Browsing the "Curtain Call" Category

Curtain Call

Sarnica Lim (Pilita Santos), Muni Zano (Poncing Ernrile), Tita Pambid (Nene Santos)  with playwright Felix Racelis and director Lesley Asistio. Photo by Michael Helms Photography

Filipinos’ Straw Before the Wind

Published on August 10th, 2016 | by Reporters Desk

By Christian L. Guzman, Contributing Reporter Walk into a hospital and there’s a strong chance you’ll see a Filipino nurse. Data from the California Healthcare Foundation reports that Filipinos, despite representing three percent of the general [&hellip... Read More


Curtain Call

Stacie Bauerle

BEH: AN IMPROVISED PLAY @ the Garage Theatre

Published on July 18th, 2016 | by Greggory Moore

Last year when the Garage Theatre transformed Tom Stoppard’s radio play Darkside into an onstage production, considering my bookcase full of Stoppard and Dark Side of the Moon‘s being the soundtrack for my first acid trip, [&hellip... Read More


Curtain Call

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THE CLEAN HOUSE @ Little Fish Theatre

Published on June 28th, 2016 | by Greggory Moore

There are no rules in theatre. Sure, you can say there must be characters (although Samuel Beckett’s Breath, what?) or that there’s got to be some sort of stage/frame where the play takes place, but you’d [&hellip... Read More


Curtain Call

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CYMBELINE @ Shakespeare by the Sea

Published on June 22nd, 2016 | by Greggory Moore

Back when I was heavily into Shakespeare, I considered Othello one of the Bard’s best. It’s a classic tale of deceit and jealousy that may be (along with Hamlet) the most compelling examination of the human [&hellip... Read More


Curtain Call

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THE NEWS @ Long Beach Opera

Published on June 20th, 2016 | by Greggory Moore

One-trick ponies are a curious species. If they have a good trick and perform it well, their lives may not—may not—be in vain. Otherwise, best to take them out back and put them down. There’s no [&hellip... Read More


Curtain Call

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MARAT/SADE @ Long Beach Playhouse

Published on June 16th, 2016 | by Greggory Moore

The full title of Peter Weiss’s most famous work, popularly known as Marat/Sade, goes pretty far in telling you what you’re going to see for the next two-and-a-half hours when you walking into the upstairs to [&hellip... Read More


Curtain Call

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A RAISIN IN THE SUN @ Long Beach Playhouse

Published on May 25th, 2016 | by Greggory Moore

There are people who will tell you we live in a post-racial society. We have a Black president, they say. All citizens—regardless of ethnic extraction—enjoy the same rights and freedoms. Minorities even get special treatment when [&hellip... Read More


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