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From Torchbearer to Trendsetter

 

Carmack’s ‘Red Cantaloupe Experience’ Lights Up Long Beach with Jazz

Since 1964, Robert J. Carmack has been a professional part of the Black cultural scene of Los Angeles. As his generation passes the torch to the younger set, he is on a mission to do his part to see that the great LA legacy of jazz doesn’t stop.

In this vein, Carmack’s “A Red Cantaloupe Experience” was the right flavor for a beautiful summer Sunday, presenting Jazzing and Jammin in July at Roscoe’s Jazz Lounge in Long Beach.

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From left producer Robert J. Carmack, Marvin “Smitty” Smith, (the Tonight Show with Jay Leno band) on drums; Edwin Livingston on base – acoustic and electric; Rickey Woodard, on sax and flute, Music Director Nick Smith on Keys. Photo courtesy of Robert J. Carmack.

Carmack’s lineup featured some of the best jazz musicians in Los Angeles, and man did this quartet deliver it hot with music director Knick Smith on keys; Marvin “Smitty” Smith (the Tonight Show with Jay Leno band) on drums; Edwin Livingston on bass — acoustic and electric; and Rickey Woodard on sax and flute, plus special guests.

A highly engaged audience comfortably filled the room to capacity, and the wait staff kept everything running smoothly. Carmack strives to create this kind of ambiance in all his shows. More on that to come.

The band was going strong when I arrived. Two friendly women offered me a seat at their table. I couldn’t see much from that vantage but I could hear the magic. It’s been way too long since I’ve heard live, straight-ahead jazz — and this performance asked emphatically, why the hell not? This high-energy show had you steeped in it.

The quartet was swinging, performing a blend of classic and original tunes from jazz and fusion, doused with a little funk, to standards. On Tell Me a Bedtime Story (Quincy Jones and Herbie Hancock 1978) with its amazing arrangement given its composers, Smith’s quartet indeed met the mark. Smith is so precise on the ivories, flowing every time and “Smitty” on drums is just like a fast and powerful engine.

Smith’s Monkish, a straight-ahead number, brings rhythmic harmony between Smith’s keys and Woodward’s sax. And, in that bustling room full of folks articulating and activating, every single instrument came through clearly — including Livingston on bass. This number grooves. Smith harnesses the entire keyboard, simultaneously holding it down on the low octaves while his digits dance atop the high notes. The call and response of Smith’s dissonant chords and Livingston’s steady bass juxtapose an elegant conversation between the two.

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Edwin Livingston on base. Photo courtesy of Robert J. Carmack.

 

Funky classic, Chameleon by Herbie Hancock (1973) grooves and Smith’s quartet put their stamp on that tradition. Based in Los Angeles, these consummate jazz musicians performed at the top of their craft right here in the City of Angels, via Long Beach. While LA has lost some of its great jazz clubs, it’s exhilarating to know that those that have survived and thrived still present amazing shows like this.

A Red Cantaloupe Experience

Robert J. Carmack, musician, actor, playwright, journalist and jazz historian produced the Red Cantaloupe Experience. He plans to put on more Red Cantaloupe experiences within the LA area. Each concert will be different. The event at Roscoe’s Jazz Lounge included a Royal Ambassador Awards ceremony honoring artists for their significant contributions to their art.

Carmack studied music, communications and theater arts, earning a bachelors of arts degree from California State University Dominguez Hills and a Master of Fine Arts at Columbia University in New York. During a break from college, he went on the road with the Bob Hope USO tours, during Vietnam, playing at military bases, hospitals and Non-Commissioned Officers or NCO clubs. Carmack came out of the 1960s and ’70s Black cultural movement. He was part of a group that co-founded the Paul Robeson Players, more than 50 years ago in the city of Compton, which staged plays at the Communicative Playhouse as part of the Communicative Arts Academy or CAA.

In 1969, artist Judson Powell founded the CAA. Together, with John Outterbridge as director and artists from Compton, Watts and South Central, the group initiated a vital arts program during the Black Arts Movement era in Southern California in the 1960s and ’70s, offering art workshops and programming, studios and performing art spaces. The CAA even transformed buildings across the city into art venues and objects of art, which could be used for a variety of events.

These days, it’s not about money for him anymore, Carmack said.

“The music part of my background was first and that will always be there but I can’t play anymore because I have bone loss and I can’t grip my mouthpiece. So … I write about jazz and blues … but I’m also a historian because I archive a lot of this music.”

Carmack created the Red Cantaloupe brand to stand out, through the shows’ concept and experience, amongst everybody else presenting jazz concerts so people throughout the LA region would be familiar with him. He is now in discussions with Roscoes about a potential Red Cantaloupe Experience residency, noting he is not limited to jazz.

“I just chose my passion. But I can turn on a dime and [present] R&B and soul. I can equally play with rock and indie rock bands as well. Red Cantaloupe is my idea of making something people will remember.”

Carmack said the red and the cantaloupe, to him, represents the blood of people who have fought for freedom and civil rights.

“I lived in Georgia for a while and I was writing about the red clay [there]. Freddie Hubbard wrote about red clay as a song. It was a very powerful jazz tune. That’s what red clay came from but … to me that has nothing to do with Freddie Hubbard, although I tied it into that. When I wrote that piece in the 1990s, it had to do with the blood that was spilled during the Civil War [when] people died and were lynched.”

In Carmack’s imagination, blood soaked into the soil and turned it red.

“If you go to Georgia, and [often] if you dig up the yard, it’s going to be red clay … [Red clay] is literally clay dirt. It’s not just in Georgia, it’s in a lot of the South. I don’t know why it’s that way but I tied that in symbolically.”

All of this is tied symbolically and politically for Carmack. By presenting this history in a contemporary way, he makes it tolerable for people to absorb and be able to get into it.

“We call that edutainment,” he said. “Educating you but entertaining you at the same time.

Carmack’s vision is to build his brand from these special presentations that are under the theme of Red Cantaloupe Experience, which could also include theater, a podcast, a poetry slam, or a performance. It can also include youth presentations. Carmack’s plays use a minimalist approach to focus on dialogue, driving the storyline with no set changes, and the music is curated from the particular era, historic African Americans, or Black musicians that he is paying tribute to.

“I don’t do traditional plays. I do Black plays meaning [they] are originally written by me or someone else. I have a series of plays, one of which is for Nina Simone I did in Leimert Park. I did another play at Barbara Morrison’s Performing Arts Center, just before she passed, called Requiem For Soul Brothers.

“Ultimately, bringing people back to the theater at the community level is really what the goal is … Theater is spontaneous. It’s in the moment.”

Carmack compared his music curation to the performance at Roscoe’s Jazz Lounge the day prior.

“I take intense music from people like McCoy Tyner [from] last night,” Carmack said. “He pushes a beat. It was actually a kind of music where there’s no time to be bored because he changes directions and he changes the speed. It’s just like … driving a car. You’re on the freeway doing 65 … you have to slow down because there’s a car in front of you … or [else] run into somebody right? You drop down the speed … then you have to stop all of a sudden … Like you saw in the show, the saxophone stops, the drummer stops, the base stops. It’s all in sync.”

