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My Uncle Yehudi, Ravi Shankar & The Mystic East

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By Lionel Rolfe

The death of Ravi Shankar last week made much mention of his close friendship with the violinist Yehudi Menuhin, who happened to be my uncle, with whom he made three albums, “East Meets West” in the ‘50s before Shankar hooked up with the Beatles.

Yehudi says that George Enesco, who was one of Yehudi’s earliest teachers, could perform great feats with all kinds of music. He could play any opera, symphony or chamber piece “in the most inspired fashion on the piano using various auxiliary means such as whistles, grunts and singing to convey the full impact and breadth of the score.” He orchestrated the horns with his grunts, the violins with his singing and whistles.

Proposed Density Increase in San Pedro Neighborhood Gets Panned

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By Paul Rosenberg, Senior Editor

With one notable exception—the upzoning of subarea 260 around 25th and Western—the San Pedro community appears to be quite pleased with the overall thrust of the San Pedro Community Plan, which was presented for public comment, Dec. 12, at a meeting at the Boys and Girls Club.

Even Northwest Neighborhood Council President Diana Nave, which has generated the broadest, most systemic criticisms, primarily involving assumptions of growth estimates, said, “it’s got a great vision.” And for good reason. The community plan includes a brief, specifically articulated vision that helps guide the plan as a whole, and a variety of points specifying the ways in which the plan “provides a high quality of life for its residents, while retaining the community’s small town feel for multiple generations of San Pedrans.”

Points articulated deal with everything from cultural heritage and open space to “clean industrial development.” It also has a diverse range of housing options, “a distinctive downtown,” “a synergistic connection to the waterfront…,” and “an identity as a destination place [for] home residents and visitors alike.”

What’s more, the planning department has been working with community members since 2006 on developing the plan. So there’s a great deal of specific detail fleshing out that vision.

However, the meeting was dominated by a single issue—the proposed upzoning of “subarea 260,” the commercial district centered at 25th Street and Western Avenue. The upzoning will allow significantly denser and higher development. This feature of the plan drew the vast majority of critical comments at the meeting.

At the heavy-duty political end, Rep. Janice Hahn – a resident of the local South Shores neighborhood – weighed in with a statement read into the record by an aid, Mike Aguilera. This was buttressed on the policy level by South Shores Homeowners Association, Jerry Gaines, who summarized a Nov. 30 letter detailing the homeowner’s groups 5-point objection to the plan.

“The proposed zoning change is unnecessary, unjustified, and will have a negative impact on the surrounding communities,” Hahn’s statement read, in part. “New buildings up to 75 feet or six stories intruding on the existing single-story building, single-family homes would result in serious disruption… This proposed change would neither benefit the neighborhood nor will it serve the goals of the development plan. I oppose the proposed zoning change because it does not keep with the character of the neighborhood.”

The South Shores Homeowners’ objections summarized by Gaines included lack of compatibility with the coastal plan, which calls for preservation of ocean views, the impact of increased traffic flows, the lack of local commercial demand (there’s no significant land for future residential development), and potential negative impacts on existing businesses. Gaines also briefly shared some of his relevant background. Not least, he’s a former member of the Harbor Area Planning Commission, which will review the Community Plan in March, before it goes to Los Angeles City Council. But the multiple points he made had a simple conclusion:

“We just don’t see a logic in planning to increase density,” Gaines said.

Similarly to Nave, Gaines praised the plan as a whole.

“There’s a lot of nice work, you’ve done very well, with a lot of good thinking,” He said, but followed with the reminder. “This is penninsula area that the San Pedro plan is contained in. We come to it, not through it.”

But the majority of the testimony came from residents – some of whom had circulated petitions, talking to dozens, even hundreds of their neighbors – whose perspective was personal, passionate, and down to earth.

Mark Smith was the first such resident to testify, and tone-setter for the evening. He lives adjacent to the existing commercial area and said he has experienced “many security and privacy problems,” which he expects to dramatically worsen under the proposed plan.

“I’m really strongly opposed to rezoning property in any way,” Smith said. “A 75-foot height limit on that property is extremely inappropriate. It would make the value of my property and the quality of my life significantly decreased.”

Shortly after Smith, Jack Marcenkowski spoke. He began by saying he supported the broad purposes of the plan, but, “The idea to change the zoning of subarea 260 is misguided, and it definitely will not improve our community. It will destroy it. It will destroy its character and it will lower the property value.”

