• RL NEWS Briefs — May 22, 2015 — Longshore workers approve 5-year contract

    Longshore workers approve 5-year contract

    SAN FRANCISCO — On May 22, West Coast Longshore workers voted to ratify a tentative contract agreement reached in February with employers represented by the Pacific Maritime Association.

    Twenty-nine experienced slowdowns this past February due to contract disputes and suspension of operations.

    “The West Coast ports are an economic engine for the United States, supporting millions of workers and trillions in economic impact,” said PMA President and CEO Jim McKenna in a statement. “The disruptions that occurred during negotiations, and the inconvenience and hardship created by them, were regrettable.”

    International Longshore and Warehouse Union members voted 82 percent in favor of approving the new 5-year agreement that will expire on July 1, 2019. The previous contract was ratified in 2008 with a vote of 75 percent in favor.

    Voting results were certified by the ILWU’s Coast Balloting Committee, which was chosen by Coast Longshore Caucus delegates elected from each of the 29 West Coast ports.

    “Membership unity and hard work by the Negotiating Committee made this fair outcome possible,” said ILWU International President Robert McEllrath.

    The new agreement provides about 20,000 jobs in 29 West Coast port communities.  The contract will maintain health benefits, improve wages, pensions and job safety protections; limit outsourcing of jobs and provide an improved system for resolving job disputes.

    “This new pact is terrific for management and labor, and proves that by working together, we can build a partnership that will continue to help to improve this economy and provide jobs all across the United States,” said Long Beach Board of Harbor Commissioners President Doug Drummond in a statement.

    Port of Long Beach workers returned to work Feb. 17.

    Long Beach Mayor Robert Garcia also issued a statement.

    “We can now move forward together and continue operating the world’s best Port, which is the engine of our local and national economy,” he said. “My thanks to all the parties involved for working hard to reach this important agreement.”


    Andrews Announces Write-In Campaign 

    LONG BEACH — On May 22, Long Beach City Councilman Dee Andrews announced that he will seek another term as a write-in candidate in April 2016’s municipal primary election.

    Under Long Beach’s City Charter, council members may run for a third term, but only as write-in candidates in the primary election. Upon advancing to the general election, their names will appear on the ballot.

    Andrews was elected to the Long Beach City Council in a Special Election in 2007. He was re-elected in 2008 and was unopposed in his re-election in 2012. Andrews has been a resident of central Long Beach for more than 60 years. He served as the first black student body president at Poly High School. He earned a bachelor’s degree in social science and physical education from California State University Long Beach.

    For more than 29 years, Andrews taught black history and government at Long Beach Poly and Wilson High Schools. He now works as a substitute teacher at Cabrillo High School in the Long Beach Unified School District.

    UCC Gets New Director
    LONG BEACH — On May 21, the United Cambodian Community board of directors appointed Susana Sngiem as its new executive director.

    Sngiem worked at the United Cambodian Community as a program director for two years. She recently served its interim executive director.

    Sngiem is the first second-generation Cambodian-American to be appointed executive director at the UCC. Her family immigrated to Long Beach from Cambodia in the early 1980s after surviving the atrocities of Pol Pot’s Khmer Rouge regime, from 1975 to 1979.

    Born and reared in Long Beach, Sngiem earned a bachelor’s degree in psychology from the University of California Irvine and a master’s in social work from the University of Southern California.

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  • The Nick Smith Project and Influence

    Melina Paris, Music Columnist

    The Nick Smith Project is a hot one to keep an eye on. I saw Smith perform music from his latest CD, Influenced, this past March at the Jazz Chapel Room in Long Beach. Months later, I’m still playing his music on repeat, while recalling my conversation with him about music and the importance of paying homage to the artists that inspired and blazed a trail for others to follow.

    Smith put together a top-notch cast for that night, featuring Ray Fuller on guitar, Chris Coleman on drums, Vashon Johnson on bass, Michael Hunter on trumpet and vocalist Marian Marie along with the twice Grammy nominated saxophonist, Najee.

    A significant part of my impression of the evening is likely owed to the role played by Jazztyme Entertainment, a company that specializes in putting together intimate concerts at dining venues.

    The producer of Jazztyme, Anthony Le Noir knew what he was doing by booking the Jazz Chapel Room, which is located in the same hotel as the fine-dining restaurant, the Skyroom.

    Set in the snow white décor of the Jazz Chapel room, Marian Marie, in a well-fitted black lace dress, opened the show with a cover of Jill Scott’s “A Long Walk.” Hunter attached a mute on his trumpet and started jamming with Najee on his flute, forming a sublime harmony. Najee played his flute at least as much as his saxophone that evening and it worked beautifully.

    The band next performed “Mo Chillin,” from Influenced next. This is a straight ahead jazz single with Najee improvising followed by Hunter’s full robust trumpet.

    With Smith laying down an intricate, multi-layered solo on keys, Coleman was continuously scaling and building on drums. Then, Johnson painted the stage floor thick with bass. This is bona fide jazz taking you on an improvisational ride to venture out with the music — wherever it leads.

    Next, they performed a celebratory tune, ironically titled, “Mack’s Blues.” Horn harmonies on this original number were exceptional and Smith’s dexterity on the ivories compelled you to move. Smith’s music and arranging skills are highly intuitive. He utilizes sound modules and samplers, building the most creative expressions, for example, augmenting a vibraphone or an organ into a number and creating a surprising elevation.

    The agile guitarist, Ray Fuller, took the lead on the “Wes Montgomery” track, another multi layered tune with rich, full chords. Fullers nimble-fingered, unremitting playing befitted musical foreplay while Smith hit the stratosphere, driving the high notes on keys. Najee flowed into this mood synchronized on flute, cool, gifted and impassioned.

    Between sets, I was able to speak separately with Najee and Smith. I learned from my conversation with Najee that he had flown in from New York the day before the show and had just walked into rehearsal.

    “Because we didn’t over rehearse, there was an element of freedom in there,” Najee said about the evening’s performance. “Nick is actually a very good prolific writer. When you read his charts you’ve got to pay attention, he puts a lot into it.”

    Najee is recording a CD called Signature. He described it as his first album not to include A-list musicians on it.

