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Trouble on the Iowa

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By Terelle Jerricks, Managing Editor

That the USS Iowa is open for the third consecutive year in the Los Angeles Harbor is a victory in itself.

The floating museum exceeded the Port of Los Angeles’ expectations of 188,000 visitors per year in its first two years, drawing more than 200,000 visitors each year. In 2013, it topped out at 244,000.

This year, the downtown plaza watercut opened just ahead of the festival of TallShips lead by a giant rubber duck. That festival drew more than 270,000 visitors during the last three weeks of this summer.

However, this year’s numbers for the battleship museum are down from the first two years. Despite the summer activity on the waterfront those numbers are still within the expectations of Jonathan Williams, the Pacific Battleship Center’s president and CEO.

“We are going into our third full year of operations and as expected we are slightly down on year two,” Williams replied in an email correspondence to Random Lengths. “I estimate we will see approximately plus or minus 200,000 [visitors] in year three, which is still above the original market study projections. As mentioned, we have seen a big uptick in group sales and event inquiries the past month, so it is possible that we are plateauing earlier than expected.”

Even so, the Pacific Battleship Center, the caretaker organization of the historic battleship, is looking forward to new initiatives to draw more tourists. The battleship museum recently completed the ship’s installation of the sewage system and in November, they will launch its sleep aboard program.

Yet, with all of this promising news of progress, there appears to be trouble beneath the surface. In September, a former employee at the Pacific Battleship Center drew attention to allegations of labor abuses, environmental safety violations and management issues of the executive staff.

Former vice president of development and Communication for the Pacific Battleship Center, Patrick Salazar, submitted a detailed report to the Port of Los Angeles and the nonprofit’s audit committee Chairwoman Vanessa Lewis. Random Lengths News obtained copies of this correspondence. The report included statements from other paid staff and former volunteers.

Pacific Battleship Center board of directors member, Douglas Herman, describes Salazar as a disgruntled former employee attempting to extort money from the organization. Herman wouldn’t go into details about the circumstances of Salazar’s termination, saying only that there were two independent investigations conducted by the organization’s employer insurance companies that found that Salazar’s claims were based on hearsay and that there was no evidence to substantiate his claims.

Salazar, who has 25 years of experience in the nonprofit sector developing donor lists, was brought on board as a paid consultant the same month that vice president of donor outreach, Robert Kent, left the organization in April 2013. The following month, he became a paid staff member after he was named Vice President of Development and communications. Salazar contends that his termination was the result of an extensive review in which senior management decided to reduce one full time position to part time and eliminated Salazar’s position altogether.

In Salazar’s estimation, he raised a half million dollars in the 16 months he was with the Battleship Center. To him, it made no sense to fire a staff member who was bringing in the money. Salazar believes he was wrongly terminated, and their refusal to give him a severance package was a slap in the face considering his contributions to the organization.

This is not the first time Salazar has left a nonprofit organization. Between 2008 and 2009, Salazar served as the Vice President of development for the Parents Television Council. The organization was reputed for holding advertisers accountable for television content the organization finds indecent. At the time, Salazar said he witnessed a number of unethical fundraising practices. The organization said they fired him. He said he resigned and attempted to get a severance package on par with the industry standard.

Salazar believes he was fired for raising difficult questions about wage theft, labor law violations and environmental compliance issues too often while he was a staff member.

Salazar says he is not looking to get the battleship’s lease revoked, but he saw enough dysfunction within the organization to become a whistleblower.

“I just want the ship to survive and to serve the community, Salazar said. “In my opinion, as of now, this is not possible with Jonathan [Williams] at the helm.”

When asked about the allegations, the Port of Los Angeles director of media relations confirmed that they received Salazar’s documents and are looking into the issues raised to make sure that the tenant is in compliance with all aspects of the lease.

Alleged Mismanagement of Funds

Random Lengths obtained a copy of the email from Battleship Center President Jonathan Williams and vice president of operations Michael Getscher in which they announced that following an extensive review they would undergo major cost-cutting to make up for the lack of revenue from the off-season.

“Like most museum operations,” the email read, “the summer on-season attendance revenue helps cover the shortfall during the off-season. While our revenues exceed our expenses during the summer, we have not seen a large infusion of on-season revenue to sustain the off-season short fall.”