Details: Roscoe’s Jazz Lounge, 730 E. Broadway, Long Beach andwww.pocketjazzpresents.org

From Her Dream to Your Plate

 

By ShuRhonda N. Bradley, Columnist

Exploring restaurants via Instagram can be hit or miss, but my friends and I have fun discovering trendy spots promoted on social media. Recently, we visited Angel’s Share Whiskey and Beer Restaurant in Belmont Shore, Long Beach. The restaurant had only just recently opened, and we were greeted warmly by the restaurant’s host. Angel’s Share is where Long Beach locals and visitors unite for a uniquely crafted lounge experience, blending gourmet cocktails, cuisine and community in a welcoming haven.

After we were seated, our server, Liliana, greeted us and took our order. From the start, Liliana proved attentive, knowledgeable, and well-versed in the menu and the range of innovative cocktails the restaurant’s bar offers — particularly the whiskey and curated cocktails. Liliana’s way of describing the food — from the goat cheese balls to the impressive short ribs — made us eager to experience whatever she recommended.

Culinary Highlights, Personal Touches

Based on Liliana’s recommendation, I ordered the savory short rib entree. When it arrived, Sunday dinner after church at my grandmother’s house came to mind. Liliana also recommended the baked potato with caviar. I was surprised by how much I enjoyed the salty and mild flavor of the caviar infused into the baked potato. The entire table fell silent as we all savored our entrées — steak, brussels sprouts and mussels — leaving nothing but empty plates behind. My friends didn’t just eat; all five of us ate until we were stuffed.

After the meal, I learned why Liliana was so knowledgeable and able to discuss the menu with such depth and offer spot-on recommendations. Chef Melissa Ramsay is her mother. Liliana introduced the chef, and I learned about Ramsay’s culinary journey, from starting a catering business to becoming the executive chef at Angel’s Share. Her passion and expertise were evident in every dish, and her personal touch in describing her journey made us feel deeply connected to her and her food.

A Deeper Dive

Chef Melissa Ramsay’s story is deeply rooted in her cultural heritage and family traditions. Growing up, food was central to her family life, with fond memories of Jamaican and Cape Verdean dishes. Despite initially pursuing a career in the medical field—where she became an orthopedic scrub nurse — Chef Ramsay’s love for cooking led her to run her own catering business. Her journey has been one of hard work, resilience and dedication, focusing on creating memorable culinary experiences.

Chef Ramsay’s catering business initially gained traction through word of mouth within the celebrity community, catering to high-profile events. This grassroots approach, combined with her exceptional culinary skills, helped build her reputation and client base. Her experience during the COVID-19 pandemic, where she adapted by doing pop-ups and participating in small festivals, showcases her creativity and determination to be successful.

In addition to her catering business, Chef Melissa Ramsay’s role as the executive chef at Angel’s Share demonstrates her community-focused vision and innovative culinary ideas. She aims to provide everyone with a luxurious dining experience without breaking the bank, introducing guests to sophisticated items like caviar in an accessible way. When asked how she comes up with these inspirational dishes, she simply replied, “I dream them up.”

Continuing her creative approach and expanding the guest experience to include children, Chef Melissa Ramsay involved her own kids in developing the children’s menu. Now, children can join their parents at Angel’s Share and design their own pizzas, which the chef will bake for them.

Chef Ramsay’s elevated yet approachable menu and her personal touch make Angel’s Share an exceptional dining experience. Her focus on family and community values enriches the dining experience and makes every guest feel valued and appreciated.

My food experience at Angel’s Share Whiskey and Beer Restaurant took me on an unforgettable journey, immersing me in Cape Verdean and Caribbean food culture. It aroused cherished childhood memories with Chef Ramsay’s savory short rib. It inspired a sense of exploration by trying food combinations such as caviar and baked potato, all while bringing immense happiness through its exceptional culinary delights and warm, welcoming atmosphere.

Warner Grand Slated To Reopen No Earlier Than October 2026

In July 2020, a Bureau of Engineering memo recommended that the City of Los Angeles “move forward on the Warner Grand Theatre Rehabilitation Project with a Total Project Cost of $9,873,000,” with construction to commence in January 2022 and finish by the following December.

Four years later, the project is slated to cost twice as much and take twice as long. And eight months after closing, the City has yet to contract anyone to do the work. But nobody in the Warner Grand’s orbit seems concerned.

The project is going well,” says Liz Schindler Johnson, executive director of the Grand Vision Foundation, the nonprofit arts organization that manages the theater. “Cost increases and delays are to be expected with any complex historic renovation like this. This is not a cookie-cutter project. I’m grateful that the City has found additional funds and trust that they will see this project through within a reasonable time frame.” (Johnson did not respond to a question asking what sort of timeframe she considers reasonable.)

Earlier this year, though, Johnson expressed some concern. In February 2024 she sent a draft of a planned newsletter update on the renovation to the Bureau of Engineering’s Marcus Yee, the project manager. Her draft included a reference to “the Warner Grand Theatre’s upcoming $15 million renovation” — a figure $1 million higher than the one the City bandied about in 2023 (and still lists on the public Project Information Report). After Yee amended the figure to $16 million, Johnson replied that perhaps she should “tak[e] out the $16 million figure because we are not sure of that and it keeps growing.”

Johnson’s concerns were valid. Less than two months after this exchange, the City of Los Angeles put the project out to bid at $16.61 million. But that figure was out of step with reality, as the City received only two bids, the lowest of which was just shy of $18 million.

In the four months since then, the project cost has ballooned to $22.2 million. However, through a combination of reauthorizing formerly approved funds and securing an additional $4.2 million in Mayor Karen Bass’s proposed FY2024–25 budget, it appears a shortfall will be avoided for Phase 1 (i.e., the project currently on the table of what is hoped will ultimately be a three-phase renovation).

I remain optimistic regarding the cost of the project,” says Councilmember Tim McOsker, whose District 15 includes the Warner Grand, “because even with rising materials and labor costs, we’ve been able to allocate more funding for this important renovation.”

The scope of work for Phase 1 includes:

  • Installation of a new elevator “to provide ADA access to the Second Floor and basement from the Main Floor Lobby”
  • Expanding/upgrading current restrooms and adding gender-neutral and ADA restrooms to meet current code requirements
  • Restoring lobby flooring and ceiling
  • “Converting two existing sections of commercial space near the Southwest side of the building […] into a safe and secure ticketing and info booth,” which “will also provide additional staff office and storage space”
  • Restoring “front facing shapes and historic awnings”
  • Converting the commercial space exterior storage space on the southeast side “into a multi-use space that can accommodate a production/ stage manager office, and interior storage space for the off-stage equipment”
  • “Transform the space historically designated as the venue apartment (currently office space) into a small reception lounge [that] will retain the historic fabric, and closet restroom”
  • “General historical rehabilitation of the finishes and fixtures, and replacement of the concession stands”
  • “General historical rehabilitation of the finishes and fixtures” in the second-floor lobbies “installation of new electrical infrastructure to accommodate events”
  • “Replacement of the HVAC system and any gas-powered devices”

But when construction will commence remains an open question. Although in a May 30 memo the Bureau of Engineering’s Architectural Division recommended approval of a bid from 2H Construction (the lowest of the two submitted), the City has yet to ink a contract.

