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Refusing the Language of Silence

The colonial application of digital technologies spurs Palestinian resistance.

By Omar Zahzah, June 27

https://www.projectcensored.org/refusing-the-language-of-silence/

It’s an increasingly familiar contradiction: digital platforms that position themselves as an accessible alternative to corporate media emerge as new censors in their own right. Social media and the internet make it possible to disseminate material that would otherwise have been suppressed, thereby helping to bring alternative conversations to the fore of mainstream awareness. And yet, for all of their hype and propaganda, the parent companies of these popular digital platforms are no less dedicated to the preservation of an imperialist status quo than their institutional predecessors, with all of the attendant silencing and repression this entails.

Big Tech’s handling of content critical of the Zionist state’s latest genocide of Palestinians in Gaza—described by former United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) spokesman Chris Gunnes as “the first genocide in the history of humanity that is livestreamed on television”—reveals that silencing is the norm. In this way, Big Tech companies reinforce Israeli settler colonialism through systemic anti-Palestinian policies. I analyze the meeting point between Big Tech and Zionist oppression of Palestinians as digital/settler-colonialism.

 

An Egregious Culprit

Facebook acquired Instagram on April 9, 2012, and rebranded itself as Meta on October 28, 2021. In addition to these other changes, the company has consistently worked to facilitate the censoring and repression of Palestinians on its platforms—often with deadly consequences. Israel relies on membership in WhatsApp groups as one of the data points for Lavender, the AI system it uses to generate “kill lists” of Palestinians in Gaza. Israeli Occupation Forces (IOF) are not required to verify the accuracy of the “suspects” generated by the AI program, and make a point of bombing them when they are at home with their families. Another AI program, insidiously named “Where’s Daddy?,” helps the IOF track Palestinians targeted for assassination to see when they’re at home. As blogger, software engineer, and Tech for Palestine co-founder Paul Biggar notes, the fact that WhatsApp appears to be providing the IOF with metadata about its users’ groups means that Meta, the parent company of the messaging app, is not only lying about its promise of security but facilitating genocide.

This complicity in genocide has also assumed other, sometimes more subtle guises, including systematic erasure of support for Palestine from Meta’s platforms. On Tuesday, June 4, 2024, Ferras Hamad, a Palestinian American software engineer, launched a lawsuit against Meta when the company fired him after he used his expertise to investigate whether it was censoring Palestinian content creators. Among Hamad’s discoveries was that Instagram (owned by Meta) prevented the account of Motaz Azaiza, a popular Palestinian photojournalist from Gaza, from being recommended based on a false categorization of a video showing the leveling of a building in Gaza as pornography. Improper flagging based on automation is one of the key mechanisms by which pro-Palestine content is systematically removed from Meta’s platforms.

On Feb. 8, 2024, The Intercept reported that Meta was considering a policy change that would have disastrous implications for digital advocacy for Palestine: identifying the term “Zionist” as a proxy for “Jew/Jewish” for content moderation purposes, a move that would effectively ban anti-Zionist speech on its platforms, Instagram and Facebook.

The revelation came as a result of a Jan. 30 email Meta sent to civil society organizations soliciting feedback. This email was subsequently shared with The Intercept. Sam Biddle, the reporter of The Intercept piece, notes that the email said Meta was reconsidering its policy “in light of content that users and stakeholders have recently reported,” but it did not share the stakeholders’ identities or give direct examples of the content in question. Seventy-three civil society organizations, including Jewish Voice for Peace, 7amleh, MPower Change, and Palestine Legal, issued an open letter to Meta founder Mark Zuckerberg to protest the potential policy change.

“[T]his move will prohibit Palestinians from sharing their daily experiences and histories with the world, be it a photo of the keys to their grandparent’s house lost when attacked by Zionist militias in 1948, or documentation and evidence of genocidal acts in Gaza over the past few months, authorized by the Israeli Cabinet,” the letter states.

If this sounds familiar, it should. In 2020, Jewish Voice for Peace (JVP) launched a global campaign entitled “Facebook, we need to talk” with thirty other organizations to pressure Meta not to categorize critical use of the term “Zionist” as a form of hate speech under its Community Standards. That campaign was prompted by a similar email revelation, and a petition in opposition to the potential policy change garnered over 14,500 signatures within the first twenty-four hours.

In May 2021, Biddle also reported that despite Facebook’s claims that the change was under consideration, the platform and its subsidiary, Instagram, had already been applying the policy to content moderation since at least 2019, eventually leading to an explosive wave of suppression of social media criticism of Israeli violence against Palestinians that included the looming expulsion of Palestinians from their homes in Sheikh Jarrah, Israeli Occupation Forces’ brutalization of Palestinian worshippers in Al Aqsa mosque, and lethal bombardment of the Gaza strip in 2021.

 

Still Denied: Permission to Narrate

These 2021 waves of anti-Palestinian censorship across digital platforms prompted me to write an op-ed for Al Jazeera. I connected Palestinian History Professor Maha Nassar’s analysis of journalistic output related to Palestine over a fifty-year span to social media giants’ repression of Palestine. What Nassar found—thirty-six years after the late Palestinian intellectual Edward Said declared that Palestinians had been denied “Permission to Narrate”—was that an overabundance of writing about Palestinians in corporate media outlets was belied by how infrequently Palestinians are offered the opportunity to speak fully about their own experiences. I argued that the social media censorship of Palestine was a direct continuation of this journalistic anti-Palestinian racism despite the pretext of and capacity for digital platforms to serve as an immediate and widely accessible corrective to the omissions of corporate media. Palestinians are doubly silenced by social media censorship, once again denied “Permission to Narrate.”