Salazar, who says he was privy to information he received from upper management staff such Williams and Dave Canfield, former Vice President of Security, learned that certain board members were getting paid travel expenses to go home in Northern California or non-Battleship Center-related work.

Salazar began reaching out to the board’s audit Chairwoman Lewis about his concerns in September:

  • Why did Getscher and Williams take two trips for a week a piece to Hawaii to go to the U.S.S. Missouri as a fact finding mission and come back with just tourist pictures? What couldn’t you get in two days on one trip? I’m sure there was a report. Just doubt the veracity of any of it since none of it trickled down to us to help us get the ship in better shape physically, financially or long term actuality based upon the other ship’s results. We paid for this. What a waste.
  • Why did Williams and some board members go to Hawaii at company cost to see how the overnight program worked? Really? And we paid to send a service animal too that was being trained. I do not understand this. Both could have been done online.
  • Sending Pawloski [Dan Pawloski is the former Vice President of Operations at the Pacific Battleship Center] to the U.S.S. Missouri to investigate their CHT system [Collection, Holding and Transfer system for waste on a ship]. Why was this necessary after we sent our “Chief Engineer” there twice? Sent Getscher to the U.S.S. New Jersey also. Why is there not a file on all of their CHT systems? What a waste.

Salazar alleges that there is a “severe discrepancy in corporate officer pay, time and job performance. Salazar poses some serious questions.

“Why do they act like it is a 40-hour work week? What are the standards to ensure that [the Pacific Battle Center’s] money’s worth? Why does Getscher get to not do as required and still get to keep his full pay when every manager there has taken pay cuts and time off to help the company and the ship? What happened to all the money for the overnight programs? How much was really given out? And why are we hinging our entire economic life on the overnight programs?” Salazar asked.

It must be noted that in the email announcing Salazar’s termination, Williams and Getscher were fully expecting that the on board overnight program would be enough to fill the revenue hole left by the off season.

Salazar forwarded a list of Pacific Battle Center vendors that were paid between 2008 and 2014. On that list, board President Jeff Lamberti and board Secretary Rebecca Beach were paid $17,037.82 and $102,146.07, respectively. The document does not reflect when those monies were paid or for what services those monies were paid. But generally, board members of a nonprofit organization are not paid positions.

These two board members are important for another reason. Lamberti, who is gaming commissioner in the State of Iowa recently came under scrutiny for his votes favoring casinos that donated to the USS Iowa. Beach is Lambert’s business partner with whom he formed Riverside Partners, a political consulting and fundraising firm. Riverside Partners was also listed as one of the USS Iowa’s vendors. Read more about this in the next edition of Random Lengths.

The Pacific Battleship Center released audited financial statements for each year they have been in operation. Indeed, the Battleship Center earned $8.2 million in total revenues in 2012. A year later, total revenues were about half of 2012 totals. This decline was due primarily to the $5 million drop in contributions to the floating museum. There was a moderate increase from the ship’s revenue from admissions, but not nearly enough to make up the shortfall from the previous year.

As for the overnight program, the Battleship Center received a $250,000
grant to launch it.

Salazar believes that the executive staff is cooking the books to hide expenses being paid to outside consultants and travel expenses of board members and staff to
travel home and back. What happens next remains to be seen. In any case, the
issues brought to light by these whistleblowers raise important questions about Pacific Battleship’s Centers board members.

Hostile Work Environment

Salazar and others both spoke of a hostile work environment. The degradation of the work environment was due, in large part, to firings of staff that were perceived as unjust, labor violations and pay disputes. There also was the professional faux pas such as executive staff attempting to force volunteers and staff alike to wear naval uniforms and salute each other as if they were in the Navy, even though none of them had ever served in the armed services. In fact, there’s currently only one board member who served in the military.

“He has lost the confidence of many crew members and his willingness to break the law and flaunt PBC policy and procedure is appalling,” Salazar said of Williams.

Salazar alleged that Williams vetoed small pay increases for the hourly employees making $12 an hour and frowned on managers for filing valid mileage expenses, all while using the company credit card for years of his personal travel.

Salazar and others described the temperament of upper management as mercurial towards their subordinates—particularly towards those they had a dispute with previously.

In one account which took place during the first year of of the USS Iowa’s opening, it was commonplace for managers such as Williams and Pawloski to treat volunteers as if they were a part of a military command.