    “I’m introducing people [who] the world hasn’t already heard,” Najee said. “A guitarist by the name of Chuck Johnson, who tours with me, sings on this album. I also have a couple features with Robert Damper, who’s played with Kenny G for about 30 years.”

    From my conversation with Smith, it was clear his intentions for Influence wasn’t just to create a groove for people to dance to but to offer up a kind of musicology lesson for the generations of folks who are not taught music.

    “I was lucky to come from a musical background and at a time when schools taught music,” he said. “Many kids are only into the technical aspects today. They want to create a beat, but how, if they don’t know the elements of the drums?”

    It wasn’t as if we had a lot time to talk, but conversation quickly went deep with Smith casting a critical gaze at the repackaging and branding of rhythm and blues as “smooth jazz” and too many people not knowing the difference.

    “You‘ve got to have a foundation,” Smith said. “If you’re not into the traditions, at least know the difference.”

    We seem to be of the mindset that if you don’t hear vocals, it’s jazz and that’s not true. He noted that there are a lot of great R&B songs that did not have vocals, such as music from groups like Earth Wind and Fire.

    “We need to stop putting things in categories,” Smith said, noting that it misleads people and makes the process of creating more difficult for musicians who have dedicated their lives studying the craft.

    Smith became animated at this point.

    “Why should it be? I may have this much knowledge (gesturing with his hands spread wide), but I can only use this much,” he said after drawing the palms of his hands significantly closer. “I’ve had the pleasure of working with many people like: Najee, Eddie Harris Hank Crawford… These guys gave me some valuable information and I want to hopefully leave something positive to someone else and I hope that they can benefit and learn from it…. I just want to give back.”

    You can see The Nick Smith Project perform quarterly through Jazztyme Entertainment Shows in Long Beach at The Sky Room and in Beverly Hills at HOME (House of Music and Entertainment).


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  • RLn ANNOUNCEMENTS: May 20, 2015

    May 21
    Peak Relief Chassis Proposals Sought
    LONG BEACH — The Port of Long Beach will seek bids on the creation of a new fleet of truck chassis for peak periods of the year, complementing the existing equipment used to haul cargo containers to and from terminals.
    The “peak chassis fleet” is planned to be implemented in two phases, starting with 1,000 chassis and then adding another 2,000 chassis.
    POLB will host a meeting for potential bidders at 10 a.m. May 21, at the Port’s Interim Administrative Offices, 4801 Airport Plaza Drive, Long Beach. The deadline for bids is 10 a.m. June 2.
    Time: 10 a.m. May 21
    Details: www.polb.com/planetbids
    Venue: Port of Long Beach Administrative Offices, 4801 Airport Plaza Drive, Long Beach

    May 21
    Riverwalk Draft Environmental Impact Report Available
    The draft environmental impact report for the proposed Riverwalk project, on a 10.56-acre parcel at 4747 Daisy Ave., is now available.
    Click this link and then scroll down the page to the Riverwalk Residential Development Project section to see the report and all of its appendices.
    The report (without the appendices) can also be accessed directly here.
    The public comment period during which the City of Long Beach will receive written comments on the Draft EIR is now open and ends on Thursday, June 18, 2015 at 4:30 p.m.
    Comments should be sent to:
    Craig Chalfant
    Long Beach
    Department of Development Services
    333 W. Ocean Boulevard, 5th Floor
    Long Beach, CA 90802
    Fax: (562) 570-6068
    Email: craig.chalfant@longbeach.gov
    The Long Beach Planning Commission will hold a study session on this project and the draft EIR on Thursday, May 21, 2015, starting at 5:00 p.m. in the Long Beach City Council Chambers in Long Beach City Hall, 333 W. Ocean Boulevard, Long Beach.
    This study session is open to the public. The Planning Commission will consider all oral and written testimony, both in support of and in opposition to the project, during this meeting.
    May 21
    Meeting on Long Beach SEADIP
    The Long Beach City Council is hosting a Southeast Area Development and Improvement Plan meeting to discuss the development of the 1,500-acre area of Southeast Long Beach from Seventh Street to the Orange County border, including land along the Pacific Coast Highway that stretches from Bellflower Boulevard to First Avenue.
    The meeting will feature a conceptual land use plan presentation that includes general locations and types of commercial, residential, industrial, mixed-use and wetlands uses, an overview of past feedback from community workshops and a discussion on the next steps for a final plan. The council will not take any formal action at the meeting.
    Time: 5 p.m. May 21
    Details: Materials on the SEADIP website
    Venue: City Council Chambers, 333 W. Ocean Blvd., Long Beach
    May 23
    March Against Monsanto Long Beach CA #MAMlbc
    Participate in the 3rd annual global March Against Monsanto. Bring your friends and family and be prepared to make some noise. Have some fun while raising awareness about genetically modified food and Monsanto’s predatory business and agriculture practices.
    Time: 1 to 4 p.m. May 23
    Details: www.facebook.com/events/1541888442730249
    Venue: Pacific Coast Highway at 2nd Street, Long Beach
    May 23
    Docent Training Starts This Month
    Do you like the Dominguez Rancho Adobe Museum? Do you want to get involved? Become a docent. The museum is offering two sessions: one on the weekday evenings and one on Saturday mornings. Each session has four classes to attend
    Time: 10 a.m. to 12 p.m. May 23, June 6 and June 20.
    Details: (310) 603-0088; www.dominguezrancho.org
    Venue: Dominguez Rancho Adobe Museum, 18127 S. Alameda St., Rancho Dominguez
    June 1
    Shakespeare’s R&J Auditions
    The Long Beach Playhouse is doing an open call for Shakespeare’s R&J by Joe Calarco.
    The play is scheduled to run July 25 through Aug. 22.
    Bring a headshot and resume.  Audition sides with character monologues from the script with be provided.  Please be very familiar with the script and the roles you are auditioning for.
    Four young prep school students, tired of going through the usual drill of conjugating Latin and other tedious school routines, decide to vary their governed lives. After school, one breaks out a copy of William Shakespeare’s Romeo and Juliet and they all take turns reading the play aloud. The Bard’s words and the story itself are thrilling to the boys and they become swept away, enmeshed in the emotion so much so that they break school rules in order to continue their readings. The rigidity of their lives begins to parallel the lives of the characters in the play: roles in the family, roles in society and the roles played by men and women soon seem to make all the sense in the world, and then, suddenly, they seem to make no sense at all. Perceptions and understanding are turned upside down as the fun of play acting turns serious and the words and meanings begin to hit home and universal truths emerge.
    Time: 7 to 9 p.m. June 1 and 2
    Details: www.lbplayhouse.org
    Venue: Long Beach Playhouse, 5021 Anaheim St., Long Beach
    June 3
    SPHS Project Planning Community Meeting
    The San Pedro High School Project Planning community meeting will take place at 6 p.m. June 3, at the San Pedro High School Auditorium.
    Come learn and participate in this next phase of the district-wide facilities bond program: There bout $1 billion in Comprehensive Modernization Projects.
    The Los Angeles Unified School District Board of Education has identified San Pedro High School to be one of the initial 11 new comprehensive modernization projects.
    –          Be part of the planning process for this major investment!