The contract award is still being worked on and has not gone before the Board of Public Works yet,” Nemick told Random Lengths News last month. “When the Board approves the contract, at that time the name of the contractor will be made public. We expect this to happen late summer.”

Needless to say, that delay invalidates the previous project start date of August 1 — which itself was a revision of the July 1 start date given when the Warner Grand closed for renovations on January 1. The start date listed on the Project Information Report was recently updated to October 2.

The projected duration of the renovation has also been pushed back. Although last year City communications typically pegged the project duration as “18 to 24 months,” when questioned for this article last month Nemick put the project duration at “roughly 500 calendar days (approx. 17 months total),” which was consistent with the Bureau of Engineering’s May 30 memo. However, in October 2023 Yee informed Johnson that the construction time period was estimated at two years. Although Nemick did not respond to Random Lengths News’s query as to how/why the original construction estimate was shortened or why the one she was giving differed so sharply from the project manager’s, within the last two weeks the Project Information Report was updated to reflect Yee’s estimate — meaning that even without further delays, the Warner Grand will not reopen until October 2026. But as Nemick said in July, “[P]lease note that some projects have been known to run into unknown/unforeseen conditions which can extend the construction period.”

Nonetheless, McOsker, who last year expressedgreat confidence in my ability to stay on this project — make sure it closes at the right time, that we do the work expediently, and that we get the thing open as quickly as possible,” is not sounding the alarm.

“I’m always concerned with how bureaucratic and slow the city can be on public improvement projects,” he says. “[…] My staff and I have responded to some unanticipated delays and have worked hard to resolve each one of them as quickly as possible. […] Regarding the reopening, my team and I will continue to stay on top of this, continuing our weekly coordination meetings and problem solving [sic]. I am confident that we can reopen the space and welcome residents and visitors back to the beautiful Warner Grand as soon as feasible.”

One person not especially eager for construction to begin is Dave Lynch, owner of Sacred Grounds Coffee Cafe, a San Pedro cultural anchor since 1995 which will be displaced by the renovation. Frustrated by the lack of definitive information he’s received regarding the start date (“It’s changed so many times”), Lynch says that when construction does finally begin, San Pedro will lose Sacred Grounds forever, at least in its current spot.

“I’m not going to leave and then come back a year-and-a-half [or] two years from now,” Lynch says. “I’m not gonna do that. If we close, we close.” As to the possibility of reopening Sacred Grounds at a different location, he says, “I don’t know. It’s hard to plan ahead when I don’t know what’s going to happen tomorrow.”

One might be inclined to say the same thing about the Warner Grand itself.

Biden Still Has It Contrary to all the Doubts

 

I wasn’t expecting this much from the Democratic National Convention but I was as inspired as I was completely horrified by Donald Trump’s speech at the Republican National Convention. So the Dems had a very low bar to hurdle and they did it in spades, cheering and shedding tears for President Joe Biden after the heartfelt introduction by his daughter. The voices of many from across this country chanted for Joe Biden and even gave former Secretary of State Hillary Clinton a long-standing ovation — an ovation that lasted so long that she could hardly start her speech.

To see the difference between the two conventions, all one needed to do was to look at the
pictures of who was in attendance.

At the RNC, it was mostly White, mostly older people who came out to have a grudge match with Biden and the libs. It seemed like a replay of every past Trump rally you’ve ever tried not to watch. On the other hand, the DNC looked as if Jesse Jackson’s Rainbow Push Coalition had taken over the Democratic party and partied as they did it. The progressive Dems have turned the party and perhaps Biden himself away from the neo-liberalism of the Ronald Reagan years of trickle-down economics that have dominated both politics and the economy ever since.

Columnist Thom Hartmann wrote after day one of the DNC:

As we stand at the edge of the end of the Reagan Revolution, an end signaled by one
particular phrase in President Biden’s speech early in his presidency he said, “We need to remember the government isn’t some foreign force in a distant capital. No, it’s us. All of us. We, the people.”

You will remember that Reagan was the antidote to all of the political unrest during the civil
rights movement and the Vietnam War. As Hartmann writes:

The Republican/Conservative “solution” to the “crisis” that these movements represented was put into place in 1981. The explicit goal of the so-called Reagan Revolution was to take the middle class down a peg and end the protests and social instability. And to fight the American unions, lowering the wages of the working classes.

Trumpism and the MAGA extremists are just attempting to continue the stalling of a future that was foretold in the 1960s but is now being carried on by the children and grandchildren of the baby boomers who are fed up with the decline of the American middle class, with the attack on labor unions and average working-class people. It’s a vision of We the People taking back the government from Wall Street bankers and right-wing corporations.

Michelle Goldberg of the New York Times wrote, “I can’t decide if it was AOC’s barnburner
speech, Shawn Fain’s lambasting Trump as a scab or the women who spoke so bravely about the anguish [on] Republican abortion bans inflicted on them,” that has impacted me the most. All of this and much more made the first night memorable. Especially as President Joe Biden took the stage. Contrary to all previous media reports saying he is not capable and is too frail, mentally impaired, or feeble, he stood up and gave one of his most memorable speeches which was both forceful and human.

Frankly, it was a courageous comeback from the so-called June debate. And it was an accurate attack on Trump that shows he’s still on top of his game and that it is the Trumpster who was not prepared for a reality TV show like this one.

Not only was he not prepared for this strong showing but the pivot from Biden to Kamala
seems to have disoriented the entire Republican game plan based on bashing Biden.

Even the electoral map seems to be turning in Vice President Kamala Harris’ favor with the
key northern battleground states of Wisconsin, Michigan and Pennsylvania favoring blue over red — just those three states get her to the 270-finish line to win. But wait! Nevada, Arizona and possibly Georgia are now toss-ups and the enthusiasm from Chicago just might last long enough for the Harris/Walz team to end up with over 300 electoral votes to crush any kind of Trump comeback.

Okay, this isn’t going to happen all by itself, but the wind blowing from the progressive forces behind Harris is filling the sails of the Democratic boat with only the protestors of the war in Gaza standing in the way. Which Sen. Bernie Sanders acknowledged this in his speech on the second night, calling for an end of the war in Gaza, a return of the hostages and an immediate cease fire. The audience roared their approval to him. This is of course why the Biden administration is pushing so hard for a cease-fire now and not after the election. If that were to happen and the Federal Reserve were to lower the interest rates before the election this just might be the trifecta of circumstances for a Harris/Walz landslide victory. We can only hope.

What’s the difference you might ask? Well if you look at both conventions, the Republicans
are full of grievance and fear messages and the Kamala campaign is selling hope and freedom. She says quite eloquently, “We aren’t going back” as she talks of women’s reproductive rights, and using the old union slogan, “When we fight, we win” is just the right message for the new rainbow coalition to get behind and work to accomplish.

