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When the Cirque Comes to Town

Proving the value of the arts in public-port venues

By James Preston Allen, Publisher

Over the course of many years, we have criticized the Port of Los Angeles on a range of issues. And we have done so again in this issue with our reporting on the TraPac terminal expansion and its cost overrun of $146 million. It would seem as though Mayor Garcetti’s office also had concerns with this “miscalculation” of costs considering that both Deputy Director of Port Operations John Holmes and the Port’s Executive Director Geraldine Knatz resigned or retired after the matter came to light.

I have been told by some who would know that the Mayor had serious misgivings about this cost overrun and the financial position it has put the Harbor Department in. I am not going to belabor the point, as our reporter has done an adequate job of explaining it elsewhere in this edition.
I will, however, shock some on the Fifth Floor of 428 South Beacon Street by giving them a standing ovation for bringing Cirque du Soleil’s Totem to San Pedro. Everyone knows we have our own kind of three ring politics in this town complete with clowns and ringmasters. But Totem was really extraordinary. To have these incredibly talented, world class performers performing an inspiring, transformative piece in this town was extraordinary. If you’ve never seen a Cirque du Soleil performance before, it is unlike any other circus you’ll experience! This is the kind of event that puts San Pedro on the cultural map of California.

Project Censored 2014:

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Read About the News that Didn’t Make the News in 2012-2013

By Terelle Jerricks, Managing Editor

On Oct. 1, media watchdog, Project Censored, released its annual list of most censored stories in 2013 – a list that included stories about the widening wealth gap to the Obama administration’s war on whistleblowers.

Among the storylines included on this year’s list was Pfc. Bradley Manning’s trial for leaking classified documents and Monsanto’s drive to insert GMO grown food in the United States food supply by any means necessary.

To avid news consumers —televised and otherwise— the inclusion of these stories lines in Project Censored would seem odd given the dearth of coverage these stories received in the past year. Thousands of column inches have been published on these story lines. In fact, various facets of these story lines have appeared in Random Lengths.

Immigrant-Rights Advocates Allege Questionable Towing/Impound Practices by Sheriff’s Department

A coalition of groups concerned with social justice are calling for Los Angeles County Sheriff Lee Baca to follow through on a promise they say he made to investigate alleged racial profiling and corruption that led to the improper towing and impounding of hundreds of vehicles owned by immigrant drivers.

A report compiled by the Los Angeles Chapter of the National Lawyers Guild alleges “serious abuses of police power, including racial profiling and denial of due process rights” over the last three years in Long Beach by the Sheriff’s Department in general, and one deputy in particular.

The February 12, 2013, report documents the alleged exploits of an unnamed deputy who “targets cars fitting a stereotypical profile of the unlicensed immigrant driver: Latinos driving old vehicles in low-income neighborhoods, Latinos driving cars with religious objects or air fresheners hanging from mirrors, Latinos picking or dropping off their children at schools in low income neighborhoods etc.”

The report summarizes interviews with numerous “victims of racial profiling who were pulled over when there was no probable cause for the traffic stop and the victim was simply asked to show a driver’s license [or] pulled over on a pretext and told they were stopped to be given a ‘warning’ about a non-existent traffic or equipment violation such as ‘checking’ a car seat.”

The report claims that the deputy’s sole purpose for all such stops was for the “opportunity to determine that the driver does not have a current California license. The driver was then cited for CVC § 12500 (no license) and the vehicle impounded for 30 days.”

Alleged victims of such practices repeated their stories at a press conference held last month in Drake Park. Alicia Carrera, for example, claims the deputy in question pulled her over and demanded her keys on the grounds that he needed to check the carseat in which her daughter was secured, a carseat he shortly found to be installed properly.

“I said, ‘Okay, give me my keys. It’s time for me to go,'” Carrera relates through a translator. “[But] he said, ‘No, I need to see your driver’s license.’ I said, ‘Why? If I didn’t commit a crime, why do I need to show you my documents?’ He said, ‘I’m an official, so you need show me your driver’s license.’ When I told him I didn’t have one, he said, ‘Oh, I knew it!'”

Carrera says that as she debated with the deputy after he called a tow truck to confiscate her car, he began to yell, telling her “to go back to my own country, where I wouldn’t be bugging people of this country and frightening her daughter to the point of tears.

“My daughter said, ‘Mom, stop talking to him,’ Carrera recalls. “‘He’s going to take you away!'”