    –          Provide your input in the development of the project!

    –          District Staff will review priority needs for facilities at
    Time: 6 p.m. June 3
    Details: (213)241-6495
    Venue: SPHS Auditorium, 1001 W. 15th St., San Pedro

    Water Conservation Effort Heightened/Water Wasters Hotline
    The Long Beach Water Commission recently declared a Stage 2 Water Supply Shortage. Watering has been limited to 2 days a week (Tuesdays and Saturdays) as well as other restrictions.
    Details: (562) 570-2455; website

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  • LA City Council Gets on Road to Minimum Wage Increase

    LOS ANGELES — On May 19, the Los Angeles City Council voted 14-1 to request that the city attorney prepare and present an ordinance that establishes a citywide minimum wage.

    The provisions of the ordinance need would begin July 1, 2016 increasing annually from $10.50 in 2016 to $12 in 2017, $13.25 in 2018, $14.25 in 2019 and $15 in 2020.

    Businesses with $25 or fewer employees would begin the new minimum wage schedule starting July 1, 2017. Nonprofits with 25 or fewer employee will also have the same modified schedule or may apply for a waiver through the Department of Public Works, Bureau of Contract Administration if their top executive earns less than eight times the wage of the lowest paid worker and if they serve transitional employees or are primarily funded by state or federal reimbursements that are more than 50 percent of their payroll.

    “Today, help is on the way for the one million Angelenos who live in poverty,” said Mayor Eric Garcetti in a press release. ” I started this campaign to raise the minimum wage to create broader economic prosperity in our city and because the minimum wage should not be a poverty wage in Los Angeles.”

    Rep. Janice Hahn agreed.

    “With this vote, Los Angeles becomes a leader in the movement to pay fair wages, support our workers, and fight poverty,” she said. “Raising the minimum wage to $15 an hour helps ensure that no one who works hard at a full-time job lives on the brink of poverty.”

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  • Long Beach Innovation Team Members Chosen

    LONG BEACH — On May 18, Mayor Robert Garcia announced that Long Beach has hired its first Innovation Team (i-team).

    The team, funded by a grant from Bloomberg Philanthropies, will function as an in-house research and development unit. The i-team will focus first on economic development, advising the City on how best to stimulate growth, create jobs, and leverage City resources, including through online delivery of City services.
    The i-team will also help the city develop and implement solutions to improve city services, enhance civic engagement, and improve neighborhoods and business districts.

    The i-team will use a data-driven process to assess problems, generate solutions and deliver measurable results.
    Long Beach will receive $3 million over three years from Bloomberg Philanthropies. The new i-team includes Innovation Team Director John Keisler; Innovation Deputy Ryan Murray; Researcher Holly Okonkwo; Programmer Alex Chavez; Innovation Fellows Alma Castro, Eric Romero and Heidi Wiersma; and Designmatters Fellow Chase Airmet.
    i-team Backgrounds:
    John Keisler, Innovation Team Director: After completing bachelor degrees in philosophy and religion at St. Olaf College, Keisler joined Teach For America, teaching middle school English and civics in Newark, N.J. To address the chronic community challenges facing his students, he turned to a career in city management, working with the League of California Cities and completing his master of public administration at the USC Price School of Public Policy.  In 2005, Keisler was hired as a management assistant by the City of Long Beach, and rotated through four departments. Over the next few years, he led multiple change-management projects throughout the city, serving as the Animal Care Services Bureau Manager, Business Operations Manager for the Parks, Recreation & Marine Department, and CFO for the Police Department.  He has lived in Long Beach for the past 12 years.
    Ryan Murray, Innovation Deputy: Murray worked in government and nonprofit settings in New York City for more than 15 years, after moving from his childhood home of Barbados. His career has focused on building partnerships to address social and economic justice issues and create opportunity for those most vulnerable. Most recently, he worked for the New York City Mayor’s Office. There he oversaw external affairs, and learning and change management for innovation initiatives designed to reduce administrative burdens faced by human services providers, and to improve residents’ access to programs and benefits. Murray has also served as a direct social service and HIV/AIDS education practitioner, community organizer and capacity building manager for a city agency which administered youth, workforce and community development programs.  He earned a master’s in public health degree from Hunter College, City University of New York.
    Holly Okonkwo, Researcher: Okonkwo is a cultural anthropologist specializing in issues of diversity and change in the United States. Her work and research focus on the broad question of the origins of social inequity and ways to systemically better the lives of others through the use of mixed methods and developing innovative research projects. She has explored gender and class disparities in science education, labor and technological innovation in Southern California, Atlanta, Georgia, and Washington, D.C.   Okonkwo completed her doctorate in cultural anthropology at the University of California Riverside. She also has a master’s in education policy, serves on the Committee for Gender Equity in Anthropology, and volunteers on a number of committees and mentorship programs in her local community.
    Alex Chavez, Programmer: Chavez is a software developer who graduated from Cabrillo High School and California State University Long Beach with a bachelor’s degree in computer science in 2013. Previously, he worked as a programmer analyst at Kaiser Permanente solving problems in IT infrastructure and implementing innovative solutions for displaying and analyzing data.  Using a customer-centered approach, he has demonstrated the ability to work with a variety of systems and stakeholders, and to use technology to simplify complex processes. Upon realizing that his experience and skills in technology can help address community challenges, he has joined the Long Beach to make his hometown a more connected place.
    Alma Castro, Innovation Fellow: Castro’s passion for public service has provided her with a diverse set of skills and experiences. She received her double bachelor’s in political science and women’s studies from the University of Nevada Las Vegas. Her dedication to her profession led her to complete her master’s degree in public administration in 2011 from the Robert F. Wagner School of Public Service at New York University. She has worked as a HIV prevention coordinator in Los Angeles, engaged young women in global advocacy at Girl Scouts of the USA, and has recently lived abroad in Guatemala. While abroad, she had the unique privilege of being an observer during the genocide trial in 2013 and was part of a consultant team at UN Women. There, she helped complete a two-part diagnostic examining the quality of care and services to victims of crimes and on gender equality within Guatemala’s prosecution offices. She lives in Long Beach.
    Eric Romero, Innovation Fellow: Romero became passionate about studying social issues and actively engaging in local community development efforts addressing issues of poverty, housing, and immigrant integration while an undergraduate student at California State University Long Beach.  After completing a bachelor’s degree in sociology, Romero pursued a master’s degree in urban and regional planning at the UCLA Luskin School of Public Affairs, with a focus on economic development.  Furthermore, he worked as a project manager for Global Public Affairs at UCLA Luskin, a school-wide initiative focused on preparing graduate students for careers in global governance, where he oversaw operations and program development.   He lives in Long Beach and seeks to bring innovative solutions to difficult problems.
    Heidi Wiersma, Innovation Fellow: Wiersma earned her bachelor’s in community health from Western Washington University before beginning her career in chronic disease prevention for a county health department. It was while co-facilitating a community health improvement process that she began to understand the influence local government policies can have on enhancing people’s lives. From May 2011 to June 2013 Heidi served as a community health and development peace corps volunteer in Rwanda where she helped increase program awareness by facilitating regional life skills camps for youth. In her host community, Wiersma mobilized community partners to obtain a USAID grant to address child malnutrition and its primary contributing factor, poverty, through an income generating project.  In August 2013 she began the master of public administration program at the USC Price School of Public Policy. She lives in Long Beach.
    Chase Airmet, Designmatters Fellow: Airmet completed his undergraduate degree at the University of Utah in Design Theory & Practice. While in Utah, he worked as a research fellow for the Spark Health Innovation Lab as a draftsmen for a number of architectural firms and as a junior product designer for Espiritu Design. Airmet is a graduate industrial design candidate at the Art Center College of Design. He has a drive and passion to create objects, services and experiences that excite and delight users. Inspired by nature and simple clean designs, he seeks to design new growth and value for companies through a trend and research based iterative design process considering all aspects of the product from the end use to the manufacturing and business opportunities.