In the final analysis, Joe Biden is far from finished as the elder statesman and current president of the United States of America, he has shown himself to be effective, courageous, capable and admired by the majority as a true patriot and not a twice impeached convicted felon who is just trying to stay out of jail.

 

“When we say Donald Trump is a scab, this is what we mean”

Shawn Fain’s Words Have The Ring Of Truth

The Republican threat to the working class came into sharp focus just one week before the Democratic National Convention kicked off in Chicago, with long-time union member Tim Walz on the ticket as Kamala Harris’ running mate. It began with Trump’s chaotic interview withby Elon Musk on his dilapidated social media site, formerly known as Twitter.

Musk fired huge swathes of employees when he bought the site two years ago, and the loss of quality and basic functionality that resulted was on full display in the 40-minute delay that began the interview. But wantonly firing people was a good thing, actually, Trump insisted, praising Trump for firing workers at his car company when they went out on strike several years ago. After Musk volunteered to serve on a hypothetical cost-cutting commission, Trump praised him as “the greatest cutter,” saying, “They go on strike and you say, that’s OK. You’re all gone. You’re all gone. So every one of you is gone and you are the greatest.”

Not only is what Musk did illegal under existing labor law, so is threatening it. As a result, the UAW filed federal labor charges against both men the following day.

“When we say Donald Trump is a scab, this is what we mean. When we say Trump stands against everything our union stands for, this is what we mean,” said UAW President Shawn Fain. “Donald Trump will always side against workers standing up for themselves, and he will always side with billionaires like Elon Musk, who is contributing $45 million a month to a Super PAC to get him elected. Both Trump and Musk want working-class people to sit down and shut up, and they laugh about it openly. It’s disgusting, illegal and totally predictable from these two clowns.”

In striking contrast, the next day Walz addressed the annual convention of AFSCME, the public service union he was a member of for two decades as a teacher. Walz stressed the difference between the two tickets’ records and what they would do in the future. When Fain calls Trump a scab, “That’s not name-calling, it’s an observation,” Walz noted and went on to say:

You know, you can tell a lot about people in their personal lives. He spent a decade stiffing service workers, from dishwashers, waiters and carpenters on his own properties to enrich himself. As president, he cut overtime benefits for millions of workers. And he opposed any effort to raise the minimum wage. That’s all you need to know. You don’t have to ask twice. We know who they are.

Walz is certainly right for the people in that room, for people who’ve spent years, even decades fighting to defend workers’ rights. But for the broader public, in perhaps the most consequential election in our lifetimes, it’s helpful to flesh things out more fully. This goes double for the detailed plans laid out in Project 2025, the carefully prepared playbook for Trump’s hoped-for second term.

There is a bewildering array of specific proposals involved, so one way of thinking of them is in terms of three categories: those impacting individual workplace/job issues, such as cutting overtime pay and the minimum wage, etc.; those impacting organizing/union issues, such as decertifying unions en masse; and those impacting individual/family issues beyond the workplace, such as increasing healthcare costs in multiple ways.

But Jody Calemine, director of Advocacy for the AFL-CIO, divided things a bit differently on MSNBC’s The ReidOut a few days before Walz spoke. First was “a category of proposals that sort of eliminate the floor from workers. They want to go after minimum wage, overtime, after child labor laws, they want to turn more people into independent contractors so they have no rights whatsoever.”

Such proposals aren’t new, Calemine noted. But bringing them all together like this really is. Trump’s allies seek to undermine these protections in a bewildering different number of ways.

To start, Project 2025 says, “To encourage experimentation and reform efforts at the state and local levels, Congress should pass legislation allowing waivers from federal labor laws.” Thus states could set minimum wages lower than the already super-low level of $7.25/hour, and also reduce overtime, child labor and worker misclassification protections.

At the federal level Project 2025 would undermine overtime pay in multiple ways. Here are three of the clearest and most consequential. First, reverting to the former overtime pay rules for salaried workers under the Trump administration would take overtime away from 4.3 million workers. Under Trump, only workers making less than $35,568 were eligible, now the threshold is $43,888, rising to $58,656 on Jan. 1, 2025.

Second, it would end overtime pay guarantees and let employers give workers time off instead — scheduled by employers, of course. This is essentially paid leave, and there’s already substantial data showing that workers significantly underuse the paid leave they’re already entitled to. So the net effect would simply be more unpaid overtime.

Third, it would let employers shift from calculating hourly overtime pay on a weekly to a biweekly or even four-week basis, forcing workers to work 50 or 60 hours a week without earning overtime pay, if alternated with shorter work weeks. This would also seriously worsen the problem of wage theft associated with overtime pay. Writing for the Center for American Progress, Lily Roberts explained:

Overtime eligibility and access are already among the most common forms of wage theft and other violations of the law by employers. From 2013 to 2023, overtime violations accounted for 82 percent of back wages for Fair Labor Standards Act violations—which cover minimum wage, overtime, retaliation, and tip theft by employers…. A system rife with abuse needs clearer guidance and more enforcement, not additional ‘flexibility’ for employers to decide who gets overtime pay and when.”

Altogether, billions of dollars would be taken from workers and given to their bosses each year.

Child labor protections would also be rolled back, allowing 16- and 17-year-olds to do dangerous jobs they’re currently not allowed to do.

Unlike these and other proposals in the first category, Calemine warned, “What we haven’t seen before is the rest of it, which I think is very, very nefarious and dangerous. … The second category of proposals has to do with civil rights.”

Here they want to kneecap civil rights enforcement against federal contractors, “but they leave the EEOC in place” because “they want to turn Title VII [of the Civil Rights Act] on its head and weaponize it against diversity, inclusion and equity. They want to weaponize it against employers that put on anti-harassment and anti-racism training. And in other words, they want to normalize everyday racism and sexism in the workplace and in society,” Calemine said.

At the same time, “They privilege employers who are religious, that is religious bosses. And so those religions will trump the civil rights of workers. If you want a job, if you want to keep your job, if you want to get promoted, you better comply with your boss’s religion,” he warned.

Then, “When they go to labor law, they’re going to weaken private sector unions and replace them with unions controlled by companies, and then they want to totally eliminate public sector unions.”

Specific proposals to weaken unions include eliminating the use of card checks to certify a union, and allowing employers to attempt to decertify them virtually any time at all, instead of the current narrow time windows. Replacing real unions with company unions — in which workers have basically no power at all — would require congressional action, and Trump’s VP pick, J.D. Vance, is already a co-sponsor of such a bill.

However, some of the most devastating proposals in Project 2025 affect workers as the core part of society as a whole. It would eliminate Head Start, and include attacks on Medicare, Medicaid, the Affordable Care Act, and the Inflation Reduction Act, all of which would hit workers especially hard. For example, private Medicare Advantage [MA] plans will cost at least $83 billion more than traditional Medicare would cost this year, according to the Medicare Payment Advisory Commission, which advises Congress. But Project 2025 calls for it to be made “the default enrollment option” for all new Medicare beneficiaries, ballooning current costs, boosting private profits and pushing us toward a future of fully privatized Medicare. It also calls for Medicaid cuts which roughly parallel Republican congressional proposals that are projected to produce a 53% spending cut over the next 10 years. Under their plans, approximately 21 million people would be at risk of losing coverage due to red tape involved in work reporting requirements. (The vast majority of adult recipients are already working, caregiving, or unable to work.)