Before, the sole culprit was the corporate media. Today, it’s matched by Silicon Valley.

I identified this phenomenon as “digital apartheid.”

At the time, I assumed this would be a one-off piece. The wide-scale social media censorship of Palestine in 2021 certainly seemed to be an escalation, but it also came on the cusp of what felt like a global narrative shift in the Palestinian struggle. Savvy social media use by Palestinians resisting displacement from Sheikh Jarrah made Palestinian oppression legible in seemingly unprecedented ways, which in turn helped promote increased inclusion of Palestinian voices and perspectives within corporate media outlets such as CNN.

So when Big Tech companies such as Meta tried to backpedal by ramping up censorship as Israel increased its colonial violence, it felt like a desperation born of unsustainability. Yes, Big Tech was erasing Palestinian voices, taking the baton from corporate media in an astoundingly egregious fashion, but this had to be temporary. Surely, the increased support for the Palestinian struggle born of a paradigm-shifting moment would eventually compel social media giants to desist.

To state the obvious, this was not the case, and what I thought would be a one-time topic became the focus of repeated freelance journalistic output. I wrote articles for Mondoweiss and The Electronic Intifada about various forms of digital repression, from blacklisting and harassment by online Zionist outfits such as Stopantisemitism.org and their affiliate social media accounts to deletion and censorship of Palestinian content on platforms like Meta and X (which was still Twitter at the time the bulk of these pieces were written).

It became all too clear that what had at first seemed like an escalation was now routine, as social media giants continued to heavily repress Palestinian voices, often around particular flashpoints such as Israeli bombardments of the Gaza strip—the so-called “mowing of the lawn.” Increasingly impressed by how digital repression of anti-Zionist and pro-Palestine content on social media platforms acts as an extension of Israel’s lethal colonial violence and racism against Palestinians, I started to think that a book about digital repression of Palestine and Palestinians could be a timely contribution to the critical trend towards analysis of how Big Tech reinforces systems of structural oppression. As writers, we approach broad topics with particular fascination, even obsession. Given my own interest in Big Tech’s role in suppressing the very narrative shifts on Palestine it inadvertently served to operationalize, as well as the potential friction between the imperially derived norms of censoriousness that govern corporate media and newer digital platforms, the vast bulk of my work focused on social media.

To be sure, there is no shortage of analysis about tech repression of Palestinians, by writers and academics like Jonathan Cook, Anthony Lowenstein, Mona Shtaya, Nadim Nashif, and Miriyam Auoragh (to name but a few). It is also crucial to center the necessary advocacy by organizations such as the aforementioned 7amleh, which is leading the charge to protect Palestinian digital rights, and the #NoTechforApartheid campaign. But I felt that a book about this topic published in a space not exclusively dedicated to Palestine could accomplish the modest task of helping affirm the relevance of digital repression of Palestinians and their allies to broader conversations about how, for all of its pretensions, Big Tech is a central cog within rather than a corrective to different systems of oppression and extraction. Indeed, as critics of technofeudalism and surveillance capitalism note, Big Tech’s predilection for exploitation arises from how it works within capitalism rather than displacing it outright.

 

Refusing the Language of Silence

So, on Oct. 13, 2022, I did something that many writers do: I pitched a book of critical essays based on these articles about the digital repression of Palestine to a press. The pitch for Terms of Servitude: Zionism, Silicon Valley, and Digital/Settler-Colonialism in the Palestinian Liberation Struggle was accepted by The Censored Press and its partner, Seven Stories Press, in just over a month’s time.

Then, just a few days shy of one year later, Israel began its current genocide of Palestinians in Gaza.

Suddenly, putting words together felt both impossible and vampiric.

How could I think of making language in the face of the unspeakable?

Something in myself closed off. For the next few months, I moved with the sureness of abandonment. I attended demonstrations, co-organized events, planned campaigns, and continued to think of ways to keep Palestine in the classroom. But a book was the last thing on my mind. In fact, for a time, I couldn’t even write at all. Editors commissioned pieces from me, but all I could do was watch the cursor blink as the emails piled up and then stopped altogether after the solicitors finally learned the language of my silence.

The epiphany is a standard (if at times hackneyed) component of narratives. But fiction and experience share a dialectical relationship. Each one helps us make sense of the other.

Several important developments helped inspire a shift in my consciousness.

For one thing, I could never really escape from the task at hand, even as I did my best to hide. Lying in bed with no light but the dim blue glow of the phone to view recordings of atrocity upon atrocity, then digital restriction or outright deletion of the material in question, I realized that I was a near-constant witness to the very dynamics about which I had been trying to avoid writing.

Being asked to give feedback on brilliant writing by comrades in Palestine reminded me that writing and analysis play a particular role in liberation struggles.