“I can’t believe that this is even thought about,” Hugh Von Kleist chimed in. In terms of density alone, “I can’t turn left” in the morning because of the traffic. “We need to lower the density, if anything.”

Von Kleist was one of several present who gathered petitions opposing the zoning change.

“I found out about this less than a week ago … and I spent the last couple of days walking up and down South Shores, getting over 200 petitions signed,” he said. “And, I’m telling you, nobody knew about this … I think the timing of this is perfect. Because if people really did know about this, this gymnasium wouldn’t hold these people.”

After the meeting, several South Shore residents shared their suspicions with Random Lengths that a specific developer with an already-planned project for the 25th Street and Western Avenue subarea was behind the proposed rezoning. The perception is understandable, given the long history of similar secret backroom dealing at the Harbor Department, which is a semi-autonomous city agency.

But the Planning Department is wired quite differently and, though not immune to developer pressure, a much more straightforward explanation is available: In principle, upzoning subarea 260 can actually be seen as consistent with the plan’s vision, as reflected in the ideas of promoting “well-designed and economically vibrant commercial corridors” and “new development located near transit and integrated with local businesses.”

City planner Debbie Lawrence, who has lead the process, confirmed that explanation in a followup interview.

“When we started our outreach in 2006, we met with various focus groups in the area, and the neighborhood councils,” Lawrence explained. “What we heard from everybody was to leave alone the single-family and the multi-family and all the residential neighborhoods and just put the growth in other places. So what we did is, in accordance with our framework plan, we directed growth into the commercial centers, where there’s already existing services and development.

“We tried to come up with capacity along the commercial corridors and our commercial areas. That particular area at 25th and Western, was a neighborhood commercial area and we thought we could increase capacity there.”

The planners did hear opposition at the neighborhood council level earlier this year, but that was during the summer.

“At that point the EIR [environmental impact report] had already been completed,” Lawrence explained.

Principal City Planner Ken Bernstein, who heads the unit Lawrence works in, stepped in to explain that this sort of planning glitch is not unusual—indeed, it’s part of the reason the process is structured as it is.

“It’s important to point out that the draft plan, and what was presented to the community at the hearing this week, represent preliminary recommendations only,” Bernstein said. “Indeed, the public response and public input is the very purpose of holding a public hearing and open house in the community at this stage in the process.”

As for the dog that didn’t bark—the lack of any serious objections to the intensive work done on downtown San Pedro, Bernstein said, “The entire team that has worked on this plan has done considerable outreach over more than a 5-year period. And the plan is very clear that part of the vision of this new community plan is to reinforce the downtown area and enhance the connections between downtown and the waterfront, and we did not hear any significant objections to those goals and policies.”

Finally, Lawrence explained that the 2010 census information was included in the updated draft EIR, but was not used to recalculate the planning baseline. “We’ve received comments on this and we will be taking a look at all these comments, and responding in the final EIR, and addressing this in the staff report on the plan,” Bernstein added. “These are points we are considering.”

As for what comes next, the staff will complete its report in February, with a hearing before the Harbor Area Planning Commission in early March, followed by a city council hearing before the Planning and Land Use Management Committee, before going to the full city council. That hearing would probably not be held in the Harbor Area, as several commentators had proposed, the planners explained, because more than one project would be heard in a single session.

Guns and Freedom

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Will the current tragedy save us from the next mass murder?
By James Preston Allen, Publisher

I distinctly remember my first day on the job at the Pacific View halfway house for the mentally ill. I was 23 and just had taken a part-time job while attending college. I was excited about starting a new job. And, as I recall, the day started out normally, except that within the first hour the young Latino director took me aside to explain that one of the residents, a young schizophrenic man, had somehow snuck a loaded rifle into the facility and blown his brains out in the bathroom. For obvious reasons, he didn’t want me to see the aftermath, and with a bloody rag in hand, explained few details.

Only later, did I come to learn that this mental patient had simply walked into the Union War Surplus shop down on Sixth Street, paid cash for the gun, no questions asked and carried it back to the home, which had no security. This was before the days California background checks became the norm. With today’s gun laws, both felons and the mentally ill are barred from buying weapons at retail stores. In retrospect, I now realize that things could have ended up way different.

