Greggory Moore

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Trapped within in the ironic predicament of wanting to know everything (more or less) while believing it may not be possible really to know anything at all, Greggory Moore is nonetheless dedicated to a life of study, be it of books, people, nature, or that slippery phenomenon we call the self. And from time to time he feels impelled to write a litt

Brian Baxter, soundpedro
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soundpedro: San Pedro’s New Annual Artistic Tradition

By Greggory Moore, Curtain Call Columnist

  There was nothing quite like SoundWalk in Southern California. For ten years running,
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Curtain Call: Not Enough Love Potion to Cast a Spell

By Greggory Moore, Curtain Call Columnist There’s a curious juxtaposition at the heart of The Love Potion. Based on a modern (1900) retelling of the medieval (12th century) romance, Tristan

Dashawn “Dash” Barnes, Jojo Nwoko, Allison Blaize in Cardboard Piano at ICT.
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Heavy-Handedness Makes for Stiff “Cardboard Piano”

By Greggory Moore, Curtain Call columnist

  In a world full of atrocities, how do we move forward when we have destroyed that which cannot be fixed? That’s the question at the center of Han

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Great Performance, Timely Topic Makes for Watchable “Extremities”

By Greggory Moore, Curtain Call reviewer

It’s one of the better-known premises in modern theatre: a man breaks into a house to rape a woman, but she fends him

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“Richard III” Is Not Elysium’s Finest Hour

Elysium Conservatory Theatre has a good thing going. Under the redoubtable guidance of Aaron Ganz, their dramatic smorgasbords of movement, music and lighting overflow with energy, immersing the audience in the

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Eternity Resounds in The Invention of Morel

By Greggory Moore, Curtain Call theatre reviewer When an opera’s first sound is a

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Curtain Call: Cambodian Rock Band Adds a New Verse to the Old Khmer Song

By Gregory Moore, Curtain Call Columnist Music is the soul of Cambodia,” says Duch after briefly reviewing the country’s vibrant early ‘70s rock scene. “[…] But that’s not what you think of when yo

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Curtain Call: Musical Theatre West Makes “Guys and Dolls” Sing

Review by Greggory Moore The sum total of my childhood exposure to traditional Broadway musicals was the film Grease and my mom’s incessant playing of the original cast recording of A Chorus Line. So, wh

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“Shakespeare in Love” is Not Quite the Film, But It Works

That Shakespeare in Love takes place in the world of Elizabethan theater would seem to make a theatrical adaptation that much more apt. But when a film wins seven Oscars — including Best Picture, Best Actress and Best Screenplay — how good d

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