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Gov. Newsom Signs Bills to Protect Digital Likeness of Performers

 

SACRAMENTO – Gov. Gavin Newsom Sept. 17 signed two bills to help actors and performers protect their digital likenesses in audio and visual productions, including those who are deceased. This legislation will help ensure the responsible use of Artificial Intelligence or AI and other digital media technologies in entertainment by giving workers more protections.

“It is a momentous day for SAG-AFTRA members and everyone else because the AI protections we fought so hard for last year are now expanded upon by California law thanks to the legislature and Governor Gavin Newsom. They say as California goes, so goes the nation!” – SAG-AFTRA President Fran Drescher said

AB 2602 by Assemblymember Ash Kalra (D-San Jose) requires contracts to specify the use of AI-generated digital replicas of a performer’s voice or likeness, and the performer must be professionally represented in negotiating the contract. This will help protect performers’ and actors’ careers, ensuring that AI is not used to replicate their voice or likeness without permission.

AB 1836 by Assemblymember Rebecca Bauer-Kahan (D-Orinda) prohibits commercial use of digital replicas of deceased performers in films, TV shows, video games, audiobooks, sound recordings and more, without first obtaining the consent of those performers’ estates. It aims to curb unauthorized uses of digital replicas, encompassing any audiovisual work or sound recordings linked to performances delivered by artists when they were alive

AI is already changing the world, and California will play a pivotal role in defining that future. The state is home to 32 of the world’s 50 leading AI companies, high-impact research and education institutions, and a quarter of the technology’s patents and conference papers.

Petite Hands are Fine For This Plucky Performer

 

Harpsichordist Caitlyn Koester is a perfect fit for the 18th-century instrument she’ll play at the Musica Angelica concert in downtown Long Beach

By Linda Chase

Before she began her semester-end piano performance at the University of Michigan, Caitlyn Koester was asked by her professor to show her hands to the assembled members of the music faculty. He intended to make them aware of the higher degree of difficulty that confronted her because of her small hand span.

Like basketball stars such as namesake Caitlin Clark, whose large hands make her a superior ball handler, pianists with large hands can more easily master devilishly difficult works such as the Rachmaninoff concertos. Rachmaninoff’s hands could span 14 notes; Koester’s can barely reach an eight-note octave.

Small hands and all, Koester made it through her recital. Afterward, she stared down at the reproachful black and white keys, then at her hands, wondering. “Who am I as a pianist?”

The answer came in the form of the harpsichord, a smaller keyboard instrument that was popular in the 15th through the 18th century when the piano was invented. The harpsichord is ideally suited to the music Koester will play with Musica Angelica in the Baroque ensemble’s concert on Sept. 21 at the First Congregational Church of Long Beach. The concert will be repeated the next day at the First Congregational Church of Los Angeles.

Some musicians might find the harpsichord’s five-octave keyboard and smaller dynamic range too confining. Not Koester. From her first experience playing it, she was enthralled by the instrument’s less-imposing size and the delicacy of touch and rich ornamentation that made the music come alive for her. “Why had no one told me about this before?” she wondered.

Unlike the piano, which makes notes through the percussive action of hammers, the harpsichord keys release a jack that plucks individual strings with a plectrum. Modern musicians have used its unique sound in such songs as “Scarborough Fair” by Simon and Garfunkel and “Monday Monday” by the Mamas and the Papas. The Beatles famously sped up a tape of a piano to make it sound like a harpsichord in their song “In My Life.” In Baroque compositions, it provides the basso continuo, the pulsebeat that is the signature of this style.

For Koester, it was love at first note. Though her harpsichord studies were only supposed to last for a semester, they ended up being the fulcrum for a thriving performance and teaching career. Her mentor, Joseph Gascho, instilled in her a passion for the instrument and its early-music repertoire. He admonished his protégée to stop playing Baroque music on the piano.

“It was amazing advice,” Caitlyn said. She found that with the harpsichord, she didn’t need big gestures and big hands to faithfully execute the music of Bach, Handel and Scarlatti. Instead, she drew on her fine motor skills and a deft touch to bring color and texture to the music.

Able to feel the plucking mechanism through the keys (referred to as being “on the string”), she releases the weight of the hand from the key, creating dynamic shadings that charge the music with energy and tension. She discovered that, far from being a boring repetition of phrases, basso continuo’s figured bass opened up the music to possibilities for improvisation that would excite a jazz musician.

After beginning her career in the Pacific Northwest, Caitlyn graduated from Juilliard’s Historical Performance program and taught at the San Francisco Conservatory of Music. Now residing in New York, she is pursuing a doctorate at the State University of New York at Stony Brook while maintaining an active concert schedule, sometimes performing with former Juilliard professors.

At the Musica Angelica concerts, which feature works by Baroque composers from Naples, Rome, Venice, and Milan, Koester will be playing an authentic replica of a Baroque harpsichord built by Los Angeles harpsichord maker and restorer Curtis Berak. Other musicians will also be playing either original instruments or meticulously crafted replicas.

Because the instruments are tuned as much as a half-tone lower than today’s instruments, audiences experience the mellower, more burnished sound that listeners heard in the 1700s. As Martin Haselböck, the musical director of Musica Angelica, once remarked, “It’s like stepping in a 300-year-old time machine.”