I eventually came to realize that in addition to the immeasurable toll of physical destruction and extermination, the Zionist state’s latest genocide of Palestinians in Gaza is intended to inspire fear and surrender. Therefore, it is incumbent upon all people of conscience to use their platforms to advocate for Palestinian liberation and resist genocide. I have always identified as a writer, first and foremost. I realized that Terms of Servitude is a unique platform I have at my disposal to help advance this goal, however modestly.

And lastly, as a vast wave of criminalization of support for Palestine broke out across the United States, digital repression was once more at an all-time high. The egregiousness of Meta’s potential policy change, which prioritizes the protection of a colonial ideology under hate-speech frameworks while colonized Palestinians are undergoing genocide, is sharpened when we consider the ways that the company has already been enabling the Israeli state’s latest genocidal campaign: For instance, as reported by Zeinab Ismail for SMEX, Meta updated its algorithms following Oct. 7 to hide comments from Palestine, ensuring that comments from Palestinians with a minimum 25 percent probability rating for containing “offensive” content were flagged, while the number was set to 80 percent for all other users.

 

Digital/Settler-Colonialism at Work

After October 7, my previous use of the term digital apartheid no longer felt adequate. Apartheid is one aspect of the Zionist colonization of Palestine, not the totality. Apartheid is an instrument of settler colonialism. Zionist-aligned tech suppression serves to alienate Palestinians from the digital sphere, but simply attributing this discrimination to “apartheid” obscures the full scope of violence that the Zionist enterprise poses to Palestinians. The term settler colonialism incorporates apartheid as part of a broader apparatus of violence, including land theft, elimination, and, as we continue to see play out in real-time, genocide. What Palestinians are up against is not (only) “digital apartheid” but a colonial application of digital technologies.

In 1976, Herbert Schiller explored how communications technologies function as a new weapon of Western imperialism, allowing a specific cadre of US governmental and corporate elites to use the global propagation of broadcast systems and programming as a means of securing US hegemony. Recalling the historical connection between the US government, military, and corporate capitalist interests and the development of the internet, Schiller’s insights are directly applicable to contemporary digital systems.

In 2019, Michael Kwet categorized the actions of Big Tech companies as “digital colonialism.” Using South Africa as a case study, Kwet compared the extractive attitude of tech companies that provided technology and internet access to South African schools for the purposes of enacting surveillance and data mining to the colonial corporatism of the Dutch East India Company. By “digital colonialism,” Kwet was referring to how Big Tech is one contemporary means by which counter-democratic US corporations engage in extractive processes against the rest of the world to shore up profits and ensure their dominance.

Kawsar Ali used the term “digital settler colonialism” to refer to “how the Internet can become a tool to decide who does and does not belong and extend settler violence online and offline” (p8). My framework combines these insights to explain how the digital dimensions of the Palestinian liberation struggle reflect a meeting point of colonial and settler-colonial designs.

I use the term digital/settler-colonialism to categorize this dynamic. I realize the phrase is far from perfect. For one thing, it’s rather indecorous. Frankly, it’s clunky.

Nevertheless, I believe its aesthetic shortcomings are compensated for by analytical precision, for digital/settler-colonialism captures the convergence of US Big Tech digital colonialism and Israeli settler colonialism. In doing so, it foregrounds the aggregate nature of the material conditions opposing Palestinian digital sovereignty.

Imagine a Venn diagram whose two spheres are digital colonialism and settler colonialism. Digital/settler-colonialism is the area formed where the two overlap.

Campaigns such as those opposing Meta’s prohibition on critical use of the term “Zionist” demonstrate the looming threat of digital/settler-colonialism at work. By applying public pressure to discourage tech moguls from implementing terms of service and community guidelines that mirror Israeli colonial and apartheid policy, these campaigns reflect the unique danger posed by corporate digital colonialism coming together with Israeli settler colonialism. But they also demonstrate how resisting digital/settler-colonialism can work by leveraging the potential friction between the imperatives of digital colonialism and settler colonialism. This approach echoes the framework of the Palestinian-led BDS movement, which prioritizes economic and political pressure as a means of ending Israeli colonial impunity and making investment in Israeli apartheid and military occupation too costly.

After all, while US tech companies are no friend to Palestinian liberation (not to mention any other freedom struggle), they’re also not a settler-colonial state dedicated to the elimination of an Indigenous people. They’re corporations driven first and foremost by the pursuit of unrestricted profits.

Granted, Israel has been deeply enmeshed in the tech world even as its tech sector has taken significant hits. The refinement of tech, particularly for purposes of rights deprivation, has granted the colonial state a unique global capital. For instance, though Israel is not a member of the imperialist North Atlantic Treaty Organization or NATO, a 2018 arrangement enables Israeli companies to sell weapons to NATO countries vis-à-vis the NATO Support and Procurement Agency. Writing in Electronic Intifada, David Cronin reports that Israeli weapons manufacturer Elbit Systems had procured new deals with NATO member countries since the start of Israel’s genocide of Palestinians in Gaza, and that NATO itself had expressed considerable interest in increasing collaboration. NATO military committee chair Rob Bauer even voiced admiration for how the IOF’s Gaza division used robotics and AI to monitor what he referred to as “border crossings”—a euphemism, as Cronin rightly notes, for Israel’s corralling of colonized Palestinians into the world’s largest open-air prison and maintaining the inhumane blockade to which it has subjected Gaza since 2007. And despite claims to the contrary, Israel has long deployed Pegasus spyware, used by repressive regimes the world over to target activists and journalists, as a tool of digital diplomacy. Inseparable from Israel’s routinized and continuously refined surveillance of Palestinians, Pegasus has also been used to deliberately target Palestinian activists involved in human rights work. Predictably, NSO Group, the cyber-(in-)security company that developed Pegasus, is capitalizing on Israel’s genocide and engaging in various PR and lobbying efforts to rebrand itself, hoping to overturn the US government’s sanctioning of its product.

