Greggory Moore

Little Fish Ends an Era with a “Pick of the Vine” that Harvests New Beginnings

Every January, Little Fish Theatre opens the year with a staging of new short plays culled from hundreds of submissions.…

2 years ago

Spirit Trumps Visual Shortcomings in “The Wizard of Oz”

The Wizard of Oz is the most famous of them all, and its legendary art direction makes it a dicey…

2 years ago

Great Cast Maximizes What “In My Bones” Has to Offer

Simi, an “illegal” African immigrant, has been detained at the U.K.’s Brideswell Immigration Detention Center for 11 months when she…

2 years ago

Everything Comes Together in Brilliant “An American in Paris”

From the pre-show chatter around me, it was clear I was far from the only audience member not to be…

2 years ago

Obvious Shortcomings in “Damn Yankees” Don’t Spoil the Fun

Bob Fosse is an all-time great, and in the film version of Damn Yankees he got to adapt and expand…

3 years ago

“The U.S. and the Holocaust” Looks into the Mirror and the Abyss

You know how this story ends. Six million murdered. Nothing will bring them back.  But the exhortation is that we…

3 years ago

“Valley Song” a Minor, Flawed Meditation on Post-Apartheid South Africa

The Holocaust is Germany’s national shame. For the United States, it’s slavery (and more, but let’s not get into that…

3 years ago

Little Fish’s “Eurydice” a Rare Piece of Perfectly Executed Theatre

It may be impolite to say, but rare are trips to the theatre when you don’t see obvious production flaws.…

3 years ago

Long Beach Playhouse Ill-Equipped for Sondheim’s “Company”

My friend just finished coaching a season of rec league basketball for 10-year-olds, kids who can’t maintain a dribble and…

3 years ago

Shakespeare by the Sea Takes Sure Aim at the Groundlings with “Much Ado”

As founder Lisa Coffi recently noted, her Shakespeare by the Sea is for the common folk, who tend to show…

3 years ago