“Pawloski gave one of his ‘my way or the highway’ speeches, where he told all the volunteers they were here to work and if he needed them to chip paint then that’s what they would do,” said one operations team member, whose identity Random Lengths has chosen to withhold. “No other options.”

The team member in another account alleges that Williams made similar comments in July 2014:

Jonathan Williams comes in and starts a weeklong campaign onboard ship about how only 20 percent of the people do the work and he was going to get rid of all people with bad attitudes. This was brought about because a volunteer sent him a letter giving him an assessment of his lack of ability and such. Mr. Williams did not take it well and let all know…[He] let all know that if trimming was needed. It would come from management and he would start with all who had bad attitudes.

The operations team member reported in a complaint to the Harbor Department that a number of these volunteers were donating innumerable amount of skilled labor and time. In light of this, the operations team member noted that many of the volunteers were unhappy with this treatment.

Judging from the email correspondence to Vanessa Lewis, some of the management issues were starting to get resolved by the end of August 2014. In an email dated the first week of September, 2014, the operations team member noted that Williams was more visible aboard the battleship and was taking a positive interest in the volunteers that were serving, saying in one email to executive board member Lewis:

  • Jonathan has been much more visible onboard the vessel. He is cultivating relationships with the employees and volunteers. Actually seems to have walked the tour path and let people know what is happening onboard. He is showing a much more favorable attitude at this point. Trying to present an example for a change. This is good.
  • We now have management onboard Saturday and Sunday as their prescribed working days. Good to have someone on board who is authorized to make decisions instead of the ship not having any management onboard Friday to Monday that is there or visible. This is a plus.
  • [There is] Actual involvement in the day-to-day operations of the ship in all areas by management. [Their management is] Still very weak but it’s there and possibly growing, so this is a win. With so few employees it is always a mistake to disappear into offices and never come out.
  • Ship’s attitude is changing for the positive across the board since Dan’s departure. Although I objected to Ken Labruzzi’s hiring, since he was coming from up north as part of the Richmond club. He is doing a good job. [He] knows how to be a manager. Still think it should have been a local hire to cement our relationships here. However, he is doing well.

Throughout all the correspondence, the issue of regional preference as suggested by the operation team member’s “Richmond club” comment was rarely mentioned, but the issue seemed to be a deep undercurrent of the strife on the ship.

In his July 25, correspondence with Vanessa Lewis, Patrick Salazar writes that he is convinced that he [Williams] doesn’t respect the law, the ship, veterans, the Los Angeles/San Pedro community (he refers to Pedro as “the ghetto”).

His unwillingness to relocate here reverberates negatively in the community. He has not embraced the region and it has returned the favor. He (publicly) calls the IOWA his “hobby”… while he claims to still run a going concern up North.”

But the management troubles aboard the USS Iowa don’t stop there. Read the next edition to get the story of the cutthroat world of naval ship nonprofit organizations, fundraising from casino gaming corporations and conservative political operatives from Iowa.

ILWU Contract May Hinge on TraPac Automation

How far will new technologies go in replacing the workforce?

James Preston Allen, Publisher

The American flag barely flaps in the breeze, when the sun risesbehind the Vincent Thomas Bridge, as seen from Eastview Little League baseball fields atop

TraPac’s new automated OCR cranes at berths 134-139 can be seen idle with little movement on the docks from that vantage point.

TraPac recently has installed and begun testing the new cranes which utilizes a complete optical character recognition (OCR) solution for every entry and exit point of their terminal. The technology would make the terminal fully automated.

A source told me that the automated cranes there hasn’t been operating for the past two weeks following a health and safety grievance filing by the ILWU. The union claimed that TraPac’s new technology is dangerous following a dozen accidents on that terminal since the automated part of the facility was finished.

The new automated cranes even showed problems on its inaugural launch, with all the executives on site. An accident was avoided only by the quick use of the override switch by a union crane driver.

Trouble on the Iowa

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By Terelle Jerricks, Managing Editor

That the USS Iowa is open for the third consecutive year in the Los Angeles Harbor is a victory in itself.

The floating museum exceeded the Port of Los Angeles’ expectations of 188,000 visitors per year in its first two years, drawing more than 200,000 visitors each year. In 2013, it topped out at 244,000.