The central role tech plays in Israel’s competitive status and reputation is also bolstered by how, for all of their bluster about supporting free speech, Big Tech companies generally have a habit of maintaining cozy relationships with oppressive regimes. For all of these reasons, the overlap between Israeli colonial designs and Big Tech operations can be considerable. For example, as Paul Biggar observes regarding Meta, the company’s three most senior leaders have pronounced connections to the Israeli state. Guy Rosen, the Chief Information Security Officer who Biggar identifies as the “person most associated” with Meta’s “anti-‘anti-Zionism’” policies, is Israeli, lives in Tel Aviv, and served in the IOF’s infamous Unit 8200. Meta founder and CEO Mark Zuckerberg gave $125,000 to ZAKA, one of the organizations that fabricated and continues to spread the Oct. 7 “mass rape” hoax. Sheryl Sandberg, former COO and current Meta board member, has been on tour spreading the very same propaganda. Biggar argues that these ties help explain the ease with which the IOF seems able to access WhatsApp metadata to slaughter Palestinians in Gaza indiscriminately.

But a convergence model is helpful in two respects. First, it helps recenter complicity—tech companies don’t have to facilitate Israel’s settler colonialism; to do so is an active choice on their part. Furthermore, maximum profit and the genocide of Palestinians are two separate goals, even as they can often overlap through the economic incentivization of imperialist militarism. Thus, at least in theory, it is possible to undermine digital/settler-colonialism by refining the potential instability between digital colonialism and settler colonialism by making the operation of the former process too costly when it facilitates the latter.

 

Resisting Digital/Settler-Colonialism

Social media has taken on an even more outsized role in this latest iteration of Zionist genocide. Palestinian journalists from Gaza use it to document genocide in real-time—even as they are directly targeted by Israel and subjected to frequent communications blackouts. Younger generations use it to find and share information about Palestine that is otherwise hidden by the corporate media. And, recalling Franz Fanon’s analysis of how the Algerian Liberation Front repurposed the radio, which began as an instrument of French colonial domination, in order to affirm dedication to the Algerian revolution, Palestinian, Lebanese, and Yemeni resistance fighters use social media to strike a powerful blow to the image of Israeli and US military impunity.

Of course, consciousness-raising has its limits. Western governments remain unwilling to meaningfully reverse support for Israel despite a vast trove of digital and analog documentation (not to mention the recent ruling by the International Court of Justice). This reflects the degree to which these governments’ functioning is predicated upon the dehumanization of Palestinians, an awareness powerfully captured by Steven Salaita’s description of “scrolling through genocide.”

But the reconfiguration of the conventions and possibilities of communication posed by Big Tech hegemony means that digital spaces remain a central avenue of global interconnection. As such, Palestinian access to social media and the internet continues to be obstructed by the powerful. And resisting digital/setter-colonialism in pursuit of Palestinian liberation remains a paramount undertaking.


Omar Zahzah is a writer, poet, organizer, and Assistant Professor of Arab and Muslim Ethnicities and Diasporas (AMED) Studies at San Francisco State University. Omar’s book, Terms of Servitude: Zionism, Silicon Valley, and Digital/Settler-Colonialism in the Palestinian Liberation Struggle, is forthcoming from The Censored Press, in partnership with Seven Stories Press, in fall 2025.

Three Truly Great Performances Make Lean “Henry IV” a Must-See

Hold your letters to the editor: we know that Henry IV is not one but two plays. But on June 28 Shakespeare by the Sea started touring their own amalgam of both parts of Henry IV, sifted and compounded to fit in a standard two-hour time slot.

It’s a less dubious endeavor than your average purist might think. As good as Henry IV, Part One is, like plenty of Shakespeare there’s some fat that can be trimmed without harming the play’s essence; and without Part Two, its clearly inferior partner, we are denied the satisfying arc and scope of young Hal’s maturation from profligate prince to maybe the greatest warrior-king in England’s history.

Director Stephanie Coltrin’s conflation of the two texts extracts everything we need from each and weaves them together to form a seamless storyline. But her great work on this front is somehow one-upped by what she does with actors perfectly cast in the three lead roles.

While this play may be called “Henry IV,” it’s Hal, his partner-in-crime Falstaff, and the hothead rebel Hotspur who are the central figures. From the start, Trevor Guyton’s Hal is a warm and witty bon vivant who can’t help being aware of being above the company he keeps. Whether in the midst of a drunken jape or confronting the heavy burden of being next in line to the throne, he knows he’s a slacker and knows he can’t stay this way forever.