NEW YEAR’S EVE ENTERTAINMENT

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People’s New Year Party
Looking for a place to ring in the New Year? Come celebrate, starting at 8 p.m. New Year’s Eve, at People’s Yoga, Health & Dance in San Pedro, featuring the live music of The Monte Cristos.
Tickets start at $25, in advance.
Details: (310) 365-2348
Venue: People’s Yoga, Health & Dance
Location: 365 W. 6th St., San Pedro

White Winter Party
Join hottest end-of-the-year party, starting at 8 p.m. Dec. 29, at Club Ripples in Long Beach.
The event will benefit the AIDS Food Bank in Long Beach.
There will be plenty of surprises to keep things fresh and exciting along with beats, percussion and some of the best head boppin’ tunes provided by some of LA’s best Disc jockeys. Raffle tickets sold all night with prizes from amazing local businesses.
Tickets start at $10, online; $15 at the door.
Details: http://getoutlb.com/2012/11/getoutlb-presents-white-winter-party/
Venue: Club Ripples
Location: 5101 E. Ocean Blvd, Long Beach, California 90803

Harbor Currents: ANNOUNCEMENTS Dec. 26, 2013

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Kick Ball
The World Adult Kickball Association is looking for people in Long Beach interested in joining the group.

The WAKA CA Big Kahuna Winter 2013 will kick-off its winter season Jan. 12. Registration deadline is January 1, 2013.
Details: www.kickball.com/season/cabigkahunawinter2013

State of the Center
Community members are invited to attend the annual State of The Center Long Beach to learn about its past year’s accomplishments and its goals for the future, Jan. 26, at The Center Long Beach. RSVP requested.
Details: porterg@centerlb.org

Harbor Currents: NEWS Dec. 26, 2012

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The Jerk Who Allegedly Stole Christmas

LOMITA — The Lomita Sheriff’s Department arrested 42-year-old Michael Wieczorek, Dec. 20, on suspicion of theft.

Detectives found that the home of Wieczorek, a San Pedro resident, was full of stolen merchandise, looted mail, identity theft tools and computers. Officials said the suspect would steal packages from people’s porches, opened them, then re-wrap them and re-gift them.

The investigation was opened after a report that someone stole a package from a Rancho Palos Verdes home. After the suspect was identified, deputies went to his home and found stolen goods from communities throughout Southern California, including Rolling Hills Estates, Torrance, Palos Verdes Estates, San Pedro, Los Angeles, Carson, Long Beach, Lakewood, Redlands, Temecula, Auburn, Murrieta and even Bellevue, Wash.

Irving Berlin: The Man Who Dreamt White Christmas

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By John Farrell, Contributing Theater Writer

Irving Berlin has the copyright on Christmas. You could look it up.He wrote so many celebratory songs one critic said, “You couldn’t have a holiday with Berlin.”

The best-known is White Christmas, written in 1940, introduced in the film Holiday Inn in 1942, and for more than 50 years the biggest-selling of all records.

White Christmas became a movie of its own in 1954 and then a Broadway musical.

Dickens Comes to Torrance

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By John Farrell, Contributing Writer

You can’t avoid Charles Dickens’ A Christmas Carol at this time of year any more than you can avoid hearing Burl Ives singing A Holly Jolly Christmas.

And unless you are the Grinch (or a theater reviewer who has to see several versions every year) the Dickens story is a reminder of what Christmas is all about.

Change Agent: Tehani Sarreal, the Artivist

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By John Farrell, Contributing Writer

Editor’s Note: This is the second installment of Random Lengths News Change Agent series. This series highlights the unsung individuals that serve our communities behind the scenes often unnoticed, working to make miracles happen. Sustained by faith or their determination to give back, these change agents aim to improve the lives of others.

Jennifer Tehani Sarreal is barely 28 and just 5 feet 2 inches tall. Some people would say that a big gust of wind would carry her away. Her flowing hair, her winning smile and her always-cheerful demeanor hide a powerhouse in a white sarong.

A Cal State University Long Beach graduate of anthropology, she has traveled the world seeking wisdom. She is a world-class dancer who wants to make the world a better place.

Tehani (that’s the name she uses all the time) had embarked on her vision of bringing together artists to “creatively inspire others to action, to understanding, to inner/outer peace, to begin the personal search for truth.” That quote is from the brochure for Artists for Action, which Tehani founded and for which she currently collecting funding onwww.Kickstarter.com.

Artists for Action aims to showcase artists from all walks of life and all media, artists who have come together to advocate the arts and promote peaceful solutions to global issues. She calls them “Artivists.”

This collective of artist aimed to tackle some pretty big ideas, such as diversity and multicultural acceptance, conservation and human trafficking. The list on their website is a long one, but Tehani is determined to address many of them and produce a good show as well. She is steely-eyed in her determination. She says this determination and sense of purpose, comes from her father Josef S. Sarreal.