Because it’s concerned with what the president can do alone, Project 2025 doesn’t tell the full story of what Trump and his allies intend to do. For that, we can look to repeated statements and past actions — such as the 40+ attempts to repeal the Affordable Care Act, legislative proposals to extend the Social Security retirement age, and the proposed Medicaid cuts mentioned just above.

Ever since the Affordable Care Act was passed, Republicans have tried to repeal it, almost always, after the first few years, with promises to replace it with something better. But it’s now been 14 years since it was first passed, and the GOP replacement plan has still yet to be seen. And this goes to the heart of what the GOP has planned for labor — in the workplace, at the bargaining table, and in workers’ everyday lives. They have detailed plans about what they want to take away. And nothing but vague promises about what to replace it with.

As the details of Project 2025 have come out, Trump and his allies have all tried to disavow them. But in his AFSCME convention speech, Walz was crystal clear. “Trump’s playing dumb. ‘Oh, I don’t know about [Project] 2025,’” Walz said. “I’m a football coach at heart. And I’ll tell you one thing I know for sure is, if you’re going to take the time to draw up a playbook, you’re damn sure going to use it.”

Is the “Reagan Revolution’s” Attack on America’s Middle Class at an End?

 

Let’s hope the damage Republicans have done over the last four decades isn’t so severe that America can’t be brought back from the brink of chaos and desperation…

Here at the Democratic Convention, speaker after speaker is pointing out how the Biden presidency and the Harris/Walz campaign are rewriting the economic rules of our country in an effort to bring back the middle class.

As we stand at the edge of the end of the Reagan Revolution, an end signaled by one particular phrase in President Biden‘s speech early in his presidency (which I’ll get to in a minute), its really important that Americans understand the backstory.

Reagan and his conservative buddies intentionally gutted the American middle class, but they did so not just out of greed but also with what they thought was a good and noble justification.

As I lay out in more granular detail in my books The Hidden History of American Oligarchy, The Hidden History of Neoliberalism, and The Hidden History of American Democracy, back in the early 1950s conservative thinker Russell Kirk proposed a startling hypothesis that would fundamentally change our nation and the world.

The American middle-class at that time was growing more rapidly than any middle-class had ever grown in the history of the world, in terms of the number of people in the middle class, the income of those people, and the overall wealth that those people were accumulating. The middle-class was growing in wealth and income back then, in fact, faster than was the top 1%.

And some Republicans believed this was dangerous, perhaps even deadly to democracy itself.

Kirk postulated in 1951 that if the middle-class got too wealthy, we would see an absolute collapse of our nation’s social order, producing chaos, riots and possibly even the end of the republic. Keep in mind, nobody had ever seen a middle class as large and prosperous as did the USA in the 1950s and 1960s.

The first chapter of his 1951 book, The Conservative Mind: From Burke to Eliot, is devoted to Edmund Burke, the British conservative who Thomas Paine debated in 1791 on his way to get arrested in the French revolution. Paine was so outraged by Burke’s arguments that he wrote an entire book rebutting them titled The Rights Of Man.

Burke was defending, among other things, Britain’s restrictions on who could vote or participate in politics based on wealth and land ownership, as well as the British maximum wage that was explicitly designed to prevent the emergence of a large middle class.

That’s right, maximum wage.

Burke and his contemporaries in the late 1700s believed that if working-class people made too much money, they would challenge the social order and collapse the British form of government.

So Parliament passed a law making it illegal for employers to pay people over a certain amount, so as to keep wage-earners right at the edge of poverty throughout their lives. (For the outcome of this policy, read pretty much any Charles Dickens novel.)

Picking up on this, Kirk’s followers argued that if the American middle-class got too rich there would be similarly dire consequences.

Young people would cease to respect their elders, women would stop respecting (and depending on) their husbands, and minorities would begin making outrageous demands and set the country on fire.

When Kirk laid this out in the early 1950s, only a few conservative intellectuals took him seriously. People like William F. Buckley and Barry Goldwater were electrified by his writings and line of thinking, but Republicans like then-President Dwight Eisenhower said, of people like Kirk and his rich buddies, “Their numbers are negligible and they are stupid.“

And then came the 1960s.

In 1961, the birth control pill was legalized and by 1964 was in widespread use; this helped kick off the modern-day Women’s Liberation Movement, as women, now in control of their reproductive capacity, demanded equality in politics and the workplace. Bra burning became a thing, at least in pop culture lore.

By 1967, young people on college campuses we’re also in revolt; the object of their scorn was an illegal war in Vietnam that President Johnson had lied us into. Along with national protest, draft card burning was also a thing.

And throughout that decade African Americans were increasingly demanding an end to police violence and an expansion of Civil and Voting Rights. In response to several brutal and well-publicized instances of police violence against Black people in the late 1960s, riots broke out and several of our cities were on fire.

These three movements all hitting America at the same time got the attention of conservatives and Republicans who had previously ignored or even ridiculed Kirk back in the 1950s. Suddenly, he seemed like a prophet.

The Republican/Conservative “solution” to the “crisis” these three movements represented was put into place in 1981: the explicit goal of the so-called Reagan Revolution was to take the middle class down a peg and end the protests and social instability.

Their plan was to declare war on labor unions so wages could slide back down again, end free college all across the nation so students would be in fear rather than willing to protest, and increase the penalties Nixon had already put on drugs so they could use those laws against hippy antiwar protesters and Black people.

As Nixon‘s right hand man, John Ehrlichman, told reporter Dan Baum:

“You want to know what this was really all about? The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and Black people. Do you understand what I’m saying?

“We knew we couldn’t make it illegal to be either against the war or Black, but by getting the public to associate the hippies with marijuana and Blacks with heroin and then criminalizing both heavily, we could disrupt those communities.

“We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.”

While it looks from the outside like the singular mission of the Reagan Revolution was simply to help rich people and giant corporations get richer and bigger, the ideologues driving the movement actually believed they were helping to restore safety and stability to the United States, both politically and economically.

The middle class was out of control, they believed, and something had to be done.

Looking back at the “solutions” England used around the time of the American Revolution and advocated by Edmund Burke and other conservative thinkers throughout history, they saw a solution to the crisis…that also had the pleasant side effect of helping their biggest donors and thus boosting their political fortunes.

Reagan massively cut taxes on rich people, and raised taxes on working-class people 11 times. All to reduce the economic and political power of the “dangerous” middle class, that was then around two-thirds of us.

For example, he put a tax on Social Security income and unemployment income, and put in a mechanism to track and tax tips income all of which had previously been tax-free (tips were rarely monitored) but were exclusively needed and used by middle-class people.

He ended the deductibility of credit-card, car-loan and student-debt interest, overwhelmingly claimed by working-class people.