This year, the downtown plaza watercut opened just ahead of the festival of TallShips lead by a giant rubber duck. That festival drew more than 270,000 visitors during the last three weeks of this summer.

However, this year’s numbers for the battleship museum are down from the first two years. Despite the summer activity on the waterfront those numbers are still within the expectations of Jonathan Williams, the Pacific Battle Center’s president and CEO.

Transforming Feminisms

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“Big Attitude” by Bronwyn M. Towle is part of the Transforming Feminisms exhibition at the South Bay Contemporary Gallery. Courtesy Photo”Big Attitude” by Bronwyn M. Towle is part of the Transforming Feminisms exhibition at the South Bay Contemporary Gallery. Courtesy Photo

By Andrea Serna, Arts and Culture Writer

South Bay Contemporary Gallery continues their series of outstanding exhibitions with a new show titled, Transforming Feminisms, a group show featuring 29 artists.

Addressing the many stages and definitions of feminism, gallery owner and curator Peggy Zask has again demonstrated a clear vision for her art space, formerly known as Zask Gallery.

Organized feminism began in the Western world in the mid 19th century and has gone through three waves.
Although it developed out of the anti-slavery movement, first-wave feminism was oriented around the station of middle- or upper-class white women. It involved suffrage and political equality. In the 20th century, second-wave feminism attempted to further combat social and cultural inequalities. Now, third-wave feminism continues to address the financial, social and cultural inequalities, adding a renewed campaigning for the greater influence of women in politics and media.

The exhibition is a strong display of ‘intersectional feminism.’ The term, which Professor Kimberlé Crenshaw first coined, states that “women experience oppression in varying configurations and in varying degrees of intensity. Cultural patterns of oppression are not only interrelated, but are bound together and influenced by the intersectional systems of society. Examples of this include race, gender, class, ability, and ethnicity.”

“There is a third movement of feminism that is focusing more on global issues,” Zask said. “The right to choose, equal pay and abuse are the three topics that have not been resolved.”

The artists participating in this exhibit represent almost every aspect of American culture and society: Jewish, African-American, Chinese, Samoan, Latina, male, female and transgender. All come together to offer their definition of feminism.

The timely topics that Zask has chosen are as much by fate as by choice. Our news is full of horrific stories of domestic violence around the globe. Women and children are murdered on the street and in their own homes on a daily basis. In 2012 the story of Malia Yousafzai, shot on a school bus in Pakistan, inspired the women’s movement globally.

Recent reports of NFL player Ray Rice’s assault on his fiancee and Adrian Petersons disturbing punishment of his 4-year-old child have brought domestic violence into the public discussion of culture and abuse. The U.S. Supreme Court’s questionable decision in the case of Hobby Lobby’s protest to provide birth control for employees affirmed the ongoing controversy over reproductive rights, 58 years after the development of the pill. All of these things are reminders that the struggle continues.

“I am a curator who goes into territory, which is not clear or may be in flux and change,” said Zask, defining her role. ”In contemporary art, I do not begin to think my perspective or knowledge is more important and do not want to influence the artists, only help them to express their ideas on the subject … the answers and nature of the exhibition is what the artists create.”

A series of questions were sent to all the artists participating in the exhibit, in an effort to ensure that each artist speaks for themselves. The list of questions included:
 Your personal definition of feminism
 Your personal definition of power
 Your personal definition of agency
 Why you identify, or do not identify as a feminist

The responses are as varied as the individual artists.

Video artist Yoshie Sakai, says she is an ‘undercover feminist.’ Her video is about her Japanese-American family, who was in an internment camp during World War ll. Years later, her family ended up owning a liquor store. The family’s patriarch insisted that a male heir take over KOKO’s Liquor Store.

Hatsuko Mary Higuchi’s art also visits her family’s history of internment during the war. Her watercolor, “Sayonara Oksan,” is a deeply personal collage of the generation that chose to remain silent and rebuild their lives following their release from the internment camp. Higuchi was imprisoned, along with her entire family at the age of three. Upon reentry to American life, she never heard the topic addressed in school or at home. Women are credited in her paintings with an extraordinary and unsung role for keeping the families together during and after they were released from the internment camps.

“Mary’s mission is to bring it out, to talk about it,” Zask said.