This is all the more difficult because Hal, a huge disappointment to his king/father, gets a lot of avuncular love from the wastrel Falstaff. Cylan Brown was born for this role. Sometimes lesser casting reduces Falstaff to a fat clown, the wide butt of a lot of jokes; but what makes him Shakespeare’s greatest comic character (that’s the consensus, at least) is both his humanity — he’s not simply an object of ridicule but a living, breathing, feeling subject — and that he’s usually in on the joke, even when the joke’s on him. He’s highly self-aware and doesn’t take himself too seriously. (“There lives not three good men unhanged in England,” Falstaff laments to Hal, “and one of them is fat, and grows old.”) Brown, who’s done excellent work over the course of his 14 years with Shakespeare by the Sea (including directing someone else as Falstaff in The Merry Wives of Windsor), has never been better—couldn’t be better. We laugh both at and with him exactly as Shakespeare intended, and we are cut to the quick when the newly-crowned King Henry the Fifth rejects him.

Fantastic casting of Hal and Falstaff — including the genuine rapport between Guyton and Brown — would by itself be enough to highly recommend this Henry IV. That Johnathan Fisher is equally good as Hotspur is an embarrassment of riches. Hotspur is another highly self-aware character (as are all the Bard’s best), valuing frankness and decisiveness while owning that at times his enthusiasms may get the better of him. He’s all attitude, and Coltrin and Fisher not only make the most of every stammer and outburst, every insult and loss of patience, but at II, iii, 18–21 they find a laugh I’ll bet the Bard himself didn’t see coming. Without a fab Hotspur, Henry IV we’d be in for a let-down whenever both Guyton and Brown are offstage. The inclusion of Fisher means there’s most always someone treading the boards we can’t take our eyes off.

The rest of the casting is more of a mixed bag. There’s nothing not to like about Hal’s drinking pals — Coltrin does great work bringing these group scenes to life, particularly when Hal and Falstaff take turns playing the king. But having Jane Macfie play the man himself is a choice more informed by the idea of gender-queering a role simply for the hell of it (quite trendy these days) than by finding the best fit, and so Henry IV’s father-son dynamics — which are central to the play — never quite work.

Although Coltrin wisely uses far more of Part One than Part Two for her Henry IV, she can’t avoid a let-down after intermission, partly because of the unavoidable inclusion of a battle scene — probably the scourge of many a production even in Shakespeare’s day. (Film can accommodate this issue far better than theatre.)

The worst thing about this Henry IV is the generic, piped-in music. Shakespeare by the Sea makes this part of every show. It generally works well enough over scene changes, and now and again it adds something to a particular dramatic moment. But Coltrin’s use of it in Henry IV is generally ill-advised, at times actually working at cross-purposes to the onstage action. When Brown is forced to deliver one of Falstaff’s comedic monologs over a brooding bit of musical flotsam, it’s unforgivable.

For all that, there’s something special about the idea of Shakespeare in the park, where classic stories and language from four centuries ago unfold against a background of street traffic and a bounce-house party off to the left. Adorned in sumptuous costumes (kudos, Jeffrey Schoenberg) as they strut and fret their hour upon the minimal stage erected at the Recreation Park bandshell, the actors never missed a beat even when fireworks exploded mid-line.

But it’s the work of Henry IV’s three leads, the perfect match of actor to character, paired with a meticulous dramaturgy that milks Shakespeare’s genius for all it’s worth, that makes this particular show a rare delight. File under: MUST-SEE.

Shakespeare by the Sea will bring its 2024 season tour to a close on Saturday, August 3, with a 7pm performance of Henry IV at 22nd Street Park (140 W. 22nd St.). Between now and then, check out shakespearebythesea.org or call (310) 217-7596 for other performances/locations, including Los Angeles, Torrance, Palos Verdes, and Beverly Hills. As always, all performances are free, but consider making a donation, as Shakespeare by the Sea is particularly underfunded this time around.

Youth Plaintiffs Reach Historic Agreement in Hawaii Constitutional Climate Case

 

Thirteen youth plaintiffs who sued Hawaii’s Department of Transportation announced a historic settlement agreement, together with Gov. Josh Green and Hawaii Department of Transportation Director Edwin Sniffen. The agreement, announced at a Hawaii State Capitol press conference, recognizes children’s constitutional rights to a life-sustaining climate and mobilizes HDOT to plan and implement transformative changes of Hawaii’s transportation system to achieve zero emissions in all ground transportation, and inter-island sea and air transportation, by 2045. Multiple interim targets are specifically required to ensure compliance.

The case filed in June 2022 alleged that, by depending on polluting fuels such as gasoline, the HDOT was violating Hawaii’s constitution, which guarantees the “right to a clean and healthful environment,” and that the state was set to miss its 2045 carbon-neutral goal by a wide margin, despite being a leader in climate change recognition.

“I am so proud of all the hard work to get us to this historic moment. We got what we came for, and we got it faster than we expected,” said 16-year-old lead plaintiff Navahine F. “Mai kuhihewa (Make no mistake) young people have the power to make a difference for their futures.”

“Being heard and moving forward in unity with the state to combat climate change is incredibly gratifying, and empowering,” said youth plaintiff Rylee Brooke Kamahele. “This partnership marks a pivotal step towards preserving Hawai‘i for future generations — one that will have a ripple effect on the world. I hope our case inspires youth to always use their voices to hold leaders accountable for the future they will inherit.”

The plaintiffs were represented by Earthjustice and Our Children’s Trust, which has brought a wave of similar lawsuits since its founding in 2010.