At the same time, he cut the top tax bracket for billionaires and multimillionaires from 74% to 25%. (There were only 13 billionaires in America then, in large part because of previous tax policies; the modern explosion of billionaires followed Reagan’s massive tax cuts on the morbidly rich.)

He declared war on labor unions, crushed PATCO (the air traffic controllers’ union) in less than a week, and over the next decade the result of his war on labor was that union membership went from about a third of the American workforce when he came into office to around 13% at the end of the Reagan/Bush presidencies. It’s at around 11% of the private workforce now.

He and Bush also husbanded the moribund 1947 General Agreement on Tariffs and Trades (GATT, which let Clinton help create the WTO) and NAFTA, which Clinton signed and thus opened a floodgate for American companies to move manufacturing overseas, leaving American workers underemployed while radically cutting corporate labor costs and union membership.

And, sure enough, Reagan’s doubling-down on the War on Drugs was successful in shattering Black communities.

His War on Labor cut average inflation-adjusted minimum and median wages by more over a couple of decades than anybody had seen since the Republican Great Depression of the 1920s and ’30s.

And his War on Colleges jacked up the cost of education so high that an entire generation is today so saddled with more than $1.5 trillion in student debt that many aren’t willing to jeopardize it all by “acting up” on campuses.

The key to selling all this to the American people was the idea that the US shouldn’t protect the rights of workers, subsidize education, or enforce Civil and Voting Rights laws because, “conservatives” said, government itself is a remote, dangerous and incompetent power that can legally use guns to enforce its will. They added that when people “get things from government,” they become “dependent on government” and end up intergenerationlly “lazy.”

As Reagan told us in his first inaugural, government was not the solution to our problems, but instead was the problem itself.

He ridiculed the formerly-noble idea of service to one’s country and joked that there were really no good people left in government because if they were smart or competent they’d be working in the private sector for a lot more money.

He told us that the nine most frightening words in the English language were, “I’m from the government, and I’m here to help.”

To sell this to the American people, throughout the 1970s and 1980s billionaires associated with the Republicans built a massive infrastructure of think tanks and media outlets, including newspapers, over 1500 rightwing radio stations and multiple TV networks and chains of TV stations, to promote and amplify this message.

It so completely swept America that by the 1990s even President Bill Clinton was saying things like, “The era of big government is over,” and “This is the end of welfare as we know it.” Limbaugh, Hannity, and other right-wing radio talkers were getting millions a year in subsidies from groups like the Heritage Foundation. Fox News today carries on the tradition.

Which brings us to President Joe Biden’s 2021 speech that began the largest political and economic transformation of America since 1933.

Probably the most important thing he said in that speech was almost completely ignored by the mainstream American press. It certainly didn’t make a single headline, anywhere.

Yet President Biden said something that Presidents Clinton and Obama were absolutely unwilling to say, so deeply ingrained was the Reagan orthodoxy about the dangers of “big government” during their presidencies.

President Biden said:

“We need to remember the government isn’t some foreign force in a distant capital. No, it’s us. All of us. We, the people.“

This was an all-out declaration of war on the underlying premise of the Reagan Revolution. And a full-throated embrace of the first three words of the Constitution, “We, the People.”

And now Vice President Harris and Governor Walz have carried on Biden’s turn away from Reagan’s and Clinton’s neoliberalism and similarly embraced FDR’s Keynesian Economics that built the American middle class.

In March, 1933, President Franklin Roosevelt talked about the “mysterious cycle in human events.” He correctly identified the end of the Republican orthodoxy cycle of the 1920s, embodied in the presidencies of Harding, Coolidge and Hoover, of deregulation, privatization, and tax cuts.

(Warren Harding in 1920 successfully ran for president on two slogans. The first was “A return to normalcy,” which meant dropping Democratic President Woodrow Wilson’s 90% tax bracket down to 25%, something Harding did in his first few years in office. The second was, “Less government in business, more business in government.” In other words, deregulate and privatize. These actions, of course, brought us the Great Crash of 1929 and what was known for two generations as the Republican Great Depression.)

Americans are now watching, for the third time in just 30 years, a Democratic president clean up the economic and social debris of a prior Republican presidency. They’re starting to figure out that crushing the middle-class didn’t produce prosperity and stability, but instead destroyed tens of millions of people’s lives and dreams.

And they’re seeing the hollowness of the Republican’s promises as we all watch, aghast, as the Trump/Vance campaign scrambles to mobilize the last remnants of its billionaire and white racist base, at the same time waging an all-out war on the ability of Black, young, and working-class people to vote.

President Biden’s speech was the beginning of the end for the Republicans, although it appears only a few of them realize it. And he doubled down on it in his brilliant presentation at the DNC last night, saying of Reagan’s neoliberal experiment, “Even a lot of Democrats thought it would work, but it didn’t.”

This truly is a new day in America.

As they roll out new economic policies this week, Vice President Kamala Harris and Governor Tim Walz are driving a stake through the heart of the GOP’s 44-year war against the middle class.

Let’s hope the damage Republicans have done over the last four decades isn’t so severe that America can’t be brought back from the brink of chaos and desperation.

Right now things are looking pretty good, although we can never forget that Hillary Clinton was 12 points above Trump with 50% popularity versus Trump’s 38% in the polls just two weeks before the 2016 election.

We can’t relax until after election day.

Hopefully, it’s a new day in America. And it will be, if we show up this fall.

The Bird Rescuer

 

Kylie Clatterbuck’s Journey from Deepwater Horizon to Wildlife Hero

By Evelyn McDonnell

In 2010, the oil rig Deepwater Horizon exploded in the Gulf of Mexico, killing 11 people and, over 87 days, spilling 4 million barrels of oil into the water. Kylie Clatterbuck had been working at International Bird Rescue in San Pedro just two years when she received the call to go to the gulf, as part of an international team tasked with cleaning and saving hundreds of thousands of brown pelicans, laughing gulls, royal terns and other birds. For Clatterbuck, in her mid-20s and newly married at the time, it was a life changer.

“My first spill being such a large event was an eye opener to what a response can look like in terms of people coming together to help mitigate it and help make it right in some way,” says Clatterbuck, now the Wildlife Center manager at IBR. “I think it was the first time I saw a 100% oiled animal still surviving. Seeing the resiliency of those birds, especially the pelicans, was really inspiring because you look at that bird and you just imagine, how is it still alive? Just seeing groups from all different states down there, all coming together, all with the passion to save wildlife and working together to make that happen. I saw birds go from 100% oiled to being released. That sealed the deal as something that I just love doing: love being around animals, love saving animals, love the high intensity of the emergency work.”

Clatterbuck has been helping to save aquatic birds in the Los Angeles area for 16 years now. She showed me around the hospital, which is generally off-limits to the public due to the high susceptibility of birds to stress caused by human interaction. On that June day the pens, pools and aviaries were still dominated by brown pelicans, a species that showed up sick, dying,and dead in unusual numbers on the Pacific coast in a stranding event this spring. But there were also grebes, gulls, loons and even an albatross who had hitched a ride to the port on a ship. Some had injuries: fish hooks in stomachs, torn pouches, broken wings. Others were diseased, starving, or simply too young to make it on their own.