Koester will be pulling out all the stops in her harpsichord solos in pieces by Girolamo Frescobaldi and Domenico Scarlatti. In the late Renaissance, Frescobaldi introduced a new musical language, an imaginative contrapuntal style filled with complex rhythmic changes and improvisation. Koester quotes his famous injunction “not to leave the instrument empty,” which invites the performer to adorn the continuo with rich ornamentation.

Scarlatti, a prolific composer of the late Italian Baroque period, wrote nearly all of his 555 sonatas for keyboard. Innovative and often audacious, these exercises in technical skill and virtuosity have become staples of the repertoire for both harpsichordists and pianists.

Through subtle gestures and expressions, Koester will engage the other musicians in musical conversation to bring out the earthy, natural qualities of the works. “It will be an emotional journey,” she assures us, her hands instinctively reaching for the opening chords of this music that, for her, contains the roots of human expression.


Linda Chase is a freelance writer based in Santa Barbara. She writes on the arts, travel, lifestyle and other topics. This feature is produced by the Journalism Arts Initiative, which is underwritten by donations from arts organizations and others interested in supporting excellence in arts journalism.

INFO BOX

“Giro d’Italia: A Tour of Italy,” concert by Musica Angelica, Sept. 21 at 7:30 p.m. First Congregational Church of Long Beach, 241 Cedar Ave., Long Beach. Patrons are invited to a benefit reception before the concert beginning at 6:30 p.m.

The concert is repeated Sept. 22 at 3 p.m. First Congregational Church of Los Angeles, 540 S. Commonwealth Ave. Los Angeles. Following this concert, there will be a reception in the Mayflower Courtyard.

Tickets, $43.14 to $85.16, are available at https://www.musicaangelica.org/. Call 562-276-0865 for information.

LA Sees Unprecedented Cluster of Locally Acquired Dengue Cases, Public Health Investigates

Public Health is investigating two additional cases of locally acquired dengue in residents of the City of Baldwin Park. These residents have no history of travel to areas where dengue is endemic prior to their symptoms. This now brings the total number of cases of locally acquired dengue in LA County in 2024 to three, which is an unprecedented number of locally transmitted cases for a region where dengue has not previously been transmitted by mosquitoes. Public Health initially reported a confirmed case of locally acquired dengue on Sept. 9.

Dengue is primarily transmitted through the bite of an infected Aedes mosquito. Although Aedes mosquitoes are common in LA County, cases of locally acquired dengue are extremely rare. Almost all previously reported dengue cases in LA County have been associated with travel to a country where dengue is commonly spread.

These additional cases of local virus transmission serve as a reminder for all Los Angeles County residents that simple steps to prevent mosquito breeding and mosquito bites can lower the risk of mosquito-borne diseases and prevent more sustained transmission in the future.

Dengue fever can cause flu-like symptoms including high fever, severe headache, pain behind the eyes, joint and muscle pain, rash, and mild bleeding. Severe cases can result in shock, severe bleeding and severe organ impairment which require immediate medical attention.

Symptoms of dengue may mimic other viruses so healthcare providers should be vigilant for dengue fever in patients with acute febrile illness and test for and report suspect cases of mosquito-borne diseases.

Public Health is working with local vector control agencies, the City of Baldwin Park and Public Health outreach teams to provide door-to-door information on dengue risk and mosquito bite prevention and control measures in the local area. The San Gabriel Valley Mosquito and Vector Control District has increased mosquito trapping for identification and testing and abatement operations to reduce the risk of additional spread in the affected neighborhood.

 

Mosquitoes breed in standing water and everyone is urged to follow these simple steps: Tip, Toss, and Protect:

  • Tip out standing water at least every week. Even a small amount, like in a bottle cap, can become a breeding ground for mosquitoes.
  • Toss any unused containers that can collect water.
  • Protect yourself from mosquito bites by using repellents containing EPA-approved active ingredients, such as DEET, Picaridin, IR3535, or oil of lemon eucalyptus.

Cases of locally acquired dengue were previously confirmed by Long Beach and Pasadena in fall 2023.

Dengue is a disease caused by a virus that spreads through the bite of an infected mosquito.

Symptoms of dengue typically last two to seven days. Most people will recover after about a week. About one in twenty people with dengue can develop severe disease which can be life threatening.

The most common symptoms of dengue are fever and one or more of the following:

  • Eye pain
  • Headache
  • Muscle, bone or joint pain
  • Nausea or vomiting
  • Rash

There are no specific medicines to treat dengue. There are supportive medicines to help with fever and pain. There is a vaccine for dengue, but it is NOT approved for use in U.S. travelers who are visiting but not living in an area where dengue is common.

Details: publichealth.lacounty.gov/acd/VectorDengue.htm and 1-833-540-0473, daily, 8 a.m. to 8 p.m.

Protesters Outside New York Times Demand Newspaper ‘Stop Normalizing Trump’

By Sarah K. Burri

The New York Times has garnered criticism over the year for its reporting on Donald Trump and the 2024 election. On Sept. 18, that criticism led to in-person protests outside the building.

Readers left online complaints and canceled subscriptions before direct protests began. Their demand, according to one civil rights lawyer, is to stop “sane-washing” Trump.

The activists had bright yellow signs with words the Times has avoided using in reports such as “lies,” “convict” and “felon.” The group had one large black banner across the group reading “stop normalizing Trump.”