“Our courts are essential guardians of children’s constitutional rights and empowered to protect the planet, but they rely on our collective engagement,” said Julia Olson, founder and chief legal counsel for Our Children’s Trust. “Navahine youth plaintiffs activated the courts and inspired true democracy in action — all three branches of government committing to work together to do what needs to be done according to best available science, to safeguard their futures. Young people across the country and around the world will follow in their footsteps, carrying the same values of care, defense and love of the land to action.”

“We are the most isolated landmass on the planet. We’re dependent, too dependent on fossil fuels, we’re vulnerable to climate change impacts like rising sea levels, coastal erosion, and extreme weather events like we saw in Maui,” Gov. Green said. “So it’s important that we stand up for the future and we’ve set up ambitious goals to decarbonize our economy.”

Green also praised the activists who sued the state.

“The passion demonstrated by these young people in advocating for a healthy, sustainable future for their generation and those to come, is laudable,” he stated. “This settlement informs how we as a state can best move forward to achieve life-sustaining goals and further, we can surely expect to see these and other youth in Hawaiʻi continue to step up to build the type of future they desire.”

Hawaii’s attitude of intergenerational environmental responsibility stands in stark contrast with the second most climate-vulnerable state, Florida. On May 17, Florida Gov. Ron DeSantis signed a law that deletes climate change from state law, nullifies goals to enhance renewable energy use and bans offshore wind development within a mile of the coastlines.

As Florida wallows in climate denial, the Hawaii settlement “includes numerous provisions for immediate and ongoing action steps,” Our Children’s Trust said in a press release. Examples include:


  • Establishing a Greenhouse Gas Reduction Plan within one year of the agreement, laying the foundation and roadmap to decarbonize Hawaiʻi’s transportation system within the next 20 years.

  • Establishing a volunteer youth council to advise on HDOT’s mitigation and adaptation commitments in the years to come.

  • Improving its transportation infrastructure budgeting process to prioritize reduction of GHG and vehicles miles traveled (VMT) and transparently analyze and disclose the GHG and VMT impacts of each project and the overall program.

  • Making immediate, ambitious investments in clean transportation infrastructure, including completing the pedestrian, bicycle and transit networks in five years, and dedicating a minimum of $40 million to expanding the public electric vehicle charging network by 2030.

“Today is a victory for us, the state, and every young person who believes in the power of their voice,” Kamahele said. “Let’s strive for a future where sustainability and justice prevail.”

Italian Navy Tall Ship Amerigo Vespucci to Visit the Port of Los Angeles July 3-8

 

LOS ANGELES — The majestic Italian Navy tall ship Amerigo Vespucci will visit the Port of Los Angeles for six consecutive days starting July 3. Free tours are available and adjacent to the ship will be an expansive “Villaggio Italia,” an Italian village featuring cultural food, music, art and activities.

The historic sailing ship and training vessel of the Italian Navy, the Amerigo Vespucci will be docked at Berth 46 in the Port’s Outer Harbor. Tour reservations are required and can be made at https://tourvespucci.it/en/events/come-aboard/.

Next to the vessel, the Villaggio Italia will feature a “Piazza Italia” square with pavilions featuring daily performances, exhibitions, food and film all meant to capture the soul and beauty of Italy. The village will be open daily from 9 a.m.-10 p.m., except for Wednesday, July 3 (4-10 p.m.) and Monday, July 8 (9 a.m.-1 p.m.).

Highlights of the six-day event include:

  • Frecce Tricolori, the Italian Air Force’s National Aerobatic Team, will perform air show above Amerigo Vespucci. Air show times: 4 p.m. July 4; 7:15 p.m. July 6; 7 p.m. July 8.
  • Screenings of internationally successful Italian films, selected by the Venice Biennale’s Mostra Internazionale del Cinema della Biennale di Venezia, will occur on the evenings of July 4-7.
  • Visitors will be able to enjoy cuisine from Eataly’s “Ristorante Italia” as well as cooking sessions, conferences, tastings and an immersive exhibition.
  • Daily music performances by Carabinieri’s Fanfara Cadet Team.

The Amerigo Vespucci began a two-year world tour last summer and has visited 15 countries on three continents. Following its Los Angeles visit, the vessel will travel to Japan, Australia, India, United Arab Emirates, Qatar and Saudia Arabia.

Details: https://tourvespucci.it/en/

Governors Briefs: State Budget Signed and Financial Literacy Will Be a Requirement to Graduate

 

Gov. Newsom signs 2024 State Budget Supporting Fiscal Stability and Core Programs

SACRAMENTO – Gov. Gavin Newsom June 29 signed 2024 state budget legislation that brings stability to state finances while preserving key investments in safety net programs, education, addressing homelessness, mental health care reform and more.

As outlined in the agreement announced by the Governor and legislative leaders, the legislation balances the budget in both 2024-25 and 2025-26. It also preserves budget resilience by maintaining $22.2 billion in total reserves at the end of the 2024-25 fiscal year.

The state has taken several measures to manage revenue volatility in recent budget cycles, including setting aside a record amount of reserves, focusing most of the surplus on one-time and near-term spending instead of potentially unsustainable long-term and ongoing obligations, and paying tens of billions of dollars toward the state’s long-term debt.

The budget addresses a $46.8 billion shortfall through a balanced package of solutions, including spending reductions of $16 billion.