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  • RL NEWS Briefs for the Week: May 18, 2015

    POLA Container Volumes Slip 6% in April
    SAN PEDRO — April 2015 containerized cargo volumes at the Port of Los Angeles decreased 6.1 percent compared to the same period this past year.
    The port handled a total of 662,973 twenty-foot equivalent units (TEUs) in April 2015. Comparatively, the previous April was particularly robust as importers advanced inventory due to concerns about labor negotiations later in the year. Additionally, there were vessel alliance uncertainties this April as shipping lines continued to return to their Trans-Pacific rotations.
    For the first four months of 2015, overall volumes (2,486,927 TEUs) are down 5.3 percent compared to the same period in 2014. Current and historical data is available here.
    Imports dropped 9.9 percent, from 364,126 TEUs in April 2014 to 328,140 TEUs in April 2015. Exports declined 15.8 percent, from 172,945 TEUs in April 2014 to 145,655 TEUs in April 2015. Combined, total loaded imports and exports decreased 11.8 percent, from 537,071 TEUs in April 2014 to 473,796 TEUs in April 2015. Factoring in empties, which increased 12 percent, overall April 2015 volumes (662,973 TEUs) dropped  6.1 percent.
    Current and past data container counts for the Port of Los Angeles may be found at:http://www.portoflosangeles.org/maritime/stats.asp

    Long Beach Cargo Continues Rebound
    LONG BEACH — Container cargo flow through the Port of Long Beach increased 7.9 percent in April compared to the same month this past year.
    This is the busiest April in nine years.
    A total of 614,860 TEUs (twenty-foot equivalent units) of containerized cargo were moved through the port in April. Imports reached 317,376 TEUs, a 7.3 percent increase from this past year. Exports fell 6.1 percent to 137,546 TEUs. Empty containers surged 25.3 percent to 159,938 TEUs. With imports exceeding exports, empty containers are sent overseas to be refilled with goods.
    In April, the terminals were also working through the backlog left over from the winter’s congestion in San Pedro Bay. By the end of the month, no more container ships were waiting at anchor to come into the Port of Long Beach. To see the latest on cargo ship tracking at the Port of Long Beach, please see “Vessels at a Glance.”
    For all the latest monthly cargo numbers, click here.
    For more details on the cargo numbers, please visit www.polb.com/stats.

    LB Council Approves Alcohol Nuisance Abatement Ordinance
    LONG BEACH — On May 12, the Long Beach City Council unanimously approved the further implementation of an alcohol nuisance abatement ordinance to decrease nuisance-related activity such as loitering near liquor stores.
    Liquor stores requirements include:

    • The store must provide exterior lighting and security measures to the satisfaction of the Long Beach Police Department chief.
    • No more than 10 percent o f store windows and transparent surfaces may be covered or obstructed.
    • The business must be operated and maintained in a neat, quiet and orderly condition.
    • The businesses may not result in adverse effect to the health and peace or safety of people in the area.
    • All exterior payphones shall be removed.
    • The building address shall be displayed on all sides of the building facing a public right-of-way, including an alley.

