Greggory Moore

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Trapped within in the ironic predicament of wanting to know everything (more or less) while believing it may not be possible really to know anything at all, Greggory Moore is nonetheless dedicated to a life of study, be it of books, people, nature, or that slippery phenomenon we call the self. And from time to time he feels impelled to write a litt

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The Twentieth-Century Way

By Greggory Moore, Curtain Call col

Good Intentions Don’t Make for a Good All-American Genderf*ck Cabaret
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Good Intentions Don’t Make for a Good All-American Genderf*ck Cabaret

By Greggory Moore, Curtain Call columnist

One of the most compelling—and for many, troubling—sociological topics of our time is gender identity. While half of Americans are still wrestling with the idea that maybe homosexuals d

SBTS Shakespeare Merry Wives of Windsor
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Merry Wives in the Park Works Despite Not Being One of the Bard’s Best

Granted, The Merry Wives of Windsor is universally regarded as one of the Bard’s weakest works. Shakespeare by the Sea certa

The Foreigner, Photo by: Mickey Elliot)
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The Foreigner Finds Solid Footing on Familiar Ground

“How does one go about acquiring a personality,” Charlie (David Lawrence) wonders. His dying wife finds him “shatteringly, profoundly boring,” which he regards as reason enough to forgive how she’s

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No Clichés, Few Laughs in Love/Sick

By Greggory Moore, Curtain Call Columnist Love/Sick knows what it wants to be. By stringing together nine short plays employing SNL-style skit comedy whose punchlines boil down to the somber reality that the star

Brian Baxter, soundpedro
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soundpedro: San Pedro’s New Annual Artistic Tradition

By Greggory Moore, Curtain Call Columnist

  There was nothing quite like SoundWalk in Southern California. For ten years running,
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Curtain Call: Not Enough Love Potion to Cast a Spell

By Greggory Moore, Curtain Call Columnist There’s a curious juxtaposition at the heart of The Love Potion. Based on a modern (1900) retelling of the medieval (12th century) romance, Tristan

Dashawn “Dash” Barnes, Jojo Nwoko, Allison Blaize in Cardboard Piano at ICT.
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Heavy-Handedness Makes for Stiff “Cardboard Piano”

By Greggory Moore, Curtain Call columnist

  In a world full of atrocities, how do we move forward when we have destroyed that which cannot be fixed? That’s the question at the center of Han

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Great Performance, Timely Topic Makes for Watchable “Extremities”

By Greggory Moore, Curtain Call reviewer

It’s one of the better-known premises in modern theatre: a man breaks into a house to rape a woman, but she fends him

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