It avoids deep program cuts, maintaining service levels for several priority issues including Proposition 98 funding for education and investments in Medi-Cal expansion, encampment resolution grants, nonprofit security grants, summer food assistance, updated foster care rates and more. Additional details on the 2024 state budget can be found in this fact sheet.

California remains the 5th largest economy in the world and for the first time in years, the state’s population is increasing and tourism spending recently experienced a record high. California is number one in the nation for new business starts, number one for access to venture capital funding, and the number one state for manufacturing, high-tech and agriculture.

 

California to Add Financial Literacy As a Requirement to Graduate High School

SACRAMENTO — Gov. Gavin Newsom, Senate President pro Tempore Mike McGuire (D-North Coast), Assembly Speaker Robert Rivas (D-Salinas), and a national financial literacy non-profit — NGPF Mission 2030, an affiliate of Next Gen Personal Finance — June 27 announced an agreement to make financial literacy required content to graduate high school.

This agreement is reflected in AB 2927, sponsored by NGPF Mission 2030, which the Governor will sign. The legislation will require a semester-long personal finance education course available for all California high school students by the 2027-28 school year and make personal finance a graduation requirement starting with the 2030-31 graduating class.

Once the Legislature passes this legislation, proponents of the California Personal Finance Education Act initiative eligible for the November 2024 ballot have agreed to withdraw their measure.

College savings accounts

The financial literacy bill aligns with state efforts to prepare students early on for a healthier financial future. California’s CalKIDS program invests $1.9 billion into accounts for low-income school-age children in grades 1-12 and for newborn children born on or after July 1, 2022 – indicating the need for early financial literacy. All families of low-income public school students – 3.4 million across the state – are able to access college savings accounts created in their children’s names.

Port of Los Angeles Seeks Proposals to Develop and Operate New Cruise Terminal

 

LOS ANGELES — The Port of Los Angeles June 27 issued a Request for Proposals (RFP) for the construction and operation of a new outer harbor cruise terminal, and redevelopment and operation of the existing World Cruise Center. Proposals are due by 3 p.m., Nov. 12.

“We have seen increased demand for cruises out of the LA Waterfront over the last several years, with a record 1.3 million cruise passengers in 2023,” said Port Executive Director Gene Seroka. “With more growth forecast, these projects will allow us to greatly expand our cruise business capacity while providing the best possible experience and convenience for cruise travelers.”

Each cruise ship calling at the Port of Los Angeles generates more than $1 million in local economic activity. The last two years, more than 200 cruise ships called in L.A. During the next five years, additional growth in cruise passengers and local economic impact is expected with larger ships of 4,000+ passenger capacity continually calling at the port.

The proposed new Outer Harbor Cruise Terminal site – a cornerstone project in the recently approved San Pedro Waterfront Connectivity Plan – is located at 3011 Dave Arian Way in San Pedro and includes Berths 46 to 50.

The site consists of 13 acres of backland, two existing wharves, and 20 acres of associated potential off-site parking with an estimated 2,300 spaces. For this new proposed terminal, the port is seeking a flexible design to accommodate a variety of additional non-cruise revenue-producing uses in the off-season, such as filming, conferences and events.

The existing World Cruise Center to be redeveloped is located at 100 Swinford Street in San Pedro. The terminal site consists of 22 acres, including parking, two cruise berths (Berths 90-93), two terminal buildings and a baggage handling structure.

“Over the past 20 years, our Port has invested over $1 billion in enhancing, operating and programming LA Waterfront infrastructure,” said Mike Galvin, the Port’s Director of Waterfront and Commercial Real Estate Development. “These two proposed cruise terminal projects represent the next stage of that investment, and the continued transformation of the waterfront into a dynamic and multi-use visitor destination.”

The LA Waterfront consists of more than 400 acres and eight miles of prime waterfront property, connecting visitors and local harbor communities to the waterfront with recreational and commercial attractions.

Read the full RFP here. Interested firms can tour the two cruise terminal locations on 10 a.m. on July 23 by registering here. Proposals are due by 3 p.m., Nov. 12.

LA County Probation Will Undergo Major Management Restructuring

 

LOS ANGELES — LA County Probation Chief Guillermo Viera Rosa June 28 announced an unprecedented restructuring that eliminates an entire layer of management in the 6,600-person probation agency, the largest of its kind in the country.

These changes affect 14 top managers and eliminate 13 bureau chief positions in charge of adult and juvenile operations, as well as administrative services. Those affected by the changes are being offered positions in other county departments.

Viera Rosa said flattening the organization will make for quicker implementation of new policies, clearer lines of authority, better internal feedback, and greater transparency. It also pushes decision-making closer to personnel who interact with adult probationers, youth, their families, county partner agencies and the public.

“This management restructuring represents a major step towards resizing and reorienting the Department under the County’s ‘Care First, Jails Last’ initiative to enact criminal justice reform,” Viera Rosa said.

“A streamlined organization will not only allow us to enact internal reforms more effectively, but it will also align us better with the new County Departments of Youth Development, and Justice Care and Opportunities,” he added.

At the department’s request, the county’s chief executive officer asked the Board of Supervisors to expedite the restructuring by eliminating funding for the 13 bureau chief positions as part of the of the county’s revised budget approved this week.