As Oliver Darcy wrote for CNN in March, “Critics have also argued that The Times covers Biden and Trump with disproportionate standards, placing false equivalence on issues surrounding the current president to those of the former president, who is facing 91 criminal counts and fantasized about being a dictator on ‘day one.'”

Among the concerns, earlier this year was the Times‘ obsession with President Joe Biden’s age, only a few years over Trump. In a poll conducted with Siena the paper asked whether Biden was too old to be effective.

“That they even asked this question is evidence of the bias — the agenda — in their poll. Who made age an ‘issue’? The credulous Times falling into the right-wing’s projection. This is not journalism. Shameful,” Jeff Jarvis posted on Threads. He’s currently the Leonard Tow Professor of Journalism Innovation at the CUNY Craig Newmark Graduate School of Journalism, Darcy pointed out.

Complaints grew more recently after the Times paraphrased Trump’s rambling non-answer while speaking to The Economic Club of New York. In the report, the Times reshaped his language to make sense of what he said. The reality of the comments was that none of it made sense, according to critics.

They were accused of “sane-washing” Trump’s comments.

Ultimately, the Times confessed in an article published at the time, “Often his mangled statements are summarized in news accounts that often do not give the full picture of how baffling they can be.”

Details: https://www.rawstory.com/new-york-times-trump-protest/?u=b4c6b5e6e78a04dedcf23621c8c454acb41cb705f66110ac20f846e02e2c75b0&utm_source=Iterable&utm_medium=email&utm_campaign=Sep.18.2024_5.02pm

EPA Administrator Regan Announces Members Inaugural HBCU-MSI Federal Advisory Council

WASHINGTON — The U.S. Environmental Protection Agency Sept. 16 announced the members of the inaugural Historically Black Colleges and Universities and Minority Serving Institutions (HBCU-MSI) federal advisory council. This council marks a milestone in the EPA fostering diversity, equity, and inclusion within environmental policymaking and workforce development.

The HBCU-MSI federal advisory council will provide independent advice and recommendations to EPA Administrator Michael S. Regan on strategies to help diversify the agency’s workforce, support the professional development of environmental leaders, and ensure that HBCUs and MSIs receive the resources and support they need to thrive. The council’s insights will be crucial in guiding the EPA’s efforts to address environmental justice issues and enhance community engagement.

The HBCU-MSI FAC is part of the Biden-Harris Administration’s broader efforts to promote equity in economic and educational opportunities, protect public health, and preserve the environment. Minority Serving Institutions or MSIs, which include Historically Black Colleges and Universities or HBCUs, Hispanic-Serving Institutions or HSIs, Tribal Colleges and Universities or TCUs, and Asian American, Native Hawaiian, and Pacific Islander Serving Institutions or AANHPISIs, play a critical role in educating and preparing diverse leaders.

The establishment of the HBCU-MSI FAC supports President Biden’s Executive Order 14035, which seeks to advance diversity, equity, inclusion, and accessibility or DEIA within the federal workforce. This Executive Order underscores the importance of a federal workforce that reflects the full diversity of the American people. The HBCU-MSI FAC aligns with this vision, ensuring that diverse voices contribute to shaping the EPA’s policies and practices.

The following individuals have been appointed to the HBCU-MSI federal advisory council to serve two-year terms:

  1. Chair: Hilda Pinnix-Ragland, Managing Partner, AHK Global Resources
  2. Vice Chair: Dr. Beverly Wright, Founder and Executive Director, Deep South Center for Environmental Justice
  3. Vice Chair: Dr. Saúl Jiménez-Sandoval, President, California State University – Fresno
  4. Vice Chair: Heather Himmelberger, Director, University of New Mexico Southwest Environmental Finance Center
  5. Abre’ Conner, esq., Director, Center for Environmental and Climate Justice, National Association for the Advancement of Colored People
  6. Dr. Andrew Kozich, Environmental Science Department Chair, Keweenaw Bay Ojibwa Community College
  7. Angelina Adams, Counselor – Career Services, Haskell Indian Nations University
  8. Dr. Darryl Ann Lai Fang, Assistant Vice President of Transformation Support, Institute for Capacity Building, United Negro College Fund
  9. Dr. Eric O’Rear, Senior Research Analyst, Rhodium Group
  10. C. Gail Bassette, Director of Economic Development/Strategic Engagement, Bowie State University
  11. Phil Weilerstein, President and CEO, VentureWell
  12. Dr. Jerryl Briggs, President, Mississippi Valley State University
  13. Dr. Lena T. Rodriguez, Vice President of Governmental Affairs, Hispanic Association of Colleges and Universities
  14. Dr. Mark Brown, President and CEO, Tuskegee University
  15. Dr. Melva Wallace, President and CEO, Huston-Tillotson University
  16. Michael Johnson, Chief of Staff, PROPEL Center
  17. Dr. Mike Hoa Nguyen, Member, Board of Directors, Asian Pacific Americans in Higher Education & Assistant Professor of Education, New York University
  18. Ray Shackelford, Vice President for Equitable Justice and Strategic Initiatives, National Urban League
  19. Dr. Sharon Jones, Vice Chancellor of Academic Affairs, University of Washington – Bothell
  20. Dr. Vann Newkirk, President, Wilberforce University

Details: For more information go to https://tinyurl.com/EPA-HBCU-and-MSI

or reach out at HBCU-MSI.AC@epa.gov.