    LB Harbor Board Approves Cement Terminal Project
    LONG BEACH — The Long Beach Board of Harbor Commissioners approved the Mitsubishi Cement Facility Modification Project this past week.
    The approval gave the green light to the addition of 40,000 metric tons of additional storage capacity consisting of storage and loading silos on vacant port property that is adjacent to Mitsubishi’s existing facility at Pier F.
    The site will increase in size from 4.21 acres to 5.92 acres. The board’s approval was contingent on environmental measures and upgrades.
    The terminal receives imported cement and cement-like materials via bulk cargo ships. The product is stored in a warehouse or in silos. It is then loaded onto trucks and taken to local and regional concrete batch plants. With the economy improving and demand for cement rebounding, the approved project will allow Mitsubishi to more efficiently meet the regional demand for cement.
    To ensure that the facility is as green as possible, the project requires Mitsubishi Cement to maintain a truck fleet with at least 90 percent of the fleet having engines from 2010 or newer. Mitsubishi will also install solar panels and energy-efficient lighting and conduct an energy audit every five years. Mitsubishi will also work with the port on a technology review every five years to identify new technologies that can be incorporated into operations to further reduce emissions.
    While the terminal already offers shore power so ships at berth can shut down their engines to reduce emissions, not all vessels are able to plug in. With the upgrades, when ships can’t use shore power, a new emission control system called “Dockside Catalytic Control” will connect to the vessels’ exhaust stacks and capture pollutants.
    The approved project calls for Mitsubishi Cement to contribute $333,720 to the port’s Greenhouse Gas Emissions Reduction Grant Program. The port Community Mitigation Grant Programs are designed to improve community health by lessening the impacts of port-related air pollution, and to reduce emissions of greenhouse gases.
    Construction of the improvements is expected to take two to three years.

    Snowden Gets Vindicated
    On May 7, after almost two years since the Edward Snowden publicized that the National Security Agency was collecting phone records, the 2nd Circuit U.S. Court of Appeals declared that the secret program was illegal from the start.
    The court found that Section 215 of the USA Patriot Act does not allow the dragnet program in which the NSA collects records on Americans.
    The decision came as Congress considers whether to amend or renew Section 215 before its sunset on June 1. Narrowig Section 215 under the proposed USA Freedom Act or to letting it expire would end the agency’s wide-ranging collection of phone records.
    Section 215 authorizes a court to order the disclosure of business records only when they are “relevant to…an authorized investigation [of] international terrorism.” That provision would plainly allow the government to get the phone records of a suspected terrorist or his associates. But the NSA has argued that it should get much more: Everyone’s phone records are “relevant,” it contends, because at some point it might be useful to search them to identify terrorist ties. The court of appeals unanimously rejected the NSA’s reading as “unprecedented and unwarranted.”
    The USA Freedom Act would end the phone-data collection program and foreclose the use of other statutes for similar “bulk collection.” It would mandate that experienced lawyers appear before the surveillance court to defend privacy when the government seeks new spying powers.
    The USA Freedom Act has been endorsed by Silicon Valley corporations, human-rights groups, and a broad spectrum of legislators, like Sens. Ron Wyden, Pat Leahy and Mike Lee, and Reps. Jim Sensenbrenner and John Conyers. But don’t mistake this for a new realization by our representatives that privacy matters. The real reason the bill has such wide support, including from the executive branch, is that its reforms are quite modest—and absent reform of some kind, Section 215 may simply expire. The NSA currently collects all our phone records, but because of changes by President Obama last year, it can search them only after it has shown a judge that it has reasonable suspicion that a particular number is linked to terrorism. Under the new law, it would still be able to do that—but phone companies, not the NSA, would store the data.

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  • John Farrell: Tiger of San Pedro’s Theater Reviews Dies at 63

    Photo Courtesy of Steve Moyer

    The Random Lengths News family is mourning the death of the paper’s longtime theater reviewer, John Farrell. Farrell died May 7 at the age of 63.

    The Los Angeles County Coroner’s office had yet to determine Farrell’s cause of death as of press time. However, he was known to suffer from diabetes.

    Known for his eclectic style, which included wearing a top hat, Farrell loved theater in all its incarnations.

    “He was bigger than life—big in size and big in personality,” said his younger brother, Edward.

    Farrell, would commute to San Pedro and Long Beach to do what he loved the most: attend the theater.

    Charlotte Irons, a longtime friend with whom he lived, found him at his computer in her Sherman Oaks home at about 4 p.m.

    “He died at his computer and that’s how it should be,” said Irons about Farrell’s dedication to his craft.

    Irons, who met Farrell as a student at Cal State Long Beach in the early ‘70s, said Farrell and she shared a love for theater and world cultures. She remembers how he seemed to carry “100 cameras around his neck” as a photographer for the Daily 49er, the school’s campus newspaper.

    “We had so much in common,” she said. “It was he who brought me back to opera. He brought me back to a lot of the things I developed as a child.”

    Farrell was born on Sept. 19, 1951, in San Pedro. His father, John Farrell Sr., was a postal supervisor. His mother Martha was a teacher.

    Farrell’s brother, Edward, two nephews, a niece and a great-grand nephew, survive him.

    A graduate of San Pedro High School, Farrell was much less of a bohemian in his youth than he was in his later years. He always wanted to be a writer. In fact, he even started a small newspaper, Edward remembered. He later attended Harbor College before transferring to Cal State Long Beach to study journalism.

    Farrell also was a proud member of the Baker Street Irregulars, a literary society established in 1934 that’s dedicated to the study of Sherlock Holmes. Farrell’s title at the society was “The Tiger of San Pedro.”

    “He really had three lives: Sherlock Holmes, music and theater,” his brother said.

    Farrell will be cremated. No funeral services are planned at this time. A celebration of life might be in the plans for the future. In lieu of flowers, Farrell’s family is asking friends, readers and loved ones to attend a show in his memory.

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  • RL NEWS Briefs of the Week: May 15, 2015

    Tanaka and Carey Plead ‘Not Guilty’

    LOS ANGELES — On May 14, Paul Tanaka and William Thomas Carey plead not guilty to obstruction of justice during their appearance in court at the Roybal Federal Building in Los Angeles.

    A trial was scheduled for July 7. Both were released yesterday afternoon on bond. For Tanaka, bond was set at $50,000, and will be secured by property owned by his wife.  Carey’s bond was set at $100,000, but is unsecured.