A woman identifying herself only as “Yusnei” has a nearly identical story. She says that when she explained to the deputy that she was trying to obtain her driver’s license through DREAM Act, his response was, “It’s your loss, but it’s someone else’s win.”

“When he told me that, it affected me so much,” Yusnei says, beginning to cry and relating that she was unable to afford the $1,200 impound fee to get her car back. ” I lost my job. I have two kids to take care of. […] My daughter now see the officers and gets scared.”

In March, Sheriff Baca and other representatives of the Sheriff’s Department met with coalition representatives and community members to hear their stories and concerns. Days later, Baca sent an e-mail to National Lawyers Guild attorney Cynthia Anderson-Barker, saying that deputy “was immediately transferred” from Long Beach. However, Yusnei and other community members say they spotted the deputy in Long Beach as recently as July.

“We were promised that under no circumstances would this deputy be allowed back in Long Beach for any reason,” says Joanna Diaz of Greater Long Beach Interfaith Community Organization. “But very shortly after we saw him again. When we brought this to the attention of the [deputy’s] captain at the time, we were assured that that must have been him, [even though] our community recognizes him very well. His face has been burned into their memory, unfortunately.”

Yusnei is one of those community members. She says she spotted the deputy in Long Beach on July 5 and she took photographs of his license plate to document his presence. The coalition says they presented these photos to the deputy’s immediate superior at the time and were told that the deputy was “everyone was dispatched down [to Long Beach] for 4th of July weekend.”

The Sheriff’s Department confirmed to Random Lengths News that the deputy in question was transferred out of Long Beach, but otherwise declined to comment, citing the issue as a personnel matter.

The coalition alleges that part of the deputy’s motivation for targeting immigrant drivers may have been related to an improper relationship he had with Kruger Tow of Rancho Dominguez, the tow yard the coalition says was employed in every instance in question, a practice that violates Sheriff’s Department policy that multiple tow yards are used in rotation.

However, the coalition declined to provide RLn with copies of the citations. A representative of Kruger Tow told RLn that the company is part of the rotation of companies that the Sheriff’s Department calls for towing services, but that otherwise the company is not allowed to comment on the procedure, referring RLn to the Sheriff’s Department. The Sheriff’s Department did not reply to RLn query into this matter.

The coalition, which is headed by the Greater Long Beach Interfaith Community Organization and the Long Beach Immigrant Rights Coalition, praises the California legislature and Governor Jerry Brown for passing into law the AB 4 (“the TRUST Act”) and AB 60, which the coalition labels as “two landmark pro-immigrant pieces of legislature that will dramatically change how law enforcement interacts with the immigrant community.” AB 4 prohibits the detainment of undocumented immigrants for minor infractions if they are otherwise eligible to be free from custody, while AB 60 makes it legal for undocumented immigrants to obtain driver’s licenses.

But because AB 60 will not take effect until January 1, 2015, and because the licenses in question will note that the driver’s are not citizens, the coalition notes that the underlying issues are not completely put to rest and are calling upon law enforcement to change their impound policies.

“We have discussed the new laws with some of the mothers affected in this towing case, and their response has been one of qualified excitement,” says the Long Beach Immigration Rights Coalition’s Laura Merryfield. “Most mothers are happy to just have the privilege to drive legally, without fear. But the fact that the licenses are marked does not eliminate the possibility for discrimination. Though a law enforcement officer could no longer impound the car of a licensed or privileged driver, many community members are afraid of carrying a card that essentially outs them as undocumented immigrants. As we wait for this law to come into effect, we will still continue to advocate for a change in impound policy, and we will be vigilant in monitoring any discrimination or officer abuse when the new licenses begin.”

In a press release, the coalition points to cities that have less punitive policies against undocumented immigrants.

“This abuse of power by a [L.A. County] Sheriffs deputy points to why [current] towing and impound policies must be changed,” the coalition says. “[…] The towing and impound policy for undocumented drivers creates an environment that encourages racial profiling and exploitation of immigrants by law enforcement agencies. […] The Sheriff’s Department should follow the lead of other major law enforcement agencies in California that have adopted fairer and more humane impound policies that minimize use of punitive 30 day impounds, including the police departments of San Francisco, Oakland, San Jose, Santa Rosa, Sonoma, Berkeley and the City of Los Angeles.”

Among the changes the coalition suggests are “allow[ing] unlicensed drivers to call a licensed driver to retrieve the car or park the car legally, and sign a waiver form releasing the County from liability once the car is safely parked,” as well as “refrain[ing] from impounding vehicles for 30 days when the drivers has an expired California license, or an out of state or foreign jurisdiction license.”