Why August Home Sales Look So Bad

Monthly sales of homes across the South Bay dropped an average of 15% in August, with volume falling off as much as 27% on the Hill and 20% at the Beach. Annual sales volume was likewise down by 15%. But, it’s really not all that bad. August saw a confluence of unique events making sales volume look more depressed than it really was.

At least three factors played into the numbers. July of this year showed very elevated sales compared to earlier months in 2024 and compared to August. That brought the line down for August.

Then, August was a particularly strong month for sales in 2023, which made this year’s more average numbers look like a slippage.

Added to those mathematical twists is contemporary psychology. The Fed is widely expected to drop the interest rates in September, so buyers are standing back, waiting an extra month or so to save dollars and/or buy more houses.

The year-to-date sales volume tells a truer story. Home sales across the South Bay are off 1% from 2023. The percentages range from -3% in the Harbor area to 4% on the Hill. Generally speaking, sales this year have come in fits and starts with the up and down movement balancing out for the year-to-date.

As one would expect, median prices were down from this July, though not quite as dramatically as the drop in sales would imply. The median moved up 8% in PV, while the other areas dropped roughly 10%. It’s worth noting that the low volume of business on the Hill gives rise to highly variable statistics.

Looking back to August of last year shows a much tamer comparison to the change in median price. The increase ranges from 1% at the Beach to 4% in the Harbor, with PV–the frequent outlier–at a 26% increase in the median.

With eight months of data now available, the year-to-date median price is beginning to show moderation from the highs of earlier this year. The Beach and Inland areas are at a 6% increase over last year, while the Harbor area is at 8% and Palos Verdes is showing 11%. If lower mortgage interest rates materialize, that could boost both sales volume and median prices this fall. At the same time, the hotly contested presidential election may keep a lid on the market until winter.

Beach: Not a Good Month
Showing only 94 homes sold for August, the Beach Cities took a 20% dive from July sales volume. At the same time, the median price dropped 9% for the month to $1,7M.

Topping the 20% fall from July, year over year August sales were off a whopping 26% from July of 2023. Median prices, on the other hand, rose a modest 1% over the same month last year.

Insert 202408_sales_vol_chart.png
As mentioned earlier, the year-to-date numbers are more indicative of where the current market is headed. The number of homes sold for the first two-thirds of the year registered positive (barely–with a 0.13% increase). Over the same period, the median price at the Beach has risen 6%.

The falling sales volume coupled with the increasing median price is the fallout from the troubling economic issues that arrived concurrent with the pandemic. Much of the developed world was on the precipice of a recession when the pandemic occurred. The response to the medical threat pushed the financial danger to the side and now we’re looking at the aftermath of all those events.

Harbor: Mostly Down
The Harbor area looked very much like the Beach in August, albeit with slightly less dramatic swings. On sales of 290 homes, the month-over-month volume dropped 8%. That matched exactly an 8% decline in the median price from July transactions.

Compared to the same month last year, Harbor area home sales dropped by 12% from July last year. The decline was accompanied by a 4% increase in median price from July of 2023.

Year-to-date statistics for the Harbor area came in more constrained than the month-to-month and year-over-year numbers. For the first eight months of the year, the number of homes sold slipped by 3%, while the median price escalated by 8%.

Hill: Looking Up
Sellers on the Hill created some radically varied numbers in August. The number of homes sold fell from July even more than at the Beach, coming in at a mere 53 units, for a 27% decline in sales volume. But, those buyers pushed the median price up to $2.15M for a 7% increase while the rest of the South Bay fell by as much as 13%.

The numbers look even better when comparing August sales to the same month last year. Sales volume was up 8% over August of 2023. The median price was up a shocking 26% over last year. A more detailed look shows August was the lowest median price of the year, after February.

Once again, the year-to-date perspective offers the calmest view of the real estate market. Through August, residential sales were up 4% over the same period in 2023. The median price was up 11%.

Inland: More Down Than Up
Following the trend line, the Inland area moved down from July. Sales volume fell 18% to 117 homes. Concurrently, the median price dropped 13% to $875K.

The number of sales fell by 21% from August of last year, showing the continuing impact of high mortgage interest rates and reduced inventory. As with the rest of the South Bay, many sellers are holding property off the market. Many are waiting for more favorable interest rates for their buyers and on their replacement homes. Some took advantage and financed at interest rates below 3% and won’t be back in the market for years.

Sales from January through August show 2024 down 2% from 2023 in number of homes sold. The median price for the same period reflects an increase of 11%.

What About the Fed?
The Federal Reserve Bank will be meeting later this week to discuss a reduction in the baseline interest rate. Because financial indicators are showing a weakening economic environment, most pundits expect the Fed to approve a drop of .25-.5% from the overnight rate. Most lending institutions have already reduced rates in anticipation of a change. If approved, lenders will hold mortgage interest rates at about where they are positioned today. If not, fixed rates will go back up to about 7%.