Not every patient I saw that day survived. But thanks to Clatterbuck and the center’s 10 employees and 100 volunteers, many of them did. The IBR has a 30% to 40% success rate, she says — an impressive figure considering that “we always say that birds coming in the door are essentially dead birds. It’s not just whatever injury they have or whatever illness. They’ve also been sitting on a beach, or under a bush, hiding, trying to keep themselves safe for weeks, so they’re emaciated, they’re dehydrated, they’re on death’s door. We do our best to save every animal that comes in.”

Clatterbuck’s job is not glamorous. A facility filled with birds who eat fish and do not use a litter box is going to have a distinct aroma no matter how well you clean. Like most nonprofit work, the pay stinks a bit too. Death of the creatures you are trying to save is a constant reality. But for Clatterbuck, the airborne poop, the mites and the risk of avian flu are all validated by the experience of watching a once doomed creature fly ― or swim ― back into the world.

I talked to the mother of two about how she found herself rescuing waterfowl. The following transcript has been edited for clarity and length.

 

Kylie Clatterbuck

I was born out east but grew up in Southern California, around Temecula. I have always loved animals. And so for me, especially growing up a little bit more inland, I always wanted to be going to the beach. We didn’t travel much to the ocean until I was in high school and I could drive and get out there myself and boogie board and really hang out — you know, just lay on the beach all day and soak in the sun. To me it’s relaxing, it’s peaceful and it’s a good reminder of the nature around you because it’s so immersive: the touch of the sand and the sound of the ocean and the heat of the sun.

At the time, marine biology was a rising profession, and so I got looped into that and really just fascinated by the ocean animals and all the different variety of species, and the way that they live. Oceans are always a little bit of a mystery to me, in terms of how creatures can survive in that. Cal State Long Beach has an incredible marine biology program, so I got my bachelor of science there.

From there, I worked at Cabrillo Marine Aquarium as an outreach instructor. We would go to inner city schools, bring portable touch tanks, and just try to connect students in areas where they hadn’t even been to the ocean before. What really connects kids is being able to touch something that you’ve never touched. I was hoping that the kids would go home and tell their mom that they got to touch a sea cucumber today or a sea star and teach their families as well.

It’s also partially why I love working here: just getting to touch the birds. Something that you see from afar, that’s not always reachable. You end up feeling very special.

Flipper was huge when I was a kid. And I remember in the ’90s, all the little Lisa Frank stickers were always dolphins and whales. That brought a lot of people, especially women, to science in a way that connects them with animals in the ocean. Most of my colleagues are women. A lot of veterinary practices and a lot of things that have to do with animals are very women-led.

I don’t really discriminate against animals. I like all animals. So for me, it was like, well, let’s try birds. I came in for my interview and the manager was in the middle of examining a pelican and she wasn’t quite ready to start. So she’s like, here, can you hold this pelican for me? I was dressed nicely. I’m like, okay. So the very first moment I walked in and I’m restraining this pelican. That locked me in.

IMG 9972
Wildlife Center manager at IBR, Kylie Clatterbuck (left) with an assistant treating a gray pelican. Photo by Arturo Garcia-Ayala

This job provides research experience too. A lot of what we do here is bettering the care of animals, and spreading the knowledge of the things that we’ve learned to other organizations. We’re constantly learning new things and trying new things and changing things that we have been doing for 15 years because we realize there’s a better way to do it.

I love talking about birds to people who might not care. Each individual’s different, each species is different. They teach you so much and they’re resilient. You see them coming in with these horrific injuries and they’re still alive. They’re still trying their best to survive, and just the fact that you can help them a little bit and help them survive and give them a second chance in the wild — it’s really, really gratifying to be able to do that work.

Unfortunately, many of the things that we see are caused by human conflict or the changing world essentially. We deal with a lot of fishing hook and fishing line injuries. We deal with natural seep oiling and oiling from refineries or pipelines, and habitat destruction as well.

One of my fondest memories is in 2021 we had a colony of elegant terns that were startled from their nesting habitat down in Bolsa Chica and decided to nest on two barges in Long Beach. As soon as the babies started to grow up and totter around, they’d fall off these barges into the cold water. It was a huge response with a lot of different organizations involved. It’s one of the biggest conservation efforts that I’ve been part of. We do oil spill response all the time, but this is actually a habitat issue. There’s not enough nesting grounds for these birds. So that response opened up a whole other avenue for bird rescue. Something that we’re still trying to work on is how can we provide these birds with better nesting habitats in our urban environment. And what can we do to mitigate the space that we’re taking from these animals so that they thrive just as much as we’re thriving? I think that’s what keeps me here at this job is it’s a new challenge every year, especially with how global warming can affect these animals, directly or indirectly.

IMG 9986
Wildlife Center manager at IBR, Kylie Clatterbuck. Photo by Arturo Garcia-Ayala

It’s hard to connect climate change directly [to distressed birds]. But we can suspect that the ocean’s warming, so it’s changing the availability and location of food. Even with these two recent pelican stranding events that we’ve had, in 2022 and the most recent one, we’re seeing juvenile birds and adult birds having trouble finding their prey. How are the birds eventually going to adapt if this happens every year, every couple of years? We see pelicans that are really susceptible to fishing hook and fishing line injuries, as they get desperate for food and take those extra chances to find the fish that they need.

Some of those fishing line injuries, it’s about, clean up, clean up after yourself. Don’t leave your fishing hooks out. Don’t leave your fishing line out. Enjoy your hobby in a responsible way so that everyone can coexist. I mean, that’s what we’re trying to do, right? We’re trying to coexist with wildlife. Be patient with the birds. I think people get very frustrated with birds that are lingering around their boats or trying to steal their catch. We’ve seen plenty of injuries that we suspect are human-caused.

IBR began in 1971 with a tanker collision in the San Francisco Bay. There was a bunch of Western grebes, scooters ― many of those pelagic birds all oiled along the beaches. People were out there collecting them in their bathing suits. Nobody knew what to do. They just saw animals in need, and it’s instinct for a lot of people just to want to be able to help them. So that’s where our founders Alice Berkner and Jay Holcomb came into play. They realized, we don’t know what we’re doing, and this is something that could potentially happen time and time again. We can’t always let these animals die.

They started International Bird Rescue, and that grew and grew. And now we have two centers, one here and one up in Fairfield, near San Francisco. We have a turnkey facility in Alaska as well. We have responded all over the world to 200-plus oil spills and different conservation efforts. We’re part of a global network of oil spill responders. Luckily, oil spills are less and less these days. Safety measures have increased, and people are more aware of how this can affect animals. They’re also aware of people like us at Bird Rescue. Everyone has their opinions about oil companies and oil in general, but we’re here to support the animals. So we’re not going to knock those companies. We want to work together at those emergency events.

