Saturday, September 27, 2025
spot_img
spot_img
Home Blog Page 910

Emus Loose in Egnar: Big Stories from Small Towns BookReview

0

By Lyn Jensen

“With all the hand-wringing about the ‘death of journalism,’ it is more than a little ironic that small-town newspapers have been thriving by practicing what the mainstream media are now preaching: Hyper-localism, Citizen Journalism, Advocacy Journalism—these are some of the latest buzzwords of the profession,” so begins Emus Loose in Egnar. “But the concepts have been around for ages at small-town newspapers.”

Award-winning journalist Judy Muller argues in her latest book that the press—in the form of print media industry–still thrives in small-town communities for “the corniest of reasons: Our freedoms depend on it [and] it’s a job small towns will probably always need done.”

Some may take exception to Muller’s use of “corniest” to describe freedoms guaranteed under the First Amendment, but in Emus she guides readers through dozens of small-market communities and their newspapers. She finds towns where generations of journalists have, often at considerable risk, spent their lives reporting on racial strife and other extremely controversial topics. She finds even in relatively quiet communities, police blotter stories (such as loose emus in Egnar, Colorado), school sports, and local obituaries provide towns with a method of communication that new media simply can’t match.

Muller lives in the small town of Norwood, Colorado, when she’s not teaching journalism at USC, so she’s able to provide first-hand observations of that town’s rivalry with nearby Tellerude as reported through the local papers. Although she makes a convincing argument that community journalism in its print form isn’t dead (my primary employer Random Lengths is one of many outlets that prove that), she’s less successful at demonstrating a workable business model for professional journalists to follow.

Many of the businesses she spends time with have slim budgets and overhead, and don’t appear to boast full-time professional experienced or trained staff. Many are portrayed as somehow getting by with part-timers, volunteers, and a few people who admit they can’t write but object to being edited.

Muller’s book makes a persuasive case on the need for small-town newspapers but just how those papers are expected to provide a source of income for their publisher and employees—who sometimes risk firebombing and just plain dislike—is a more difficult question and a subject for another book.

Review of the Fantasticks at Theatre West

0

[portfolio_slideshow]

By John Farrell, Photos by Thomas Mikusz

Theatre West is a Los Angeles landmark which has been producing plays for fifty years now, most recently in their theater in the stretch of Cahuenga Blvd. just west of Universal City.

The Fantasticks, the musical by Tom Jones and Harvey Schmidt which opened at Theatre West the first week of September (Sunday, September 8’s performance is reviewed here) can do better than that. The Fantasticks opened in 1960, ran for 46 years in New York, closed in 2006, re-opened in 2006 and is still going strong. It is the longest-running play in the United States, the longest running musical, and has been performed in more than 11,000 productions in two dozen languages. Whew!

Review of LB Playhouse’s “The Changeling”: Whoa Nelly!

2

By John Farrell

There have been changes aplenty at the Long Beach Playhouse recently such as staging musicals there when they haven’t hosted a musical in years; putting on serious plays that might never have been given a chance; collaborating with other theater companies and staging a two-week long festival of new plays.

But the biggest change of all may be seen on Friday and Saturday nights and Sunday matinees through September 29. Thomas Middleton and William Rowley’sThe Changeling, a Jacobean tragicomedy directed by Dave Barton that takes the classic drama and expands it to modern dress and modern attitudes. Premiered less than a decade after Shakespeare’s death, the play is violent, desperate, and frankly distasteful. One of its main characters suffers from a horrible skin disease, others are madmen or pretend madmen, and before the night is over, seven are killed.

Harbor Currents–Announcements–Sept. 12, 2012

0

Sept. 12
Become a Docent
Join the docent crew at the Dominguez Rancho Adobe Museum. The museum is offering two session one on the weekday evening and one on Saturday mornings. Evening sessions take place, from 5:30 to 7:30 p.m., Sept. 12 and 29, and Oct. 3. Saturday sessions take place, from 10 a.m. to 12 p.m., Sept. 22, and Oct. 6, 20 and 27.

Docent training sessions an also be scheduled by appointment. Part of the training sessions involves meeting with other docents at an outing for all docents. Docents are volunteer tour guides, trained to further the public’s understanding of the cultural and historical significance of the Dominguez family and the rich history of California with a focus on Southern California.
Details: (310) 603-0088; dominguezrancho.org
Venue: Department of Veterans Affairs
Location: 5901 E. 7th St, Long Beach

David W. Ross Says I Do

1

[portfolio_slideshow]

By Zamná Ávila, Assistant Editor

The 2012 Long Beach QFilm Festival, which takes place Sept. 14 through 16, ends with a celebratory bang — well, at least an I Do.

I Do is a tear-jerker that begins and ends with a credo that morphs from wishful thinking to reflection and experience.

I do believe in fate. I do believe in family. I do believe in telling the truth and that your actions have consequences.

The rest of the film turns out to be about all of the above.

Legislature Approves 17 Lieu-Sponsored Bills

0

Gov. Jerry Brown has until Sept. 30 to act on 15 Sen. Ted W. Lieu, D-Carson, bills now on his desk; two additional measures took effect immediately because they did not require gubernatorial action.

The bills facing Brown’s endorsement or veto include:

Street Buzz on San Pedro Session and Toulousology CDs

0
Steve Werner and Fur Dixon celebrated the release of their new CD, San Pedro Session’s, on July 2, at McCabe’s in Santa Monica. Paul Marshall on bass, John McDuffie on pedal steel and Brantley Kearns on fiddle joined them at the show. Photo by Michael Doherty

Fur Dixon and Steve Werner’s latest CD, San Pedro Session, is the best of their previous three collections. This was recorded live at Alva’s Showroom in what has become one of the best rooms in Los Angeles to perform. In this near perfect space for the performing arts, Fur Dixon and Steve Werner and about 60 guests, friends and fans were engaged around an emotional campfire of song. There is not much more I can say about the event that I have not already said before. I was honored that the duo found my review good enough to be on the liner notes of the disc. The warmth of these songs sustains the performance even without being there. The honesty of the material and the connection from artist to audience is palatable.

The Problem of Fixing L.A.

The sidewalk repairs are a classic example of our dysfunction as a city

By James Preston Allen, Publisher

Every time I hear that the Los Angeles City Council is going to hire another consultant to study one of our multiplicity of problems, I just cringe thinking, “another over-priced report telling us what we already know.” So you may have heard that the suggestion coming out of Councilman Joe Buscaino’s subcommittee on Public Safety was to hire a consultant for what staff estimated was up to $10 million to do a survey of our cracked and crumbling sidewalks. Luckily some of the council members balked at this, but in the big picture of city budgets and city contracts $10 million isn’t a big number. It does however start to add up, and that seems to be the city’s biggest problem.

The QFest is Coming

1

By Zamná Ávila and Lyn Jensen

The 2012 Long Beach QFilm Festival is less than a week away, offering some of the best in independent, queer-themed films recently released. Besides screenings, the schedule includes parties, discussions, a brunch, and numerous opportunities for attendees to mingle with filmmakers, actors, critics, and film industry professionals.

FROM GOODTIME TO GOOD-BYE: Glen Campbell’s Last New Mexico Concert

0

By Lyn Jensen

Back in my Orange County schooldays in the 1960s, I was bullied daily. Not only was I not part of “the” crowd—whatever that was—I wasn’t part of any common outgroup that can typically bond over a hard time in school. I wasn’t hippie or geek or goth or gay or anything like that. I was worse, as far as my fellow tweens and teens were concerned. I loved country music, and not even my parents shared my enthusiasm.