Beach=Manhattan Beach, Hermosa Beach, Redondo Beach, El Segundo
Harbor=Carson, Long Beach, San Pedro, Wilmington, Harbor City
PV Hill=Palos Verdes Estates, Rancho Palos Verdes, Rolling Hills, Rolling Hills Estates
Inland=Torrance, Lomita, Gardena

Photo by Pedro Lastra on Unsplash

“In the Blood” goes all-out for feels but doesn’t flesh out its characters

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Hester (Victoria Dunn) lives on the streets with five children she’s had by five different men over the past 11 years. That she is uneducated is evident from her curvy attempts to write the letter “A.” That society has oppressed her is evident from personifications of social welfare, religion, and patriarchy telling us, well, that they have oppressed her.

There is nothing subtle in Suzan-Lori Parks’s In the Blood, a play lacking in any real flesh-and-blood characters. On multiple occasions Hester explicitly decries the “hand of fate” coming down on her, and it would be anathema to Parks for us to consider whether Hester bears any responsibility for the choices she’s made — or even whether she has any agency whatsoever.

Victoria Dunn does about as well as she can with Hester. When she says, “I been tired lately, like something in me is broken,” not only do we believe it, but we’d believe it even if she never said so. And this couldn’t be more important to whether In the Blood has any chance of success with people who don’t question art that makes them feel (which I assume is Parks’s target demographic).

But apparently the only thing that Parks thinks we need to know about Hester is that she’s a victim, a receptacle for cruelty, a target of a society that “like[s] to keep our poor at arm’s length,” that “depends on a well-drawn boundary line,” that has “a trench for its waste.” We can presume she grew up poor (though I don’t think we’re even told this), but everything else is a blank. We know she’s uneducated, but we have no idea why Hester keeps drawing the letter “A” — which is as far she’s gotten in terms of literacy (did she go to school at all?) — in a manner that’s far more difficult than the simple bilateral symmetry of the letter itself. Where on Earth did she see this? Does she suffer from a cognitive or motor defect that keeps her from making two lines meet at a point? Are there no street signs in her urban landscape with the letter “A” on them, from which she could copy and improve? How did at least one of her children learn to read though they’re never in school? We learn how she got pregnant with four of her kids, but never about why she took all the pregnancies to term and little about why she’d rather let these kids approach starvation than accept offers to get her child support.

Maybe the answer to the last question is that, in the universe of In the Blood, “the system” is filled only with predators. But by general-/demonizing “the system,” Parks undercuts her own social commentary (In the Blood is nothing if not social commentary). Her lack of nuance, her reduction of everything/-one in the play to vague stand-ins for real societal shortcomings in how we treat our most vulnerable members, makes In the Blood less a drama than a simplistic screed. Social services just wants to screw you if you’re a woman, religion just wants to screw you, the patriarchy just wants to screw you (okay, so it’s true about patriarchy).

You can’t fault the rest of the cast with their adult roles (a welfare caseworker, a preacher, etc.), although, again, because these aren’t really people, in effect we’re just supposed to boo-hiss (internally — don’t be rude) as if they are characters in a melodrama. The closest to an exception is Hester’s friend Amiga (Lilith Le Fae). Although Amiga is kind of tacked on to the proceedings, Le Fae has an energetic monolog that allows her to deliver the same line twice with completely different import.

Unfortunately, they do a bit less well doubling as Hester’s children, leaning too much into cutesy stereotypes and displaying affects far too similar when such an age range is in play. But of course Parks hasn’t really written the kids as people, either, so….

The tiny patch of urban real estate that is more or less the sole setting for In the Blood is nicely rendered by Robert Young, particularly a curbside that somehow preserves the illusion of being a piece of outside even as you keep staring at it. The sound design is less convincing, if for no other reason than a particular vocal utterance, louder than anything else making up the acoustic ambience, repeats several times, calling your attention to the fact that it’s on a loop.

One of the best scenes in In the Blood is a dance by Dunn and Richard J. Martinez, who plays Hester’s first baby-daddy (a stand-in for patriarchy) and comes back to town now that he’s put himself in a position to provide for her and their lovechild. While reminiscing about their childhood romance, they perform one of those highly choreographed dances with all sorts of specific moves that pair to the lyrics in one way or another. I don’t know whether this is a found dance or was patched together in-house by director Craig Johnson and choreographer Matt Julian, but it serves the purpose well, giving us a brief reprieve from Hester’s suffering in the only scene that throws us a few scraps of her background.

Why haven’t I mentioned The Scarlet Letter, what with “Hester,” the letter “A,” etc.? I guess because I’m not sure it matters. As I said, there’s nothing subtle about In the Blood — the Hawthorne allusions are just more heavy-handedness.

To give Parks the benefit of the doubt, In the Blood seems designed more to evoke a visceral reaction — an ad hominem attempt to make us sad and angry about what raw deal the underprivileged get — than to stand up to any real analysis. And while that’s not what I want from art, more than one woman told me afterwards that In the Blood had them bawling their eyes out, so there’s no question that there’s an audience out there who’ll appreciate what the Garage is offering right now. And there’s no reason to believe that audience is exclusively female.

In the Blood at the Garage Theatre
Times: Thursday–Saturday 8:00 p.m.
The show runs through October 12.
Cost: $25 (Thursdays 2-for-1); closing night w/afterparty: $30
Details: thegaragetheatre.org
Venue: The Garage Theatre, 251 E. 7th St., Long Beach

 

EPA Launches New Website to Support the Development of Climate-Resilient Projects

WASHINGTON — On Sept. 11, the U.S. Environmental Protection Agency is announcing the launch of a new website, the Climate Resilience and Adaptation Funding Toolbox. CRAFT is a user-friendly resource for technical assistance providers working with federal funding applicants and recipients to develop, apply for and implement climate-resilient investments. The website provides simple, easy-to-understand resources that can help users consider climate adaptation and resilience before, during and after applying for EPA funding opportunities.