Her father died four years ago, in 2008, but Tehani is still inspired by him.

“He gave up a lot of his plans to support my dreams and make sure I had all the opportunities he didn’t have,” she said.

Tehani is raising funds for Artists in Action this month. That fundraising is based on a micro-grant from the Arts Council for Long Beach, which paid for her to try and get money from the community for her project. The Arts Council has been very supportive of Tehani’s activities, but despite the fact that she says the process was straightforward and simple. She notes that the grant was, after all, considered by a committee which had to agree with her plans. Even a micro-grant requires planning and scheduling.

This not the first time Tehani pursued a grant for one of her projects. In 2002, when she was just 18, she received a California Association for the Gifted grant, which she used to produce her first show, for which she also directed, choreographed and wrote most of the music.

“I’m very happy about receiving the micro-grant from the Arts Council for Long Beach,” she said. “It fills me with gratitude to know that the arts community is backing a project so important to me…”

She adds that the Arts Council is accessible and quite involved with the community.

“It’s not intimidating and they are very supportive of so much that goes on here in our town,” she adds. “They have been very supportive of many events I have been involved with here.”

Tehani moves with an easy carriage that tells you at once she is more than just fit. She has been dancing since she was 8 years old, and won the Belly Dancer of the Universe Competition in Long Beach in 2008, despite a broken tailbone and the recent death of her beloved father.

Tehani is particularly interested in the cross-cultural link between dance and spirituality around the world and the way performance art informs and influences social movements internationally. There are others who have similar interests, but Tehani literally went the distance.

Her first experience of international travel was when she went to Costa Rica to work with sea turtles in Cahuita National Park. Sea turtles, in case you were wondering, don’t dance, but Tehani was able to live on her own in Costa Rica and dance to local bands, hearing Costa Rican, Jamaican music and reggaeton.

Two years ago, in 2010, she embarked on a trip that took her to New Zealand, Thailand, India, Turkey, Belgium, France, Spain, Portugal, Brazil, Mexico and, by accident, Peru.

“Peru wasn’t in my plans, but I danced and studied dance there as well,” she said.

It was an adventure she can’t forget and not without its comic side. (For instance, she more or less starved in France when she was stranded at the train station and couldn’t speak the language and tell people she was a vegetarian).

“It was a beautiful experience,” Tehani said. “It was kind of ‘dance hitchhiking’ in a way … I would teach at different studios, take different dance classes, perform here and there,” she said.

She noted that In New Zealand, for example, she met and lived with the Maori people in Rotorua for a period of time learning the traditions and spirituality behind many of their dances — dances she originally learned in California.

Her experiences traveling and living abroad added context, nuance, depth, to her understanding of the issues she was already passionate about.

“Traveling outside of the U.S. didn’t really change any of my political convictions,” Tehani explained. “A lot of the issues and themes portrayed in Artists For Action I have had a position on and haven’t wavered. If anything, traveling abroad only strengthened my positions on social, political and environmental issues.”

Tehani describes Artists For Action as her way of giving communities what we need: a safe space for honest, transparent discussion.

“There is so much silence where we need to be shouting in unison,” she said. “From human trafficking and domestic violence to childhood obesity and the slashing of arts education in our schools, these are continuing issues here in our communities, but we are not having that much-needed public discussion.”

The free artistic event set for Feb. 23, 2013 she is producing is the first step in that process. Though it’s loosely called a concert, the event is actually so much more. It will have live music, but it will also incorporate other artistic forms and performances from a variety of disciplines. And more importantly, every performance will be centered on political, social and environmental themes.

“Every artist participating in this event has either a personal or professional connection to their subject, it makes the message that much more poignant, powerful and authentic,” she explained.

There will also be a community forum featuring a panel discussion with the artists following the performances.

Tehani’s ultimate dream is to see Artists For Action spread to other communities and be able to support Artists For Action projects around the world in terms of resources and training.

“It’s my big dream to see AFA blossom and continue to evolve and progress as far as life will carry it,” she said.

Across the Great Divide

Facing Austerity, the Fiscal Cliff and the Argument of What is the Better Good
By James Preston Allen, Publisher

I find myself in this situation often enough that I’m moved to explain it more fully. I am stopped by one of my frequent readers, a critic, who wants to expound upon the demise of our economic stability or perhaps supremacy. He says, “we are going to end up like Greece. We can’t afford to raise the debt another trillion dollars so that the takers get more than the makers.”