Gil Garcetti Presents: Water is Key

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Photography isn’t the usual sort of occupation for someone that served 32 years in Los Angeles District Attorney’s office, but it was natural fit for Gil Garcetti. Since leaving his post as the county’s top prosecutor in 2008, Garcetti published several photo essays, starting with his 2002 work, Iron: Erecting the Walt Disney Concert Hall, a collection of photographs he took of ironworkers as they built the Disney Concert Hall.

Garcetti continued displaying his unique eye as an artist while calling attention to issues that require action, such as his book, Dance in Cuba, which displays the “ardent spirit of the Cuban people through their dance, despite living in extreme poverty. He also published Paris: Women on Bicycles, which featured elegantly clad women bicycle riders throughout Paris, moving the viewer to consider how getting out of our cars to do everyday activities can help reduce traffic congestion and clean up our environment. All of his books are discussed on his website: www.garcetti.com.

On Oct. 26, Garcetti will be presenting his book, Water is Key, his photo essay that tells how clean water can transform the lives, health, education, and destiny of people in West Africa. Millions of West Africans lack access to safe drinking water and adequate sanitation. Yet, when safe water is available, entire village economies change and the lives of the inhabitants are transformed from disease and malnutrition to hope and success.

Farm-to-Table Dinner Highlights the Possibilities of Local, Sustainable Food Production

[portfolio_slideshow id=5118]
(Photos courtesy of ThePackedLife.com)

It was a swanky spread featuring dishes prepared largely from food grown right there on that seven-acre food-producing oasis in the middle of Los Angeles County’s biggest housing development, all with the goal of helping urbanites plug into the possibilities that what we eat can be cultivated right here at home.

Ponte Vista Caps Homes to 700

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SAN PEDRO — On Oct. 6, iStar Financial, the Ponte Vista developers, announced that it is capping the homes for the project to 700, with no rental properties.

The apartment building proposed for the south side of the site has been taken off the plans. Now the 2.4 acres will be replaced with a public park on Western Avenue, which will be open to the public. This also means that the development will not include any rental property, only homes for sale. A new condominium flat with ground-level parking was designed in smaller buildings.

The project also includes about 208 single-family homes covering about 50 percent of the project and a dedicated road to Mary Star of the SeaHigh School.

Garcetti Previews Performance Data Website, 100 Days

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LOS ANGELES — On Oct. 8, Mayor Eric Garcetti detailed his work to reorganize and refocus the mayor’s office and city departments during his first 100 days in office.

In his first 100 days in office Garcetti cut the mayor’s office from more than a dozen deputy mayors to four. He also required every department manager to reapply for their job.

Garcetti also discussed his work on DWP reform.

In addition, Garcetti previewed a beta version of his new performance tracking website,www.lamayor.org/performance, which identifies priorities for city departments and their functions and tracks progress toward them.

Mayor Garcetti also discussed his work to bring City Hall closer to Angelenos by deploying new tools to directly interact with constituents including the hashtag #LAMayor, the Mayor’s Help Desk in City Hall, Van Nuys, and coming soon to South Los Angeles, as well as open office hours and door-to-door walks.

Mayor Garcetti spoke at the city’s automated traffic surveillance and control center, an example of city government using data to guide decision making and improve quality of life in our neighborhoods.

Arrest Made in Murder Case

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LONG BEACH — On Oct. 8, the Long Beach Police Department charged 25-year-old Gustavo Alejandre for the murder of 23-year-old Jesus Escapite.

Police arrested Alejandre, shortly after the Escapite was found shot in the upper torso near Long Beach Boulevard and Plymouth Street, officials said.

Escapite was pronounced dead at a local hospital.

The preliminary investigation led detectives to believe that the incident was gang related. However, the case still is under investigation.

Officials said the Alejandre remains in custody at the Long Beach City Jail. The case will be presented to the Los Angeles District Attorney who will determine what charges will be filed.

Anyone with information about the case is asked to call (562) 570-7244 or visitwww.LACrimeStoppers.org.