Painter Bronwyn M. Towle submits a full-figured nude titled, “Big Attitude,” epitomizing a large confident woman. Towle is a third-generation Chinese-American and a feminist. Disturbing stories from China of the abandonment of female children due to the One Child Law influenced Towle. Families would leave female infants to die under trees, preferring a male child to perpetuate the family name.

Artist Anna Rodriguez went from the small community of Maywood, Calif. to earn a masters degree in fine arts from Otis College of Art and Design. As a first generation Mexican-American she observed the differences in the choices available to her versus her female cousins growing up in Mexico. She defines power as the determination to follow your own path without the interferences of others. Feminism is being able to look back in time and appreciate the struggle and fight for what is yet to be done, she said.

A few of the artists state that they do not identify as feminists, but rather see a world where respect and human rights exist equally for all people.

Zask noted that the the original concept for the exhibition was about women’s identity, not feminism. In the discussion they concluded that the third wave of feminism has changed the way women view their needs and priorities.

“As I began talking to the artists involved, I realized that feminism means simply believing in yourself as a woman” said Zask. “I have never identified as a feminist either. The whole idea for the title ‘Transforming Feminisms’ came from the discussions we had before the exhibit.”

Many of the artists noted that the reality of women in the arts is that needs to represent their lives. The challenges women in the arts face is similar to challenges women face in almost any profession. Marriage, family and child rearing often interfere with professional development, and that brings with it the whole package of gender discrimination.

The voices calling for an end to the oppression of women around the globe have become impossible to ignore. In the exhibition catalog Christy Roberts Berkowitz quotes Schumacher, a member of the Russian music group Pussy Riot: “There are two reasons why we frighten people. The first thing is that we’re a feminist, female group with no men connected to it, and the second is that we don’t have leaders… Russia has always linked the idea of leadership with some man or other, who can control things, and control women.”

South Bay Contemporary will be hosting a round-table discussion for artists in the exhibition who will be discussing women’s issues in our global culture and how art plays a role in expression of these issues and ideas. Audience questions and participation will be invited. A discussion with the artists in the exhibit is scheduled for Sat., Oct. 11, from 5 to 7 p.m. The talk will be moderated by feminist scholar, Catherine Scott.

Peggy Zask will be moving her South Bay Contemporary Gallery from Palos Verdes to The Loft Gallery space in downtown San Pedro at the beginning of 2015. A non-profit has been formed to support her vision of engaging the community in the relevance of contemporary art. This is exciting news for downtown San Pedro as we look forward to her vibrant exhibition schedule participating in the First Thursday Art Walk.
Details: Transforming Feminism
Venue: South Bay Contemporary Gallery
Location: 550 Deep Valley Drive, #261, Rolling Hills Estates, CA 90274

RLn ENTERTAINMENT

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Sept. 27
Gabriel Johnson
Gabriel Johnson will perform, starting 8 p.m. Sept. 27, at Alvas Showroom in San Pedro.
Johnson has been very active in the studio scene and has played or recorded with a wide variety of musicians and bands. Cover is $20.
Details: (800) 403-3447; WEBSITE
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Sept. 27
The All American Boys Chorus
The Battleship Iowa is proud to present the extraordinary voices of the All American Boys Chorus, from 5 to 7 p.m. Sept. 27.
Internationally acclaimed, the All American Boys Chorus has performed to standing ovations in Europe, Asia, Australia and New Zealand, as well as on 40-plus tours in the USA and Canada.
Cost is $20.
Details: www.pacificbattleship.com/event/detail/204
Venue: Battleship Iowa
Location: 250 S. Harbor Blvd., San Pedro

Sept. 28
The Chris Dundas Group CD Release Party
The Chris Dundas Group is having its CD release party, starting at 6 p.m. Sept. 28, at Alvas Showroom. Cover is $20.
Details: 800) 403-3447; WEBSITE
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Oct. 3
Thom Rotella 4tet
The Thom Rotella 4tet will perform, at 8 p.m. Oct. 3, at Alvas Showroom in San Pedro.
Details: (800) 403-3447
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Oct. 3
Ceora Winds
Ceora Winds performs, at 12:15 p.m. Oct. 3, at the First Lutheran Church in Torrance.
The members ofCeora Windshave played chamber music together for 10 years, performing throughout Southern California and across the country.
Details: (310) 316-5574; www.palosverdes.com/ClassicalCrossroads/BachsLunchtime.htm
Venue: First Lutheran Church
Location: 2900 W. Carson St., Torrance