EPA is taking steps to help its programs and funding applicants invest in projects that can withstand the impacts of climate change. CRAFT is a resource for technical assistance providers helping to guide investments of federal funding – including the historic funding from the Bipartisan Infrastructure Law and Inflation Reduction Act – to local solutions, while also supporting investments that deliver results in the face of climate change.

The materials provided in CRAFT include:

  • Program overviews of EPA’s financial assistance programs where climate-safe investment opportunities are available.
  • Climate risk tools and decision support resources that can inform the development, design and implementation of projects.
  • Communications materials to facilitate discussions about adaptation, resilience and environmental justice.
  • Meaningful engagement resources on how to perform targeted community engagement efforts effectively and intentionally when implementing climate-smart projects.
  • Definitions of common terms to use during technical assistance consultations, engagement efforts and the development of project proposals.

The information in CRAFT can help federal funding applicants and recipients consider climate-related challenges to their projects at the outset, so taxpayer dollars can be invested wisely. CRAFT also supports the development of projects that advance multiple policy goals, such as achieving local flood resilience, adopting nature-based infrastructure solutions, and protecting the people and places most vulnerable to climate change.

Details: press@epa.gov

Are Sheriffs Special in America? Definitely — But Not the Way the Far Right Claims

Scholar Mirya Holman on “The Power of the Badge” — and how county sheriffs enforce American inequality

Sheriffs are unique figures in American politics and American society — but not in the way that many people, especially on the far right, would have you believe. The right-wing conception of the “constitutional sheriff” runs up against the fact that the word “sheriff” appears nowhere in the U.S. Constitution. It’s mentioned in many state constitutions, but not all of them: In fact, Connecticut, which dubs itself the “Constitution State,” has abolished the office altogether. But the myth endures for a reason, reflecting the fact that county sheriffs, while almost always elected officials, are generally not well integrated into the fabric of government with its multiple paths of checks and balances.
As a result, local sheriffs have often been able to resist various reform efforts over the years, and the most recent wave of criminal justice reforms have not been an exception. The anomalous and isolated status of sheriffs is reflected in media coverage and academic research as well. Individual sheriffs like the notorious Joe Arpaio, former sheriff of Maricopa County, Arizona, may gain significant local or even national attention, but consistent, systemic scrutiny is rare. So “The Power of the Badge: Sheriffs and Inequality in the United States,” a new book by political scientists Emily M. Farris and Mirya R. Holman, is long overdue.
Read more at: https://www.salon.com/2024/09/15/are-sheriffs-special-in-america-definitely–but-not-the-way-the-far-right-claims/

Why Trump Is Wrong & Alexander Hamilton Was Right About Tariffs

Just because Trump was conceptually right about tariffs (but terribly wrong in how he executed them) doesn’t mean we should all freak out at any mention of them…

 

Image by Gerd Altmann from Pixabay

Over at the Financial Times, Global Business Columnist and Associate Editor Rana Foroohar writes about the mistake Kamala Harris is making by visiting Michigan, Wisconsin, and Pennsylvania and not mentioning “industrial policy,” aka the need to bring factories back to America and to protect the manufacturing jobs we still have.

Even worse, Foroohar notes, Harris is refusing to engage about tariffs, simply referring to them as a “sales tax.” The FT editor notes:

“[W]hen you talk about tariffs as a ‘sales tax,’ working people in the industrial Midwest don’t hear that as a rallying cry against inflation. They hear it as proof that Harris doesn’t necessarily have their back, and won’t necessarily protect their jobs.”

Foroohar is absolutely right. Tariffs can be a very good thing for a country, if done right, as I write about in detail in my new book The Hidden History of the American Dream (it’s out in 3 weeks), and Harris should engage the topic. People who grew up in the Midwest know all about tariffs.

Trump, however, did them so badly that they backfired, cost us a fortune, and forced the federal government to subsidize Midwestern farmers — another point Harris should make.

So, let’s examine how tariffs can work when done right, their role in American history, and why we should be discussing them now without hysterics.

Tariffs are taxes paid to the federal government on imported goods. And, like all taxes, they have two purposes: to raise revenue and to alter behavior. In the case of tariffs, the second purpose (changing behavior, in this case encouraging entrepreneurs to start manufacturing companies aka factories) is far more important than the first.

​It all began when General Henry Knox rode up to Mount Vernon in the late summer of 1789 to tell George Washington that Congress had just elected him as the first President of the United States. Washington took the news, and had two requests for his old friend.

First, he asked Knox to let folks know he’d be delayed by a few days because he wanted to say goodbye to his mother, who was elderly and ailing (turned out, it was the last time he saw her alive).

Second, Washington asked General Knox to ride all the way up to Connecticut to visit Daniel Hinsdale, a man who’d been secretly manufacturing black-market American-made fine men’s clothing in defiance of British law for decades. Knox took Washington’s measurements and then, a month later, brought to New York (where the swearing-in took place on what is now Wall Street) a fine American-made suit, which Washington proudly wore. (The suit was brown; the black suit of his later, famous painting was British formal wear.)