Arts Calendar

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Oct. 11
The Facebook Portraits
The Palos Verdes Art Center/Beverly G. Alpay Center for Arts Education presents The Facebook Portraits, featuring Los Angeles artist, Mike Reynolds, opening Oct. 11, at the Norris Gallery of the center.
Mike Reynolds is a multidisciplinary artist currently working in the traditional practice of oil painting. Drawing on tenuous personal connections through social media, Reynolds leverages handmade objects against online ego to gently prod at hierarchy, privacy, psyche, and persona (both real and imagined). He is adamantly opposed to the use of detached irony in art. The Facebook Portraits has been a yearlong project where Reynolds selects subjects from social media (some of the individuals he has met, others he has never met) and then then pursues a kind of personal editorial process (part intuition, part following their updates, part hierarchy) as the painting is developed. When the portrait is completed, Reynolds then privately shows the person depicted. If the subject likes the painting, it gets posted online. If they disagree with the representation/project, the portrait gets “redacted” – that is, disfigured, “anonymized” through a series of brusque abstractions, and the altered work is exhibited. Both types of portraits are represented in the exhibition.
The exhibit, curated by Joe Baker, will run through Jan. 5, 2014. The member pre-opening reception will begin at 5 p.m. Oct. 11, with the general public opening to following from 6-8 p.m. The exhibition is free.
Also exhibiting in the Yassin and WalkerGalleries, I Love My Dog – an exhibition celebrating the relationship between man and dog featuring historical and contemporary artists to include paintings from the AmericanKennelMuseum of the Dog, artists William Wegman, Doug Meyer, Antoine Bootz, and Siri Devi Khandavilli. A series of architectural dog houses from architects and student-collectives from the area’s most accomplished designers will also be included.
Details: (310) 541-2479; www.pvartcenter.org
Venue: Palos Verdes Art Center
Location: 5504 W. Crestridge Road, Rancho Palos Verdes

Oct. 14
Light and Color
Light and Color, the light-capturing landscapes of oil painter Joy Gonzalez and portrait artist Carol Hungerford with fused-glass free-standing menageries by Karen Pester, will be on exhibit Oct. 14 through Nov. 14, at the Promenade on the Peninsula in Rolling Hills Estates.
For oil painters Joy Gonzalez and Carol Hungerford, light strikes the subject of the painting and illuminates its form, altering its local color. When the correct hue and value are chosen, the form emerges from the painted surface. For glass artist Karen Pester, light passes through the iridescent colored glass and adds its radiant characteristics to the sculptural form.
Meet the artists and enjoy live music and light refreshments at a reception from 4 to 7 p.m. Oct. 19.
Details: (310) 541-2479or visit:www.pvartcenter.org
Venue: Promenade on the Peninsula
Location:550 Deep Valley Drive, Gallery #159, Rolling Hills Estates

Oct. 19
Something from Nothing
View a bunch of original art pieces by 22, made almost entirely out of recycled materials, at 1:22 p.m. Oct. 19, at Top Sekoms Headquarters in Long Beach.
The event includes live performances by Solo tha Secret, Konsept and Los Dos.
Details: http://tinyurl.com/m8vy989
Venue: Top Sekoms Headquarters
Location: 1023 4th St., Long Beach

Sin Is In The Air

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By John Farrell, Curtain Call Writer

There is a beauty in flying over the homes from the sky of the San Francisco Bay Area. But for Avery, (Christine Cummings,) the reporter who sees the city from the air every day, everything else in her life is in doubt.

In Wendy Macleod’sSin, set on the weekend of the Loma Prieta earthquake, the seven deadly sins (you remember them) are personified by the people Avery knows. Her husband Michael (Matthew Anderson) is drunkenness, a doctor who consumes so much tequila his hands shakes. Her pilot Fred is (Jason Rogel) is envy. Her roommate Helen (Kaliko Kauahi) is gluttony.

In Amy Louise Sibelius’ production ofSinthe actors sit on boxes around the theater’s periphery, watching the action. That action takes place on boxes in the middle of the Garage’s small theater. There is little action, few props, but Macleod’s dynamic and very funny dialogue is up front. Cummings is perfectly cast as Avery, a driven woman who eats nothing but healthy food and exercises regularly. She is thin and elegant and easy to believe. The other players are much more than just stereotypes: Fred is passionately unhappy and Helen eats everything and obsesses about it all.

The play is complex and very much of the 80s, with the AIDS epidemic and the earthquake up front. But it is also a classical tale, a modern version of a medieval play, a piece that is entertaining and effective and also leaves a lot for thought.

Tickets are $18 and $15 for students and seniors. Performances are at 8 p.m. Thursdays, Fridays and Saturdays, through Nov. 2.

Details:(562) 433-8337;www.thegaragethatre.org
Venue: Garage Theatre
Location:251 E. 7th St., Long Beach