Padilla Announces More Than $16 Million for Affordable Housing in California

 

WASHINGTON, D.C. — U.S. Sen. Alex Padilla (D-Calif.) June 26 announced that four California affordable housing initiatives were awarded a combined $16.2 million as part of the Pathways to Removing Obstacles to Housing (PRO Housing) program. PRO Housing aims to identify and remove barriers to affordable housing production, preservation, and lower housing costs.

The funding comes from the Consolidated Appropriations Act of 2023, which provided $85 million to establish a competitive grant program in the Department of Housing and Urban Development or HUD.

“Far too many Californians are struggling to afford a place to call home,” said Senator Padilla. “We need to address the housing crisis with the urgency it demands through targeted community investments. While more investments are needed, this new federal funding stream will provide millions of dollars to incentivize affordable housing development, examine historical housing inequities, and expand access to home loans in communities across the state.”

Local applicants to receive PRO Housing program funding:

  • Los Angeles County — $6.7 million: This funding will support housing in unincorporated areas of Los Angeles County, building and modernizing sewer and transportation infrastructure, and facilitating construction in areas that are supported by major public transit infrastructure, known as Transit-Oriented Districts. The county will conduct an equity audit to reverse land use patterns that have roots in systemically racist policies.

PRO Housing provides grant funding to communities working to address local housing barriers such as outdated local regulations and land use policies, inadequate infrastructure, a lack of available financing for development, extreme weather risks, and an aging housing stock. PRO Housing grant recipients will take actions to address these concerns such as updating state and local housing plans, revising land use policies, and streamlining permitting processes.

Later this year, HUD will make $100 million in additional funding available for a second-round funding competition.

Nation’s First Commercial Electric Cargo Top Handers Go Operational at Port of Los Angeles

 

LOS ANGELES — The Port of Los Angeles June 25 deployed the first commercially available battery-powered electric cargo top handlers in the U.S. The five electric, human-operated top handlers purchased by Yusen Terminals will replace more polluting, diesel-powered equipment.

Typically diesel-powered, top handlers are off-road vehicles with an overhead boom for loading containers weighing up to 75,000 pounds onto trucks and trains, unloading them, and stacking them on terminals between pickups and deliveries.

In 2019, the Port of Los Angeles began testing ZE top handler prototypes designed and built by Taylor Machine Works, a leading U.S.-based heavy-duty equipment manufacturer already supplying top handlers in service at the port. The testing of battery-powered prototypes helped inform the final design of the Taylor commercial units put into service at Yusen Terminals.

The new Taylor ZLC 996 top handlers will be powered by a 650V all-electric battery power drivetrain, capable of running two-full shifts under normal work cycles, then ready-to-go after a five-hour boost using a180W recharger.

There are 215 diesel top handlers used throughout the Port of Los Angeles, which account for about 30% of all emissions from cargo-handling equipment in operation at the port’s terminals. Promoting the commercial use of ZE top handlers is one of many strategies underway at the port to boost the market for new emission-free technologies.

Toward that goal, last month the port applied to the U.S. Environmental Protection Agency or EPA for a $412 million grant to support deployment of 424 pieces of ZE cargo handling equipment, 250 ZE drayage trucks, and $50 million for community ZE initiatives. If awarded, the EPA million grant would be matched with an additional $233 million by the port and several private sector partners, and result in reducing emissions of greenhouse gasses by nearly 41,500 tons.

The Yusen Terminal electric top handler deployment is among a range of Port of Los Angeles programs designed to help meet its nation-leading sustainability goals, including the transition of all cargo handling equipment on its terminals to ZE by 2030, and all drayage trucks calling at the Port to ZE by 2035.

Los Angeles Briefs: Altasea Announces High School Mentorship Program and Councilmember McOsker Motion Update

Ocean Pathways Will Provide Hands-On experience for high school students in regenerative aquaculture, renewable energy, and more.

LOS ANGELES — AltaSea at the Port of Los Angeles, June 24 announced the launch of its 2024 Ocean Pathways High School Research Mentorship program, developed alongside Hugo Neu Corporation, New York/New Jersey Baykeeper, and the Boys & Girls Club of Newark or BGCN. The six-week program provides high school students in Los Angeles, New York, and New Jersey with firsthand research experience and mentorship opportunities in marine biology, sustainability, and environmental conservation. The program will take place at AltaSea and on Hugo Neu’s Kearny Point campus in New Jersey.

In its second year, the Ocean Pathways program brings together two leading innovation hubs, AltaSea and Kearny Point, and leverages the unique capabilities of each organization to drive innovation and growth on both coasts. As part of the initiative, NY/NJ Baykeeper, Hugo Neu, and AltaSea will offer experiential-learning programs that cover topics like sustainable aquaculture practices, renewable energy solutions, and other innovative blue economy technologies.

Details: Read more at: https://tinyurl.com/Bicoastal-Career-Program

 

McOsker Motion Update

LOS ANGELES — On June 21 councilmember Tim McOsker introduced a motion to move existing funding, about 1.2 million dollars, from a reserve account into the Fire Department budget to allow the city to recruit and pay “hand crews” which are brushland firefighters. These positions provide public safety citywide, especially as temperatures rise, while also offering hands-on training opportunities and certifications to qualified individuals who might also choose to apply to become dual function firefighters for the city.