    Tanaka, who was the second in command of the Los Angeles Sheriff’s Department, and Carey, who oversaw internal criminal investigations at the LASD, were indicted on obstruction of justice charges for allegedly directing efforts to quash a federal investigation into corruption and civil rights violations by sheriff’s deputies at two downtown jail complexes.

    A federal grand jury returned a five-count indictment against Tanaka and Carey, who allegedly participated in a broad conspiracy to obstruct the investigation, a scheme that started when the sheriff’s department learned that an inmate at the Men’s Central Jail was an FBI informant.

    Tanaka and Carey allegedly directed, oversaw and participated in a conspiracy that this past year resulted in the conviction of seven other former LASD deputies.

    Tanaka and Carey, both 56, are charged with conspiracy to obstruct justice, and each is named in one count of obstruction of justice. Carey is charged with two counts of making false declarations for perjuring himself last year during the trials of co-conspirators.

    Tanaka was the undersheriff – the No. 2 in the LASD – until 2013, and he ran an unsuccessful campaign for sheriff last year. Carey left the LASD after reaching the rank of captain and heading the Internal Criminal Investigations Bureau.

    Tanaka and Carey surrendered themselves to the FBI early May 14.

    According to the indictment that was unsealed, the two defendants were well aware of “problem deputies” at the jails, “allegations of rampant abuse of inmates,” and “insufficient internal investigations” into deputy misconduct. But against this backdrop, Tanaka allegedly told deputies assigned to the jails to work in a “gray area” and that he thought that the LASD Internal Affairs Bureau should be reduced from 45 investigators to just one.

    The scheme to thwart the federal investigation allegedly started when deputies in August 2011 recovered a mobile phone from an inmate in Men’s Central Jail, linked the phone to the FBI, and determined that the inmate was an informant for the FBI and was cooperating in a federal corruption civil rights investigation. The phone was given to the inmate by a corrupt deputy, who subsequently pleaded guilty to federal bribery charges.

    Alarmed by the federal investigation, members of the conspiracy, guided by Tanaka and Carey, took affirmative steps to hide the cooperator from the FBI and the United States Marshals Service, which was attempting to bring the inmate to testify before a federal grand jury in response to an order issued by a federal judge. The indictment alleges that as part of the conspiracy, the deputies altered records to make it appear that the cooperator had been released. They then re-booked the inmate under a different name, moved him to secure locations, prohibited FBI access to the informant, and then told the cooperator that he had been abandoned by the FBI.

    Over the course of several weeks, members of the conspiracy allegedly sought an order from a Los Angeles Superior Court judge that would have compelled the FBI to turn over information about its investigation to the LASD. After the judge refused to issue the order because he had no jurisdiction over the federal law enforcement agency, and even though it was clear that the FBI was properly acting in the course of a lawful investigation, Tanaka and Carey met to discuss having two sergeants approach the lead FBI case agent. Soon thereafter, the sergeants confronted the agent at her residence in an attempt to intimidate her. The sergeants threatened the agent with arrest and later reiterated this threat to her supervisor, stating that the agent’s arrest was imminent.

    “As the allegations demonstrate, Tanaka had a large role in institutionalizing certain illegal behavior within the sheriff’s department,” said Acting United States Attorney Stephanie Yonekura. “This case also illustrates how leaders who foster and then try to hide a corrupt culture, will be held accountable, just like their subordinates.”

    The indictment also alleges that Tanaka and Carey oversaw co-conspirators who told fellow deputies not to cooperate in the federal investigation. Members of the conspiracy allegedly engaged in witness tampering by telling fellow deputies that the FBI would lie, threaten, manipulate and blackmail them to obtain information about the sheriff’s department.

    “The allegations in the indictment include cover-ups, diversionary tactics, retribution and a culture generally reserved for Hollywood scripts,” said David Bowdich, assistant director in charge of the FBI’s Los Angeles Field Office. “The public held the defendants to the highest standard, but, instead, they spent their time and energy setting a tone which minimized the value of their oath and dishonored the badge they wore.”

    An indictment contains allegations that a defendant has committed a crime. Every defendant is presumed to be innocent until and unless proven guilty in court.

    The conspiracy count carries a statutory maximum sentence of five years in federal prison, and the obstruction of justice charges carry a maximum penalty of 10 years. The two false declaration counts against Carey each carry a potential penalty of five years.

    As a result of this investigation, a total of 21 defendants who held various ranks in the LASD have been charged, including the deputy who took the bribe to smuggle the phone and seven co-conspirators in the scheme to obstruct justice (see, for example: http://www.justice.gov/usao/cac/Pressroom/2014/161.html).

    The investigation into corruption, civil rights abuses and obstruction of justice related to the Los Angeles County jails is being conducted by the Federal Bureau of Investigation.

    LBPD Release Name of OIS Officer
    LONG BEACH — On May 12, the Long Beach Police Department released the name of Officer Jeffrey A. Meyer, who killed an unarmed 19-year-old man on April 23.
    The fatal shooting of Hector Morejon took place in the central area of Long Beach known as Cambodia Town. Morejon’s family want officials to release his autopsy report and the 9-1-1 dispatch call.
    The shooting took place after officers responded to reports of a break in to an unoccupied residence. Police officials said Meyer thought he saw Morejon pointing a gun before shooting. No weapon was found at the scene.

    Bird Theft Suspect IdentifiedZermeno
    LONG BEACH — On May 15, Long Beach Police Department detectives identified 42-year-old Jose Jesus Zermeno as a suspect wanted in connection with the theft of exotic birds from a Long Beach home.
    The LBPD is seeking the public’s help with locating him and identifying two additional suspects.
    Officials said that on May 4, Zermeno entered a residential backyard in the 6700 block of Harbor Avenue, where he stole five exotic birds from separate birdcages. Video surveillance captured the incident where Zermeno is seen climbing over the fence into the backyard, opening birdcages, removing the birds, and handing them over the fence to a second suspect. A third unidentified suspect drove a red Ford Ranger truck.