Oct. 4
John York
John York will perform, at 8 p.m. Oct. 4, at Alvas Showroom in San Pedro
Details: (800) 403-3447
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Oct. 4
Susie Glaze & Hilonesome Band
The Grand Annex presents Susie Glaze & Hilonesome Band, starting at 8 p.m. Oct. 4.
Winner of the Just Plain Folks Music Award, Susie Glaze & Hilonesome band properly deliver folk-inspired stories of love, tragedy and fate.
Admission is $25.
Details: (310) 833-4813 www.grandannex.org
Venue: Grand Annex
Location: 434 W. 6th St., San Pedro

Oct. 4
Something’s Funny at the Warner Grand
Something’s Funny at the Warner Grand. Check it out. Something’s Funny at the Warner Grand is a monthly show featuring four of some of the funniest stand up comedians working. The next show takes place at 8 p.m. Oct. 5.
Tickets are $10 and $15.
Details: Tix.com
Venue: Warner Grand Theatre
Location: 478 W. 6th St., San Pedro

Oct. 5
Portia Caeli Chamber Players
The Portia Caeli Chamber Players are scheduled to perform, at 7:30 p.m. Oct. 5, at the Warner Grand.
It will be a night of beautiful classical and contemporary music that everyone will appreciate and enjoy! General admission is $15 cash at the door.
Venue: Warner Grand Theatre
Location: 478 W. 6th St., San Pedro

Oct. 5
King Washington
King Washington will perform, at 4 p.m. Oct. 5, at Alvas Showroom in San Pedro.
Details: (800) 403-3447
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Oct. 10
Richard Sherman Trio
The Richard Sherman Trio will perform, at 8 p.m. Oct. 10, at Alvas Showroom in San Pedro.
Details: (800) 403-3447
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Oct. 12
Andy Waddell Quintet
The Andy Waddell Quintet will perform, at 4 p.m. Oct. 12, at Alvas Showroom in San Pedro.
Details: (800) 403-3447
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro

Oct. 17
Kei Akagi & Jason Harnell Duo
The Kei Akagi & Jason Harnell Duo will perform, at 8 p.m. Oct. 17, at Alvas Showroom in San Pedro.
Details: (800) 403-3447
Venue: Alvas Showroom
Location: 1417 W. 8th St., San Pedro


Oct. 10
Dustbowl Revival
Throughout October 2014, the Grand Annex presents four installments of the Annex Jazz Festival.
The fun starts at, at 8 p.m. on Oct. 10, when the Grand Annex presents the Dustbowl Revival. Awarded the “Best Live Band in LA” in 2013, the band is quickly rising on the folk charts. Known for their energetic live sets, the Dustbowl Revival merges jug-band, gospel, swamp blues and the hot swing of the 1930s to form a spicy roots cocktail.
Admission is $25.
Details: (310) 833-4813; www.grandannex.org
Venue: Grand Annex
Location: 434 W. 6th St., San Pedro

Oct. 11
Matt Gordy
The Grand Annex presents Matt Gordy, a Los Angeles-based drummer, percussionist, composer, and arranger, at 8 p.m. Oct. 11.
He returns with his sextet to the Annex stage after a tour in China, leading up the U.S. Jazz Delegation at the Changsha Music Festival.
Admission is $25.
Details: (310) 833-4813; www.grandannex.org
Venue: Grand Annex
Location: 434 W. 6th St., San Pedro

Oct. 17
Grace Kelly
The fun continues, at 8 p.m. Oct. 27, with Grace Kelly at the Grand Annex.
A saxophone player since the age of 10, Grace Kelly has hit the jazz world by storm.
Admission is $25.
Details: (310) 833-4813; www.grandannex.org
Venue: Grand Annex
Location: 434 W. 6th St., San Pedro

RLn ANNOUNCEMENTS: Sept. 26, 2014

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Sept. 27
Overturn Citizens United
The Environmental Priorities Network invites you to attend a public forum on “Overturn Citizens United,” which will take place at 9 a.m. Sept. 27, at the Pacific Unitarian Church.
Three outstanding speakers will discuss how we can strengthen our democracy and reclaim it from corporate dominance. They are Michael Tucker, a coordinator for Move to Amend. John Smith, a Southern California Common Cause organizer, and Alison Hartson, a California State Director of Wolf PAC.
Details: (310) 545-1384; lklight@verizon.net
Venue: Pacific Unitarian Church
Location: 5621 Montemalaga Drive, Rancho Palos Verdes

