers on either side of the work.

Capt. Brent McGuyre of the Harbor Division, told Random Lengths that he was on a committee that was working with Sanchez on the mural. And Officer Brent Bodkin was the one who led the charge from the Harbor Division to create the mural.

“I know that’s a little outside his normal range of being an artist and utilizing his own vision,” said the Captain. “We had a general framework of what we wanted to put in the mural and then he came back with an initial design. We gave him some feedback and then it all came together.”

Capt. McGuyre said community reaction has been really good.

“[The mural] was designed to be a morale booster and also a way to connect our retirees or former employees,” he said. “So, it’s really our way of leaving our mark on Harbor Division. We had some folks who had retired or hadn’t worked here in some 20 years who reached out to us and asked for their name to be put on the wall. We had some officers whose dads worked at Harbor and now they work at Harbor and got their names put up next to their dad’s. It is a way to connect past, present and future officers who give their lives to serve the public down here.”

The department gathered community input so they would get a mural that “really did capture the Harbor Division for the officers but also the community.” They asked community members, especially in Wilmington, what they could put in the mural to represent Wilmington, because it was important for the Harbor Division to have representation from all the communities it serves.

“It was truly a collaborative effort between a lot of entities, Capt. McGuyre said. “I thought it came together beautifully. It’s a mural that captures all of the area.”

Harbor Division even had a first run of autographed prints, signed by Sanchez, which Capt. McGuyre believes have sold out — or nearly sold out.

“Once we sell out, we may sell some non-autographed ones and if there’s more demand we’ll probably ask Luis to sign some more for us,” he said.