    A police officer spotted the truck, at about 5 a.m. May 14, 2015, near Wardlow Road and Atlantic Avenue. The officer attempted to conduct a traffic stop but the driver of the failed to yield and led the officer on a short vehicle pursuit. The officer lost sight of the truck. It was later found abandoned in the 2200 block of Cedar Avenue. The truck was impounded and is in the custody of the Long Beach Police Department.
    Zermeno is about 5’ 3″ with a medium build. The second suspect is a 25- to 30-year-old man, about 5’10” to 6’0” and 185 to 200 pounds. The description of the third suspect is unknown at this time.
    If anyone has information about this incident call (562) 570-7351 or visit www.LACrimeStoppers.org.

    Long Beach City Council Helps Cab Company Stay Competitive

    LONG BEACH — On May 12, The Long Beach City Council voted 9-0 to ease regulations on Long Beach Yellow Cab so that it could increase its fleet size.
    The cab company will increase its fleet size by 24 to 199 taxicabs in Long Beach.
    The council’s decision will allow for the company to offer discounts to make them more competitive with rideshare companies Uber and Lyft, for example.
    The company has stated that it plans to rebrand itself and incorporate mobility technology.

    CSU to Get $38 Million
    SACRAMENTO — The California State University system is slated to receive an additional $38 million for investment as a result of Gov. Jerry Brown’s revised budget to the Legislature.
    However, the proposal falls $59 million short of what the CSU Board of Trustees deems is necessary.
    The Legislature has until June 15 to send their version of the State Budget to the governor for his final approval by July 1.

    UC’s Largest Employee Union, AFSCME 3299, Reacts to Governor’s May Budget Revise
    OAKLAND — In response to the release of Gov. Jerry Brown’s May Budget Revise, which includes a two-year tuition freeze at the University of California, AFSCME 3299 President Kathryn Lybarger has released the following statement:
    “We are encouraged by … [the] May Budget revise, which includes a framework for preventing the planned UC tuition hikes that would have been devastating for students. The University’s commitment to contain the exorbitant executive pensions that divert resources away from UC’s core public mission is also an important step forward, provided it is not used as a tool to undermine the retirement security of its lower paid, frontline staff.
    Ultimately, there remains much more to do to restore UC’s promise of offering ladders to the middle class for Californians, particularly on issues of in-state access and the rising number of UC workers who are living in poverty. That’s why we will continue to urge legislators to tie increased state funding to in-state enrollment targets, and to enact legislation that guarantees ‘equal pay’ for UC subcontractors who do the same jobs as career UC employees (SB 376, Lara).”

    Hahn Tries to Honor World War II Merchant Mariners
    WASHINGTON, D.C. — On May 14, Rep. Janice Hahn, who has been leading an effort to honor World War II Merchant Mariners spoke on the floor of the U.S. House of Representatives.
    Despite courageous and heroic service World War II Merchant Mariners did not receive benefits like the G.I. bill provided to other veterans.
    As the House considers the National Defense Authorization Act, Hahn offered an amendment that would have honored those who served in the Merchant Marine during World War II. However, the House Rules Committee did not rule her amendment in order.
    Hahn earlier this year introduced the Honoring Our WWII Merchant Mariners Act of 2015 (H.R. 563).
    Video of Congresswoman Hahn speaking today on the urgency of honoring surviving WWII Merchant Mariners can be seen at https://youtu.be/Q5vmvcfgJms

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  • Queen Latifah, Empress of the Blues

    By Melina Paris, Columnist

    If there was ever a question as to which present-day actress would be one of the best choices to portray Bessie Smith, Queen Latifah would certainly be the best answer.

    Queen Latifah will indeed star in the legendary singer’s biopic, Bessie, which airs on HBO May 16.

    The film is loosely based on the acclaimed biography Bessie, by journalist Chris Albertson. The book focuses on Smith’s escape from her turbulent personal life to become one of the first major blues stars, earning the distinction “Empress of the Blues.”

    Smith dealt with many adversities in her life, including racism and the Great Depression. She was also a business woman and one of the most successful recording artists of her time, earning up to $2,000 a week. She lived hard and created some of her own hardships.

    Smith has been a strong influence on such female vocalists as Billie Holiday, Aretha Franklin and Janis Joplin. Queen Latifah has the chops to measure up to Smith’s legacy, and has the voice for the role, having garnered Grammy nominations for her albums as a jazz singer. Latifah has recorded many of Smith’s well-known songs for the film, and a soundtrack release is expected.

    Producers Richard and Lili Fini Zanuck first approached Queen Latifah for the role when she was only 22. At press conferences, Queen Latifah has said she is glad the film took 22 years to get made.

    “When the project came my way, I don’t think I had the life journey that went along with it,” she said. “I got to live more of the blues.”

    The remarkable similarities between the two women make this role a good fit for Queen Latifah. Both are savvy business people, both are beautiful with big voices and curvaceous figures, and both have enormous charisma.

    In an interview with CBS, Latifah spoke about the first time she was approached for the role.

    “I didn’t know who Bessie Smith was,” she said. “I had to go do some homework. And I did. When I listened to her music, I was initially intimidated. She had so much power—power in her fist, power in her heart, power in her body, her soul. I do admire her. I mean, I relate to her in a lot of ways. I’ve lived her life in a lot of ways.”

    The film also stars Mo’Nique as blues legend Ma Rainey, Bryan Greenberg as John Hammond, the Columbia Records executive who signed Smith, as well as Michael Kenneth Williams, Khandi Alexander, Tory Kittles, Mike Epps, Oliver Platt and Charles S. Dutton.

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  • Making it Big While Staying True

    Fr3qu3nc3 band members Frank Unzueta, Lucas Valenzuela, Chey Espejo and Tommy Pinteric. Photos courtesy of Lucas Valenzuela.

    Luke Von Duke talks about the road he’s traveled from Somehow Still Alive to Fr3qu3nc3

    By Terelle Jerricks, Managing Editor

    I talked to Luke Valenzuela at Alvas Showroom during a Frank Unzueta’s One World concert in November of 2013.

    I was there on assignment covering Frank Unzueta. I knew he was Luke’s uncle and thought at the time it would be great to interview both musicians together. Luke caught my attention in 2009 as Luke von Duke with his band, Somehow Still Alive. He was different. At the time, he was the only local artist I saw who embraced hip hop and rock music the way he did.

    When I greeted Luke at Alvas recently he didn’t immediately recognize me. I was just the guy that did the photoshoot of him and his band for the feature. B. Noel Barr wrote the story. His eyes lit with recognition when I said I was from Random Lengths.