We got over 360 pelicans at our center within just a couple of weeks in the last stranding event. We’ve done these events before, we know how they work. Pelicans do amazing in care. This year was unique though, because we had probably 40% of them had some severe injury, most of those including fishing hook and fishing line injuries. I believe we’ve had about six pouch lacerations due to fishing hook wounds. Also lots of constriction wounds, fishing line wrapped around their legs or wrapped around their wings. Hook wounds all over their bodies. That’s not something I saw in 2022 in as high of frequencies as we have this year. Pelicans areindicator species of things that are happening in the environment, so we watch them very closely. Biologists really pay attention to how their nesting seasons go and that sort of thing.

Not many rehab centers have the ability to band, so we can track survivability. We’ve seen our blue-band pelicans nesting down in Baja, we’ve seen many thriving even during this past crash. Thriving ones that we’ve just released are up in Oregon now.

We have so many human-influenced issues, I think it’s right that we do our part. All animals play some part in our world, and I want my kids to be able to see all these animals and their kids to be able to see it and appreciate it.

 

Evelyn McDonnell is the author or editor of eight books, an internationally recognized award-winning journalist, and a professor at Loyola Marymount University. She writes the series Bodies of Water – portraits of lives aquatic – for Random Lengths.

Copyright Evelyn McDonnell 2024

Notification of Document Release – Port of LA China Shipping Notice of Preparation

 

The City of Los Angeles Harbor Department or Harbor Department has prepared a Notice of Preparation or NOP of a Draft Revised Supplemental Environmental Impact Report or SEIR for Port of Los Angeles Berths 97-109 [China Shipping] Container Terminal Project

The Harbor Department has prepared this NOP for the Implementation of the California Environmental Quality Act or CEQA of 1970, Article I; the State CEQA Guidelines, Article 7, Sections 15086-15087; and the California Public Resources Code Section 21153.

As background, the Final SEIR previously certified by the City of Los Angeles Board of Harbor Commissioners or Board Oct. 8, 2019, was challenged in court, and after a period of litigation, on May 24, 2024, the court ordered that the Board’s certification of the Final SEIR and related actions and approvals be set aside.

The court also directed the Harbor Department and China Shipping to agree, through an amendment of China Shipping’s permit, to implement and make enforceable the mitigation measures and lease measures upheld by the court.

The court ordered the Harbor Department to prepare a Revised SEIR that includes re-evaluation and revision of the following issues from the 2019 Final SEIR:

  1. Lease Measure (LM) GHG-1, GHG Credit Fund;
  2. Mitigation Measure (MM) AQ-9, Alternative Maritime Power; and
  3. The 2019 SEIR Emissions Impact Analysis.

The Revised SEIR will re-evaluate certain resource areas: air quality, public health, and greenhouse gas impacts, along with an evaluation of energy use. The Revised SEIR will be limited to addressing only the court-ordered items necessary to bring the Final SEIR into compliance with CEQA. Reviewers of this NOP should, therefore, limit their comments to the additional information and new analysis to be provided. Analyses in the 2019 Final SEIR that are not being revised will not be recirculated for public review and comment.

This NOP is available for public review and comment for a period of 30 days starting Aug. 22, and ending Sept. 20, and has been posted on the port’s web site at https://www.portoflosangeles.org/environment/environmental-documents.

Written comments on the NOP should be submitted in writing prior to the end of the 30- day public review period and must be postmarked by Sept. 20.

Submit written comments to: Lisa Wunder Environmental Management Division City of Los Angeles Harbor Department 425 S. Palos Verdes Street San Pedro, CA 90731 Written comments may also be sent via email to ceqacomments@portla.org. Comments should include the project’s title (Berths 97-109 [China Shipping] Container Terminal Project) in the e-mail’s subject line and a valid mailing address within the email.

Details: Contact Lisa Ochsner, Environmental Manager, at 310-732-3412 or via email at lochsner@portla.org.

Pier B Rail Facility Project Update Meeting Set for Sept. 4

 

The Pier B On-Dock Rail Support Facility project team will update the public on the status of the Port of Long Beach project during a virtual community meeting Sept. 4.

You can join this virtual meeting from a computer, phone and other mobile device. A recording of the meeting will be posted at www.polb.com/PierB for those unable to participate. Requests for translation must be received by Aug. 30. Contact Veronica Morales at 562-233-7980 or veronica.morales@polb.com for translation or assistance registering for the event. Comuníquese con Veronica Morales al 562-283-7722 o veronica.morales@polb.com antes del viernes 30 de agosto para obtener servicios de interpretación o asistencia con el registro.

The planned Pier B On-Dock Rail Support Facility is the centerpiece of the Port of Long Beach’s rail capital improvement program. It will shift more cargo to “on-dock rail,” where containers are taken to and from marine terminals by trains. Moving cargo by on-dock rail is cleaner and more efficient, as it reduces truck traffic. No cargo trucks would visit the facility.

The facility will be built in phases and as each is completed, they will enhance capacity and operations. Completion of the entire project is expected in 2032. View the project fact sheet and more information at the project page.

Time: 10 a.m., Sept. 4.

Details:Click here to register.

Venue: Online

Udate: Located – Two Missing Persons Long Beach

Update: On Aug. 20, at-risk missing person Leverne E. Brown was located safe and unharmed. And on Aug. 20 at-risk missing person Freddie D. Jenkins was located safe and unharmed in Long Beach by officers.

The Long Beach Police Department is asking for help to find two missing persons.

LBPD is asking for the public’s help locating a 64-year-old at-risk missing person, Freddie D. Jenkins, who was last seen on Aug. 16, 2024, about 2 p.m.

Jenkins was last seen in the 300 block of Atlantic Avenue. Jenkins is on foot and his destination is unknown. He is known to frequent the surrounding area. He has medical conditions and is in need of medical attention.

At-risk missing person Freddie D. Jenkins is described as follows:

Age: 64-years-old

Gender: Male

Race: Black

Height: 5’5”

Weight: 180 lbs

Hair: Gray

Eyes: Brown

Clothing: Black long sleeve shirt, gray sweatpants, black and white sneakers, tan hat, with a black and white cane

Scars/ Marks/ Tattoos: Missing top front teeth

Medical Alerts: He has medical conditions

 

LBPD is asking for the public’s help locating a 90-year-old at-risk missing person, Leverne E. Brown, who was last seen Aug. 18, about 10:30 p.m.

Brown was last seen walking out of his apartment in the 3200 block of East Artesia Boulevard. Brown is on foot and his destination is unknown. He has mental conditions and may become disoriented.

At-risk missing person Leverne E. Brown is described as follows:

Age: 90-years-old
Gender: Male
Race: Black
Height: 5’9”
Weight: 135 lbs
Hair: Black
Eyes: Brown
Clothing: Black hat, black jacket, black pants.
Scars/ Marks/ Tattoos: None
Medical Alerts: He has mental condition(s) and may become disoriented.

Details: Anyone with information regarding both of these missing persons is urged to call the LBPD Missing Persons Detail at 562-570-7246 or Police Dispatch at 562-435-6711, or anonymously at 1-800-222-8477, www.lacrimestoppers.org.