Sept. 27
Prescription Drug Collection
The Long Beach Police Department is participating in the Drug Enforcement Administration’s National Pharmaceutical Take-Back initiative, from 10 a.m. to 2 p.m. Sept. 27, at Long Beach Memorial Hospital.
This initiative seeks to prevent increased pill abuse and theft through the collection of potentially dangerous expired, unused and unwanted prescription drugs. The event will offer a drive-thru service that is free and anonymous. The driver of the 25th, 50th, 75th, and 100th participating vehicle will be awarded a pair of Aquarium of the Pacific tickets.
Details: (562) 570-7221; www.dea.gov

RL NEWS Update: Sept. 26, 2014

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Arson Suspect Arrested

LONG BEACH — Twenty-three-year-old Bryan Zuelke was arrested Sept. 23 on suspicion of arson.

Zuelke, a Long Beach resident, is suspect of setting fire to a restaurant on the 200 block of East Pacific Coast Highway on the early morning hours of July 28. The fire cased more than $250,000 in damage. No one was injured in the fire.

Long Beach Police Department detectives arrested in the 700 block of Cherry Avenue. He is being held at the Long Beach Jail on $200,000 bail.

Anyone who may have information regarding this case is urged to call (562) 570-2529. or visit www.lacrimestoppers.org.

 

Hotel Workers to Get Minimum Wage Hike

LOS ANGELES — On Sept. 23, the Los Angeles City Council approved, 12-3, to approve a minimum wage hike for hotel employees.

San Pedro Tri-Arts Festival Builds Dance Mecca in Los Angeles

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By Terelle Jerricks, Managing Editor

Louise Reichlin is bringing back the San Pedro Tri Arts Festival for its eighth year, on Sept. 27. But after three years since taking the helm of the festival, it’s becoming clearer that she is attempting to turn this festival into vehicle that can add dance to the Los Angeles clout as cultural center.

Since the founder, Joe Caccavella ,died in 2012, the festival has been growing, evolving and drawing in top flight performance arts partners in the community. In previous years, one could expect to see a lot of different artists that were similar to each other and little different from previous years.

These past two years we have seen more high quality and more diverse talent than has been seen in San Pedro. Reichlin said as much.

“In terms of diversity, we have grown,” Reichlin said. “ We have added a dance troupe and have one less music group this year.”

Reichlin brought back some top shelf dance troupes such as the widely known Lula Washington Dance Theatre and the Ruby Karen Project/Orange County Aerial Arts. But she has also invited some new companies such as the APA Repertory Ensemble and Ballet Folklorico Pasion de Mi Tierra/Gabriel Avila.

RLn ANNOUNCEMENTS: Sept. 24, 2014

Sept. 27
National Public Lands Day
Palos Verdes Peninsula Land Conservancy invites you to National Public Lands Day, from 9 a.m. to 12 p.m. Sept. 27, at White Point Nature Preserve.
Help plant and water native plants, repair garden trails and signage and clean native plants seeds.
Details: (310) 541-7613; www.pvplc.org
Venue: White Point Nature Preserve
Location: 1600 W. Paseo del Mar, San Pedro

Sept. 27
The Healing Exchange
The Healing Exchange is a benefit to raise funds for children with cancer, from 1 to 5 p.m. Sept. 26 at Little Rec Park, in Long Beach
Venue: Little Rec Park
Location: 4900 E.7th St., Long Beach

POLA Fire Contained, Smoke Impacts Linger

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Photos by Betty Guevara

By Zamná Ávila, Assistant Editor
Officials said that the origin and cause of the Sept. 22 Port of Los Angeles fire on Berths 177 and 179, but some damage is yet to be determined.

“We are still way too early to determine any type of estimate,” said Los Angeles Fire Department spokesman, Capt. Jaime Moore.

The good news was that no one was injured during the fire.

Arson investigators determined that workers in the area were doing a soldering operation. The welding caused the fire. The fire spread because of timber impregnated with creosote. The wharf was about 50 by 800 feet.