    “Hey man, how you doing?” he said. “Man, I got a new band called Fr3qu3nc3 (pronounced “frequency”), but I’m not ready to talk about it just yet.”

    “That’s OK—get in touch with me when you are,” I told him.

    A year-and-a-half later, Luke messaged me on Facebook with links to his music and a query about running a story about him.

    I told him I’d get in touch the week after next, when Random Lengths wasn’t publishing. He tagged me first.

    Luke has three songs: “Laugh at Myself,” “Don’t Hold Your Breath” and “I’m Nothing.” They struck me as being strangely familiar. It reminded me of the industrial-sounding, British, pop music from the 1980s.

    It turned out, I wasn’t far off.

    When Luke and I finally met up at Averill Park, he explained that Fr3qu3nc3 emerged out of a low point, when Somehow Still Alive disbanded. I remembered back in 2009, there was a great deal of excitement that that band was on the verge of making it big and breaking out beyond the confines of San Pedro.

    “The music I was doing in 2008 and 2009 seemed like it was starting to break through but it was pushed back to the underground,” Luke said. “We were opening for headliners and we were being looked at by labels and that was in ’09. Back then, the music business was a little bit better.”

    Fr3qu3nc3’s music was inspired by Depeche Mode, an English electronic band that formed in 1980. The band’s original lineup included Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke. Clarke was replaced by Alan Wilder in 1982.

    Gahan fronted the band as lead vocalist, while Gore played guitar and keyboards and was main songwriter for much of their first 13 years together.

    Luke attempted to make a cover of Depeche Mode’s 1990 song, “Enjoy the Silence” using FL Studio, a music production program. He wasn’t satisfied with the result, explaining that his software didn’t have the right patches to correct some of the bugs in the system, making his effort sound amateurish.

    “It was as if I used a Playschool beatmaker,” he said.

    But it was during this process that he found the Asian Strings patch and created what became the first line of Fr3qu3nc3’s debut song, “Laugh at Myself.”

    “I’ve always loved Depeche Mode and The Smiths’ Morrissey and The Cult’s ‘She Sells Sanctuary,’” Luke said.

    After completing “Laugh at Myself,” Luke gained momentum. Working with a guitar and the melodies inside his head, he started cranking out original music. That’s also when he hooked up with lifelong friend “Tommy Gunn” Pintaric.

    “That’s my boy; I loved that guy,” Luke said. “I’ve known him for 27 years. I’d take a bullet for him… Well, I’ll take a punch for him, not a bullet.”

    Charismatic and funny, Luke’s “taking a punch” slaps me as an inside joke that is both funny and real. Luke said he had produced five more songs before he approached Tommy. He had previously reached out to another drummer who ultimately flaked. Luke and Tommy believed Fr3qu3nc3’s sound needed some funk. That’s where Uncle Frank comes in.

    “Chances are, nine times out of 10, the kids that shred around here were taught by Uncle Frank,” Luke explained. “His guitar playing…to me, he’s one of the most amazing guitar players around. He’s not Frank Unzueta. He’s Uncle Frank around here.”

    As Luke puts it, Fr3qu3nc3 got real sexy after Frank’s inclusion. His guitar playing reminds Luke of Johnny Mar from The Smiths, one of his all-time favorite guitarists.

    Sean Herrera from Sifa joined the group, but he parted ways from the band due to scheduling conflicts. Luke and Sean remain close enough that Luke said for Sean, he would also take a slap in the face.

    Chey Espejo next joined Fr3qu3nc3. Chey was a member of Knucklebuster, who we’ve also featured in these pages, as well as Luke’s late 1990s band, Beer Drinking Weather.

    “I keep my eye on both of them [Herrera and Espejo] because they are so good,” Luke said.

    After explaining how he put this current band together, Luke got to the real reason why we was ready for a write-up.

    He had found some muscle in the industry with 12-time Grammy winning producer and musician, Rafa Sardina.

    “His playing is just clear and he’s worked with everybody,” Luke said excitedly. “He’s worked with Lady Gaga, He’s worked with Beyonce.”

    Luke said his production sounds like Jesus recorded them.

    Indeed, Rafa’s client list reads like a Who’s Who in all the major music magazines from Rolling Stone to The Source with artists such as Stevie Wonder, The Roots, Lady Gaga, Michael Jackson, Celine Dion, Harry Connick Jr, Mariah Carey, Shakira, Dr. Dre, Dru Hill…. the list goes on.

    Luke sent Rafa an email and amazingly got a response. More importantly, he got an audience with Rafa at which time he listened to Fr3qu3nc3’s music.

    “I couldn’t believe that this was happening. I almost pinched my own ass to see if I was dreaming,” said Luke jokingly. But he was serious.

    Rafa apparently liked Luke’s music enough to shop it around to some of his industry contacts—a pretty freaking huge deal.

    At 34, Luke has been chasing his dreams for more than 20 years. In that time, he’s suffered many disappointments.

    “It’s a rat race; I feel like everybody is fighting over the same piece of moldy cheese,” he said, reflecting on his years in the game. “When you get a taste of what the music industry is all about, it’s kind of scary.”

    “They’re not about development anymore,” he said. “You could have great music, but if you don’t have massive social media support, they won’t talk to you.”

    Pantomiming the typical conversation artists have with music executives before they make it to the big time—if they make it—Luke begins:

    “Hey, you got the best music in the world. I listen to it every night with my wife. How’s your following? How many Facebook likes do you have? 200. How many YouTube views? 500. Get out of here.”

    “They don’t want to mess with you,” he said.

    Luke and his Beer Drinking Weather bandmates thought they had it made when Interscope Records was looking at them. It ultimately didn’t work out. He blames oversaturation of artists as the biggest hurdle, noting that there’s a Fr3qu3nc3 at every corner, a Luke rapping on every stage, and somebody making beats everywhere else.

    This time, Luke is hiring a public relations agent to help him get his recognition up in social media and beyond. Right now, the stars seems to be coming into alignment and his dreams of financially supporting himself and his parents seems a little bit closer. He intends to stay on his grind, making use of any opportunity, ‘til the wheels fall off.

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