This incident highlighted the manufacturing crisis facing our new nation, and Washington was acutely aware of it.

The British, for two centuries, had been extracting wealth from the American colonies by forbidding us from manufacturing everything from fine clothing (thus Hinsdale’s illegal business) to weaponry to sophisticated machinery: all such items had to be imported from British manufacturers. We sold England cheap raw cotton, for example, and they forced us to buy back fine cotton clothing manufactured on the looms of British cities. (Homespun was still legal in the colonies.)

They also forced us to buy tea — then the primary American beverage — from the East India Company, an outrage that led directly to the Boston Tea Party of 1773 which arguably kicked off the American Revolution. Thus, when Washington came into office, the first challenge he faced was how to build an American manufacturing base that wasn’t dependent on British imports.

​Thirteen years before Washington’s inauguration, British economist Adam Smith had made worldwide headlines with his bestselling 1776 book An Inquiry into the Nature and Causes of the Wealth of Nations, proposing that the main thing that made a country rich was independence in manufacturing.

The process of converting raw materials of little value into finished products with a high value (manufacturing) was, to Smith’s mind, the best and only practical way a nation could grow wealthy without overseas conquest and plunder.

A tree limb laying on the forest floor, for example, had no monetary value, but when labor and the tool of a knife were applied to it and it was turned into an axe-handle — a process called manufacturing — it now had a value that could be passed down through generations.

Smith called that wealth. That axe-handle became part of the aggregate wealth of the entire nation, and even if it was sold overseas that wealth would still remain here because its value was simply converted into currency which stayed in America.

This understanding led President Washington to commission his Treasury Secretary, Alexander Hamilton, to propose to Congress in 1791 an 11-step Report on the Subject of Manufactures, also known as “The American Plan.”

Hamilton proposed protective tariffs on goods that were then being imported but could be easily made in the USA. The tariffs would increase the price of the imported goods so much that they’d encourage American entrepreneurs to start factories to make the same things here.

(Hamilton’s plan also included government subsidies for companies that wanted to move manufacturing to the US, federal subsidies for the development of new technologies, a massive investment in infrastructure [particularly roads and water-power systems] to support industry, and a requirement that the US government purchase only American-made products whenever possible.)

Within two decades, Congress and the Washington, Adams, and Jefferson administrations had put nearly all of Hamilton’s plan into effect, and major parts of it stood all the way up until Reagan’s neoliberal revolution kicked off in 1981.

Hamilton’s plan was such a successful and important part of how America became the wealthiest nation on Earth, and produced so much revenue, that virtually 100% of the cost of operating our federal government — from our founding until the Civil War — came from tariffs. The salary of every president from George Washington to Abraham Lincoln was paid by tariffs (some were domestic, like on alcohol), as was the salary of every federal official and the cost of everything else the federal government did.

Fully two-thirds of federal government revenue came from tariffs from the end of the Civil War until the World War I era and the 1913 passage of the 16th Amendment (the income tax); a third of federal government revenue came from tariffs between WWI and WWII. Today it is under 2%.

Prior to Reagan, American manufacturing — kept on this continent by the force of tariffs — was at the core of the American Dream, with good union manufacturing jobs offering stability and prosperity to a growing American middle class from the 19th century until the 1990s. Tariffs also made America the technological leader of the entire planet.

The concept was simple: if a product could be made for $70 with cheap Chinese labor, but cost $100 to make with US labor, we’d put a $30 tariff on it to equalize the labor costs. Ditto if overseas manufacturing was subsidized by governments or by a lack of expensive pollution controls or worker safety protections: we’d match those cost advantages with tariffs.

There was still a heck of a lot of trade going on in the world when tariffs were common. As late as 1975, our imports and exports were pretty much in balance (we had a $12 billion surplus).

And then came the neoliberal sales pitch of the 1980s, as I lay out in detail in The Hidden History of Neoliberalism: How Reaganism Gutted America.

If only we could get rid of those nasty tariffs — we had over 20,000 categories of products with specified tariffs — by reducing them to zero or very, very low numbers, Reagan told us, then American consumers would benefit because big retailers like Walmart could buy products made with cheap labor from overseas instead of from higher-paid American workers.

The result, over the first 30 years of the Reagan Revolution (1981-2011) was the shuttering of over 50,000 US factories and the loss of around 20 million good often-unionized manufacturing jobs. Entire regions of America were wiped out, producing a swath of our country now referred to as the “rust belt.”

Since Reagan’s “free trade” we’ve had nothing but annual trade deficits, each representing trillions in American worker’s wealth that’s been shifted to overseas manufacturing countries.

Sam Walton’s autobiography, titled Made in America, epitomized the situation prior to Reaganism when Walmarts had big “100% Made In America” banners hanging over their front doors. Today, you’ll search for hours to find a single made-in-America product in most big-box stores.

​Around that same time, another rationale for corporations seeking cheap labor and easy pollution regulations overseas began to take hold in the minds of the neoliberal intelligentsia: “Free trade,” they said, was so magical it could even bring about world peace!

The argument was simple, the neoliberals told us: history showed, they said, that countries that traded heavily with each other rarely went to war with each other. The example most often cited was that no two countries with MacDonald’s burger outlets had ever, at that time, gone to war (although they have since: see Russia and Ukraine).

​Thomas Friedman jumped into the act at the end of the 20th century, promoting the MacDonalds’ Peace Theory and the transfer of American manufacturing overseas with his now-discredited 1999 book The Lexus and the Olive Tree.

Its impact, along with major campaigns encouraging “free trade” funded by American industrial and retail giants and their billionaire owners, echoed across American manufacturing and foreign policy for the next 20 years, as America continued to hemorrhage jobs along with the middle class “American Dream” wealth that accompanied them.

As a vast proportion of American manufacturing shifted to China, that nation — just like Hamilton predicted and proved with the US — underwent the most rapid transformation from Third World poverty to First World affluence in the history of the world.

All because the “wealth” of America was transferred to China every time a cash-register rang at Walmart, an Apple Store, or in pretty much any other American retail outlet. And continues to this day.

So, how do we bring back tariffs and how do we avoid a trade war disaster like Trump caused?

The main goal of a tariff is to encourage Americans to buy the products of domestic — rather than foreign — manufacturing. For that to work, companies that may consider investing billions in factories here in the US need to know that the tariffs aren’t just a whim or election stunt like they were with Trump, but will be around for the coming years or even decades necessary to recover their initial billion-dollar investments in new manufacturing facilities.

Tariffs also need to be brought in on an item-by-item basis, organically, with each imported item that we want to put a tariff onto examined for the tariff’s impact, both on domestic inflation and international relations.

We really have no need to put a tariff on, for example, imported carved sandalwood from Thailand; there’s no competing domestic industry here. It’s why Trump’s proposed “across-the-board” tariffs are so stupid.

But the manufacture of cars, steel, chips, computers, toys, clothes, and hundreds of other products and categories of goods can be brought back to the US by appropriate tariffs, introduced gradually and predictably, done in a way that allows both foreign companies and US entrepreneurs to adjust without major disruptions.

There’s also a national security aspect to this. Right now, it’s nearly impossible for the US to manufacture a battleship or advanced aircraft without parts from overseas. Because tariffs had kept virtually all manufacturing here in the US prior to WWII, shifting to a war-based manufacturing economy in the 1940s, before Reagan’s neoliberal “reforms,” was easy. Today it would be extremely difficult.

On top of that, we no longer make most therapeutic drugs here in America. China makes many of the raw ingredients for the drugs we use here, and more pharmaceuticals used in America are manufactured there and in India than here.

If we got into a serious conflict with China (for example) and they cut us off from all their manufactured goods, our economy would collapse overnight and we’d find it very, very difficult to manufacture some of our most important weaponry and telecommunications equipment. Not to mention the crisis of a massive drug shortage.

Thus, tariffs have to be put into place intelligently; after all, we’re reversing a neoliberal free trade process that took 44 years to get as bad as it is today.

We don’t want to start trade wars — like Trump did with his tariff stunt — or wipe out people in poor countries (like Bangladesh or Malaysia, where much of our clothing is made), but we do want the “wealth of [our] nation” to be built and kept here.

We do this by having Congress and the administration openly discuss and debate tariffs, apply them gradually, and accompany them with supports for the poorer parts of the world that may be harmed by them, assisting them in developing sustainable domestic industries to replace their export losses.

This is not a radical idea.

China uses tariffs (and dozens of other trade restrictions) to protect its domestic industries. The European Union imposes tariffs on agricultural products to protect its farmers (averaging around 11.4%) as well as industrial goods (averaging around 4.1%). Some industries, like dairy products (38.4% EU tariffs) and confectionery products (24.6%), have asked for and gotten even higher EU tariffs to keep them viable domestically.

And, of course, that’s how America became the richest country in the world, and the loss of tariffs is a major part of why our standard of living has slipped so badly over these past 44 years of our neoliberal Reaganism experiment. Our wealth, along with our manufacturing and jobs, was simply shipped overseas — and now we must begin the process of bringing it back home.

The Biden administration has already taken some good steps in this direction by imposing or maintaining multiple tariffs, and they’re already increasing American prosperity, particularly for working people.

Biden increased tariffs on steel and aluminum products from 7.5% to 25% this year; tariffs on semiconductors will rise to 50% by 2025; tariffs on electric vehicles (EVs) hit 100% this year; tariffs on lithium-ion EV batteries and magnets for EV motors will go up by 25% by 2026. After the Covid crisis, the Biden administration put a 50% tariff on syringes and needles to jump-start domestic production, and personal protective equipment (PPE) tariffs went up 25%.

This is not a black-and-white issue. Yes, tariffs are a tax and, until domestic manufacturing replaces foreign imports, they’re a tax that’s mostly passed along to consumers, resulting in higher prices for goods.

But when done right and gradually, those higher prices open the door for American companies to again become competitive, to manufacture goods here — and thus keep our jobs and our “wealth” here — while raising the wages and standard of living of American workers and people around the world.

Just because Trump was conceptually right about tariffs (but terribly wrong in how he executed them) doesn’t mean we should all freak out at any mention of them. They’re an important part — as Alexander Hamilton and George Washington taught us — of creating and maintaining wealth and independence for our nation.

And, as Rana Foroohar notes, voters in the Rust Belt states know all this already. Democrats need to tell them that we are prepared to use tariffs to bring their jobs back home and protect them once they get here…like Biden has already begun.

Let the tariff debates begin!